Megan Harris > Megan's Quotes

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  • #1
    Kevin Brockmeier
    “Anyone who has ever experienced love knows that you can have too much or too little. You can have love that parches, love that defeats. You can have love measured out in the wrong proportions. It's like your sunlight and water - the wrong kind of love is just as likely to stifle hope as it is to nourish it.”
    Kevin Brockmeier, The Brief History of the Dead

  • #2
    Tiffanie DeBartolo
    “Anything less than mad, passionate, extraordinary love is a waste of time. There are too many mediocre things in life to deal with and love shouldn't be one of them.”
    Tiffanie DeBartolo

  • #3
    Tiffanie DeBartolo
    “We’re all searching for something to fill up what I like to call that big, God-shaped hole in our souls. Some people use alcohol, or sex, or their children, or food, or money, or music, or heroin. A lot of people even use the concept of God itself. I could go on and on. I used to know a girl who used shoes. She had over two-hundred pairs. But it’s all the same thing, really. People, for some stupid reason, think they can escape their sorrows.”
    Tiffanie DeBartolo, God-Shaped Hole

  • #4
    Tiffanie DeBartolo
    “I’m afraid of everything. Fear of being alone, fear of being hurt, fear of being made a fool of, fear of failure... Still, I think all my fears bleed from one big one...”
    Tiffanie DeBartolo, God-Shaped Hole

  • #5
    Tiffanie DeBartolo
    “Everyone feels that void. Everyone who has the balls to look inside themselves, anyway. It's what life's all about.. A search.”
    Tiffanie DeBartolo, God-Shaped Hole

  • #6
    Tiffanie DeBartolo
    “There's a big difference between being alone and being lonely. And I'm guessing that once you've discovered this distinction you can't go back to solitary confinement without serious emotional repercussions.”
    Tiffanie DeBartolo, How to Kill a Rock Star

  • #7
    Tiffanie DeBartolo
    “I am of the theory that all of our transcendental connections, anything we're drawn to, be it a person, a song, a painting on a wall--they're magnetic. The art is the alloy, so to speak. And our souls are equipped with whatever properties are required to attract that alloy. I'm no scientist so I don't really know what the hell these properties are, but my point is we're drawn to stuff we've already got a connection to. Part of the thing is already inside of us.”
    Tiffanie DeBartolo, How to Kill a Rock Star
    tags: love

  • #8
    Carol Goodman
    “Which of us can say what the gods hold wicked?”
    Carol Goodman

  • #9
    Oscar Wilde
    “I am not young enough to know everything.”
    Oscar Wilde
    tags: age

  • #10
    Oscar Wilde
    “Those who find ugly meanings in beautiful things are corrupt without being charming. This is a fault. Those who find beautiful meanings in beautiful things are the cultivated. For these there is hope. They are the elect to whom beautiful things mean only Beauty. There is no such thing as a moral or an immoral book. Books are well written, or badly written. That is all.”
    Oscar Wilde, The Picture of Dorian Gray

  • #11
    Oscar Wilde
    “I think God, in creating man, somewhat overestimated his ability.”
    Oscar Wilde

  • #12
    Jack Kerouac
    “[...]the only people for me are the mad ones, the ones who are mad to live, mad to talk, mad to be saved, desirous of everything at the same time, the ones who never yawn or say a commonplace thing, but burn, burn, burn like fabulous yellow roman candles exploding like spiders across the stars and in the middle you see the blue centerlight pop and everybody goes “Awww!”
    Jack Kerouac, On the Road

  • #13
    Jack Kerouac
    “Happiness consists in realizing it is all a great strange dream”
    Jack Kerouac

  • #14
    Jack Kerouac
    “There was nowhere to go but everywhere, so just keep on rolling under the stars.”
    Jack Kerouac, On the Road: The Original Scroll

  • #15
    Charlotte Brontë
    “I remembered that the real world was wide, and that a varied field of hopes and fears, of sensations and excitments, awaited those who had the courage to go forth into it's expanse, to seek real knowledge of life amidst it's perils.”
    Charlotte Brontë, Jane Eyre

  • #16
    Margaret Atwood
    “Perhaps I write for no one. Perhaps for the same person children are writing for when they scrawl their names in the snow.”
    Margaret Atwood

  • #17
    Margaret Atwood
    “Falling in love, we said; I fell for him. We were falling women. We believed in it, this downward motion: so lovely, like flying, and yet at the same time so dire, so extreme, so unlikely. God is love, they once said, but we reversed that, and love, like heaven, was always just around the corner. The more difficult it was to love the particular man beside us, the more we believed in Love, abstract and total. We were waiting, always, for the incarnation. That word, made flesh.

    And sometimes it happened, for a time. That kind of love comes and goes and is hard to remember afterwards, like pain. You would look at the man one day and you would think, I loved you, and the tense would be past, and you would be filled with a sense of wonder, because it was such an amazing and precarious and dumb thing to have done; and you would know too why your friends had been evasive about it, at the time.

    There is a good deal of comfort, now, in remembering this.”
    Margaret Atwood, The Handmaid's Tale
    tags: love

  • #18
    Margaret Atwood
    “And she finds it difficult to believe—that a person would love her even when she isn't trying. Trying to figure out what other people need, trying to be worthy.”
    Margaret Atwood

  • #19
    Jon McGregor
    “You must always look with both of your eyes and listen with both of your ears. He says this is a very big world and there are many many things you could miss if you are not careful. There are remarkable things all the time, right in front of us, but our eyes have like the clouds over the sun and our lives are paler and poorer if we do not see them for what they are. If nobody speaks of remarkable things, how can they be called remarkable?”
    Jon McGregor, If Nobody Speaks Of Remarkable Things

  • #20
    Jon McGregor
    “If you listen, you can hear it.
    The city, it sings.
    If you stand quietly, at the foot of a garden, in the middle of the street, on the roof of a house.
    It's clearest at night, when the sound cuts more sharply across the surface of things, when the song reaches out to a place inside you.
    It's a wordless song, for the most, but it's a song all the same, and nobody hearing it could doubt what it sings. And the song sings the loudest when you pick out each note.”
    Jon McGregor, If Nobody Speaks Of Remarkable Things

  • #21
    Jon McGregor
    “By the middle of the afternoon it had rained so much that the drains were overflowing, clogged up with leaves and newspapers.
    The water built up until it was sliding across the road in great sheets, rippled by the wind and parted like a football crowd by passing cars.
    I was shocked by the sheer volume of water that came pouring out of the darkness of the sky.
    Watching the weight of it crashing into the ground made me feel like a very young child, unable to understand what was really happening.
    Like trying to understand radio waves, or imagining computers communicating along glass cables.
    I leant my face against the window as the rain piled upon it, streaming down in waves, blurring my vision, making the shops opposite waver and disappear.
    There was a time when I might have found this exhilarating, even miraculous, but not that day.
    That day it made me nervous and tense, unable to concentrate on anything while the noise of it clattered against the windows and the roof.
    I kept opening the door to look for clear skies, and slamming it shut again.
    And then around teatime, from nowhere, I smashed all the dirty plates and mugs into the washing-up bowl.
    Something swept through me, swept out of and over me, something unstoppable, like water surging from a broken tap and flooding across the kitchen floor.
    I don't quite understand why I felt that way, why I reacted like that.
    I wanted to be saying it's just something that happens.
    But I was there, that day, slamming the kitchen door over and over again until the handle came loose.
    Smacking my hand against the worktop, kicking the cupboard doors, throwing the plates into the sink.
    Going fuckfuckfuck through my clenched teeth.
    I wanted someone to see me, I wanted someone to come rushing in, to take hold of me and say hey hey what are you doing, hey come on, what's wrong.
    But there was no one there, and no one came. ”
    Jon McGregor, If Nobody Speaks Of Remarkable Things

  • #22
    Laura Whitcomb
    “The library smells like old books — a thousand leather doorways into other worlds. I hear silence, like the mind of God. I feel a presence in the empty chair beside me. The librarian watches me suspiciously. But the library is a sacred place, and I sit with the patron saint of readers. Pulsing goddess light moves through me for one moment like a glimpse of eternity instantly forgotten. She is gone. I smell mold, I hear the clock ticking, I see an empty chair. Ask me now and I'll say this is just a place where you can't play music or eat. She's gone. The library sucks.”
    Laura Whitcomb, A Certain Slant of Light

  • #23
    Christopher Barzak
    “Sometimes you've got to be able to listen to yourself and be okay with no one else understanding.”
    Christopher Barzak, One for Sorrow

  • #24
    Christopher Barzak
    “The terrible thing about love is that it takes away your safety net, your balancing pole. Even the tightrope you walk upon will disappear beneath you, yet love expects you to keep walking anyway, arms outstretched, one foot after the other, on nothing more than air.”
    Christopher Barzak, The Love We Share Without Knowing

  • #25
    Christopher Barzak
    “Nothing is more real than the masks we make to show each other who we are.”
    Christopher Barzak, The Love We Share Without Knowing

  • #26
    Jonathan Lethem
    “I learned to write fiction the way I learned to read fiction - by skipping the parts that bored me.

    Jonathan Lethem

  • #27
    Jonathan Lethem
    “But the stories you told yourself-- which you pretended to recall as if they'd happened every afternoon of an infinite summer-- were really a pocketful of days distorted into legend, another jailhouse exaggeration, like the dimensions of those ballpoint-crosshatched tits or of the purported mountains of blow you once used to enjoy, or how you'd bellowed an avenger's roar when you squeezed the trigger of a pistol you'd actually brandished in self-pissing terror. How often had that hydrant even been opened? Did you jet water through a car window, what, twice at best? Summer burned a few afternoons long, in the end.”
    Jonathan Lethem, The Fortress of Solitude

  • #28
    Friendship ... is born at the moment when one man says to another What! You
    “Friendship ... is born at the moment when one man says to another "What! You too? I thought that no one but myself . . .”
    C.S. Lewis, The Four Loves

  • #30
    I have always imagined that Paradise will be a kind of library.
    “I have always imagined that Paradise will be a kind of library.”
    Jorge Luis Borges

  • #31
    Neil Gaiman
    “Have you ever been in love? Horrible isn't it? It makes you so vulnerable. It opens your chest and it opens up your heart and it means that someone can get inside you and mess you up.”
    Neil Gaiman, The Sandman, Vol. 9: The Kindly Ones



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