Mimona Masarwa > Mimona's Quotes

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  • #271
    Rebecca   Ross
    “I don’t want to wake up when I’m seventy-four only to realize I haven’t lived.”
    Rebecca Ross, Divine Rivals

  • #272
    Rebecca   Ross
    “to be vulnerable is a strength most of us fear.”
    Rebecca Ross, Divine Rivals

  • #273
    “People seldom realize that they tell lies with their lips and truths with their eyes all the time.”
    Tahereh Mafi, Destroy Me

  • #274
    “Love is a heartless bastard”
    Tahereh Mafi, Destroy Me

  • #275
    “And I've fallen.

    So hard.

    I've hit the ground. Gone right through it. Never in my life have I felt this. Nothing like this. I've felt shame and cowardice, weakness and strength. I've known terror and indifference, self-hate and general disgust. I've seen things that cannot be unseen.

    And yet I've known nothing like this terrible, horrible, paralyzing feeling. I feel crippled. Desperate and out of control. And it keeps getting worse. Every day I feel sick. Empty and somehow aching.

    Love is a heartless bastard.”
    Tahereh Mafi, Destroy Me

  • #276
    “I’ve come to believe that the most dangerous man in the world is the one who feels no remorse. The one who never apologizes and therefore seeks no forgiveness. Because in the end it is our emotions that make us week, not our actions.”
    Tahereh Mafi, Destroy Me

  • #277
    “My mind is a warehouse of carefully organized human emotions.
    I lock away the things that do not serve me.”
    Tahereh Mafi, Destroy Me

  • #278
    “She is a soft, deadly creature. Kind and timid and terrifying. She's completely out of control and has no idea what she's capable of. And even though she hates me, I can't help but be fascinated by her. I'm enchanted by her pretend-innocence; jealous, even, of the power she wields so unwittingly. I want so much to be a part of her world. I want to know what it's like to be in her mind, to feel what she feels. It seems a tremendous weight to carry.
    And now she's out there, somewhere, unleashed on society.
    What a beautiful disaster.”
    Tahereh Mafi, Destroy Me

  • #279
    “That this girl would know exactly how to shatter me.”
    Tahereh Mafi, Destroy Me

  • #280
    “Watching her talk to someone else made me crazy. I was jealous. Ridiculous. I wanted her to know me; I wanted her to talk to me. And I felt it then: this strange, inexplicable sense that she might be the only person in the world I could really care about.”
    Tahereh Mafi, Destroy Me

  • #281
    “Because I want her.
    Now.
    Here.
    Everywhere.
    I want nothing between us.
    I want her clothes off and the lights on and I want to study her. I want to unzip her out of this dress and take my time with every inch of her.”
    Tahereh Mafi, Destroy Me

  • #282
    “These letters are all I have left.
    26 friends to tell my stories to.
    26 letters are all I need. I can stitch them together to create oceans and ecosystems. I can fit them together to form planets and solar systems. I can use letters to construct skyscrapers and metropolitan cities populated by people, places, things, and ideas that are more real to me than these 4 walls.
    I need nothing but letters to live. Without them I would not exist.
    Because these words I write down are the only proof I have that I’m still alive.”
    Tahereh Mafi, Destroy Me

  • #283
    “Torture is not torture when there’s any hope of relief.”
    Tahereh Mafi, Destroy Me

  • #284
    “This girl is destroying me.”
    Tahereh Mafi, Destroy Me

  • #285
    “My opinions,” I say to him, quietly this time, “should not so easily break your own. Stand by your convictions. Form clear and logical arguments. Even if I disagree.”
    Tahereh Mafi, Destroy Me

  • #286
    Carissa Broadbent
    “Death isn’t frightening when weighed against an insignificant existence.”
    Carissa Broadbent, The Serpent and the Wings of Night

  • #287
    Carissa Broadbent
    “I’ve lived through some injustices in the last couple of centuries. Seen some fucking travesties. But one of the biggest, Oraya, is that anyone taught you that you should become anything other than exactly what you are.”
    Carissa Broadbent, The Serpent and the Wings of Night

  • #288
    Mona Awad
    “What, am I supposed to feel guilty?" I say.

    He looks confused. "Guilty?"

    "That I feel fine for once? That I'm not limping and moaning around? Dragging my leg like Briana? Lying on the floor, crying into my ears when everyone else around me rolls their eyes? I'm supposed to feel bad that I'm better now? I'm supposed to cry over a little cut. To what? To make you feel like I'm not a monster. I need to perform my little bit of pain for you so you'll know I'm human?"

    "Miranda, I didn't mean—"

    "But not too much pain, am I right? Not too much, never too much. If it was too much, you wouldn't know what to do with me, would you? Too much would make you uncomfortable. Bored. My crying would leave a bad taste. That would just be bad theater, wouldn't it? A bad show. You want a good show. They all do. A few pretty tears on my cheeks that you can brush away. Just a delicate little bit of ouch so you know there's someone in there. So you don't get too scared of me, am I right? So you know I'm still a vulnerable thing. That I can be brought down if need be.”
    Mona Awad, All's Well

  • #289
    Mona Awad
    “We all fall, Ms. Fitch. We fall and we rise. Bones and tissue heal. But sometimes we want to hold on to the pain. Sometimes we have our reasons for not being able to let go.”
    Mona Awad, All's Well

  • #290
    Emily Henry
    “Things change, but we stretch and grow and make room for one another.

    Our love is a place we can always come back to, and it will be waiting, the same as it ever was.

    You belong here.
    Emily Henry, Happy Place

  • #291
    Emily Henry
    “It doesn't matter how busy life's been, how long the five of us have gone without seeing one another: meeting at the cottage is like pulling on a favourite sweatshirt, worn to perfection.

    Time doesn't move the same way when we're there. Things change, but we stretch and grow and make room for one another.

    Our love is a place we can always come back to, and it will be waiting, the same as it ever was.

    You belong here.
    Emily Henry, Happy Place

  • #292
    Emily Henry
    “It doesn't matter how busy life's been, how long the live of us have gone without seeing one another: meeting at the cottage is like pulling on a favorite sweatshirt, worn to perfection. Time doesn't move the same way when we're there.”
    Emily Henry, Happy Place

  • #293
    N.H. Kleinbaum
    “So avoid using the word ‘very’ because it’s lazy. A man is not very tired, he is exhausted. Don’t use very sad, use morose. Language was invented for one reason, boys - to woo women - and, in that endeavor, laziness will not do. It also won’t do in your essays.”
    N.H. Kleinbaum, Dead Poets Society

  • #294
    N.H. Kleinbaum
    “We don't read and write poetry because it's cute. We read and write poetry because we are members of the human race. And the human race is filled with passion. And medicine, law, business, engineering, these are noble pursuits and necessary to sustain life. But poetry, beauty, romance, love, these are what we stay alive for. To quote from Whitman, "O me! O life!... of the questions of these recurring; of the endless trains of the faithless... of cities filled with the foolish; what good amid these, O me, O life?" Answer. That you are here - that life exists, and identity; that the powerful play goes on and you may contribute a verse. That the powerful play *goes on* and you may contribute a verse. What will your verse be?”
    N.H. Kleinbaum, Dead Poets Society

  • #295
    “No matter what anybody tells you, words and ideas can change the world.”
    Tom Schulman, Dead Poets Society

  • #296
    N.H. Kleinbaum
    “If you listen real close, you can hear them whisper their legacy to you. Go on, lean in. Listen, you hear it? - Carpe - hear it? – Carpe, Carpe Diem, seize the day boys, make your lives extraordinary.”
    N.H. Kleinbaum, Dead Poets Society

  • #297
    Héctor  García
    “We don’t create our feelings; they simply come to us, and we have to accept them. The trick is welcoming them. Morita likened emotions to the weather: We can’t predict or control them; we can only observe them. To this point, he often quoted the Vietnamese monk Thich Nhat Hanh, who would say, “Hello, solitude. How are you today? Come, sit with me, and I will care for you.”
    Hector Garcia Puigcerver, Ikigai: The Japanese Secret to a Long and Happy Life

  • #298
    Elizabeth Acevedo
    “A queen
    offers her hand to be kissed,
    & can form it into a fist
    while smiling the whole damn time.”
    Elizabeth Acevedo, Clap When You Land

  • #299
    Elizabeth Acevedo
    “Fight until you can’t breathe, & if you have to forfeit, you forfeit smiling, make them think you let them win.”
    Elizabeth Acevedo, Clap When You Land

  • #300
    Elizabeth Acevedo
    “Can you be from a place
    you have never been?

    You can find the island stamped all over me,
    but what would the island find if I was there?

    Can you claim a home that does not know you,
    much less claim you as its own?”
    Elizabeth Acevedo, Clap When You Land



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