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  • #1
    Suzanne Collins
    “Katniss: I’m coming back into focus when Caesar asks him if he has a girlfriend back home.
    Peeta: (Gives an unconvincing shake of head.)
    Caesar: Handsome lad like you. There must be some special girl. Come on, what’s her name?
    Peeta: Well, there is this one girl. I’ve had a crush on her ever since I can remember. But I’m pretty sure she didn’t know I was alive until the reaping.
    Caesar: She have another fellow?
    Peeta: I don’t know, but a lot of boys like her.
    Caesar: So, here’s what you do. You win, you go home. She can’t turn you down, eh?
    Peeta: I don’t think it’s going to work out. Winning… won’t help in my case.
    Caesar: Why ever not?
    Peeta: Because… because… she came here with me.
    Caesar: Oh, that is a piece of bad luck.
    Peeta: It’s not good.
    Caesar: Well, I don’t think any of us can blame you. It’d be hard not to fall for that young lady. She didn’t know?
    Peeta: Not until now.”
    Suzanne Collins, The Hunger Games

  • #2
    Anthony Doerr
    “I know why those librarians read the old stories to you,” Rex says. “Because if it’s told well enough, for as long as the story lasts, you get to slip the trap.”
    Anthony Doerr, Cloud Cuckoo Land

  • #3
    E.M. Forster
    “Cannot you see, cannot all you lecturers see, that it is we that are dying, and that down here the only thing that really lives is the Machine? We created the Machine, to do our will, but we cannot make it do our will now. It has robbed us of the sense of space and of the sense of touch, it has blurred every human relation and narrowed down love to a carnal act, it has paralyzed our bodies and our wills, and now it compels us to worship it. The Machine develops - but not on our lies. The Machine proceeds - but not to our goal. We only exist as the blood corpuscles that course through its arteries, and if it could work without us, it would let us die.”
    E.M. Forster, The Machine Stops

  • #4
    Suzanne Collins
    “If Peeta and I were both to die, or they thought we were....My fingers fumble with the pouch on my belt, freeing it. Peeta sees it and his hand clamps on my wrist. "No, I won't let you." "Trust me," I whisper. He holds my gaze for a long moment then lets go. I loosen the top of the pouch and pour a few spoonfuls of berries into his palm. Then I fill my own. "On the count of three?" Peeta leans down and kisses me once, very gently. "The count of three," he says. We stand, our backs pressed together, our empty hands locked tight. "Hold them out. I want everyone to see," he says. I spread out my fingers, and the dark berries glisten in the sun. I give Peeta's hand one last squeeze as a signal, as a good-bye, and we begin counting. "One." Maybe I'm wrong. "Two." Maybe they don't care if we both die. "Three!" It's too late to change my mind. I lift my hand to my mouth taking one last look at the world. The berries have just passed my lips when the trumpets begin to blare. The frantic voice of Claudius Templesmith shouts above them. "Stop! Stop! Ladies and gentlemen, I am pleased to present the victors of the 74th Hunger Games, Katniss Everdeen and Peeta Mellark! I give you - the tributes of District 12!”
    Suzanne Collins, The Hunger Games

  • #5
    Suzanne Collins
    “Peeta, you were supposed to wake me after a couple of hours," I say.

    "For what? Nothing's going on here," he says. "Besides, I like watching you sleep. You don't scowl. Improves your looks a lot."

    This, of course, brings on a scowl that makes him grin.”
    Suzanne Collins, The Hunger Games

  • #6
    Suzanne Collins
    “Katniss: I guess all those hours decorating cakes paid off.
    Peeta: Yes, frosting. The final defence of the dying. (252)”
    Suzanne Collins

  • #7
    Suzanne Collins
    “I remember everything about you," says Peeta, tucking a loose strand of hair behind my ear. "You're the one who wasn't paying attention.”
    Suzanne Collins

  • #8
    Suzanne Collins
    “What was that you were saying just before the food arrived? Something about me...no competition...best thing that ever happened to you..."

    "I don't remember that last part," I say, hoping it's too dim in here for the cameras to pick up my blush.

    "Oh, that's right. That what I was thinking," he says.”
    Suzanne Collins, The Hunger Games

  • #9
    Suzanne Collins
    “Peeta actually is charming and then utterly winning as the boy in love. And there I am, blushing and confused, made beautiful by Cinna’s hands, desirable by Peeta’s confession, tragic by circumstance, and by all accounts, unforgettable.”
    Suzanne Collins, The Hunger Games

  • #10
    Suzanne Collins
    “You're a painter. You're a baker. You like to sleep with the windows open. You never take sugar in your tea and you always double knot your shoelaces.' I fight back. Then I dive back into my tent before I do something stupid like cry.”
    Suzanne Collins, Mockingjay

  • #11
    Suzanne Collins
    “I’m about to haul my packs into a tree to make camp when a silver parachute floats down and lands in front of me. A gift form a sponsor. But why now? I’ve been in fairly good shape with supplies. Maybe Haymitch’s noticed my despondency and is trying to cheer me up a bit. Or could it be something to help my ear?

    I open the parachute and find a small loaf of bread. It’s not the fine white of the Capitol stuff. It’s made of dark ration grain and shaped in a crescent. Sprinkled with seeds. I flashback to Peeta’s lesson on the various district breads in the Training Center. This bread came from District 11. I cautiously lift the still warm loaf. What must it have cost the people of District 11 who can’t even feed themselves? How many would’ve had to do without to scrape up a coin to put in the collection for this one loaf? It had been meant for Rue, surely. But instead of pulling the gift when she died, they’d authorized Haymitch to give it to me. As a thank-you? Or because, like me, they don’t like to let debts go unpaid? For whatever reason, this is a first. A district gift to a tribute who’s not your own.

    I lift my face and step into the last falling rays of sunlight. “My thanks to the people of District Eleven,” I say. I want them to know I know where it came from. That the full value of the gift has been recognized.”
    Suzanne Collins, The Hunger Games

  • #12
    Suzanne Collins
    “It’s just that I didn’t understand when I met you. After your first Games, I thought the whole romance was an act on your part. We all expected you’d continue that strategy. But it wasn’t until Peeta hit the force field and nearly died that I —' Finnick hesitates.

    I think back to the arena. How I sobbed when Finnick revived Peeta. The quizzical look on Finnick's face. The way he excused by behavior, blaming it on my pretend pregnancy. 'That you what?'

    'That I knew I'd misjudged you. That you do love him. I'm not saying in what way. Maybe you don't know yourself. But anyone paying attention could see how much you care about him,' he says gently.

    Anyone? On Snow's visit before the Victory Tour, he had challenged me to erase any doubts of my love for Peeta. 'Convince me,' Snow said. It seems, under that hot pink sky with Peeta's life in limbo, I finally did. And in doing so, I gave him the weapon he needed to break me.”
    Suzanne Collins, Mockingjay

  • #13
    Suzanne Collins
    “I realize only one person will be damaged beyond repair if Peeta dies. Me.”
    Suzanne Collins, Catching Fire

  • #14
    Suzanne Collins
    “Peeta, how come I never know when you're having a nightmare?” I say.

    “I don't know. I don't think I cry out or thrash around or anything. I just come to, paralyzed with terror,” he says.

    “You should wake me,” I say, thinking about how I can interrupt his sleep two or three times on a bad night. About how long it can take to calm me down.

    “It's not necessary. My nightmares are usually about losing you,” he says. “I'm okay once I realize you're here.”
    Suzanne Collins, Catching Fire

  • #15
    Suzanne Collins
    “I'm going to wake Peeta," I say.
    "No, wait," says Finnick. "Let's do it together. Put our faces right in front of his."
    Well, there's so little opportunity for fun left in my life, I agree. We position ourselves on either side of Peeta, lean over until our faces are inches frim his nose, and give him a shake. "Peeta. Peeta, wake up," I say in a soft, singsong voice.
    His eyelids flutter open and then he jumps like we've stabbed him. "Aa!"
    Finnick and I fall back in the sand, laughing our heads off. Every time we try to stop, we look at Peeta's attempt to maintain a disdainful expression and it sets us off again.”
    Suzanne Collins, Catching Fire

  • #16
    Suzanne Collins
    “You're a painter. You're a baker. You like to sleep with the windows open. You never take sugar in your tea. And you always double-knot your shoelaces.”
    Suzanne Collins, Mockingjay

  • #17
    Suzanne Collins
    “Peeta and I grow back together. There are still moments when he clutches the back of a chair and hangs on until the flashbacks are over. I wake screaming from nightmares of mutts and lost children. But his arms are there to comfort me. And eventually his lips. On the night I feel that thing again, the hunger that overtook me on the beach, I know this would have happened anyway. That what I need to survive is not Gale's fire, kindled with rage and hatred. I have plenty of fire myself. What I need is the dandelion in the spring. The bright yellow that means rebirth instead of destruction. The promise that life can go on, no matter how bad our losses. That it can be good again. And only Peeta can give me that. So after, when he whispers, "You love me. Real or not real?" I tell him, "Real.”
    Suzanne Collins, Mockingjay

  • #18
    Suzanne Collins
    “Ally." Peeta says the words slowly, tasting it. "Friend. Lover. Victor. Enemy. Fiancee. Target. Mutt. Neighbor. Hunter. Tribute. Ally. I'll add it to the list of words I use to try to figure you out. The problem is, I can't tell what's real anymore, and what's made up.”
    Suzanne Collins, Mockingjay

  • #19
    Suzanne Collins
    “Sometimes when I'm alone, I take the pearl from where it lives in my pocket and try to remember the boy with the bread, the strong arms that warded off nightmares on the train, the kisses in the arena.”
    Suzanne Collins, Mockingjay

  • #20
    Suzanne Collins
    “I don't want you forgetting how different our circumstaces are. If you die, and I live, there's no life for me at all back in District Twelve. You're my whole life." Peeta says. "I would never be happy again. It's different for you. I'm not saying it wouldn't be hard. But there are other people who'd make your life worth living."

    "No one really needs me," he says, and there's no selfpity in his voice. It's true his family doesn't need him. They will mourn him, as will a handfull of friends. But they will get on.... I realise only one person will be damaged beyond repair if Peeta dies. Me.

    "I do," I say. "I need you.”
    Suzanne Collins, Catching Fire

  • #21
    Suzanne Collins
    “At a few minutes before four, Peeta turns to me again. "Your favorite colour . . . it's green?"
    "That's right." Then I think of something to add. "And yours is orange."
    "Orange?" He seems unconvinced.
    "Not bright orange. But soft. Like the sunset," I say. "At least, that's what you told me once."
    "Oh." He closes his eyes briefly, maybe trying to conjure up that sunset, then nods his head. "Thank you."
    But more words tumble out. "You're a painter. You're a baker. You like to sleep with the windows open. You never take sugar in your tea. And you always double-knot your shoelaces."
    Then I dive into my tent before I do something stupid like cry.”
    Suzanne Collins, Mockingjay

  • #22
    Suzanne Collins
    “Peeta opens his mouth for the first bite without hesitation. He swallows, then frowns slightly. "They're very sweet."
    "Yes they're sugar berries. My mother makes jam from them. Haven't you've ever had them before?" I say, poking the next spoonful in his mouth.
    "No," he says, almost puzzled. "But they taste familiar. Sugar berries?"
    "Well, you can't get them in the market much, they only grow wild," I say. Another mouthful goes down. Just one more to go.
    "They're sweet as syrup," he says, taking the last spoonful. "Syrup." His eyes widen as he realizes the truth. I clamp my hand over his mouth and nose hard, forcing him to swallow instead of spit. He tries to make himself vomit the stuff up, but it's too late, he's already losing consciousness. Even as he fades away, I can see in his eyes what I've done is unforgiveable.
    I sit back on my heels and look at him with a mixture of sadness and satisfaction. A stray berry stains his chin and I wipe it away. "Who can't lie, Peeta?" I say, even though he can't hear me.”
    Suzanne Collins, The Hunger Games

  • #23
    Suzanne Collins
    “It's a long shot, it's suicide maybe, but I do the only thing I can think of. I lean in and kiss Peeta full on the mouth. His whole body starts shuddering, but I keep my lips pressed to his until I have to come up for air. My hands slide up his wrists to clasp his. "Don't let him take you from me."
    Peeta's panting hard as he fights the nightmares raging his head. "No. I don't want to. . ."
    I clench his hands to the point of pain. "Stay with me."
    His pupils contract to pinpoints, dilate again rapidly, and then return to something resembling normalcy. "Always," he murmurs.”
    Suzanne Collins, Mockingjay

  • #24
    Suzanne Collins
    “I know what blood poisoning is, Katniss," says Peeta. "Even if my mother isn't a healer."
    I'm jolted back in time, to another wound, another set of bandages. "You said that same thing to me in the first Hunger Games. Real or not real?"
    "Real," he says. "And you risked your life getting the medicine that saved me?"
    "Real." I shrug. "You were the reason I was alive to do it.”
    Suzanne Collins, Mockingjay

  • #25
    Suzanne Collins
    “But I have to confess, I'm glad you two had at least a few months of happiness together."
    I'm not glad," says Peeta. "I wish we had waited until the whole thing was done officially."
    This takes even Caesar aback. "Surely even a brief time is better than no time?"
    Maybe I'd think that, too, Caesar," says Peeta bitterly, "If it weren't for the baby.”
    Suzanne Collins, Catching Fire

  • #26
    Suzanne Collins
    “It's impossible to be the Mockingjay. Impossible to complete even this one sentence. Because now I know that everything I say will be directly taken out on Peeta. Result in his torture. But not his death, no, nothing so merciful as that. Snow will ensure that his life is much more worse than death.

    "Cut," I hear Cressida say quietly.

    "What's wrong with her?" Plutarch says under his breath.

    "She's figured out how Snow's using Peeta," says Finnick.

    There's something like a collective sigh of regret from that semicircle of people spread out before me. Because I know this now. Because there will never be a way for me to not know this again. Because, beyond the military disadvantage losing a entails, I am broken.

    Several sets of arms would embrace me. But in the end, the only person I truly want to comfort me is Haymitch, because he loves Peeta, too. I reach out for him and say something like his name and he's there, holding me and patting my back. "It's okay. It'll be okay, sweetheart." He sits me on a length of broken marble pillar and keeps an arm around me while I sob.

    "I can't do this anymore," I say.

    "I know," he says.”
    Suzanne Collins, Mockingjay

  • #27
    Suzanne Collins
    “You're punishing him over and over for things that are out of his control. Now, I'm not saying you shouldn't have a fully loaded weapon next to you round the clock. But I think it's time you flipped this little scenario in your head. If you'd been taken by the Capitol, and hijacked, and then tried to kill Peeta, is this the way he would be treating you?" demands Haymitch.
    I fall silent. It isn't. It isn't how he would be treating me at all. He would be trying to get me back at any cost. Not shutting me out, abandoning me, greeting me with hostility at every turn.”
    Suzanne Collins, Mockingjay

  • #28
    Suzanne Collins
    “Peeta,” I say lightly. “You said at the interview you’d had a crush on me forever. When did forever start?”
    “Oh, let’s see. I guess the first day of school. We were five. You had on a red plaid dress and your hair... it was in two braids instead of one. My father pointed you out when we were waiting to line up,” Peeta says.
    “Your father? Why?” I ask.
    “He said, ‘See that little girl? I wanted to marry her mother, but she ran off with a coal miner,’” Peeta says.
    “What? You’re making that up!” I exclaim.
    “No, true story,” Peeta says. “And I said, ‘A coal miner? Why did she want a coal miner if she could’ve had you?’ And he said, ‘Because when he sings... even the birds stop to listen.’”
    “That’s true. They do. I mean, they did,” I say. I’m stunned and surprisingly moved, thinking of the baker telling this to Peeta. It strikes me that my own reluctance to sing, my own dismissal of music might not really be that I think it’s a waste of time. It might be because it reminds me too much of my father.
    “So that day, in music assembly, the teacher asked who knew the valley song. Your hand shot right up in the air. She stood you up on a stool and had you sing it for us. And I swear, every bird outside the windows fell silent,” Peeta says.
    “Oh, please,” I say, laughing.
    “No, it happened. And right when your song ended, I knew—just like your mother—I was a goner,” Peeta says. “Then for the next eleven years, I tried to work up the nerve to talk to you.”
    “Without success,” I add.
    “Without success. So, in a way, my name being drawn in the reaping was a real piece of luck,” says Peeta. For a moment, I’m almost foolishly happy and then confusion sweeps over me. Because we’re supposed to be making up this stuff, playing at being in love not actually being in love. But Peeta’s story has a ring of truth to it. That part about my father and the birds. And I did sing the first day of school, although I don’t remember the song. And that red plaid dress... there was one, a hand-me-down to Prim that got washed to rags after my father’s death.
    It would explain another thing, too. Why Peeta took a beating to give me the bread on that awful hollow day. So, if those details are true... could it all be true?
    “You have a... remarkable memory,” I say haltingly. “I remember everything about you,” says Peeta, tucking a loose strand of hair behind my ear. “You’re the one who wasn’t paying attention.”
    “I am now,” I say.
    “Well, I don’t have much competition here,” he says. I want to draw away, to close those shutters again, but I know I can’t. It’s as if I can hear Haymitch whispering in my ear, “Say it! Say it!”
    I swallow hard and get the words out. “You don’t have much competition anywhere.” And this time, it’s me who leans in.”
    Suzanne Collins, The Hunger Games

  • #29
    Suzanne Collins
    “What's going on down there, Katniss? Have they all joined hands? Taken a vow of nonviolence? Tossed the weapons in the sea in defiance of the Capitol?' Finnick asks.

    No,' I say.

    No,' Finnick repeats. 'Because whatever happened in the past is in the past. And no one in this arena was a victor by chance.' He eyes Peeta for a moment. 'Except maybe Peeta.”
    Suzanne Collins, Catching Fire

  • #30
    Suzanne Collins
    “By late afternoon I lie with my head in Peeta’s lap making a crown of flowers while he fiddles with my hair claiming he is practicing knots. After awhile his hands go still.
    “What?” I ask.
    “I wish I could freeze this moment, right here, right now, and live in it forever,” he says.
    Usually this sort of comment, the kind that hints his undying love for me, makes me feel guilty and awful. But I’m so relaxed and beyond worrying about a future I’ll never have, I just let the word slip out.
    “Okay,” I say.
    I can hear the smile in his voice. “Then you’ll allow it?”
    “I’ll allow it.”
    Suzanne Collins, Catching Fire



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