Bella Luu > Bella's Quotes

“Daydream delusion, limousine eyelash
Oh baby with your pretty face
Drop a tear in my wineglass.
Look at those big eyes
See what you mean to me
Sweet-cakes and milkshakes
I'm a delusion angel
I'm a fantasy parade.
I want you to know what I think
Don't want you to guess anymore
You have no idea where I came from
We have no idea where we're going
Lodged in life
Like branches in a river
Flowing downstream
Caught in the current
I carry you, You'll carry me
That's how it could be
Don't you know me?
Don't you know me by now?”
― Before Sunrise

“There are many Beths in the world, shy and quiet, sitting in corners till needed, and living for others so cheerfully that no one sees the sacrifices till the little cricket on the hearth stops chirping, and the sweet, sunshiny presence vanishes, leaving silence and shadow behind.”
― Louisa May Alcott, Little Women

“when we migrate, we murder from our lives those we leave behind.”
― Mohsin Hamid, Exit West

“It might seem odd that in cities teetering at the edge of the abyss young people still go to class—in this case an evening class on corporate identity and product branding—but that is the way of things, with cities as with life, for one moment we are pottering about our errands as usual and the next we are dying, and our eternally impending ending does not put a stop to our transient beginnings and middles until the instant when it does.”
― Mohsin Hamid, Exit West

“we are all children who lose our parents, all of us, every man and woman and boy and girl, and we too will all be lost by those who come after us and love us, and this loss unites humanity, unites every human being, the temporary nature of our being-ness, and our shared sorrow, the heartache we each carry and yet too often refuse to acknowledge in one another,”
― Mohsin Hamid, Exit West

“The fury of those nativists advocating wholesale slaughter was what struck Nadia most, and it struck her because it seemed so familiar, so much like the fury of the militants in her own city. She wondered whether she and Saeed had done anything by moving, whether the faces and buildings had changed but the basic reality of their predicament had not.”
― Mohsin Hamid, Exit West

“Location, location, location, the realtors say. Geography is destiny, respond the historians.”
― Mohsin Hamid, Exit West

“Ikenna, I have come to realize, is a man who carries with him the weight of what could have been.”
― Chimamanda Ngozi Adichie, The Thing Around Your Neck

“There are some words that once spoken will split the world in two. There would be the life before you breathed them and then the altered life after they'd been said. They take a long time to find, words like that. They make you hesitate. Choose with care. Hold on to them unspoken for as long as you can just so your world will stay intact.”
― Andrea Levy, Small Island

“He looked so pained that I dreamed of taking his hands and making him dance”
― Andrea Levy, Small Island

“We keep our heads down and work hard, believing that our diligence will reward us with our dignity, but our diligence will only make us disappear. By not speaking up, we perpetuate the myth that our shame is caused by our repressive culture and the country we fled, whereas America has given us nothing but opportunity. The lie that Asians have it good is so insidious that even now as I write, I’m shadowed by doubt that I didn’t have it bad compared to others. but racial trauma is not a competitive sport. The problem is not that my childhood was exceptionally traumatic but that it was in fact rather typical. Most white Americans can only understand racial trauma as a spectacle.”
― Cathy Park Hong, Minor Feelings: An Asian American Reckoning

“Innocence is both a privilege and a cognitive handicap, a sheltered unknowingness that, once protracted into adulthood, hardens into entitlement.”
― Cathy Park Hong, Minor Feelings: An Asian American Reckoning

“To recite my poems to an audience is to be slapped awake by my limitations. I confront the infinite chasm between the audience’s conception of Poet and the underwhelming evidence of me as that poet. I just don’t look the part. Asians lack presence. Asians take up apologetic space. We don’t even have enough presence to be considered real minorities. We’re not racial enough to be token. We’re so post-racial we’re silicon.”
― Cathy Park Hong, Minor Feelings: An Asian American Reckoning

“Whether our families come from Guatemala, Afghanistan, or South Korea, the immigrants since 1965 have shared histories that extend beyond this nation, to our countries of origin, where our lineage has been decimated by Western imperialism, war, and dictatorships orchestrated or supported by the United States. In our efforts to belong in America, we act grateful, as if we’ve been given a second chance at life. But our shared root is not the opportunity this nation has given us but how the capitalist accumulation of white supremacy has enriched itself off the blood of our countries. We cannot forget this.”
― Cathy Park Hong, Minor Feelings: An Asian American Reckoning

“The avant-garde genealogy could be tracked through stories of bad-boy white artists who “got away with it,” beginning with Duchamp signing a urinal and calling it art. It’s about defying standards and initiating a precedent that ultimately liberates art from itself. The artist liberates the art object from the rules of mastery, then from content, then frees the art object from what Martin Heidegger calls its very thingliness, until it becomes enfolded into life itself. Stripped of the artwork, all we are left with is the artist’s activities. The problem is that history has to recognize the artist’s transgressions as “art,” which is then dependent on the artist’s access to power. A female artist rarely “gets away with it.” A black artist rarely “gets away with it.”
― Cathy Park Hong, Minor Feelings: An Asian American Reckoning

“From invisible girlhood, the Asian American woman will blossom into a fetish object. When she is at last visible—at last desired—she realizes much to her chagrin that this desire for her is treated like a perversion. This is most obvious in porn, where our murky desires are coldly isolated into categories in which white is the default and every other race is a sexual aberration. But the Asian woman is reminded every day that her attractiveness is a perversion, in instances ranging from skin-crawling Tinder messages (“I’d like to try my first Asian woman”) to microaggressions from white friends. I recall a white friend pointing out to me that Jewish men only dated Asian women because they wanted to find women who were the opposite of their pushy mothers. Implied in this tone-deaf complaint was her assumption that Asian women are docile and compliant. Well-meaning friends never failed to warn me, if a white guy was attracted to me, that he probably had an Asian fetish. The result: I distrusted my desirousness. My sexuality was a pathology. If anyone non-Asian liked me, there was something wrong with him.”
― Cathy Park Hong, Minor Feelings: An Asian American Reckoning

“and I wonder if Beethoven held his breath
the first time his fingers touched the keys
the same way a soldier holds his breath
the first time his finger clicks the trigger.
We all have different reasons for forgetting to breathe.”
― Andrea Gibson

“I said to the sun, ‘Tell me about the big bang.’ The sun said, ‘it hurts to become.”
― Andrea Gibson

“A doctor once told me I feel too much. I said, so does god. that’s why you can see the grand canyon from the moon.”
― Andrea Gibson

“To think, a sweater, is made entirely of knots. My stomach could clothe a village.”
― Andrea Gibson

“Your ignorance keeps dismembering every piece of patience I have left.”
― Andrea Gibson

“You are not weak just because your heart feels so heavy.”
― Andrea Gibson The Nutritionist

“Every time she tried to branch out to new projects, they kept insisting that Asian was her brand, was what her audience expected. They never let her talk about anything other than being an immigrant, other than the fact that half her family died in Cambodia, that her dad killed himself on the twentieth anniversary of Tiananmen. Racial trauma sells, right? They treated her like a museum”
― R.F. Kuang, Yellowface

“I imagine one of the reasons people cling to their hates so stubbornly is because they sense, once hate is gone, they will be forced to deal with pain.”
― James Baldwin, The Fire Next Time

“I would like to make a film to tell children "it's good to be alive".”
― Hayao Miyazaki

“I’ve become skeptical of the unwritten rule that just because a boy and girl appear in the same feature, a romance must ensue. Rather, I want to portray a slightly different relationship, one where the two mutually inspire each other to live - if I’m able to, then perhaps I’ll be closer to portraying a true expression of love.”
― Hayao Miyazaki

“The creation of a single world comes from a huge number of fragments and chaos.”
― Hayao Miyazaki

“The concept of portraying evil and then destroying it - I know this is considered mainstream, but I think it is rotten. This idea that whenever something evil happens someone particular can be blamed and punished for it, in life and in politics is hopeless.”
― Hayao Miyazaki

“I'm not going to make movies that tell children, "You should despair and run away".”
― Hayao Miyazaki

“Personally I am very pessimistic. But when, for instance, one of my staff has a baby you can't help but bless them for a good future. Because I can't tell that child, 'Oh, you shouldn't have come into this life.' And yet I know the world is heading in a bad direction. So with those conflicting thoughts in mind, I think about what kind of films I should be making.”
― Hayao Miyazaki