Kyla > Kyla's Quotes

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  • #1
    Eireann Corrigan
    “Or maybe
    they saved you for me, forced open your eyes
    and knew that somewhere was a girl who dreamt in that exact shade of blue
    and would thank them silently and often.”
    Eireann Corrigan

  • #2
    Lauren DeStefano
    “I listen to the rain and the thunder, and I think I hear Jenna's voice in them, sounding out a warning. She's been gone for months now. But sometimes it feels like she's more alive than ever. She's one of the indecipherable things that make sounds in the wind, and she's in every kind of dream - the good and the awful.”
    Lauren DeStefano, Sever

  • #3
    Max Gladstone
    “For half a century he had stood too close to darkness, and some it crept into his bones.”
    Max Gladstone, Three Parts Dead

  • #4
    Max Gladstone
    “A thousand prickling tender touches lit upon her, as if she was caught in a rainstorm and the raindrops were love.”
    Max Gladstone, Three Parts Dead

  • #5
    “It's not reasonable to love people who are only going to die," she said.
    Nash thought about that for a moment, stroking Small's neck with great deliberation, as if the fate of the Dells depended on that smooth, careful movement.
    "I have two responses to that," he said finally. "First, everyone's going to die. Second, love is stupid. It has nothing to do with reason. You love whomever you love. Against all reasons I loved my father." He looked at her keenly. "Did you love yours?"
    "Yes," she whispered.
    He stroked Small's nose. "I love you," he said, "even knowing you'll never have me. And I love my brother, more than I ever realized before you came along. You can't help whom you love, Lady. Nor can you know what it's liable to cause you to do."
    She made a connection then. Surprised she sat back from him and studied his face, soft with shadows and light. She saw a part of him she hadn't seen before.
    "You came to me for lessons to guard your mind," she said, "and you stopped asking me to marry you, both at the same time. You did those things out of love for your brother."
    "Well" he said, looking a bit sheepishly at the floor. "I also took a few swings at him, but that's neither here nor there."
    "You're good at love," she said simply, because it seemed to her that it was true. "I'm not so good at love. I'm like a barbed creature. I push everyone I love away."
    He shrugged. "I don't mind you pushing me away if it means you love me, little sister.”
    Kristin Cashore, Fire

  • #6
    Sharon Kay Penman
    “...A scar signifies past pain, a wound that did not heal as it ought. But it testifies, too, to survival...(Here be Dragons)”
    Sharon Kay Penman

  • #7
    Thomas  Harris
    “We live in a primitive time—don’t we, Will?—neither savage nor wise. Half measures are the curse of it. Any rational society would either kill me or give me my books.”
    Thomas Harris, Red Dragon

  • #8
    Thomas  Harris
    “Over this odd world, this half the world that's dark now, I have to hunt a thing that lives on tears.”
    Thomas Harris, The Silence of the Lambs

  • #9
    Thomas  Harris
    “But the face on the pillow, rosy in the firelight, is certainly that of Clarice Starling, and she sleeps deeply, sweetly, in the silence of the lambs.”
    Thomas Harris, The Silence of the Lambs

  • #10
    Thomas  Harris
    “We rarely get to prepare ourselves in meadows or on graveled walks; we do it on short notice in places without windows, hospital corridors, rooms like this lounge with its cracked plastic sofa and Cinzano ashtrays, where the cafe curtains cover blank concrete. In rooms like this, with so little time, we prepare our gestures, get them by heart so we can do them when we're frightened in the face of Doom.”
    Thomas Harris, The Silence of the Lambs

  • #11
    Thomas  Harris
    “Good-bye Clarice. Will you let me know if ever the lambs stop screaming?" "Yes." Pembry was taking her arm. It was go or fight him. "Yes," she said. "I'll tell you." "Do you promise?""Yes.”
    Thomas Harris, The Silence of the Lambs

  • #12
    Thomas  Harris
    “He held it at arm's length, through the bars, his forefinger along the spine. She reached across the barrier and took it. For an instant the tip of her forefinger touched Dr. Lecter's. The touch crackled in his eyes. "Thank you, Clarice." "Thank you, Dr. Lecter." And that is how he remained in Starling's mind. Caught in the instant when he did not mock. Standing in his white cell, arched like a dancer, his hands clasped in front of him and his head slightly to the side.”
    Thomas Harris, The Silence of the Lambs

  • #13
    Thomas  Harris
    “I think it's easy to mistake understanding for empathy - we want empathy so badly. Maybe learning to make that distinction is part of growing up. It's hard and ugly to know somebody can understand you without even liking you.”
    Thomas Harris, Hannibal

  • #14
    Thomas  Harris
    “The most stable elements, Clarice, appear in the middle of the periodic table, roughly between iron and silver.

    Between iron and silver. I think that is appropriate for you.”
    Thomas Harris, Hannibal

  • #15
    Thomas  Harris
    “Barney did not reply. He looked at Krendler as though the left and right hemispheres of Krendler’s brain were two dogs stuck together.”
    Thomas Harris, Hannibal

  • #16
    Thomas  Harris
    “The exposition of Atrocious Torture Instruments could not fail to appeal to a connoisseur of the worst in mankind. But the essence of the worst, the true asafoetida of the human spirit, is not found in the Iron Maiden or the whetted edge; Elemental Ugliness is found in the faces of the crowd.”
    Thomas Harris, Hannibal

  • #17
    Thomas  Harris
    “Dr. Doemling, does he want to fuck her or kill her, or eat her, or what?' Mason asked, exhausting the possibilities he could see. 'Probably all three,' Dr. Doemling said.”
    Thomas Harris, Hannibal

  • #18
    Thomas  Harris
    “Dr. Lecter, erect as a dancer and carrying Starling in his arms, came out from behind the gate, walked barefoot out of the barn, through the pigs. Dr. Lecter walked through the sea of tossing backs and bloodspray in the barn.”
    Thomas Harris, Hannibal

  • #19
    Thomas  Harris
    “He looked up and saw her and his breath stopped in his throat. His hands stopped too, still spread above the keyboard. Harpsichord notes do not carry, and in the sudden quiet of the drawing room they both heard him take his next breath.”
    Thomas Harris, Hannibal

  • #20
    Thomas  Harris
    “Occasionally, on purpose, Dr. Lecter drops a teacup to shatter on the floor. He is satisfied when it does not gather itself together. For many months now, he has not seen Mischa in his dreams.

    Someday perhaps a cup will come together. Or somewhere Starling may hear a crossbow string and come to some unwilled awakening, if indeed she even sleeps.”
    Thomas Harris, Hannibal

  • #21
    Thomas  Harris
    “She wanted to go inside. She wanted to go in, wanting it as we want to jump from balconies, as the glint of the rails tempts us when we hear the approaching train.”
    Thomas Harris, Hannibal

  • #22
    E.L. Doctorow
    “Writing is like driving at night in the fog. You can only see as far as your headlights, but you can make the whole trip that way.”
    E.L. Doctorow, Writers At Work: The Paris Review Interviews, 2nd Series

  • #23
    Seneca
    “Sometimes even to live is an act of courage.”
    Lucius Annaeus Seneca

  • #24
    Malinda Lo
    “making a decision isn't about knowing every potential consequence. It's about knowing what you want and chasing a path that takes you in that direction”
    Malinda Lo, Huntress

  • #25
    Sylvia Plath
    “I took a deep breath and listened to the old brag of my heart. I am, I am, I am.”
    Sylvia Plath, The Bell Jar

  • #26
    Jacques Barzun
    “Convince yourself that you are working in clay, not marble, on paper not eternal bronze: Let that first sentence be as stupid as it wishes.”
    Jacques Barzun

  • #27
    Marya Hornbacher
    “We turn skeletons into goddesses and look to them as if they might teach us how not to need.”
    Marya Hornbacher, Wasted: A Memoir of Anorexia and Bulimia

  • #28
    Marya Hornbacher
    “This is the weird aftermath, when it is not exactly over, and yet you have given it up. You go back and forth in your head, often, about giving it up. It’s hard to understand, when you are sitting there in your chair, having breakfast or whatever, that giving it up is stronger than holding on, that “letting yourself go” could mean you have succeeded rather than failed. You eat your goddamn Cheerios and bicker with the bitch in your head that keeps telling you you’re fat and weak: Shut up, you say, I’m busy, leave me alone. When she leaves you alone, there’s a silence and a solitude that will take some getting used to. You will miss her sometimes...There is, in the end, the letting go.”
    Marya Hornbacher, Wasted: A Memoir of Anorexia and Bulimia

  • #29
    Marya Hornbacher
    “The anoretic operates under the astounding illusion that she can escape the flesh, and, by association, the realm of emotions.”
    Marya Hornbacher, Wasted: A Memoir of Anorexia and Bulimia

  • #30
    Marya Hornbacher
    “He leaned down and whispered to me: No matter how thin you get, no matter how short you cut your hair, it's still going to be you underneath. And he let go of my arm and walked back down the hall.”
    Marya Hornbacher, Wasted: A Memoir of Anorexia and Bulimia



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