Ange ⚕ angethology > Ange ⚕ angethology's Quotes

“I do know that for the sympathy of one living being, I would make peace with all. I have love in me the likes of which you can scarcely imagine and rage the likes of which you would not believe. If I cannot satisfy the one, I will indulge the other.”
― Mary Shelley, Frankenstein

“Perhaps even people you like and admire immensely can make you see the World in ways you would rather not.”
― Susanna Clarke, Piranesi

“I realised that the search for the Knowledge has encouraged us to think of the House as if it were a sort of riddle to be unravelled, a text to be interpreted, and that if ever we discover the Knowledge, then it will be as if the Value has been wrested from the House and all that remains will be mere scenery.”
― Susanna Clarke, Piranesi

“The mind is its own place, and in itself can make a heaven of hell, a hell of heaven..”
― John Milton, Paradise Lost

“Every portrait that is painted with feeling is a portrait of the artist, not of the sitter.”
― Oscar Wilde, The Picture of Dorian Gray

“There is no such thing as a good influence. Because to influence a person is to give him one's own soul. He does not think his natural thoughts, or burn with his natural passions. His virtures are not real to him. His sins, if there are such thing as sins, are borrowed. He becomes an echo of someone else's music, an actor of a part that has not been written for him.”
― Oscar Wilde, The Picture of Dorian Gray

“It often happens that the real tragedies of life occur in such
an inartistic manner that they hurt us by their crude violence, their
absolute incoherence, their absurd want of meaning, their entire lack
of style. They affect us just as vulgarity affects us. They give us
an impression of sheer brute force, and we revolt against that.
Sometimes, however, a tragedy that possesses artistic elements of
beauty crosses our lives. If these elements of beauty are real, the
whole thing simply appeals to our sense of dramatic effect. Suddenly
we find that we are no longer the actors, but the spectators of the
play. Or rather we are both. We watch ourselves, and the mere wonder
of the spectacle enthralls us.”
― Oscar Wilde, The Picture of Dorian Gray

“But beauty, real beauty, ends where an intellectual expression begins. Intellect is in itself a mode of exaggeration, and destroys the harmony of any face.”
― oscar wilde, The Picture of Dorian Gray

“To know the ocean, I have always felt, is to recognize the teeth it keeps half hidden.”
― Julia Armfield, Our Wives Under the Sea

“I used to think there was such a thing as emptiness, that there were places in the world one could go and be alone. This, I think, is still true, but the error in my reasoning was to assume that alone was somewhere you could go, rather than somewhere you had to be left.”
― Julia Armfield, Our Wives Under the Sea

“I want to explain her in a way that would make you love her, but the problem with this is that loving is something we all do alone and through different sets of eyes.”
― Julia Armfield, Our Wives Under the Sea

“I think,” Juna says after a pause, “that the thing about losing someone isn’t the loss but the absence of afterwards. D’you know what I mean? The endlessness of that.” She looks sideways at me and sniffs. “My friends were sad, people who knew my sister were sad, but everyone moves on after a month. It’s all they can manage. It doesn’t mean they weren’t sad, just that things keep going or something, I don’t know.” She rolls her shoulder, shakes her head. “It’s hard when you look up and realise that everyone’s moved off and left you in that place by yourself. Like they’ve all gone on and you’re there still, holding on to this person you’re supposed to let go of.”
― Julia Armfield, Our Wives Under the Sea

“The deep sea is a haunted house: a place in which things that ought not to exist move about in the darkness.”
― Julia Armfield, Our Wives Under the Sea

“The space around us is a claw half grasped, holding tight without quite crushing, and I wish, in the idle way I always wish these days, that I felt more confident in my ability to breathe.”
― Julia Armfield, Our Wives Under the Sea

“I used to think it was vital to know things, to feel safe in the learning and recounting of facts. I used to think it was possible to know enough to escape from the panic of not knowing, but I realise now that you can never learn enough to protect yourself, not really.”
― Julia Armfield, Our Wives Under the Sea

“Spring, if it lingers more than a week beyond its span, starts to hunger for summer to end the days of perpetual promise. Summer in its turn soon begins to sweat for something to quench its heat, and the mellowest of autumns will tire of gentility at last, and ache for a quick sharp frost to kill its fruitfulness. Even winter — the hardest season, the most implacable — dreams, as February creeps on, of the flame that will presently melt it away. Everything tires with time, and starts to seek some opposition, to save it from itself.”
― Clive Barker, The Hellbound Heart

“Pleasure was pain there, and vice versa. And he knew it well enough to call it home.”
― Clive Barker, The Hellbound Heart

“No tears, please. It's a waste of good suffering.”
― Clive Barker, The Hellbound Heart

“The effect of this cannot be understood without being there. The beauty of it cannot be understood, either, and when you see beauty in desolation it changes something inside you. Desolation tries to colonize you.”
― Jeff VanderMeer, Annihilation

“Silence creates its own violence.”
― Jeff VanderMeer, Annihilation

“There are certain kinds of deaths that one should not be expected to re-live, certain kinds of connections that are so deep that when broken you feel the snap of the link inside you.”
― Jeff VanderMeer, Annihilation

“We all live in a kind of continuous dream,” I told him. “When we wake, it is because something, some event, some pinprick even, disturbs the edges of what we’ve taken as reality.”
― Jeff VanderMeer, Annihilation

“Nothing that lived and breathed was truly objective—even in a vacuum, even if all that possessed the brain was a self-immolating desire for the truth.”
― Jeff VanderMeer, Annihilation

“We were neither what we had been nor what we would become once we reached our destination.”
― Jeff VanderMeer, Annihilation

“At the time, I was seeking oblivion, and I sought in those blank, anonymous faces, even the most painfully familiar, a kind of benign escape. A death that would not mean being dead.”
― Jeff VanderMeer, Annihilation

“I am just the biologist; I don’t require any of this to have a deeper meaning. I am aware that all of this speculation is incomplete, inexact, inaccurate, useless. If I don’t have real answers, it is because we still don’t know what questions to ask. Our instruments are useless, our methodology broken, our motivations selfish.”
― Jeff VanderMeer, Annihilation

“I think you’re confusing suicide with self-destruction, and they’re very different. Almost none of us commit suicide, whereas almost all of us self-destruct. Somehow. In some part of our lives. We drink, or take drugs, or destabilize the happy job”
― Jeff VanderMeer, Annihilation

“But there is a limit to thinking about even a small piece of something monumental. You still see the shadow of the whole rearing up behind you, and you become lost in your thoughts in part from the panic of realizing the size of that imagined leviathan.”
― Jeff VanderMeer, Annihilation

“Everything was imbued with emotion, awash in it, and I was no longer a biologist but somehow the crest of a wave building and building but never crashing to shore.”
― Jeff VanderMeer, Annihilation

“It was a test of a fragile trust. It was a test of our curiosity and fascination, which walked side by side with our fear. A test of whether we preferred to be ignorant or unsafe.”
― Jeff VanderMeer, Annihilation