stacey !! > stacey's Quotes

“Many boys will bring you flowers. But someday you'll meet a boy who will learn your favorite flower, your favorite song, your favorite sweet. And even if he is too poor to give you any of them, it won't matter because he will have taken the time to know you as no one else does. Only that boy earns your heart.”
― Leigh Bardugo, Six of Crows

“Kaz leaned back. "What's the easiest way to steal a man's wallet?"
"Knife to the throat?" asked Inej.
"Gun to the back?" said Jesper.
"Poison in his cup?" suggested Nina.
"You're all horrible," said Matthias.”
― Leigh Bardugo, Six of Crows

“No mourners. No funerals. Among them, it passed for 'good luck.”
― Leigh Bardugo, Six of Crows

“I will have you without armor, Kaz Brekker. Or I will not have you at all.”
― Leigh Bardugo, Six of Crows

“The heart is an arrow. It demands aim to land true.”
― Leigh Bardugo, Six of Crows

“She'd laughed, and if he could have bottled the sound and gotten drunk on it every night, he would have. It terrified him.”
― Leigh Bardugo, Six of Crows

“Jesper knocked his head against the hull and cast his eyes heavenward. “Fine. But if Pekka Rollins kills us all, I’m going to get Wylan’s ghost to teach my ghost how to play the flute just so that I can annoy the hell out of your ghost.”
Brekker’s lips quirked. “I’ll just hire Matthias’ ghost to kick your ghost’s ass.”
“My ghost won’t associate with your ghost,” Matthias said primly, and then wondered if the sea air was rotting his brain.”
― Leigh Bardugo, Six of Crows

“When everyone knows you’re a monster, you needn’t waste time doing every monstrous thing.”
― Leigh Bardugo, Six of Crows

“I'm a business man," he'd told her. "No more, no less."
"You're a thief, Kaz."
"Isn't that what I just said?”
― Leigh Bardugo, Six of Crows

“We are all someone's monster.”
― Leigh Bardugo, Six of Crows

“He needed to tell her...what? That she was lovely and brave and better than anything he deserved. That he was twisted, crooked, wrong, but not so broken that he couldn't pull himself together into some semblance of a man for her. That without meaning to, he'd begun to lean on her, to look for her, to need her near. He needed to thank her for his new hat.”
― Leigh Bardugo, Six of Crows

“The water hears and understands. The ice does not forgive.”
― Leigh Bardugo, Six of Crows

“No Mourners.
No Funerals.”
― Leigh Bardugo, Six of Crows

“It is so hard to leave—until you leave. And then it is the easiest goddamned thing in the world.”
― John Green, Paper Towns

“The town was paper, but the memories were not.”
― John Green, Paper Towns

“If you don't imagine, nothing ever happens at all.”
― John Green, Paper Towns

“I didn’t need you, you idiot. I picked you. And then you picked me back.”
― John Green, Paper Towns

“When did we see each other face-to-face? Not until you saw into my cracks and I saw into yours. Before that, we were just looking at ideas of each other, like looking at your window shade but never seeing inside. But once the vessel cracks, the light can get in. The light can get out.”
― John Green, Paper Towns

“Here's what's not beautiful about it: from here, you can't see the rust or the cracked paint or whatever, but you can tell what the place really is. You can see how fake it all is. It's not even hard enough to be made out of plastic. It's a paper town. I mean, look at it, Q: look at all those culs-de-sac, those streets that turn in on themselves, all the houses that were built to fall apart. All those paper people living in their paper houses, burning the future to stay warm. All the paper kids drinking beer some bum bought for them at the paper convenience store. Everyone demented with the mania of owning things. All the things paper-thin and paper-frail. And all the people, too. I've lived here for eighteen years and I have never once in my life come across anyone who cares about anything that matters.”
― John Green, Paper Towns

“Maybe all the strings inside him broke.”
― John Green, Paper Towns

“As long as we don't die, this is gonna be one hell of a story.”
― John Green, Paper Towns

“Maybe its like you said before, all of us being cracked open. Like each of us starts out as a watertight vessel. And then things happen - these people leave us, or don’t love us, or don’t get us, or we don’t get them, and we lose and fail and hurt one another. And the vessel starts to crack in places. And I mean, yeah once the vessel cracks open, the end becomes inevitable. Once it starts to rain inside the Osprey, it will never be remodeled. But there is all this time between when the cracks start to open up and when we finally fall apart. And its only that time that we see one another, because we see out of ourselves through our cracks and into others through theirs. When did we see each other face to face? Not until you saw into my cracks and I saw into yours. Before that we were just looking at ideas of each other, like looking at your window shade, but never seeing inside. But once the vessel cracks, the light can get in. The light can get out.”
― John Green, Paper Towns

“Margo always loved mysteries. And in everything that came afterward, I could never stop thinking that maybe she loved mysteries so much that she became one.”
― John Green, Paper Towns

“The way I figure it, everyone gets a miracle. Like, I will probably never be struck by lightening, or win a Nobel Prize, or become the dictator of a small nation in the Pacific Islands, or contract terminal ear cancer, or spontaneously combust. But if you consider all the unlikely things together, at least one of them will probably happen to each of us. I could have seen it rain frogs. I could have stepped foot on Mars. I could have been eaten by a whale. I could have married the Queen of England or survived months at sea. But my miracle was different. My miracle was this: out of all the houses in all the subdivisions in all of Florida, I ended up living next door to Margo Roth Spiegelman.”
― John Green, Paper Towns

“And all at once I knew how Margo Roth Spiegelman felt when she wasn't being Margo Roth Spiegelman: she felt empty. She felt the unscaleable wall surrounding her. I thought of her asleep on the carpet with only that jagged sliver of sky above her. Maybe Margo felt comfortable there because Margo the person lived like that all the time: in an abandoned room with blocked-out windows, the only light pouring in through holes in the roof. Yes. The fundamental mistake I had always made—and that she had, in fairness, always led me to make—was this: Margo was not a miracle. She was not an adventure. She was not a fine and precious thing. She was a girl.”
― John Green, Paper Towns

“Poetry is just so emo." he said. "Oh, the pain. The pain. It always rains. In my soul.”
― John Green, Paper Towns

“The rules of capitalization are so unfair to words in the middle of a sentence.”
― John Green, Paper Towns

“A paper town for a paper girl.”
― John Green , Paper Towns

“Leaving feels good and pure only when you leave something important, something that mattered to you. Pulling life out by the roots. But you can't do that until your life has grown roots.”
― John Green, Paper Towns