Rose > Rose's Quotes

“There is no such thing as bad people. We’re all just people who sometimes do bad things.”
― Colleen Hoover, It Ends with Us

“It stops here. With me and you. It ends with us.”
― Colleen Hoover, It Ends with Us

“You’re only human. And as humans, we can’t expect to shoulder all of our pain. Sometimes we have to share it with the people who love us so we don’t come crashing down from the weight of it all”
― Colleen Hoover, It Ends with Us

“You are my wife. I’m supposed to be the one who protects you from the monsters. I’m not supposed to be one.”
― Colleen Hoover, It Ends with Us

“That’s what fifteen minutes can do to a person. It can destroy them. It can save them.”
― Colleen Hoover, It Ends with Us

“You warned me. You said one time with you wouldn’t be enough. You said you were like a drug. But you failed to tell me you were the most addictive kind.”
― Colleen Hoover, It Ends with Us

“He pulls back to look down at me and when he sees my tears, he brings his hands up to my cheeks. “In the future... if by some miracle you ever find yourself in the position to fall in love again... fall in love with me.”
― Colleen Hoover, It Ends with Us

“Fifteen seconds. That’s all it takes to completely change everything about a person. Fifteen.”
― Colleen Hoover, It Ends with Us

“You can't be happy unless you're unhappy sometimes".”
― Lauren Oliver, Delirium

“I love you. Remember. They cannot take it”
― Lauren Oliver, Delirium

“Love: It will kill you and save you, both”
― Lauren Oliver, Delirium

“You can build walls all the way to the sky and I will find a way to fly above them. You can try to pin me down with a hundred thousand arms, but I will find a way to resist. And there are many of us out there, more than you think. People who refuse to stop believing. People who refuse to come to earth. People who love in a world without walls, people who love into hate, into refusal, against hope, and without fear.

I love you. Remember. They cannot take it.”
― Lauren Oliver, Delirium

“Promise me we'll stay together, okay?" His eyes are once again the clear blue of a perfectly transparent pool. They are eyes to swim in, to float in, forever. "You and me."
"I promise," I say.
Behind us the door creaks open, and I turn around, expecting Raven, just as a voice cuts through the air: "Don't believe her.”
― Lauren Oliver, Pandemonium

“Promise me we'll stay together, okay?" His eyes are once again the clear blue of a perfectly transparent pool. They are eyes to swim in, to float in, forever. "You and me."

"I promise," I say.

Behind us the door creaks open, and I turn around, expecting Raven, just as a voice cuts through the air: "Don't believe her."

The whole world closes around me, like an eyelid: For a moment, everything goes dark.

I am falling. My ears are full of rushing; I have been sucked into a tunnel, a place of pleasure and chaos. My head is about to explode.

He looks different. He is much thinner, and a scar runs from his eyebrow all the way down to his jaw. On his neck, just behind his left ear, a small tattooed number curves around the three-pronged scar that fooled me, for so long, into believing he was cured. His eyes-once a sweet, melted brown, like syrup-have hardened. Now they are stony, impenetrable.

Only his hair is the same: that auburn crown, like leaves in autumn.

Impossible. I close my eyes and reopen them: the boy from a dream, from a different lifetime. A boy brought back from the dead.

Alex.”
― Lauren Oliver, Pandemonium

“Alex loved books. He was the one who first introduced me to poetry. That's another reason I can't read anymore.”
― Lauren Oliver, Pandemonium

“But maybe happiness isn't in the choosing. Maybe it's in the fiction, in the pretending: that wherever we have ended up is where we intended to be all along.”
― Lauren Oliver, Requiem

“Hearts are fragile things. That's why you have to be so careful.”
― Lauren Oliver, Delirium

“And now I know why they invented words for love, why they had to: It's the only thing that can come close to describing what I feel in that moment, the baffling mixture of pain and pleasure and fear and joy, all running sharply through me at once.”
― Lauren Oliver, Delirium

“Symptoms of Amor Deliria Nervosa

PHASE ONE:
-preoccupation; difficulty focusing
-dry mouth
-perspiration, sweaty palms
-fits of dizziness and disorientation
-reduced mental awareness; racing thoughts; impaired reasoning skills

PHASE TWO:
-periods of euphoria; hysterical laughter and heightened energy
-periods of despair; lethargy
-changes in appetite; rapid weight loss or weight gain
-fixation; loss of other interests
-compromised reasoning skills; distortion of reality
-disruption of sleep patterns; insomnia or constant fatigue
-obsessive thoughts and actions
-paranoia; insecurity

PHASE THREE (CRITICAL):
-difficulty breathing
-pain in the chest, throat or stomach
-complete breakdown of rational faculties; erratic behavior; violent thoughts and fantasies; hallucinations and delusions

PHASE FOUR (FATAL):
-emotional or physical paralysis (partial or total)
-death

If you fear that you or someone you know may have contracted deliria, please call the emergency line toll-free at 1-800-PREVENT to discuss immediate intake and treatment.”
― Lauren Oliver, Delirium

“Amor deliria nervosa isn't a disease of love. It's a disease of selfishness.”
― Lauren Oliver, Requiem

“Now I'd rather be infected with love for the tiniest sliver of a second than live a hundred years smothered by a lie.”
― Lauren Oliver, Delirium

“This is what love does. In the stories, love healed your wounds, fixed what was broken, allowed you to go on. But love wasn’t a spell, some kind of benediction to be whispered, a balm or a cure-all. It was a single, fragile thread, which grew stronger through connection, through shared hardship and trust.”
― Leigh Bardugo, Rule of Wolves

“Maybe love was superstition, a prayer we said to keep the truth of loneliness at bay. (...)
The stars looked like they were close together, when really they were millions of miles apart. In the end, maybe love just meant longing for something impossibly bright and forever out of reach.”
― Leigh Bardugo, Ruin and Rising

“The darkling gently folded me in his arms. He pressed a kiss to the top of my hair 'I will strip away all that you know, all that you love, until you have no shelter but mine”
― Leigh Bardugo, Ruin and Rising

“The boy and the girl had both known loss, and their grief did not leave them. Sometimes he would find her standing by a window, fingers playing in the beams of sunlight that streamed through the glass, or sitting on the front steps of the orphanage, staring at the stump of the oak next to the drive. Then he would go to her, draw her close, and lead her to the shores of Trivka's pond, where the insects buzzed and the grass grew high and sweet, where old wounds might be forgotten.
She saw sadness in the boy too. Though the woods still welcomed him, he was separate from them now, the bond born into his bones burned away in the same moment that he'd given up his life for her.”
― Leigh Bardugo, Ruin and Rising

“I love you, Alina, even the part of you that loved him.”
He grinned and my heart flip-flopped the way it always had.”
― Leigh Bardugo, Shadow and Bone

“That first winter, when it was time for her friends to leave, the girl ventured out into the snow to say goodbye, and the stunning raven-haired Squaller handed her another gift.
"A blue kofta," said the math teacher, shaking her head. "What would she do with that?"
"Maybe she knew a Grisha who died," replied the cook, taking not of the tears that filled the girl's eyes. They did not see the note that read, You will always be one of us”
― Leigh Bardugo, Ruin and Rising

“A gambler, a convict, a wayward son, a lost Grisha, a Suli girl who had become a killer, a boy from the Barrel who had become something worse.”
― Leigh Bardugo, Six of Crows

“I’m a very valuable investment.”

“Tell me he didn’t say that.”

“Of course he did. Well, not the valuable part.”
“Idiot.”

“How’s Matthias?”

“Also an idiot.”
― Leigh Bardugo, Six of Crows

“There was no part of him that was not broken, that had not healed wrong, and there was no part of him that was not stronger for having been broken. No one knew who he was. No one knew where he came from. He'd become Kaz Brekker, cripple and confidence man, bastard of the Barrel.
The gloves were his one concession to weakness. Since that night among the bodies and the swim from the Reaper's Barge, he had not been able to bear the feeling of skin against skin. It was excruciating to him, revolting. It was the only piece of his past that he could not forge into something dangerous.”
― Leigh Bardugo, Six of Crows