Charles > Charles's Quotes

“We cross our bridges when we come to them and burn them behind us, with nothing to show for our progress except a memory of the smell of smoke, and a presumption that once our eyes watered.”
― Tom Stoppard, Rosencrantz and Guildenstern Are Dead

“We're more of the love, blood, and rhetoric school. Well, we can do you blood and love without the rhetoric, and we can do you blood and rhetoric without the love, and we can do you all three concurrent or consecutive. But we can't give you love and rhetoric without the blood. Blood is compulsory. They're all blood, you see.”
― Tom Stoppard, Rosencrantz and Guildenstern Are Dead

“Whatever became of the moment
when one first knew about death? There must have been one, a moment, in childhood, when it first occurred to you that you don't go on forever. It must have been shattering, stamped into one's memory. And yet I can't remember it. It never occurred to me at all. We must be born with an intuition of mortality. Before we know the word for it, before we know that there are words,out we come, bloodied and squalling...with the knowledge that for all the points of the compass, there's only one direction
and time is its only measure.”
― Tom Stoppard, Rosencrantz and Guildenstern Are Dead

“A man breaking his journey between one place and another at a third place of no name, character, population or significance, sees a unicorn cross his path and disappear. That in itself is startling, but there are precedents for mystical encounters of various kinds, or to be less extreme, a choice of persuasions to put it down to fancy; until--"My God," says a second man, "I must be dreaming, I thought I saw a unicorn." At which point, a dimension is added that makes the experience as alarming as it will ever be. A third witness, you understand, adds no further dimension but only spreads it thinner, and a fourth thinner still, and the more witnesses there are the thinner it gets and the more reasonable it becomes until it is as thin as reality, the name we give to the common experience... "Look, look!" recites the crowd. "A horse with an arrow in its forehead! It must have been mistaken for a deer.”
― Tom Stoppard, Rosencrantz and Guildenstern Are Dead

“So we beat on, boats against the current, borne back ceaselessly into the past.”
― F. Scott Fitzgerald, The Great Gatsby

“He smiled understandingly-much more than understandingly. It was one of those rare smiles with a quality of eternal reassurance in it, that you may come across four or five times in life. It faced--or seemed to face--the whole eternal world for an instant, and then concentrated on you with an irresistible prejudice in your favor. It understood you just as far as you wanted to be understood, believed in you as you would like to believe in yourself, and assured you that it had precisely the impression of you that, at your best, you hoped to convey.”
― F. Scott Fitzgerald, The Great Gatsby

“Thus we never see the true state of our condition till it is illustrated to us by its contraries, nor know how to value what we enjoy, but by the want of it.”
― Daniel Defoe, Robinson Crusoe

“Water, water, everywhere,
And all the boards did shrink;
Water, water, everywhere,
Nor any drop to drink.”
― Samuel Taylor Coleridge, The Rime of the Ancient Mariner

“In time, in time they tell me, I'll not feel so bad. I don't want time to heal me. There's a reason I'm like this.
I want time to set me ugly and knotted with loss of you, marking me. I won't smooth you away.
I can't say goodbye.”
― China Miéville, The Scar

“He awoke each morning with the desire to do right, to be a good and meaningful person, to be, as simple as it sounded and as impossible as it actually was, happy. And during the course of each day his heart would descend from his chest into his stomach. By early afternoon he was overcome by the feeling that nothing was right, or nothing was right for him, and by the desire to be alone. By evening he was fulfilled: alone in the magnitude of his grief, alone in his aimless guilt, alone even in his loneliness. I am not sad, he would repeat to himself over and over, I am not sad. As if he might one day convince himself. Or fool himself. Or convince others--the only thing worse than being sad is for others to know that you are sad. I am not sad. I am not sad. Because his life had unlimited potential for happiness, insofar as it was an empty white room. He would fall asleep with his heart at the foot of his bed, like some domesticated animal that was no part of him at all. And each morning he would wake with it again in the cupboard of his rib cage, having become a little heavier, a little weaker, but still pumping. And by the midafternoon he was again overcome with the desire to be somewhere else, someone else, someone else somewhere else. I am not sad.”
― Jonathan Safran Foer, Everything is Illuminated

“If there is no love in the world, we will make a new world, and we will give it walls, and we will furnish it with soft, red interiors, from the inside out, and give it a knocker that resonates like a diamond falling to a jeweller's felt so that we should never hear it. Love me, because love doesn't exist, and I have tried everything that does.”
― Jonathan Safran Foer, Everything Is Illuminated

“It's true, I am afraid of dying. I am afraid of the world moving forward without me, of my absence going unnoticed, or worse, being some natural force propelling life on. Is it selfish? Am I such a bad person for dreaming of a world that ends when I do? I don't mean the world ending with respect to me, but every set of eyes closing with mine.”
― Jonathan Safran Foer, Everything is Illuminated

“I am always sad, I think. Perhaps this signifies that I am not sad at all, because sadness is something lower than your normal disposition, and I am always the same thing. Perhaps I am the only person in the world, then, who never becomes sad. Perhaps I am lucky.”
― Jonathan Safran Foer, Everything is Illuminated

“Regardless, you ask why I
did not greet you. Well, let us assume that I had acted as you suggest I
should. Upon your approach, you would have had me gush over you?”
“Naturally.”
“You would have me point out how stunning you appear in that gown?”
“I wouldn’t complain.”
“Mention how your dazzling eyes glisten in the fireworks like burning
embers?”
“That would be nice.”
“Expound on how your lips are so perfectly red that they could leave any
man breathless with wonder, yet drive him compose the most brilliant of
poetry each time he recalled the moment?”
“I’d be flattered for certain.”
“And you claim you want these reactions from me?”
“I do.”
“Well blast it, woman,” Lightsong said, picking up his cup. “If I’m
stunned, dazzled, and breathless, then how the hell am I supposed to greet
you? By definition, won’t I be struck dumb?”
She laughed. “Well, then, you’ve obviously found your tongue now.”
“Surprisingly, it was in my mouth,” he said. “I always forget to check
there.”
― Brandon Sanderson, Warbreaker

“What I'm trying to say is that you don't understand a man until you understand what makes him do what he does. Every man is a hero in his own story, Princess. Murderers don't believe that they're to blame for what they do. Thieves, they think they deserve the money they take. Dictators, they believe they have the right—for the safety of their people and the good of the nation—to do whatever they wish. . . . The truth is, most people who do what you'd call "wrong" do it for what they call "right" reasons. Only mercenaries make any sense. We do what we're paid to do. That's it. Perhaps that's why people look down on us so. We're the only ones who don't pretend to have higher motives. . . In a way, we're the most honest men you'll ever meet.”
― Brandon Sanderson, Warbreaker

“I don't have to beat you. I don't have to beat you, motherfucker. I just have to keep you here... until Jean shows up.”
― Scott Lynch, The Lies of Locke Lamora

“Words are pale shadows of forgotten names. As names have power, words have power. Words can light fires in the minds of men. Words can wring tears from the hardest hearts.”
― Patrick Rothfuss, The Name of the Wind

“Perhaps the greatest faculty our minds possess is the ability to cope with pain. Classic thinking teaches us of the four doors of the mind, which everyone moves through according to their need.

First is the door of sleep. Sleep offers us a retreat from the world and all its pain. Sleep marks passing time, giving us distance from the things that have hurt us. When a person is wounded they will often fall unconscious. Similarly, someone who hears traumatic news will often swoon or faint. This is the mind's way of protecting itself from pain by stepping through the first door.

Second is the door of forgetting. Some wounds are too deep to heal, or too deep to heal quickly. In addition, many memories are simply painful, and there is no healing to be done. The saying 'time heals all wounds' is false. Time heals most wounds. The rest are hidden behind this door.

Third is the door of madness. There are times when the mind is dealt such a blow it hides itself in insanity. While this may not seem beneficial, it is. There are times when reality is nothing but pain, and to escape that pain the mind must leave reality behind.

Last is the door of death. The final resort. Nothing can hurt us after we are dead, or so we have been told.”
― Patrick Rothfuss, The Name of the Wind

“No, listen. I've got it now. You meet a girl: shy, unassuming. If you tell her she's beautiful, she'll think you're sweet, but she won't believe you. She knows that beauty lies in your beholding." Bast gave a grudging shrug. "And sometimes that's enough."

His eyes brightened. "But there's a better way. You show her she is beautiful. You make mirrors of your eyes, prayers of your hands against her body. It is hard, very hard, but when she truly believes you..." Bast gestured excitedly. "Suddenly the story she tells herself in her own head changes. She transforms. She isn't seen as beautiful. She is beautiful, seen.”
― Patrick Rothfuss, The Name of the Wind

“It had flaws, but what does that matter when it comes to matters of the heart? We love what we love. Reason does not enter into it. In many ways, unwise love is the truest love. Anyone can love a thing because. That's as easy as putting a penny in your pocket. But to love something despite. To know the flaws and love them too. That is rare and pure and perfect.”
― Patrick Rothfuss, The Wise Man's Fear

“I thought of all the others who had tried to tie her to the ground and failed. So I resisted showing her the songs and poems I had written, knowing that too much truth can ruin a thing. And if that meant she wasn't entirely mine, what of it? I would be the one she could always return to without fear of recrimination or question. So I did not try to win her and contented myself with playing a beautiful game. But there was always a part of me that hoped for more, and so there was a part of me that was always a fool.”
― Patrick Rothfuss, The Wise Man's Fear

“I know," she said. "You have a stone in your heart, and some days it's so heavy there is nothing to be done. But you don't have to be alone for it. You should have come to me. I understand.”
― Patrick Rothfuss, The Wise Man's Fear

“Teccam explains there are two types of secrets. There are secrets of the mouth and secrets of the heart.

Most secrets are secrets of the mouth. Gossip shared and small scandals whispered. There secrets long to be let loose upon the world. A secret of the mouth is like a stone in your boot. At first you’re barely aware of it. Then it grows irritating, then intolerable. Secrets of the mouth grow larger the longer you keep them, swelling until they press against your lips. They fight to be let free.

Secrets of the heart are different. They are private and painful, and we want nothing more than to hide them from the world. They do not swell and press against the mouth. They live in the heart, and the longer they are kept, the heavier they become.

Teccam claims it is better to have a mouthful of poison than a secret of the heart. Any fool will spit out poison, he says, but we hoard these painful treasures. We swallow hard against them every day, forcing them deep inside us. They they sit, growing heavier, festering. Given enough time, they cannot help but crush the heart that holds them.”
― Patrick Rothfuss, The Wise Man's Fear

“He said that life boils down to standing in line to get shit dropped on your head. Everyone's got a place in the queue, you can't get out of it, and just when you start to congratulate yourself on surviving your dose of shit, you discover that the line is actually circular.”
― Scott Lynch, The Republic of Thieves

“...I require a vacation from all of you, but I’m not leaving Camorr. You five will be making a journey to Espara. I’ve arranged work there to keep you busy for several months.”
“Espara?” said Locke.
“Yes. Isn’t it exciting?” The room was quiet. “I thought that might be your response. Look, I tucked a pin into my jacket for this very moment.”
Chains drew a silver pin from one of his lapels and tossed it into the air. It hit the floor with the faintest chiming clatter.
“One of those expressions I’ve always wanted to put to the test,” said Chains.”
― Scott Lynch, The Republic of Thieves

“I’m done losing. Do you fucking hear me? I am done losing. Spare me your precious self-pity, because this isn’t a stage and I didn’t pay two coppers to cry my eyes out over anyone’s death speech. You don’t fucking get one, understand? I don’t care if you cough up buckets of blood. Buckets I can carry.”
― Scott Lynch, The Republic of Thieves

“A miracle the size and shape of Jean Tannen appeared out of the corner of Locke’s vision. An instant before Bertrand could throw his punch, Jean hit him shoulder-to-stomach and slammed him into the dirt.
“Bert!” shouted Chantal.
“Heavens,” said Jenora.
Locke realized he was holding something, and he glanced down to discover that Jean had somehow tossed his precious optics into his hands while separating him from Bertrand.”
― Scott Lynch, The Republic of Thieves

“No. You’ve never admitted this. You don’t stand still, Locke. I played along in Tal Verrar when we talked about retiring on our money, but that was bullshit and we both knew it. You don’t retire. You don’t even take holidays. You move from scheme to scheme, jumping around like a spider on a hot skillet. And when you’re forced to stand still, when you don’t have a thousand things to keep you distracted from your own thoughts, you actually want to die. I see that now. I’m so gods-damned slow and stupid I see it for the first time!”
― Scott Lynch, The Republic of Thieves

“You've a good heart. Sometimes that's enough to see you safe wherever you go. But mostly, it's not.”
― Neil Gaiman, Neverwhere

“There are four simple ways for the observant to tell Mr. Croup and Mr. Vandemar apart: first, Mr. Vandemar is two and a half heads taller than Mr. Croup; second, Mr. Croup has eyes of a faded china blue, while Mr. Vandemar's eyes are brown; third, while Mr. Vandemar fashioned the rings he wears on his right hand out of the skulls of four ravens, Mr. Croup has no obvious jewelery; fourth, Mr. Croup likes words, while Mr. Vandemar is always hungry. Also, they look nothing at all alike.”
― Neil Gaiman, Neverwhere