Ben
asked
Lev Grossman:
Hi Lev! Do you have a set routine for writing a book in terms of number of drafts, and time taken to do each draft? At what point does an editor/copy editor have input?
Lev Grossman
I wouldn't call it a routine exactly. I do write all the chapters in order -- I don't skip around (if I don't feel like writing a particular chapter, it usually means there's something wrong with it). Every time I finish a chapter I tend to go back through the rest of the book and revise it a bit and make sure the new stuff tracks with the old stuff, which means that by the end of the first draft I've already rewritten the book a fair number of times.
But I'll do four or five more full passes before I show it to an editor. I don't like to bring them in too early, I prefer to wander in the wilderness for a year or two first.
But I'll do four or five more full passes before I show it to an editor. I don't like to bring them in too early, I prefer to wander in the wilderness for a year or two first.
More Answered Questions
Allison
asked
Lev Grossman:
I adored The Magicians, but the first five or six people I lent/recommended it to after reading it hated it - they found the main character unlikable, which has never been a deal-breaker for me, but apparently was for them. Was it actually your intention to create an unsympathetic protagonist and see how that worked, or do you think (like I kind of do) that my friends are just tripping?
London
asked
Lev Grossman:
This question contains spoilers…
(view spoiler)[
At the end of The Magician King Josh offers the Palazzo to Quentin and he halfheartedly accepts. What happens to the Palazzo? Does Quentin own it at the beginning of book 3, and simply abandons it to work at Brakebills? Couldn't he sell or mortgage or VRBO the place to fund his magical research? Are these most pedantic questions you've ever received on your work?
(hide spoiler)]
Lev Grossman
10,164 followers
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