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ADVANCED HUNGER & GAMES 2.0: CATCHING FIRE EDITION
Our Players
Katniss
HIT POINTS: 25
ALIGNMENT: Chaotic Good
SYMBOL: Middle Finger
STRENGTH: 15
INTELLIGENCE: 10
WISDOM: 5
DEXTERITY: 20
CONSTITUTION: 15
CHARISMA: 25
FIGHTER: 10th Level Archer
ASSASSIN: 9th Level Assassin
SPECIAL ATTACKS: Resentful Attitude
SPECIAL DEFENSES: Defensive Attitude
SUMMARY OF PLAYER SKILLS:
despite the inherent restrictions of living in a YA novel, Katniss is a remarkably well-develop ...more
ADVANCED HUNGER & GAMES 2.0: CATCHING FIRE EDITION
Our Players
Katniss

HIT POINTS: 25
ALIGNMENT: Chaotic Good
SYMBOL: Middle Finger
STRENGTH: 15
INTELLIGENCE: 10
WISDOM: 5
DEXTERITY: 20
CONSTITUTION: 15
CHARISMA: 25
FIGHTER: 10th Level Archer
ASSASSIN: 9th Level Assassin
SPECIAL ATTACKS: Resentful Attitude
SPECIAL DEFENSES: Defensive Attitude
SUMMARY OF PLAYER SKILLS:
despite the inherent restrictions of living in a YA novel, Katniss is a remarkably well-develop ...more

The Hunger Games would been a lot better if it was a standalong novel like it was originally until the money rolled in. I say that because I enjoyed the first half of the book, even though I though all the districts could have been talked about in detail, even though it was not needed. Then the second half was basically a reuse of the second half of the first book as it seemed Collins was quickly writing the book, and running out of ideas that made the Hunger Games more unique. Then the did the
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Following Katniss's final act of defiance in The Hunger Games, the oppressed people of the Districts have begun a revolt. The Capital decides that the best way to solve this is to send Katniss into the 75th annual Hunger Game, as a special "treat" to the viewers.
Another fantastic, gripping adventure story. The revolts themselves feel much more natural and realistic than the majority I've read--Collins does an excellent job and conveying the hunger and cold and hopelessness that drive both apath ...more
Another fantastic, gripping adventure story. The revolts themselves feel much more natural and realistic than the majority I've read--Collins does an excellent job and conveying the hunger and cold and hopelessness that drive both apath ...more

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Hooray! Patience paid off. The library copy of Catching Fire that I had been waiting for since September (having joined the list in July) finally arrived, just in time for me to take it with me on vacation. It was a perfect reward for a solid month of writing.
In any case, it was worth the wait. It's as good if not better than the first book. My only complaint about Hunger Games was the wait-for-the-sequel ending, especially since I couldn't figure out where a sequel would go. Many series are jus ...more
In any case, it was worth the wait. It's as good if not better than the first book. My only complaint about Hunger Games was the wait-for-the-sequel ending, especially since I couldn't figure out where a sequel would go. Many series are jus ...more

In this excellent continuation of The Hunger Games, Katniss must deal with the aftermath of her defiance of the rules that got not just her, but her partner Peeta out of the arena alive against all odds. She thought once she was out of the capital and back home, it would be over, but really, it was just the beginning.
Katniss herself must decide just what her motives really were when she risked everything to save Peeta. Was it an act of selfishness, of defiance, or was it more - was it a rebellio ...more
Katniss herself must decide just what her motives really were when she risked everything to save Peeta. Was it an act of selfishness, of defiance, or was it more - was it a rebellio ...more

How is it call when in a crappy book or a crappy movie an item is show and you know for a fact that it is significant to the plot? This burning questions have been with me ever since I can remember! When watching cartoons as a kid I remember how at the beginning of the show something will catch the attention of one of the main characters, then somebody proceeds to explain the science behind it… and right there! Right there you know that’s how the day issue will be resolve… the most clear example
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If at all possible, Catching Fire (Hunger Games, #2) is even more brutal than The Hunger Games (Hunger Games, #1). Poor Katniss had no idea what she started when she took a desperate measure to save herself and her friend Peeta in the Hunger Games. President Snow shows up at her house to threaten her and the Capitol's revenge starts in earnest. You can't ever let yourself get too attached to characters because they just might end up dead. Be warned that this ends in such a cliffhanger that it's
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I expected to feel a lot less... ambivalent about this, from what people have said. There've been those who think it isn't as good as the first book, and those who thought it was an improvement, but I'm just kind of left helplessly shrugging and saying, well, it was fun to read, and there were a few awesome moments and a few kick-in-the-teeth moments ((view spoiler) ), but I wasn't really engaged by the Peeta-or-Gale argument (which to me is a) obvious and b) already decided
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I liked this better than the first book, I liked the mystery of the games and the surprise at the end. The heroine was getting right up my nose by then so thank goodness I had something else to think about ;-). I'd use these books as an adjunct if I was teaching about Imperial Rome to middle school students, it's best feature is getting the reader to put herself in the shoes of a member of a conquered people. Students may be surprised to learn that this dystopic future is pretty much a direct de
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Nov 21, 2009
Hirondelle (not getting notifications)
rated it
liked it
Shelves:
young-adult-and-middle-grade,
sf
I am ill and not nearly coherent enough to try to review this. This gets points as a good read for a cozy invalid day, but drat it if I think about it too much a lot of things came out very contrived. First book was better, this catches perfectly ( too perfectly on the second half) the spirit of the first but seems forced somehow.

Collins has raised the game. Excellent second vol in the series, not a pause often typical of a second act.




