Timothy’s
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(group member since Jul 30, 2013)
Timothy’s
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from the Adventures in SciFi Publishing group.
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Here's the Amazon link.


Timothy C. Ward hosts a panel with authors and editors from Ragnarok Publications to discuss Grimdark character arcs, what makes them Grimdark and what we love about them. Ragnarok is also offering a giveaway to one of our subscribers to pick an ebook from their catalogue. As usual, the giveaway will end next Monday at 11:59PM CDT. There is a bonus prize package from 47North, five sets of Mark T. Barnes The Echoes of the Empire trilogy, which will also go to our subscribers.

To enter giveaway, sign up for our newsletter. Giveaway ends 5/5/14 at 11:59 PM CDT.

Moses Siregar III sat down with literary agent, Barry Goldblatt (BG Literary), at the recent World Fantasy Convention. They discussed:
■News on Barry’s clients
■Stories on how his clients were chosen
■How he got started as an agent
■State of industry for author advances
■Advice for aspiring authors, such as developing thick skin and perseverence
■What he loves most about his job
■Good time of year to query an agent
■Print book industry
Apr 26, 2014 07:15AM


and

are both on sale today only for $1.99 on Kindle
The Lives of Tao: http://www.amazon.com/exec/obidos/ASI...
*Purchased the Audible version for only $.99!
The Deaths of Tao: http://www.amazon.com/exec/obidos/ASI...

Timothy C. Ward interviews Bruce Taylor for the second part of their phone conversation that began on AISFP Episode 241, Bruce Taylor on Magical Realism. In this interview, he asks how Bruce became known as Mr. Magical Realism. Tim posted a panel on Quantum Physics Meets Magical Realism from ChiCon 7, where Bruce was a panelist. In today’s podcast, Bruce goes over all kinds of advice on becoming a professional author. He also discusses some of his favorite pieces of fiction and the story behind writing them.
Ben Arzate recently reviewed his collection of short stories, The Final Trick of Funnyman: And Other Stories.

■Funny stories of what not to do when submitting stories
■Blending Horror and Humor without losing either element’s effect
■Self-editing
■Scene breakdowns
■When a story goes off the rails
■“Do not psyche yourself out of writing the start of the story because you don’t know the right place to start it, because trust me it won’t be the right place even if you think it is. You’ll get to the end of the story and you’ll find out, oh, this is what I needed to put in in order to aim the story at the ending I discovered. ” – Gregory Frost (39:40), who has a story in Supernatural Noir, edited by Ellen Datlow.
■Strengthening your editing skills for others
■A funny story of a Robert Silverberg rejection “letter”
■Rewriting stories
■How to get on an editor’s blacklist
■How a writer should face rejection
Episode sponsored by Utopiates Audio Drama on Kickstarter.


























Sorry, but this list looked smaller when I first started. Here's the rest of the books:
Written in Red by Anne Bishop
Promise of Blood by Brian McClellan
Fade to Black by Francis Knight
Antiagon Fire by L E Modesitt Jr
Black Sun Light My Way by Jo Spurrier
Drakenfield by Mark Charan-Newton
Kinslayer by Jay Kristoff
Skarsnik by Guy Haley
The Palace Job by Patrick Weekes
The Grim Company by Luke Scull
Ice Forged by Gail Z Martin
Dreaming of Zhou Gong by Traci Harding
She Who Waits by Daniel Polansky
Master of Dragons by Chris Wraight
Magician's End by Raymond E Feist
Allegiance by Beth Bernobich
The Last Dark by Stephen Donaldson
Moon's Artifice by Tom Lloyd
A Memory of Light by Robert Jordan and Brandon Sanderson
The Garden of Stones by Mark T Barnes

Revelations by Paul Antony Jones has my attention. I was a little disappointed with the first book, Extinction Point, because of some believability issues on the character's part, but the apocalypse was very interesting and at times very scary. It was also really short. I'm glad to see this third book is over three hundred pages.
Oh Steles of the Sky, how I wish I could be instantly caught up on reading the first two books. Same to you, Shipstar, though I don't know where I come down on Hard SF, some is just too cumbersome to get through.
Congrats on another geeky magical adventure to Michael Underwood and his Ree Reyes series. Truly unique stuff there.













Here are some reviews:
Review
“[A] spectacular adventure . . . one heart-pounding ride . . . Pierce Brown’s dizzyingly good debut novel evokes The Hunger Games, Lord of the Flies, and Ender’s Game. . . . [Red Rising] has everything it needs to become meteoric.”—Entertainment Weekly
“[A] top-notch debut novel . . . Red Rising ascends above a crowded dystopian field.”—USA Today
“Red Rising is a sophisticated vision. . . . Brown will find a devoted audience.”—Richmond Times-Dispatch
“A story of vengeance, warfare and the quest for power . . . reminiscent of The Hunger Games and Game of Thrones.”—Kirkus Reviews

Listen here.

One thing I really took from this was Greg's advice about writing two beginnings, the one that gets you writing and the one the story needs. Applying this to my novel's second draft has really cleared up my characters and world (both for self and reader).
Listen here: http://www.adventuresinscifipublishin...

How to ensure your dialect is accurate when writing in a non-native culture
What idioms can we use when making up worlds and civilizations?
“The rhythm of the language is more important than the words that you use.” – John Dodds
Including swearing and made up swear words
How religion affected early censorship as well as in modern books, but also the surprising openness to sex that non-religious people react to
How to include religion or not within fiction
His deals with Blackstone Audio for his books, Bone Machines and Kali’s Kiss, and his search for an agent or going indie.
Bone Machine on Smashwords
Matt Hughes’ review of Bone Machines on AISFP.

We also talked about pov switching, dictating, Moses' book nearing completion, an Indie Gogo campaign Brent Bowen is starting, my new writing routine, etc.
Listen here: http://www.adventuresinscifipublishin...



This is especially hard for me to see through since I review books here for AISFP and SF Signal. I want to be a part of the new release fever of reviewing a hot new release. Those happen every month for me, or at least I try and then end up putting a book down and picking up what I hope will be the hot new release for next month.
As a writer, I'm curious how authors weave so many storylines without losing the reader. How many chapters can you go in one pov before you've taken the reader too far from where another pov left off? Does this sacrifice them remembering what emotional circumstance they were left in when that chapter or scene ended? I'm considering a serialization of the current work in progress, and then having different parts take a set of povs more seamlessly from one point to the next.
For readers, it seems like the best way to read epic fiction like the above mentioned is to not distract yourself with other books. We'll see how far I can get into this before I have to read another book for the podcast or review.

http://www.adventuresinscifipublishin...
We also have a written interview with Adam here:
http://www.adventuresinscifipublishin...