Hard Science Fiction

Hard science fiction is a category of science fiction characterized by an emphasis on scientific or technical detail, or on scientific accuracy, or on both. It is characterized by rigorous attention to accurate detail in the natural sciences, especially physics, astrophysics, and chemistry, or on accurately depicting worlds that more advanced technology may make possible. Hard science fiction is driven more by ideas than characterization. Plausible science and technology are central to the plot.

Exodus: The Archimedes Engine (Archimedes Engine, #1)
Valuable Humans in Transit and Other Stories
Inhibitor Phase (The Inhibitor Sequence, #4)
The Object
Cold Eyes
Critical Mass (Delta-v, #2)
Wherever Seeds May Fall (Seeds, #1)
Theft of Fire (Orbital Space #1)
Light Chaser
Galaxias
The Flight of the Aphrodite
The Disturbance (The Disturbance, #1)
The Never Wars
Darkome
Our Lady of the Artilects
The Three-Body Problem (Remembrance of Earth’s Past, #1)
The Martian
Project Hail Mary
The Dark Forest (Remembrance of Earth’s Past, #2)
Blindsight (Firefall, #1)
Death's End (Remembrance of Earth’s Past, #3)
Red Mars (Mars Trilogy, #1)
Revelation Space (The Inhibitor Sequence, #1)
Leviathan Wakes
Seveneves
Rendezvous with Rama (Rama, #1)

Joseph A. Anderson
So, let me get this right. You invented this groundbreaking medical technology that changes the way we literally do everything in trauma and blood, and you are out here, 30.3 light-years away from Earth, on a planet where everyone involved in the Eden project was a hundred percent sure there’d be no DNA, blood, or anything? And now here we are playing with the DNA of an alien race? What is this? What is actually going on here?
Joseph A. Anderson, Eden 2:b

Andrzej Wronka
I’m writing these words on February 28th, barely two months after the event. At least I think I am. I can’t be sure when, or even if, it actually happened. Or what really took place. Then again: what is truth, if infinitely many truths can exist at the same time? But let me start from the beginning.
Andrzej Wronka, The Last

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