Double


City of Bones (The Mortal Instruments, #1)
City of Ashes (The Mortal Instruments, #2)
The Double
A Court of Thorns and Roses (A Court of Thorns and Roses, #1)
City of Glass (The Mortal Instruments, #3)
City of Heavenly Fire (The Mortal Instruments, #6)
Clockwork Angel (The Infernal Devices, #1)
Red, White & Royal Blue
The Song of Achilles
Chain of Iron (The Last Hours, #2)
Chain of Gold (The Last Hours, #1)
One Day in the Life of Ivan Denisovich
Kings Rising (Captive Prince, #3)
A Court of Wings and Ruin (A Court of Thorns and Roses, #3)
The Lord of the Rings (The Lord of the Rings, #1-3)
The Originals by Cat PatrickThe Secrets We Keep by Trisha LeaverImpostor by Susanne WinnackerAmanda/Miranda by Richard PeckTwin Sisters by Janice Harrell
Trading Places: YA
54 books — 15 voters
Axial Bifurcation in Serpents by Bert CunninghamDouble or Nothing by Raymond FedermanHow Twins Learn to Talk by Svenka SavićThe Double Headed Goddess of the Primal Myth by George M. YoungDiploteratology; or, a history of some of the most wonderful ... by H. Besse
Zweichotamus
98 books — 1 voter

Flowers in the Attic by V.C. AndrewsThe Thirteenth Tale by Diane SetterfieldTwins by Caroline B. CooneyHer Fearful Symmetry by Audrey NiffeneggerStranger With My Face by Lois Duncan
Twin Thrillers
173 books — 53 voters
The Magic Half by Annie BarrowsPlague in the Mirror by Deborah NoyesTime of the Twins by Margaret WeisTest of the Twins by Margaret WeisFuture Forward by Susan Beth Pfeffer
Time-Traveling Twins
62 books — 7 voters

Charlotte Sometimes by Penelope FarmerTime for Andrew by Mary Downing HahnMirror Mirror by Hilary BellDo You Realize? by Kevin A. KuhnSwitching Well by Peni R. Griffin
Time Switch
25 books — 23 voters
Silk Malice by Eve DangerfieldVelvet Cruelty by Eve DangerfieldThirty-Four Going on Bride by Becky MonsonThe Mirror Crack'd from Side to Side by Agatha ChristieLiars and Liaisons by Sav R. Miller
Mirrors
89 books — 19 voters

Marcel Proust
Hélas! Albertine était plusieurs personnes.
Marcel Proust

Jean Baudrillard
For one can no more live without leaving tracks than one can without casting a shadow. S., as his eminence grise, is stealing his tracks, and he cannot fail to sense the magic to which he is being subjected. He is being photographed incessantly. The photograph here has neither a voyeuristic nor an archival function. Its simple message has the form: at this location, at such and such a time, in this particular light, someone was present. But at the same time it conveys the following: there was no ...more
Jean Baudrillard

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