On Monday, I said
your critics are usually right. But there
are times when you get someone who just doesn't get it. How can you tell the difference? Here are some guidelines.
They get your characters' names wrong. Repeatedly.
They hate your favorite part. Not some clever bit of dialog, but the part where the whole story's about an ex-smuggler who works for an assassin and hopes to find his daughter before his boss does. THAT part.
You write a story where evil isn't all black and white, with...
Published on February 25, 2011 04:10