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Indeed, Lois. Indeed.
How did your early covers get this way, anyway? I was under the impression authors (at least establish..."
I acquired more say later in the process, but it doesn't seem to help.
I have given up on covers, generally. It appears (as was not evident at first) that my career will survive regardless of the pictures on the fronts of my books, so I feel a bit less anxious about it all these days.
Ta, L.

Do you, by any chance, have a website? I don't want to be asking questions here that you've already asked (and answered) 30,000,000 times. That must get tedious after awhile.
(Edit: I found dendarii.com but can't find a general FAQ section--Is there not one, or am I just missing it?)
Thanks, both for the website, and for the quick reply.

Do you, by any chance, have a website? I don't want to be asking questions here..."
No, I don't have a website. This blog here does for me for those purposes, at present.
Dendarii.com is a fan-run site, approved but not managed by me. It has an appended chat list, that I drop in on periodically. I also have a not-very-active conference on Baen's Bar.
I do feel as if I've done a million interviews. It would be good to have a place with links, but of course links die, so that sort of thing needs supervision as well.
Ta, L.

Do you think you are done with the Vorkosigan series, or are there more in the works? -- I personally would love to see a story with either (1) Piotr or (2) 11-year-old-Aral as the viewpoint character dealing with Yuri Vorbarra's civil war.
Again, apologies if you've addressed this issue a million times elsewhere.

Do you think you are done with the Vorkosigan series, or are there more in the works? -- I personally would love to see a sto..."
Perhaps not a million, but certainly the fannish orders for stories exceed production capacity at present. Every one different, mind you, and many mutually exclusive.
The series presently stands in a nice, round, completed-looking shape. I would need a really compelling (to me) idea to tempt me to alter that.
Interstitial and back stories are probably best left to the fanficcers, for now. (But don't send them to me, just in case I ever change my mind. Or get my writing energy back, which isn't going to happen soon.)
I may be overdue to try something entirely new, but I don't know what it would be, so. Or it may just be that I'm setting the bar too high for myself, and need to lower it for a while.
Ta, L.

I'll read anything you write - from epics to short stories to blog posts, so I hope you lower that bar at some point. I'll even buy you lunch on spec if it's any inducement. :)

I'll read anything you write - from epics to short stories to blog posts, so I hope you lower that bar at some point. I'll even buy you lunch on spec if i..."
Not sure if you are referring to Book 1 or Book 4. (I would guess Book 1, but that may just be me.) The British covers... don't look good at a glance or a distance, but become interesting close up. (Like, with a magnifying glass.) The first 3 American covers don't do a thing to attract me, I'm afraid. Quite the reverse. (The new American publisher is using the Brit covers, it appears.)
But one thing I have discovered over time is that for every reader who dislikes a cover, there's another who loves the exact same one, for various wildly different reasons that no writer or editor could anticipate. I figure the only viable strategy is to have a variety of covers, to repel different sets of readers each round but pick up a new few, who, bonding to the text, will ignore one's covers ever after.
Ta, L.

Maybe I'm just here proving what you said in your last comment, haha.

For CryoBurn and CVA I asked for "something sophisticated", i.e., not pulpy. The original paintings are indeed very fine, although once they got covered up with my Big Fat Name, etc., some of the impact was lost -- it's worth visiting Dave Seeley's website to see the originals.
I also especially like Gary Ruddell's cover for Memory.
Nevertheless, I still cringe every time I read a comment dismissing my books (especially when still unread) on the basis of their covers, which happens a lot and, in its sedimentary accumulation, has given me a bit of a twitch on the subject.
Ta, L.






(I think the revised/UK/whatever covers for the series are very nice - the ones with the old fashioned pencil illustration-style Londons - but buying them in Canada via Kobo results in some kind of cunning bait-and-switch, no doubt thanks to the vagaries of the publishing industry; you see the nice ones on the site, but the epub files you actually download have the terrible ones...)
Long time reader, first time commenter!
Indeed, Lois. Indeed.
How did your early covers get this way, anyway? I was under the impression authors (at least established authors like yourself) had some say in choice of covers for their work? Were these the least atrocious ones they gave you? If so, it kind of scares me...I'm working on a fantasy novel myself.