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I see that some of the ideas from The Sharing Knife have migrated/mutated to the Five Gods worlds (starting in Penric and the Shaman): Inglis' knife and blood, nerve pinching.


I see that some of the ideas from The Sharing Knife have migrated/mutated to the Five Gods worlds (starting in Penric and the Shaman): Inglis' knife and blood, nerve p..."
1) NICK-ees
2) Goes along with tying magic tightly to biology, I suppose.
Also, one thing I have noticed in other fantasy is how often the writers cheat and make their powerful mages unable to heal by magic, for one arbitrary reason or another, for the obvious reason that if they had such powers, assorted dramatic possibilities would go out the window. I wanted to play with that problem a bit.
I am also exploring a number of things about 5GU-style magics that were tossed off as background or throw-away lines in prior books. It's somewhat like the difference between looking at any highly technical profession from the outside versus the inside.
Ta, L.

I am aiming to let this series grow organically, rather than to try to force it into any pre-established commercial pattern. That said, I was lately reminded of the Sherlock Holmes stories, that jump back and forth in time but eventually added up, rather to their writer's surprise I suspect, to a larger, if disjoint, narrative.
But the most important thing with this new direction is that it remain fun for me to write. Otherwise there's no point.
Ta, L.

But, somehow in Mission, when he was alone (well, he and Desdemona were alone) in enemy territory facing completely unknown dangers, instead of fleeing to safety once he had escaped, Penric first wanted to discover how much trouble his totally unknown to him "partner" in negotiations had developed and then had to risk much to save him.
The issues about the medical treatments, both in the current story and in the back story that was filled in about Penric's past between novellas were very interesting indeed.
The summary is: great and thought provoking story, worthy of a re-read soon and other re-reads later. I enjoy reading what makes Lois happy to write. I don't really need to have the blanks filled in, I want to learn more about Penric and Desdemona, but I want what Lois wants to write.

Good read!
Typos (pulled from my Kindle highlights file):
Location 288 “You efforts on your brother’s behalf are understandable
You -> Your
==========
Location 306-307 Then cut off sharp, as if the raw throat from which it reverberated had clenched closed, or been sliced though.
though -> through
==========
Location 450-451 from open widows roseate with lamplight,
widows -> windows
==========
Location 1179-1180 Pen fancied this wintery mark might serve.
wintery -> wintry? I could see this one going either way.
ETA: I actually like the image of widows roseate with lamplight. "Open" doesn't quite work, though.

https://calibre-ebook.com/ is a program which will run on Windows, OSX, and Linux. It has a "convert" feature which will take unencrypted kindle books and convert them to the ePub format, which Stanza can handle. Since Stanza is no longer available, may I suggest you look into Marvin for iOS devices?

My own need for closure seems built in. I noticed it years ago when my classes of first graders didn't need it in the stories we wrote together. I had to let go then and should let go now.

Would it be out of line for me to ask when it wasn't fun for you?
Simon Kempster
(It seems only fair that you should know my real name - after all, we all know yours.)

Would it be out of line for me to ask when it wasn't fun for you?
Simon Kempster
(It see..."
Not out of line, but too complicated to answer. That said, the middles of novels are always the hardest, and novellas don't have them. Also, self-e-pub has lower PR burdens... mostly.
Ta, L.


Please, please, even if you do skip around in the chronology, let us know soon what becomes of Nikys. She has such a wonderful practical mind, and such bravery and resolution! I also love the fact that she's curvy--I've gotten so tired of wispy fantasy heroines.


Yes, although the root is merely the finite menu of names I find euphonious. My method for generating fantasy names is to take real ones, from maps or other sources, break them down into syllable salad, and toss it. This generates a language-coherent-sounding list I keep for when I need a name of a person or place in a hurry. Main characters get first pick.
Ta, L.

Was this method of blinding enemies something you found in research, or invented for the story?
I very much enjoyed the positive, sensory especially visual descriptions of locations and people. Pen and Des are using his eyes to good purpose in this tale, somehow I find the visual descriptions more impressive in this one than in earlier ones. Was this an intentional effect, or am I just more aware since one cast member lost his vision?

The method came straight out of my research, chosen because it was applied to a certain rebellious Byzantine prince, who made partial recovery even without magic and went on to rebel again. (Next time, they executed him.) So I figured I was on sound ground, medically. Plus, I'd seen a few burns or their aftermaths back in my hospital-worker days.
I don't feel I was doing anything different in my descriptions, although having Penric's eyes to work through was fun because he is a noticing sort of fellow. If anything, I was worried I was under-describing. It may, indeed, just be an echo of the events of the tale.
Ta, L.

That said, I really enjoyed the story! Penric is having a mighty interesting life.