Ashe Vernon's Blog, page 165

August 10, 2015

"She says, I want to kiss you.
I say, okay–but just so you know,
it’s a shit-show over..."

She says, I want to kiss you.

I say, okay–but just so you know,

it’s a shit-show over here.



I’m good at making promises when

I don’t have to keep them.



She says, no strings attached.

She says, shake me up. Yeah. Just like that.



I know skin

better than I know what’s underneath it.

I’m looking for love, but

I ask for her fingers.



(I don’t know what to do

with her heart, yet.)



- SIDE-EFFECT by Ashe Vernon
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Published on August 10, 2015 01:44

"So you see yourself as a revolving door:
a place people keep passing through
but never want to..."

“So you see yourself as a revolving door:

a place people keep passing through

but never want to stay.

You get used to the idea of impermanence–

never fall in love without an exit strategy,

a way to untangle your heart

when they leave you.

(And they always leave you.

That part, at least,

is constant.)

When you become, instead, a dead end,

a back alley, a Do Not Enter,

they want to know why you are suddenly

unavailable.

You show them hands calloused

from all this giving–ask if they have ever loved

a day in their life, ask

why everything you had was

never enough to satisfy.

Trouble is, you see yourself as a peace offering:

a willing body meant to keep the quiet

quiet.

And you throw yourself at every open mouth.

So your method of coping looks more like

taking your body to market

just to see who’s willing to buy it.

This is how you give yourself up in pieces, but

never notice what you’re missing.

It’s how you use sex as just

another way to hurt yourself.

How you become nameless in the face

of all the things you want in parts and pieces

but refuse to accept in full.

Love becomes a fairy tale that scares you.

Kisses, safe only in small doses–it’s dangerous

to get attached to the things that never

want you.

Or worse,

the ones who want to keep you:

like an animal, like a trophy, like

bragging rights.

When all you’ve ever wanted is somebody

who would keep you

like a promise.”

- STAY by Ashe Vernon
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Published on August 10, 2015 01:30

"I wanted to believe that
everyone who wrote beautiful poetry
must be a good person.
But then there..."

“I wanted to believe that

everyone who wrote beautiful poetry

must be a good person.

But then there was you.

And then there was him.

And I still haven’t made up my mind

about the person in the mirror, yet.”

- Ashe Vernon
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Published on August 10, 2015 01:28

"It’s not like I’m the first person
who doesn’t take their own advice.
So when you come to me
looking..."

It’s not like I’m the first person

who doesn’t take their own advice.

So when you come to me

looking for the secrets to happiness,

I will pretend like I have them.

Conveniently, I will neglect to mention

my own clinical depression–that is,

unless it’s used to demonstrate

“overcoming hardship”

or some other self-help bullshit.

What I won’t admit to are

the three months where uncontrolled panic

made it impossible for me to leave the house or

how sometimes I still get anxious

being away from my apartment.

Listen,

I don’t know how to be happy

any better than you do.

But I’ll pretend–

because broken hearts are my favorite to kiss,

because I am desperate to be needed, because

I am disgusted with my own goddamn

Messiah complex but, god, you look at me

like I am something to believe in

and I’m weak for it.



The thing about being useful

and being loved

is I’ve never been able

to tell the difference.



It’s no wonder I got good at being used.

I’ve had a lot of practice.

And then I go and fall in love

with people who have no time for me.

I used to think it was a cosmic joke–

some terrible coincidence, but

I’m starting to wonder if a part of me

craves the non-attention.

If I only find myself worthy of love

when it comes in the shape of

unanswered phone calls.

After all, I have a pattern. And

I’ve dated people who loved me, but

I’ve never loved them in return. No,

that I save for the ones who lose interest, or

the ones too afraid of their own heart

to let themselves use it.

I don’t know how to walk away before

it gets hard.

I don’t understand this part of myself,

or why she won’t listen to the same advice

I’d give any friend:
You don’t deserve this.

Your heartbreak is a hand grenade;

you’re going to set it off again just

to spend months picking up

the aftermath.

It is time to bring this to an end.



Someday, I will love someone

who loves me back

and does it well,

and does it right.

And I will have to catch my breath,

because they will have knocked the wind

right out of me.



- LOVE, OR WHATEVER THE HELL YOU CALL IT by Ashe Vernon (via latenightcornerstore)
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Published on August 10, 2015 00:03

August 9, 2015

"He told me he’s afraid to die in Texas.
Says the roads here go on forever,
and he thinks he might..."

“He told me he’s afraid to die in Texas.

Says the roads here go on forever,

and he thinks he might get lost

somewhere on I-45.

He wasn’t a brave man,

but he was a wise one.

And I’ve noticed how that the brave men

keep dying, and the wise men keep talking

‘bout what it means to be brave.

He said “they call it heart-in-mouth,

‘cause your heart, at least,

has the good sense to get outta there.”

Now, I was never half as delicate

or tender as I was supposed to be.

And I am no wiseman, but best I can tell

it’s us cowards who stay standing.

It’s the ones who take off running

who find their way back home.

It ain’t profound,

it’s a goddamn tragedy–

that the best of us wind up buried

and the rest of us

go walking wild-eyed down the road.”

- The Roads in Texas, by Ashe Vernon
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Published on August 09, 2015 23:01

So i was just wondering... Do you speak any languages other than english?

I don’t. I wish I did, and I would like to learn, but no–not currently. I took French for a few years back in high school and I got great grades in it, but I never had a reason to practice is and I remember next to none of it, now.

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Published on August 09, 2015 22:22

Where do u get inspiration for your poems? I feel like i've written about everything i've experienced and i've got nothing left, no new material, no new ideas and no way to twist old ideas. I've run dry.

That’s okay! Sometimes we have to take a break from the writing and let ourselves just live! You have to experience things before you can write about them. If you’re feeling like you’re running dry, put the pen down for a while and throw yourself into the things you love doing. The words will come in their own time. What matters most is living.

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Published on August 09, 2015 21:12

"This is the story of how I never stopped running.
This is the story of how,
when the wolves..."

“This is the story of how I never stopped running.

This is the story of how,

when the wolves knocked,

I met them at the door

and I became the beast, instead.”

- Ashe Vernon, from “Little Red,“ Belly of the Beast   (via paradoxdepriety)
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Published on August 09, 2015 18:41

My ex boyfriend loves his new girlfriend, like all the time we had spent together didn't matter anymore and i don't exactly know how to feel about it.

Baby, he’s allowed to love her. It doesn’t mean he didn’t love you. It didn’t erase the time you had. Sometimes people change, grow, move on. I know it stings, but his loving her doesn’t take away him loving you.

You aren’t together, anymore. You have to let him move on. You have to move on, too.

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Published on August 09, 2015 09:29

August 8, 2015

"It’s you and I,
Sightseeing around the oldest town in Texas
With it’s brick buildings
That look..."

“It’s you and I,

Sightseeing around the oldest town in Texas

With it’s brick buildings

That look like infants next to the ancient atoms in our skin.

Holding hands through moss-covered alleyways,

We are older than the cracked foundations and sullied windowpanes.

There are words on our tongues that could make the Parthenon

Feel young again.

We are old on the inside,

Where the last wheeze of a dying star

Still echoes through the universe,

masked by the sounds of our voice.

.

It’s you and I.

I am in your mouth; I am curled up

Next to your bones

And they hum my name the way

Gregorian monks sing of God.

I wonder if they’ve always known me—

If every cell in your body has just been waiting for me

To come home.

I tell them I am here now.

I let my bones sing with your bones.

We are the kind of harmonies that make the moon rise, at night.

We are the reason the tide comes in.

.

It’s you and I.

When they write of young lovers,

They are writing about the way your body feels against mine, in the dark.

Your mouth loved me better than any god.

I was the altar you lay prostrate in front of;

You were the confessional where my sins

Grew tongues and learned to talk.

.

We are ancient, you and I.

We are clumsy newborns with curious hands.

We are the stars that caught fire in the cosmos

Generations before the Earth pressed it’s molten clay together.

Once—we were the youngest creatures to ever exist.

Now, we are poets and landmines.

We are volatile and reckless and in love.”

- Old Souls, by Ashe Vernon
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Published on August 08, 2015 23:00