Jude Knight's Blog, page 127

How a disease of cows saved hundreds of millions of lives

Would people inoculated with cowpox become cows? The cartoonist James Gillray lampooned the fear.

I’ve been looking back over 250 years of growing knowledge about the human body, the ills that befall us, and how to treat them. In her book Smallpox, Syphilis, and Salvation, Sheryl Persson points out that the idea of curing disease is a very new one. For most of history, and for many illnesses even today, physicians have treated symptoms and tried to keep the body alive long enough for it to cure itself.

As for eradicating a disease, we’ve managed to get rid of one, and it took us 180 years from the time a country doctor in England first published a pamphlet suggesting not just the possibility, but the method.

How can we who live in the West in the 21st Century imagine a society where a single illness killed one tenth of the population every year? Where a quarter of the entire population was killed or permanently scarred by that same illness?

Smallpox was no respecter of persons, killing kings and street beggars alike. It was responsible for one out of every three deaths in childhood at a time when a third of children died before they were nine.

It changed the course of history several times, contributing to the fall of Rome, altering the succession of the British throne and ushering in the Georgian era, killing the rulers of the Aztec and Incan nations and crippling their nations so the conquistadors could sweep all before them… The list goes on and on.

Death among the Mezo-Americans

By the middle of the 18th century, England had learned the practice of variolation; fundamentally, the practice of rubbing a cut or scratch with material from a smallpox scab to give a healthy person a case of smallpox. As long as the person administering the treatment avoided both of the two major risks, the person had a far better chance of surviving the disease, and then they wouldn’t catch it again.

The risks? Doctors tried to find milder strains of smallpox by looking for people who were recovering, but sometimes they got it wrong. And—without a germ theory of disease transmission—some of them weren’t that careful about washing their instruments (or even their hands) between patients. Variolation was common during a smallpox epidemic, and doctors carried contagion from their dying patients to their well ones.

George III of England lost two infant sons to variolation within six months of one another. Still, a death rate of less than one in fifty was an improvement over the status quo.

A physician inspects the growth of cowpox on a milking maid’
Credit: Wellcome Library, London. Wellcome Images, http://wellcomeimages.org

Edward Jenner, the country doctor I mentioned, drew on folklore to find a better way. While not the first to inoculate healthy patients with cowpox, he was the first to press his treatment on the medical community. Cowpox was a related disease, seldom fatal or even serious, and country folk had long known that milkmaids were immune to smallpox.

When, in 1796, Jenner inoculated his gardener’s son with cowpox taken from a local milkmaid, he founded the science of vaccination, and took the first step in the long road to the last natural case of smallpox, a hospital cook in Somalia in 1977.

I’ve been reading about illnesses and deaths in the 18th and 19th centuries, and about medical knowledge, for some of my books. In A Raging Madness, (Book 2 of the The Golden Redepennings) the hero is crippled after being hit by a canister shell (today we’d call it shrapnel) and the heroine is a doctor’s daughter and was her father’s apprentice. In the Mountain King series, the next book after The Bluestocking and the Barbarian is The Hermit and the Healer. My healer takes on a cholera epidemic at a girls’ boarding school, and needs to deal with the prejudice of the locals as well as the suspicion and anger of the reclusive parent of one of the girls.

I have one of my regular background characters dying of syphilis (the great pox—more about the medical history of that scourge next week).

And I’m still working out what will kill Mia Redepenning’s husband’s Javanese wife so that Mia can finally have her happy ending in Unkept Promises, Book 4 of The Golden Redepennings. (Something lingering, so she has time to send a letter halfway around the world to her English ‘sister wife’ to beg Mia to be a mother to her four little children.)

The first vaccination

Scolds, gossips and harpies on WIP Wednesday

Ladies Gossiping at the Opera, by Barnard, Frederick (1846-1896)
English, out of copyright

The scandalmonger is a staple of Regency romance. I like my protagonists (of either sex) with a bit more meanness to them, and lean therefore to malicious gossiping. But maybe yours is just a garrulous person, or a mother with a bit too much interest in the actions of her adult children. Or maybe your work in progress has an outright villain (male or female) who uses social position to exert power.

Please share. Mine is an ex-lover of my hero, expressing her jealousy by supporting an attack on poor Ella, the heroine of A Raging Madness.

Ella, watching Alex treating a crowd of admiring females to his best imitation of a man pleased with his lot, was surprised when Mrs Fullerton spoke at her elbow. “Silly . He is being polite, of course, but I dare say our new Lord Renshaw is hating every minute.”

Ella controlled her surge of irritation. She had no place objecting to Mrs Fullerton’s possessive ‘our’, or her implicit claim to understand Alex. Diplomatically, she replied, “I was surprised at how quickly the news had travelled. He only heard this afternoon.”

“I owe you an apology, Lady Melville. I was very rude when we last met. I was jealous, you see. Alex never looked at me the way he looks at you.” Mrs Fullerton gave a deep sigh. “But one must accept reality. He has eyes only for you, and I was quite horrid. I am ashamed of myself, truly.”

She seemed sincere, her eyes meeting Ella’s, a tentative and apologetic smile just touching the corner of her lips. Ella suppressed the urge to ask how Alex looked at her, and gave way to the impulse not to correct Mrs Fullerton’s misconception about Ella’s and Alex’s relationship.

“We all do things we later regret, Mrs Fullerton. Think nothing of it.”

“You are very gracious.” Mrs Fullerton lifted her glass to her lips. “Bother!”  Somehow she had managed to spill quite a large splash of the drink on one shoulder of her gown, a red spreading stain against the pastel green. “Lady Melville, I hate to impose, but could you…”

What could Ella say? She accompanied Mrs Fullerton to the ladies’ retiring room, helped her sponge out the liquid, and waited by the door to the large drawing room while Mrs Fullerton went out to the front hall to retrieve a shawl to cover her shoulders.

She returned with a footman in tow. “Have you tried the punch, Lady Melville? It is strongly spiced, but hot and quite pleasant.”

She collected two glasses from the footman’s tray and pushed one into Ella’s hand.

“Drink up, Lady Melville, and then we shall go and rescue Lord Renshaw.”

It was over spiced, but Ella did not wish to be rude. She took a large sip, and another.

An instant before the drug in the drink hit her, she saw the flare of triumph in Mrs Fullerton’s eyes, and knew she had made a mistake. She opened her mouth to shout for Alex, but suddenly the footman had a hand over her mouth and another under her elbow, and was hustling, half carrying her through the door Mrs Fullerton held open.

“I will give you a few minutes to make it look good,” she said, and whipped out of the room, shutting the door behind her.

Ella was struggling against the footman and the fog trying to close in on her mind, the dizziness that wanted to consume her. She stamped at his foot, kicked back at his chin, but her soft indoor slippers made no impression. She squirmed, trying to jab her free arm as low as possible, and he twisted away with an oath, pushing her from him so that she fell face forward onto a sofa.

In an instant he was on her, tugging her head back by the hair, straddling her torso. “This will do well enough,” he commented, lifting himself enough that he could push up her skirt and petticoats.

Ella fought to retain consciousness, the pain of her pulled hair helping to keep her from sinking into the fog. “Scream,” she instructed herself, as her assailant’s free hand fumbled at her buttocks, and she shrieked as loud as she could.

Doors burst open: the one onto the hall and a double set into the drawing room next door, and the room filled with people.

It was her worst nightmare come again: the indrawn breaths of shock, the buzz of excited comments, the avid staring eyes. The last thing Ella heard before she sank into oblivion was the amused drawl of the man on her back. “Oh dear, Lady Melville. It seems we have been caught.”

Release day for The Renegade Wife

Today is release day for the first book in Caroline Warfield’s new series, Children of Empire. I was privileged to be an early reader for The Reluctant Wife, and if you don’t already have it, rush out and get it now! Amazon link at the bottom of the page after a word from Caroline, the blurbs, my review and an excerpt.

Caroline, you know I love the book, and now everyone else knows it too, because there’s a quote from me on the front cover. Congratulations, and I wish you every success.

A message from Caroline

Meggy visited the Duchess of Haverstock last week on Monday for Tea.

Thank you, Jude, for hosting me on my book’s release day. I tend to almost hop up and down with excitement over a new release, and I’m delighted to have the chance to introduce it to your readers. Here are seven things they might like to know about The Renegade Wife.

1. The characters may be familiar. The elders who assemble to brainstorm ways to get Rand and Meggy out of trouble are the heroes of my Dangerous books. Rand himself appears in A Dangerous Nativity as a boy.

2. Meggy, as quickly becomes apparent, is an abused wife. Faced with such abuse, she stands up and takes control. You’ll like her.

3. Rand’s heart isn’t as hard as he likes to pretend.

4. There are children. Somehow my books always have children.

5. It’s the first of a new series, The Children of Empire. This one begins in His Majesty’s colony in Upper Canada. The empire spanned the globe. The next book begins in India.

6. The story is set in 1832, too late to be Georgian and too early to be Victorian. Let’s just call it “historical.”

7. I plan to celebrate the launch with a Facebook party on Sunday, October 16. You’re all welcome to join us. There will be prizes!

https://www.facebook.com/events/552255998312179/

A side note (Because Caroline can never resist a side note):

Why “Upper” Canada, you may ask? When the British took Quebec in 1760 the entire territory was called Canada. The Quebec Act made it French in law, language, and religion. The influx of loyalists in the 1780s prompted a need for a colony with English language and law with some religious tolerance, and so they divided into parts up river (Upper Canada, which we now call Ontario) from the parts down river (Lower Canada, or the current province of Quebec). As to the other provinces and eventual union, that’s probably a story for another novel.

The Renegade Wife

Betrayed by his cousin and the woman he loved, Rand Wheatly fled England, his dreams of a loving family shattered. He clings to his solitude in an isolated cabin in Upper Canada. Returning from a business trip to find a widow and two children squatting in his house, he flies into a rage. He wants her gone, but her children are sick and injured, and his heart is not as hard as he likes to pretend.

Meggy Blair harbors a secret, and she’ll do whatever it takes to keep her children safe. She’d hopes to hide with her Ojibwa grandmother, if she can find the woman and her people. She doesn’t expect to find shelter with a quiet, solitary man, a man who lowers his defensive walls enough to let Meggy and her children in.

Their idyllic interlude is shattered when Meggy’s brutal husband appears to claim his children. She isn’t a widow, but a wife, a woman who betrayed the man she was supposed to love, just as Rand’s sweetheart betrayed him. He soon discovers why Meggy is on the run, but time is running out. To save them all, Rand must return and face his demons.

Children of Empire

Raised with all the privilege of the English aristocracy, forged on the edges of the British Empire, men and woman of the early Victorian age seek their own destiny and make their mark on history. The heroes and heroines of Caroline’s Dangerous Series overcame challenges even after their happy ending. Their children seek their own happiness in distant lands in Children of Empire.

Jude Knight on The Renegade Bride

I love Caroline’s writing, and was not at all surprised when her Dangerous Secrets won a RONE in this year’s awards. I’ve read each of the Dangerous books, thrilled with their heroine, and fallen in love with their hero.

This is the best yet. Her writing is superb, and her characters are hugely likable (except for Blair and his offsider, who are not). I particularly enjoyed the double vision effect at the beginning: Rand as cat rescuer and altogether nice fellow vs Rand as scary monster.

No spoilers, but suffice to say that Meggy would do anything to protect her children. And with a husband like Blair, they need protection. And Rand is heart-sore and hiding out in the woods, avoiding all people. But the children and then the woman herself get under his defenses.

Can these two damaged souls heal one another? Not if Blair has anything to do with it.

And then there is Charles. Charles is Rand’s cousin; the one that Rand hates even as he loves him. To save Meggy, Charles and Rand have to work together. Charles is every kind of darling, and deserves the happiest of endings. I can barely wait for his book, which is the third of the new series.

I was privileged to receive a beta copy of this book, and am waiting breathlessly for my purchased copy to download so I can read it again.

An excerpt from the book

“Let go of her, Blair, or I’ll shoot you like the dog you are. God knows you deserve it.” For untold minutes all Rand heard was the wind in the trees, and Lena’s whimper behind Pratt’s back. Even Meggy seemed to hold her breath.

Blair let go of her arm so suddenly she stumbled before running back to her children. “The slut and her children are mine, Wheatly, and that makes you a thief.”

“Get on your horse, Blair, and get out of here before I change my mind and shoot you anyway. You too, Pratt.”

Rand kept his pistol aimed at Blair while the men mounted and turn their horses to the lane. Pratt and Martin galloped up the hill and into the woods, but Blair turned half way up and pointed back at Meggy hugging the children in Rand’s doorway.

“They’re mine, Wheatly. I have a writ. I’ll be back with the magistrate and the deputy to have you jailed for resisting. Won’t your fancy relatives like that?” He turned and galloped off.

Rand eased back the hammer of his pistol, when the men cleared the trees. He slid it into a holster, jumped down, and ran to Meggy and the children, pulling all of them into an embrace. Meggy began to weep almost as soon as his hand came around her back, pulling her close with Lena between them and Drew in the crook of his arm.

“You might have killed him, and then where would we be?” she sobbed.

“You would be safe from him.”

“And you would be in jail or worse.”

He didn’t deny it. He kissed the top of her head and down her cheek.

Links

Buy The Renegade Wife on Amazon.

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Visit Caroline’s Website and Blog

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Tea with Vanessa

Vanessa’s tea with the duchess

OR

A widowed father must be in want of a wife

“Welcome, Miss Sedgely! I am so pleased you could take tea with me today.”

The Duchess of Haverford was sitting at the far end of two rows of elegant chairs and settees facing each other, looking regal in her own chair of scarlet and gold as she waved Vanessa to the chair at her right. Vanessa swallowed nervously as she made a small curtsey before complying with her hostess’s wishes.

“On the contrary, Your Grace. It was kind of you to extend me an invitation.”

It was true. The Sedgelys’ tended to socialize on the fringes of the ton, not in its upper circles. Vanessa had met a duchess or two before, but never this particular one, who had a reputation for being both astute and compassionate at the same time. No doubt her purpose in inviting Vanessa to tea was to learn more about her work with the Foundling Hospital in order to determine if it was indeed a worthy charity to promote at her New Year’s ball.

The duchess smiled. “It was gratifying to see so many serious young ladies taking an interest in charitable endeavors at the meeting at Miss Clemens’s Book Palace last week. It’s not the usual thing for unmarried ladies, is it?”

Vanessa took a deep breath before answering what was to her a loaded question.

“I’m sure many would agree with you that unmarried ladies would be better occupied in searching for a husband, Your Grace. However, for ladies who choose not to marry, or who have not yet found a suitable match, I cannot think their concern for the less fortunate should be denied. If I am able to help even a few abandoned children live to be respectable and worthy citizens—”

“Which are you, Miss Sedgley?”

Vanessa stared at her blankly. “I beg your pardon?”

The duchess tilted her head to the side. “A lady who has chosen not to marry or one who has not yet found a suitable match.”

A flush crept across Vanessa’s cheeks. Until recently, she would have easily confessed to the former, but since meeting a certain widowed solicitor, she had begun to believe the married state might be for her after all.

“I-uh…”

At that point the tea trolley was wheeled in, and Her Grace favored Vanessa with a request to pour the tea.

Fortunately, she was able to manage that small task without trembling, and for a short time, there was silence as the two ladies sipped their tea and bit into the delicious lemon biscuits.

“I found it exceedingly interesting that Mr. Durand remained for the entire meeting, although he was the only gentleman to do so.”

Her Grace set her cup down on its saucer on the small table between them.

Vanessa’s face felt impossibly hot.

“Er, yes,” she said, taking another sip of tea.

The duchess’s eyebrows furrowed and released. “I find it commendable that he seems so determined to raise his daughter himself,” she said casually as she reached for another biscuit. “I understand he could have left her indefinitely with his sister.”

Vanessa poured herself another cup of tea. Her Grace’s tea service was exquisite, but the cups were tiny and the conversation was making Vanessa’s mouth feel dry.

“Indeed.”

“A girl of that age needs a mother, of course.”

“I’m sure that Mr. Durand will do what is necessary for his daughter,” Vanessa defended. “Now, perhaps we might discuss the needs of the Foundling Hospital?”

Her Grace burst out laughing. “I really must stop teasing you, my dear. It’s rather a dreadful habit of mine. Along with matchmaking, of course. But what happens between you and Mr. Durand is really not my concern.” She shrugged. “Although I do think you could be of great help to that worthy gentleman.”

Vanessa gave her a weak smile, wishing the floor would open up and swallow her.

The duchess rang for the tea trolley to be removed.

“Now,” she said. “Do tell me more about your work with the foundlings. We have an orphanage at our Hollystone Hall estate. I’m sure Miss Grenford will organize a visit for us during the house party.”

Gratified at the turn of conversation, Vanessa took a deep breath to give her time to organize her thoughts. Now this was a topic she could handle. Speculating on her matrimonial prospects with George Durand was quite definitely not.

Vanessa is heroine of Susana Ellis’s Valuing Vanessa, a novella in Holly and Hopeful Hearts. For more about Holly and Hopeful Hearts, including blurbs for all eight stories and preorder links, see the website of the Bluestocking Belles.

What have you learned from this experience?

The headline is a quote from the man I adore: “What have you learned from this experience?” (Not, incidentally, what you want to hear when you’ve just bumped your toe or broken your heart. But I love you, darling.)

Two years ago this December, I published my first historical romance, a novella. I’ve since published two novels, three novellas, and multiple short stories. I am about to publish another two novellas (in a box set) and another novel.

I am learning all the time, but here are my top five lessons from this first venture into the wild and wonderful world of Indie.

Lesson 1: We do better together than apart

In the past two years, I’ve ‘met’ many wonderful authors. My to-read list has expanded at an alarming rate, but I’ve also been privileged to share their insights, tidbits from their research, and their encouragement as I’ve dipped my toes into the indie publishing water.  I’m also part of a collaborative of historical romance writers, the Bluestocking Belles.

Without the retweeting and sharing of my friends, far fewer people would have heard of my books. And I am keen to return the service whenever I can. Readers are not a scarce resource to be hoarded; an enthusiastic reader will devour the books of many authors. When we share, when we support one another, we grow a larger market to benefit us all.

Lesson 2: 20 December is a terrible date to launch a new book

The 1st; maybe the 10th; maybe the 30th. But I launched my first book on the 20th.

The 20th was a really, really, bad idea, and very nearly did me in. So many competing demands. We have a habit of giving the grandchildren a craft day, and the year I published Candle’s Christmas Chair, we did two (one full Saturday for the older children, and one for the younger). I work full-time in commercial publishing, and 30 years of experience should have taught me that clients pile on the deadlines in the three weeks leading up to Christmas and the New Zealand summer holidays. And that doesn’t even begin to touch on Christmas shopping and baking.

I did all my own editing, cover design, formatting, marketing, and so on. The week leading up to 20 December was insane, and the next week, as I publicised the book, even crazier. And that week included Christmas Day.

I’m not planning to do that again, but check with me later this year and I’ll let you know how 13 December worked out for me.

Lesson 3: Don’t leave the cover till the last week

I’ve done a lot of research on covers, and looked at hundreds trying to work out what I like and what I don’t.  To make the cover of Candle’s Christmas Chair, I downloaded Pixelmator for the Mac, and my PRH transferred across a heap of fonts from the ancient version of InDesign on our old publishing company’s computer. We experimented with fonts till we found some we liked. But – with final tweaks on the image — the cover I actually used wasn’t completely ready until 12 December, just a couple of days before I uploaded to Smashwords and Amazon.

More pressure than I needed.

You’d think I’d learn, but when the wonderful Mari Christie suggested that my semi-professional baker in Gingerbread Bride needed a better biscuit on the front cover, I spent a fortnight hunting down a member of the Cake Decorator’s Guild, baking her some gingerbread biscuits to ice, and then photographing them; and the cover was ready right at the last minute.

Lesson 4: Distribution takes time – preorder is the way to go

I uploaded the first book on 16 December my time. The book began to be downloaded from Smashwords straight away. Somehow, I’d managed not to take that into my calculations, but hey — a download is a download, right? It took several days to filter through to the resellers from Smashwords. Apple finally started showing the book on 27 December, and didn’t really pick up speed for several days.

Amazon started selling immediately, too, but didn’t really begin to move until I managed to get them to make the book free.

Putting Farewell to Kindness up for preorder five weeks before release definitely lightened my stress load. A Baron for Becky  went up nearly three months in advance, and so did Revealed in Mist.

Lesson 5: Ask for what you want; it’s less stressful than waiting

Ask for reviews. Ask for ratings. People can say ‘no’. But you lose nothing by asking for an honest review. One thing I’ve asked for a couple of times was a free listing on Amazon. I was giving away a novella, and am now giving away a book of three shorter stories and a novella, to give people a taste of my writing style, but Amazon insisted on a price of 99c.

I’d been told that Amazon would price match, and that I should ask people to request price matching. So I did. And nothing happened. I read discussions on forums where authors talked about how hard it was to get price matching. But then I thought ‘why not ask’?

So I emailed Amazon, told them that the book I wanted price matched was free at Apple and Barnes & Noble, that my strategy was to give it away free to publicise the next few books, and that — if they price matched — we’d both benefit in the long term. Within 24 hours, it was free on Amazon to US purchasers, and that slowly spread to their other stores.

So ask. People just might say ‘yes’.

Running away very very slowly

This is a rerun of a post I wrote for Caroline Warfield’s Highlighting Historical Research blog, several months ago.

I love research. I even love research when I have a perfectly delightful plot that falls apart when research proves it couldn’t have happened. Working out what might be historically probable instead, or at least plausible, has allowed me to drop down many an exciting rabbit hole into research wonderland.

For example, in my current work-in-progress, A Raging Madness, my hero Alex has a leg full of shrapnel, and is currently helping my heroine to escape from relatives who are determined to lock her up in an asylum for the mentally unwell.

Shrapnel? What kind of shrapnel? What munitions carried shrapnel at that time? What battles were they used in? How were shrapnel wounds treated? What was the long term prognosis? How about complications?

It took me a while to find a suitable battle, but eventually I put Alex the right place to be on the business end of a canister shell, a cannon ball with a weak outer shell filled with scrap metal. When the cannon fired, the shell burst apart, and a broad fan of metal caused devastation among the enemy troops. And, in my case, on the body of the assigned escort of a British diplomat who was observing the battle. (And, no, it was not called shrapnel at the time.)

Ella, my heroine, was the daughter of an army doctor, and I figured she’d solve all of Alex’s problems by removing the shrapnel. But not so. Then, even more than now, removing shrapnel or even bullets (unless they are lead) was a very bad idea.

Even today, going in after a splinter of metal might cause more harm than good, and the world is full of people walking around with bomb fragments buried inside. Back then, with no antibiotics and no anaesthetics, the treatment of choice was to leave the mess alone.

Over time, one of three things would happen. The body and the shrapnel would adjust to one another. The body would reject the shrapnel, moving it piece by piece slowly out to the surface. An abscess would form, and the poisons from the infection would kill the patient unless someone acted to drain the abscess.

Hurrah! I had my intervention. Poor Alex developed an abscess.

But escape? Alex can barely walk, let alone ride. Ella is recovering from addiction to the laudanum that her relatives have been force-feeding her. (Another rabbit-hole: what does laudanum withdrawal look like? Feel like?)

I needed a plausible way for two such invalids to escape.

I chose a canal narrowboat for a number of reasons.

The narrowboats were designed at the maximum size to fit in the smallest locks. An inch too big, and they couldn’t go wherever they needed to for the operator to earn his living. The early designers decided on a boat around seven foot wide, up to ten times as long as wide, and drawing about three feet of water when fully loaded.

One: I loved the idea of the villains haring all over the countryside looking for them while they ran away by the slowest form of non-pedestrian transport ever invented.

Two: I’ve always wanted to go on a canal cruise, and this way I got to watch YouTube clips and call it working.

Most of the boat was given over to cargo, covered by canvas. In the cabin at the rear, everything did double service, with fold down beds and tables. Some boats also had a small cabin at the bow.

Three: By 1807, when my story is set, the canal network stretched from the Mersey (with access to Manchester and Liverpool) all the way to London. Travelling by narrowboat was feasible. Canals were a supremely profitable way to move goods in the early 19th century, and had been for a number of years. At a steady walking speed, a horse could move fifty times as much weight on a boat as it could on a road. The canals provided still water and tow paths to ease the travel, and locks, tunnels, and viaducts to overcome obstacles. Later, canal boats were mechanised, and later still the railways put the canals out of business. But in 1807, Alex and Ella hitched a lift with a charming Liverpool Irishman called Big Dan.

Four: I could put my hero and my heroine in close confines, calling themselves married, for five to six weeks. Not only did they have heaps of time to talk and even to succumb (or nearly succumb) to their

A healthy strong horse was vital. Each horse needed a stall in a stable each night, and copious quantities of high energy food.

mutual attraction, they were also in deep trouble (or Ella was) if anyone found out. They used false names. They stayed away from fashionable places. But even so, their novelist made sure that someone with no love for Alex saw enough to cause trouble.

Five: The time frame let Alex develop an abscess and recover from the operation, all before he needed to be on hand to save Ella when rumours spread about the two of them and their canal interlude.

And down the rabbit hole I went.

Danger on WIP Wednesday

I’ve been summarising the scenes in A Raging Madness so that I can map them against the internal and external journey of my hero and heroine, as I did with Revealed in Mist. I came across the excerpt below, and decided to share it with you. A moment of danger for my heroine; and this is only the first in a book of them.

Please share your excerpts showing your hero or heroine putting themselves at risk, whether physical risk, risk of rejection or scorn, or whatever you like. Here’s mine.

As soon as the key turned in the lock, Ella slid out of bed to find the chamber pot, and spit the remaining laudanum into it. She washed her mouth once, twice, three times. She had ingested a little—enough to further fog her brain, but not enough to douse the sharp flame of purpose. She had to get away. She had to escape. She had no idea why her brother and sister-in-law were keeping her alive, but she could not count on it continuing.

The room moved a little, wavering at the edges, and Ella wanted nothing more than to crawl back onto the bed and let the dreams come. Did it matter, after all? What good did it do to struggle?

No one in this village would help her, as she had found when they brought her out to display her before the squire and, on another occasion, the rector. She had been drugged both times, of course. She had been drugged these past four weeks. But when she told them, they patted her hand soothingly, looked at her jailers with sympathy, and went away shaking their heads.

But this evening, standing in the shadow of the curtain peering out to see the funeral goers returning to the house, she had seen him. Major Alexander Redepenning. Alex. Perhaps he was just a dream sent by the opium to torture her with hope, but if he were truly here, he would help her. She had to escape now. Tonight.

Alex was a stubborn, opinionated, arrogant fool—and what he had said to her last time they met still scalded her with shame and anger every time she thought of him. But he had known her since she was a child, and he would not abandon her to whatever the Braxtons planned.

She could not run away in her shift, but they had left her no clothes. A blanket? She could wrap a blanket around herself against the chill air.

If she could just open this window without making a noise… So. One obstacle overcome. She dropped the blanket to the ground below. Now she needed to climb from the second floor, dizzy and confused as she was, walk to the village, and find Alex. He would be staying at the inn, surely? He would not have gone on tonight?

She had heard he had been injured; seen the difficulty with which he had descended from his chaise, leaning heavily on his groom. He would not want to travel on tonight. He had to be there at the inn. He had to be willing to help her.

Tea with Meggy

Meggy Campeau waits nervously to be ushered into the presence of the Duchess of Haverford. Since she arrived in London days ago, she has been overwhelmed by titled ladies.  She knows she belongs in a cabin along the lakes in Canada, not in this room full of priceless antiques. She fidgets with the dress she has borrowed from the Countess of Chadbourn. Rand’s sister. Who insists on being called Catherine. Meggy will never get used to it.

Catherine herself smiles fondly. “Meggy, calm down. She isn’t a dragon, truly!”

The door opens on silent hinges and the duchess herself sweeps in. “Catherine! It is wonderful to see you as always. Miss Campeau, welcome. Or do you prefer to be called Mrs. Blair?”

Meggy feels her cheeks heat. She looks at the wall to the left of the duchess’s ear and tries to formulate an answer.

“Perhaps I should call you simply Meggy. Would that make you more comfortable?”

The duchess’s smile certainly helps Meggy calm down. She nods. “Thank you, Your Grace.”

The arrival of the teacart gives Meggy a brief moment to collect herself. All too soon the duchess looks at her over a dainty porcelain cup and asks, “How is that scamp Randy doing? I understand he has been somewhat overwrought.”

Catherine raises a brow at Meggy, urging her to answer.

“Rand worries for my children, Your Grace. I don’t mind admitting they are in danger at their father’s hands.”

The duchess nods, knowingly. “Well done of him. From what I’ve been able to ascertain, they need his protection. You do, too.”

Meggy stiffens her spine. “I can take care of myself, Your Grace.”

“But not your children?”

Meggy crumples. Tears threaten. The duchess is at her side in a moment, a reassuring arm on her shoulder. “My dear, we all need help eventually. There is no shame in taking it. You have Rand.”

Meggy’s head bobs up, but the duchess waves her protest away. “You do have him, if you want him, you know, but that is a matter for another time. First you must allow all of us help you deal with your vile husband and the criminals that surround him.”

“You too?”

The duchess smiles. “Well, perhaps not directly. Sudbury, Chadbourn, and Rand’s darling cousin Charles have things well in hand. Should you need us, however, the Grenford family stands ready to help. ” She pours another cup and her face takes on an impish expression. “After all, Rand is well on his way to enriching me even further with this timber enterprise. I’m grateful he let me invest.”

With that, the duchess and Catherine turn the conversation to mutual friends, the weather, and the theater season, leaving Meggy to contemplate what she just heard. She sits back and lets the feeling of security sink in. I’m not alone, and my children will be safe.

The Renegade Wife

Betrayed by his cousin and the woman he loved, Rand Wheatly fled England, his dreams of a loving family shattered. He clings to his solitude in an isolated cabin in Upper Canada. Returning from a business trip to find a widow and two children squatting in his house, he flies into a rage. He wants her gone, but her children are sick and injured, and his heart is not as hard as he likes to pretend.

Meggy Blair harbors a secret, and she’ll do whatever it takes to keep her children safe. She’d hopes to hide with her Ojibwa grandmother, if she can find the woman and her people. She doesn’t expect to find shelter with a quiet, solitary man, a man who lowers his defensive walls enough to let Meggy and her children in.

Their idyllic interlude is shattered when Meggy’s brutal husband appears to claim his children. She isn’t a widow, but a wife, a woman who betrayed the man she was supposed to love, just as Rand’s sweetheart betrayed him. He soon discovers why Meggy is on the run, but time is running out. To save them all, Rand must return and face his demons.

For purchase on Amazon.      

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First in a new series: Children of Empire

Raised with all the privilege of the English aristocracy, forged on the edges of the British Empire, men and woman of the early Victorian age seek their own destiny and make their mark on history. The heroes and heroines of Caroline’s Dangerous Series overcame challenges even after their happy ending. Their children seek their own happiness in distant lands in Children of Empire.

 

Sunday grumble

The rotator cuff injury isn’t helping the to-do list. What happened? Who knows. Could be wear and tear, rust in the works, or some sudden action that I didn’t notice at the time. I’ve been doing a lot of typing, also some weeding, and stretching and reaching to prune the fruit trees. Sigh.

But on a brighter note, the tulips are magnificent, the peaches are in blossom (the plums and apricots are nearly finished, and you can’t see the blossom for the leaves), and we’ve had lots of rain to make everything green. The daffodils are also on their last gasp, and have been thoroughly nibbled by snails. They’ve been wonderful, though.

Globalisation ancient central Asian style

Not so much a road as a route, and only one of them, at that. Imagine a procession of heavily laden camels, donkeys and carts.

I’ve been fascinated for most of my life by the histories I didn’t learn at school. According to the wisdom I received from my teachers, enlightened thinking began with the Greeks, was codified by the Romans, and was resurrected after the Dark Ages in the Renaissance where it grew into the humanist and democratic beliefs that bubbled up in Europe in the 18th Century and reached its culmination is the set of beliefs and practices widely known as western civilisation.

(Gandhi was once asked what he thought of western civilisation, and said he thought it would be a good idea.)

This view, of course, completely ignores the fact that Europe was a backwater until at least the 16th Century, and all the time inventions and advances and discoveries in the rest of the world laid the foundations upon which Europe would later stand.

Let’s leave for today the great kingdoms of Kush, Nri, Songhai, and Asumite in Africa, the Olmec, Aztec, and Mayans of the Americas, Kutai, Khmer, Dvaravati in South East Asia. In the past months, I’ve been filling my head with the broad swathe of city-states, kingdoms, principalities, and empires that created, maintained, and thrived because of the Silk Road. Not so much a road, but rather a rambling plaided string of trade routes from China and India to the Mediterranean Sea by diverse ways.

This was the mixing ground of cultures, ideas (including religious ideas), new technologies, and products. Above all, products: silk, paper, and spices travelling West; carpets, jewels, drugs, metal, glass, and other trade goods travelling East.

To hear the Venetians tell the story, they started the whole thing. In fact, they were very late into the game. One of the main western arteries did come first, established in Persia. It was the old Persian Royal Road, with postal stations along the route. The pony express was nothing new. The Persian route was established close to 2,500 years ago.

2,250 years ago, an emperor of China, struggling to keep the horse nomads of the north out of his land, sent an envoy west looking for help. Zhang Qian’s expedition led to trade deals to purchase the larger faster horses the envoy found in central Asia. Silk for horses. The Chinese beat of their enemies, and settled down to consolidate the trade, while from the other end the Parthians (who now controlled Persia) were doing the same.

For 2000 years, the Silk Road was how China got its western goods, and places as far distant from China as England got its silks and spices. Then, in the 15th Century, the rising Ottoman Empire blocked European merchants from using the routes, impelling them to find a sea route. Columbus went west, and Vasco da Gama south. And the rest is history.

If you’d like to know more, this 10:30 minute video is entertaining and interesting.

Huh! How about that. I set out to write about the Kopet Dag mountains between Turkmenistan and Iran, and the place of their inhabitants in the silk routes, and I’ve got all excited about ancient history. Another time, perhaps. Meanwhile, feel free to look at the novella I have in the Bluestocking Belles 2016 box set. Called The Bluestocking and the Barbarian, it features as hero a young man who grew up in a small kaganate high in the Kopet Dag mountains. The link is to my book page, which in turn links to the first two chapters.