Helen H. Moore's Blog, page 884

January 24, 2016

Unfollow Humans of New York: The site engages sentimentally with real political matters — empathy is much harder

Over the holidays Brandon Stanton was able to raise upward of $500,000 in financial assistance for Syrian refugee families through his incredibly popular blog Humans of New York. While this campaign will surely ease the strain on many refugee families who desperately need help, HONY, by encouraging sentimental, individual acts of charity over support for systemic political change, effectively does more harm than good.

The incredible effect that HONY has on millions of American viewers lies in Stanton’s use of quotations. The quotations accompanying each image are not real. Clearly, each Syrian refugee does not prepare a speech for these encounters, making sure to have a carefully orchestrated narrative flow. The quotations — based on his conversations with each subject — are a creation of Stanton, who limits and conditions the possible interpretations that the viewer can have. This act of delimitation makes each refugee’s story Stanton’s own. Stanton operates as a filter between each Syrian refugee and each American viewer, sharing only those parts of the conversation that he wants us to hear.

Not only does Stanton craft stories that leave out certain (possibly very important) details, but he deliberately focuses on details that reflect American values, in order that these subjects can be recognizable to American viewers. So, while each story is always tragic, the people in them are always the same. Viewers are presented with family-oriented people, who understand the value of hard work, and are filled to the brim with hopes and dreams and passions. To get to where they are today they had to be brave, and they had to sacrifice. Each quotation confronts the viewer with people who are fundamentally “American.” Except they are not American. Stanton is purposefully misleading here. He presents subjects who are pitiful and therefore unthreatening, all the while reminding viewers that these subjects are basically “American” and therefore acceptable.

HONY fails to challenge viewers to new understandings, and this is why it does more harm than good. Stanton takes real stories and molds them into something that can be easily consumed by intelligent, passive readers. Most HONY viewers consume a portrait and then immediately forget about it, because what these portraits do, and do very well, is articulate things that viewers already know (i.e., that life over there is really awful, and way worse than our lives over here). Each quotation keeps the subject, ideologically, within the structure that viewers are used to. The fact that these portraits do not complicate viewers’ understandings of the political realities of the Syrian civil war is exactly why HONY fails to encourage support for systemic political change and settles instead for small acts of individual charity.

Melissa Smyth introduces this idea in her article “On Sentimentality : A Critique of Humans of New York” by expounding on the differences between sentimentality and empathy. She writes that “sentimentality offers an escape from the difficult conclusions that must come from honest scrutiny of social reality in the United States.” HONY portraits can be so passively consumed because they do not force viewers to think twice. They are sentimental. Easy. “Honest scrutiny of social reality,” on the other hand, requires effort, reflection, nuance and complication. It requires an honest engagement with a political reality that is as hard to think about as it is to look at. This is what empathy looks like.

It seems to me that a wealthy adult donating money to a refugee family through HONY is no different than a broke college kid liking the photo and sharing it on Facebook. Both acts are sentimental engagements with real political matters, that not only allow the viewer to feel good about themselves, but to say something good about themselves. It allows them to feel without being committed. Meanwhile, bodies continue to wash up on the shores of European borders, while we pretend that we’ve done the job. Sentimentality is easy. Being empathetic is much harder.

In a time of crisis and civil war there are no easy answers to questions concerning systemic political change and large-scaly policy initiatives; the answers we come up with are bound to be flawed. That being said, a manifestation of useful emotion in this case could be supporting the president in his goal to admit 10,000 Syrian refugees in the fiscal year that began Oct. 1. Or fighting against the rampant nativism currently coursing throughout the country. The crucial element of real modes of support is that they take time but can have lasting, positive consequences. Progress in the political realm is slow, steady, concrete and unsexy; the absolute antithesis of HONY, which is quick, easy and feels nice and warm. Progress requires a different emotion. Empathy begins by purging ourselves of useless sentiment. Unfollowing Humans of New York is a good place to start.

Robert John Boyle is a Columbia University first-year majoring in philosophy.

Over the holidays Brandon Stanton was able to raise upward of $500,000 in financial assistance for Syrian refugee families through his incredibly popular blog Humans of New York. While this campaign will surely ease the strain on many refugee families who desperately need help, HONY, by encouraging sentimental, individual acts of charity over support for systemic political change, effectively does more harm than good.

The incredible effect that HONY has on millions of American viewers lies in Stanton’s use of quotations. The quotations accompanying each image are not real. Clearly, each Syrian refugee does not prepare a speech for these encounters, making sure to have a carefully orchestrated narrative flow. The quotations — based on his conversations with each subject — are a creation of Stanton, who limits and conditions the possible interpretations that the viewer can have. This act of delimitation makes each refugee’s story Stanton’s own. Stanton operates as a filter between each Syrian refugee and each American viewer, sharing only those parts of the conversation that he wants us to hear.

Not only does Stanton craft stories that leave out certain (possibly very important) details, but he deliberately focuses on details that reflect American values, in order that these subjects can be recognizable to American viewers. So, while each story is always tragic, the people in them are always the same. Viewers are presented with family-oriented people, who understand the value of hard work, and are filled to the brim with hopes and dreams and passions. To get to where they are today they had to be brave, and they had to sacrifice. Each quotation confronts the viewer with people who are fundamentally “American.” Except they are not American. Stanton is purposefully misleading here. He presents subjects who are pitiful and therefore unthreatening, all the while reminding viewers that these subjects are basically “American” and therefore acceptable.

HONY fails to challenge viewers to new understandings, and this is why it does more harm than good. Stanton takes real stories and molds them into something that can be easily consumed by intelligent, passive readers. Most HONY viewers consume a portrait and then immediately forget about it, because what these portraits do, and do very well, is articulate things that viewers already know (i.e., that life over there is really awful, and way worse than our lives over here). Each quotation keeps the subject, ideologically, within the structure that viewers are used to. The fact that these portraits do not complicate viewers’ understandings of the political realities of the Syrian civil war is exactly why HONY fails to encourage support for systemic political change and settles instead for small acts of individual charity.

Melissa Smyth introduces this idea in her article “On Sentimentality : A Critique of Humans of New York” by expounding on the differences between sentimentality and empathy. She writes that “sentimentality offers an escape from the difficult conclusions that must come from honest scrutiny of social reality in the United States.” HONY portraits can be so passively consumed because they do not force viewers to think twice. They are sentimental. Easy. “Honest scrutiny of social reality,” on the other hand, requires effort, reflection, nuance and complication. It requires an honest engagement with a political reality that is as hard to think about as it is to look at. This is what empathy looks like.

It seems to me that a wealthy adult donating money to a refugee family through HONY is no different than a broke college kid liking the photo and sharing it on Facebook. Both acts are sentimental engagements with real political matters, that not only allow the viewer to feel good about themselves, but to say something good about themselves. It allows them to feel without being committed. Meanwhile, bodies continue to wash up on the shores of European borders, while we pretend that we’ve done the job. Sentimentality is easy. Being empathetic is much harder.

In a time of crisis and civil war there are no easy answers to questions concerning systemic political change and large-scaly policy initiatives; the answers we come up with are bound to be flawed. That being said, a manifestation of useful emotion in this case could be supporting the president in his goal to admit 10,000 Syrian refugees in the fiscal year that began Oct. 1. Or fighting against the rampant nativism currently coursing throughout the country. The crucial element of real modes of support is that they take time but can have lasting, positive consequences. Progress in the political realm is slow, steady, concrete and unsexy; the absolute antithesis of HONY, which is quick, easy and feels nice and warm. Progress requires a different emotion. Empathy begins by purging ourselves of useless sentiment. Unfollowing Humans of New York is a good place to start.

Robert John Boyle is a Columbia University first-year majoring in philosophy.

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Published on January 24, 2016 12:30

4 things Obama can do to prevent the planet from destroying itself before he leaves office

AlterNet President Obama made a wise decision to avoid reciting a laundry list of new initiatives in his State of the Union address. After all, Congress will be in session only 111 days this year, the Republicans control both houses and he’s a lame duck. So how much can he get done? That said, there are a number of things the president can still do to strengthen international security that would not require him to go through Congress. And taking such executive action would not be out of the ordinary. Indeed, Obama’s Republican predecessors, George H.W. Bush and George W. Bush, both made significant unilateral cuts in the U.S. nuclear arsenal. According to Stephen Young, a senior analyst at the Union of Concerned Scientists (UCS), Obama could take four related actions regarding U.S. nuclear policy. First, he could declare that the United States will take its land-based nuclear missiles off hair-trigger alert, abandoning a dangerous, outdated Cold War policy that increases the possibility of an accidental nuclear launch. Second, he could cancel a proposed new nuclear-armed cruise missile that would likely lower the threshold for using nuclear weapons. Third, he could cut U.S. deployed strategic nuclear warheads by a third. And fourth, he could declare that the sole purpose of U.S. nuclear weapons is to deter a nuclear attack on the United States and its allies, which would fulfill his promise to reduce the role such weapons play in U.S. policy. None of these steps would compromise U.S. security. On the contrary, they would not only save U.S. taxpayers hundreds of billions of dollars, they would also make the United States, and the rest of the world, a much safer place. Obama's Promising Start President Obama actually addressed the nuclear issue right out of the starting gate. Just a few months after taking office, he gave a widely acclaimedspeech in Prague on reducing the threat posed by nuclear weapons. "The existence of thousands of nuclear weapons is the most dangerous legacy of the Cold War," he said. "And as the only nuclear power to have used a nuclear weapon, the United States has a moral responsibility to act. We cannot succeed in this endeavor alone, but we can lead it, we can start it." He then cited some of the "concrete steps" the United States would take "toward a world without nuclear weapons." A year later, in April 2010, he was back in Prague to follow through with one of his promised concrete steps: to sign the New Strategic Arms Reduction Treaty (New START) with Russia, further cutting both countries arsenals and reinstituting a strict verification system that the Bush administration had allowed to lapse. But since then, Obama has not been able to accomplish much else, despite his high hopes. In fact, it seems that his administration is going in the wrong direction. As I reported last August, it wants the U.S. government to spend $1 trillion over the next three decades on a new generation of nuclear warheads, bombers, submarines and intercontinental ballistic missiles (ICBMs). So, let's examine Obama's options to reduce the nuclear threat a bit more carefully. 1. Take U.S. Land-Based ICBMs Off Hair-Trigger Alert Since the early days of the Cold War, the United States has been keeping its land-based ICBMs in a state of readiness that allows them to be launched within minutes, at least in part to avoid having them destroyed by a surprise nuclear attack. At this point, however, it is highly unlikely Russia would launch a massive first strike, and no other country is capable of doing so. What's more likely is an accidental, erroneous or unauthorized ICBM launch in response to a false attack warning, triggered either by a technical glitch or a human error. In fact, there have been a number of incidents of both kinds in Russia and the United States over the last few decades that could have prompted a nuclear launch. Obama acknowledged the risks posed by this outmoded policy even before he moved into the White House. "Keeping nuclear weapons ready to launch on a moment's notice is a dangerous relic of the Cold War," Obama said in an interview published by Arms Control Today in September 2008. "Such policies increase the risk of catastrophic accidents or miscalculation. I believe that we must address this dangerous situation." Obama is not alone in that assessment. A number of former secretaries of state and retired high-ranking military officers, including former commanders of the U.S. Strategic Command and the Navy's nuclear submarine fleet, agree. 2. Cancel the Long-Range Standoff Missile The Obama administration has proposed developing a new, stealthy nuclear-armed cruise missile, dubbed the long-range standoff (LRSO) missile, to replace the air-launched cruise missile (ALCM), which is due for retirement in 2030. The Air Force plans to buy 1,000 to 1,100 of these new missiles — roughly double the 572 ALCMs now in its stockpile — with a price tag of $20 billion to $30 billion. The new missile would be faster, more accurate and longer-range than the current model. And that's not good, says Young, the UCS analyst. Why? Because, he says, it will make it easier for the United States to use nuclear weapons. By being more "usable," the proposed LRSO missile would increase the role that nuclear weapons play in U.S. security policy by lowering the threshold for when the United States might consider using one. And that would signal to the rest of the world that the United States believes nuclear weapons retain significant war-fighting value. That's not a message the United States should be sending. "The bottom line," says Young, "is the proposed missile would not enhance our security. In fact, it would do the exact opposite." 3. Reduce the U.S. Nuclear Arsenal by a Third Obama should cut the 1,550 long-range nuclear weapons the United States currently deploys to 1,000, a third lower than the number negotiated with the Russians under the New START arms control agreement. After all, he plainly stated in a June 2013 speech that such a reduction is eminently feasible. "After a comprehensive [Pentagon] review," Obama said during a trip to Germany, "I've determined that we can ensure the security of America and our allies, and maintain a strong and credible strategic deterrent, while reducing our deployed strategic nuclear weapons by up to one-third." According to Young, New START verification procedures would be able to substantiate such a reduction without requiring a new treaty; a smaller nuclear force would save U.S. taxpayers tens if not hundreds of billions of dollars; and, despite its aggressive actions in Ukraine, Russia would likely follow suit and reduce its arsenal, especially given its ongoing financial crisis. "Some nuclear proponents may argue that reducing the U.S. nuclear arsenal could embolden Russia," Young says. "But cutting 1,550 deployed strategic warheads to 1,000 would have no effect on nuclear deterrence whatsoever and save resources for higher priorities." 4. Define the Purpose of U.S. Nuclear Weapons In 2010, the Pentagon issued a report that defined the goals for U.S. nuclear policy, strategy, capabilities and force posture for the following five to 10 years. Called the Nuclear Posture Review, it stated: "The United States will continue to strengthen conventional capabilities and reduce the role of nuclear weapons in deterring non-nuclear attacks, with the objective of making deterrence of nuclear attack on the United States and our allies the sole purpose of U.S. nuclear weapons." Obama should make that "objective" official policy. The Nuclear Posture Review listed "a narrow range of contingencies in which U.S. nuclear weapons may still play a role in deterring a conventional or CBW [chemical or biological weapons] attack against the United States or its allies and partners" for countries that either have nuclear weapons or are not in compliance with their nonproliferation agreements. Young says that "narrow range of contingencies" is shortsighted. "Giving nuclear weapons a role beyond deterring a nuclear attack is unnecessary and downright dangerous," he says. "Nuclear weapons don't add to the deterrence the overwhelmingly superior U.S. conventional forces already provide against a non-nuclear attack or the United States' ability to respond to such an attack. And if the United States considers nuclear weapons to be 'usable,' that could encourage other countries to try to join the nuclear club." The United States should strengthen, not undermine, the international consensus against the use and proliferation of nuclear weapons. Declaring that the United States would use nuclear weapons only to deter a nuclear attack is one way to do that. Obama at the Finish Line In October 2009, President Obama was awarded the Nobel Peace Prize, largely due to his efforts to promote nuclear disarmament. Shortly after learning he had won the prize, he held a press conference in the White House Rose Garden. "I will accept this award as a call to action, a call for all nations to confront the common challenges of the 21st century," he told reporters. "We cannot tolerate a world in which nuclear weapons spread to more nations and in which the terror of a nuclear holocaust endangers more people. And that's why we've begun to take concrete steps to pursue a world without nuclear weapons: because all nations have the right to pursue peaceful nuclear power, but all nations have the responsibility to demonstrate their peaceful intentions." It's been more than six years since Obama made that statement, and there is plenty left to do. But the president can still heed that call to action by taking a few more concrete steps before he leaves office. We would all be a lot safer if he did. AlterNet President Obama made a wise decision to avoid reciting a laundry list of new initiatives in his State of the Union address. After all, Congress will be in session only 111 days this year, the Republicans control both houses and he’s a lame duck. So how much can he get done? That said, there are a number of things the president can still do to strengthen international security that would not require him to go through Congress. And taking such executive action would not be out of the ordinary. Indeed, Obama’s Republican predecessors, George H.W. Bush and George W. Bush, both made significant unilateral cuts in the U.S. nuclear arsenal. According to Stephen Young, a senior analyst at the Union of Concerned Scientists (UCS), Obama could take four related actions regarding U.S. nuclear policy. First, he could declare that the United States will take its land-based nuclear missiles off hair-trigger alert, abandoning a dangerous, outdated Cold War policy that increases the possibility of an accidental nuclear launch. Second, he could cancel a proposed new nuclear-armed cruise missile that would likely lower the threshold for using nuclear weapons. Third, he could cut U.S. deployed strategic nuclear warheads by a third. And fourth, he could declare that the sole purpose of U.S. nuclear weapons is to deter a nuclear attack on the United States and its allies, which would fulfill his promise to reduce the role such weapons play in U.S. policy. None of these steps would compromise U.S. security. On the contrary, they would not only save U.S. taxpayers hundreds of billions of dollars, they would also make the United States, and the rest of the world, a much safer place. Obama's Promising Start President Obama actually addressed the nuclear issue right out of the starting gate. Just a few months after taking office, he gave a widely acclaimedspeech in Prague on reducing the threat posed by nuclear weapons. "The existence of thousands of nuclear weapons is the most dangerous legacy of the Cold War," he said. "And as the only nuclear power to have used a nuclear weapon, the United States has a moral responsibility to act. We cannot succeed in this endeavor alone, but we can lead it, we can start it." He then cited some of the "concrete steps" the United States would take "toward a world without nuclear weapons." A year later, in April 2010, he was back in Prague to follow through with one of his promised concrete steps: to sign the New Strategic Arms Reduction Treaty (New START) with Russia, further cutting both countries arsenals and reinstituting a strict verification system that the Bush administration had allowed to lapse. But since then, Obama has not been able to accomplish much else, despite his high hopes. In fact, it seems that his administration is going in the wrong direction. As I reported last August, it wants the U.S. government to spend $1 trillion over the next three decades on a new generation of nuclear warheads, bombers, submarines and intercontinental ballistic missiles (ICBMs). So, let's examine Obama's options to reduce the nuclear threat a bit more carefully. 1. Take U.S. Land-Based ICBMs Off Hair-Trigger Alert Since the early days of the Cold War, the United States has been keeping its land-based ICBMs in a state of readiness that allows them to be launched within minutes, at least in part to avoid having them destroyed by a surprise nuclear attack. At this point, however, it is highly unlikely Russia would launch a massive first strike, and no other country is capable of doing so. What's more likely is an accidental, erroneous or unauthorized ICBM launch in response to a false attack warning, triggered either by a technical glitch or a human error. In fact, there have been a number of incidents of both kinds in Russia and the United States over the last few decades that could have prompted a nuclear launch. Obama acknowledged the risks posed by this outmoded policy even before he moved into the White House. "Keeping nuclear weapons ready to launch on a moment's notice is a dangerous relic of the Cold War," Obama said in an interview published by Arms Control Today in September 2008. "Such policies increase the risk of catastrophic accidents or miscalculation. I believe that we must address this dangerous situation." Obama is not alone in that assessment. A number of former secretaries of state and retired high-ranking military officers, including former commanders of the U.S. Strategic Command and the Navy's nuclear submarine fleet, agree. 2. Cancel the Long-Range Standoff Missile The Obama administration has proposed developing a new, stealthy nuclear-armed cruise missile, dubbed the long-range standoff (LRSO) missile, to replace the air-launched cruise missile (ALCM), which is due for retirement in 2030. The Air Force plans to buy 1,000 to 1,100 of these new missiles — roughly double the 572 ALCMs now in its stockpile — with a price tag of $20 billion to $30 billion. The new missile would be faster, more accurate and longer-range than the current model. And that's not good, says Young, the UCS analyst. Why? Because, he says, it will make it easier for the United States to use nuclear weapons. By being more "usable," the proposed LRSO missile would increase the role that nuclear weapons play in U.S. security policy by lowering the threshold for when the United States might consider using one. And that would signal to the rest of the world that the United States believes nuclear weapons retain significant war-fighting value. That's not a message the United States should be sending. "The bottom line," says Young, "is the proposed missile would not enhance our security. In fact, it would do the exact opposite." 3. Reduce the U.S. Nuclear Arsenal by a Third Obama should cut the 1,550 long-range nuclear weapons the United States currently deploys to 1,000, a third lower than the number negotiated with the Russians under the New START arms control agreement. After all, he plainly stated in a June 2013 speech that such a reduction is eminently feasible. "After a comprehensive [Pentagon] review," Obama said during a trip to Germany, "I've determined that we can ensure the security of America and our allies, and maintain a strong and credible strategic deterrent, while reducing our deployed strategic nuclear weapons by up to one-third." According to Young, New START verification procedures would be able to substantiate such a reduction without requiring a new treaty; a smaller nuclear force would save U.S. taxpayers tens if not hundreds of billions of dollars; and, despite its aggressive actions in Ukraine, Russia would likely follow suit and reduce its arsenal, especially given its ongoing financial crisis. "Some nuclear proponents may argue that reducing the U.S. nuclear arsenal could embolden Russia," Young says. "But cutting 1,550 deployed strategic warheads to 1,000 would have no effect on nuclear deterrence whatsoever and save resources for higher priorities." 4. Define the Purpose of U.S. Nuclear Weapons In 2010, the Pentagon issued a report that defined the goals for U.S. nuclear policy, strategy, capabilities and force posture for the following five to 10 years. Called the Nuclear Posture Review, it stated: "The United States will continue to strengthen conventional capabilities and reduce the role of nuclear weapons in deterring non-nuclear attacks, with the objective of making deterrence of nuclear attack on the United States and our allies the sole purpose of U.S. nuclear weapons." Obama should make that "objective" official policy. The Nuclear Posture Review listed "a narrow range of contingencies in which U.S. nuclear weapons may still play a role in deterring a conventional or CBW [chemical or biological weapons] attack against the United States or its allies and partners" for countries that either have nuclear weapons or are not in compliance with their nonproliferation agreements. Young says that "narrow range of contingencies" is shortsighted. "Giving nuclear weapons a role beyond deterring a nuclear attack is unnecessary and downright dangerous," he says. "Nuclear weapons don't add to the deterrence the overwhelmingly superior U.S. conventional forces already provide against a non-nuclear attack or the United States' ability to respond to such an attack. And if the United States considers nuclear weapons to be 'usable,' that could encourage other countries to try to join the nuclear club." The United States should strengthen, not undermine, the international consensus against the use and proliferation of nuclear weapons. Declaring that the United States would use nuclear weapons only to deter a nuclear attack is one way to do that. Obama at the Finish Line In October 2009, President Obama was awarded the Nobel Peace Prize, largely due to his efforts to promote nuclear disarmament. Shortly after learning he had won the prize, he held a press conference in the White House Rose Garden. "I will accept this award as a call to action, a call for all nations to confront the common challenges of the 21st century," he told reporters. "We cannot tolerate a world in which nuclear weapons spread to more nations and in which the terror of a nuclear holocaust endangers more people. And that's why we've begun to take concrete steps to pursue a world without nuclear weapons: because all nations have the right to pursue peaceful nuclear power, but all nations have the responsibility to demonstrate their peaceful intentions." It's been more than six years since Obama made that statement, and there is plenty left to do. But the president can still heed that call to action by taking a few more concrete steps before he leaves office. We would all be a lot safer if he did. AlterNet President Obama made a wise decision to avoid reciting a laundry list of new initiatives in his State of the Union address. After all, Congress will be in session only 111 days this year, the Republicans control both houses and he’s a lame duck. So how much can he get done? That said, there are a number of things the president can still do to strengthen international security that would not require him to go through Congress. And taking such executive action would not be out of the ordinary. Indeed, Obama’s Republican predecessors, George H.W. Bush and George W. Bush, both made significant unilateral cuts in the U.S. nuclear arsenal. According to Stephen Young, a senior analyst at the Union of Concerned Scientists (UCS), Obama could take four related actions regarding U.S. nuclear policy. First, he could declare that the United States will take its land-based nuclear missiles off hair-trigger alert, abandoning a dangerous, outdated Cold War policy that increases the possibility of an accidental nuclear launch. Second, he could cancel a proposed new nuclear-armed cruise missile that would likely lower the threshold for using nuclear weapons. Third, he could cut U.S. deployed strategic nuclear warheads by a third. And fourth, he could declare that the sole purpose of U.S. nuclear weapons is to deter a nuclear attack on the United States and its allies, which would fulfill his promise to reduce the role such weapons play in U.S. policy. None of these steps would compromise U.S. security. On the contrary, they would not only save U.S. taxpayers hundreds of billions of dollars, they would also make the United States, and the rest of the world, a much safer place. Obama's Promising Start President Obama actually addressed the nuclear issue right out of the starting gate. Just a few months after taking office, he gave a widely acclaimedspeech in Prague on reducing the threat posed by nuclear weapons. "The existence of thousands of nuclear weapons is the most dangerous legacy of the Cold War," he said. "And as the only nuclear power to have used a nuclear weapon, the United States has a moral responsibility to act. We cannot succeed in this endeavor alone, but we can lead it, we can start it." He then cited some of the "concrete steps" the United States would take "toward a world without nuclear weapons." A year later, in April 2010, he was back in Prague to follow through with one of his promised concrete steps: to sign the New Strategic Arms Reduction Treaty (New START) with Russia, further cutting both countries arsenals and reinstituting a strict verification system that the Bush administration had allowed to lapse. But since then, Obama has not been able to accomplish much else, despite his high hopes. In fact, it seems that his administration is going in the wrong direction. As I reported last August, it wants the U.S. government to spend $1 trillion over the next three decades on a new generation of nuclear warheads, bombers, submarines and intercontinental ballistic missiles (ICBMs). So, let's examine Obama's options to reduce the nuclear threat a bit more carefully. 1. Take U.S. Land-Based ICBMs Off Hair-Trigger Alert Since the early days of the Cold War, the United States has been keeping its land-based ICBMs in a state of readiness that allows them to be launched within minutes, at least in part to avoid having them destroyed by a surprise nuclear attack. At this point, however, it is highly unlikely Russia would launch a massive first strike, and no other country is capable of doing so. What's more likely is an accidental, erroneous or unauthorized ICBM launch in response to a false attack warning, triggered either by a technical glitch or a human error. In fact, there have been a number of incidents of both kinds in Russia and the United States over the last few decades that could have prompted a nuclear launch. Obama acknowledged the risks posed by this outmoded policy even before he moved into the White House. "Keeping nuclear weapons ready to launch on a moment's notice is a dangerous relic of the Cold War," Obama said in an interview published by Arms Control Today in September 2008. "Such policies increase the risk of catastrophic accidents or miscalculation. I believe that we must address this dangerous situation." Obama is not alone in that assessment. A number of former secretaries of state and retired high-ranking military officers, including former commanders of the U.S. Strategic Command and the Navy's nuclear submarine fleet, agree. 2. Cancel the Long-Range Standoff Missile The Obama administration has proposed developing a new, stealthy nuclear-armed cruise missile, dubbed the long-range standoff (LRSO) missile, to replace the air-launched cruise missile (ALCM), which is due for retirement in 2030. The Air Force plans to buy 1,000 to 1,100 of these new missiles — roughly double the 572 ALCMs now in its stockpile — with a price tag of $20 billion to $30 billion. The new missile would be faster, more accurate and longer-range than the current model. And that's not good, says Young, the UCS analyst. Why? Because, he says, it will make it easier for the United States to use nuclear weapons. By being more "usable," the proposed LRSO missile would increase the role that nuclear weapons play in U.S. security policy by lowering the threshold for when the United States might consider using one. And that would signal to the rest of the world that the United States believes nuclear weapons retain significant war-fighting value. That's not a message the United States should be sending. "The bottom line," says Young, "is the proposed missile would not enhance our security. In fact, it would do the exact opposite." 3. Reduce the U.S. Nuclear Arsenal by a Third Obama should cut the 1,550 long-range nuclear weapons the United States currently deploys to 1,000, a third lower than the number negotiated with the Russians under the New START arms control agreement. After all, he plainly stated in a June 2013 speech that such a reduction is eminently feasible. "After a comprehensive [Pentagon] review," Obama said during a trip to Germany, "I've determined that we can ensure the security of America and our allies, and maintain a strong and credible strategic deterrent, while reducing our deployed strategic nuclear weapons by up to one-third." According to Young, New START verification procedures would be able to substantiate such a reduction without requiring a new treaty; a smaller nuclear force would save U.S. taxpayers tens if not hundreds of billions of dollars; and, despite its aggressive actions in Ukraine, Russia would likely follow suit and reduce its arsenal, especially given its ongoing financial crisis. "Some nuclear proponents may argue that reducing the U.S. nuclear arsenal could embolden Russia," Young says. "But cutting 1,550 deployed strategic warheads to 1,000 would have no effect on nuclear deterrence whatsoever and save resources for higher priorities." 4. Define the Purpose of U.S. Nuclear Weapons In 2010, the Pentagon issued a report that defined the goals for U.S. nuclear policy, strategy, capabilities and force posture for the following five to 10 years. Called the Nuclear Posture Review, it stated: "The United States will continue to strengthen conventional capabilities and reduce the role of nuclear weapons in deterring non-nuclear attacks, with the objective of making deterrence of nuclear attack on the United States and our allies the sole purpose of U.S. nuclear weapons." Obama should make that "objective" official policy. The Nuclear Posture Review listed "a narrow range of contingencies in which U.S. nuclear weapons may still play a role in deterring a conventional or CBW [chemical or biological weapons] attack against the United States or its allies and partners" for countries that either have nuclear weapons or are not in compliance with their nonproliferation agreements. Young says that "narrow range of contingencies" is shortsighted. "Giving nuclear weapons a role beyond deterring a nuclear attack is unnecessary and downright dangerous," he says. "Nuclear weapons don't add to the deterrence the overwhelmingly superior U.S. conventional forces already provide against a non-nuclear attack or the United States' ability to respond to such an attack. And if the United States considers nuclear weapons to be 'usable,' that could encourage other countries to try to join the nuclear club." The United States should strengthen, not undermine, the international consensus against the use and proliferation of nuclear weapons. Declaring that the United States would use nuclear weapons only to deter a nuclear attack is one way to do that. Obama at the Finish Line In October 2009, President Obama was awarded the Nobel Peace Prize, largely due to his efforts to promote nuclear disarmament. Shortly after learning he had won the prize, he held a press conference in the White House Rose Garden. "I will accept this award as a call to action, a call for all nations to confront the common challenges of the 21st century," he told reporters. "We cannot tolerate a world in which nuclear weapons spread to more nations and in which the terror of a nuclear holocaust endangers more people. And that's why we've begun to take concrete steps to pursue a world without nuclear weapons: because all nations have the right to pursue peaceful nuclear power, but all nations have the responsibility to demonstrate their peaceful intentions." It's been more than six years since Obama made that statement, and there is plenty left to do. But the president can still heed that call to action by taking a few more concrete steps before he leaves office. We would all be a lot safer if he did.

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Published on January 24, 2016 12:00

Fear and loafing on the campaign trail: Showtime’s “The Circus” cops out with cynical pundit porn

"The Circus," Showtime’s new political reality TV show, is one of those slick entertainment products that announces its low intentions with the kind of glee one might expect from a prosperous ambulance chaser or a drunk Kardashian. The pitch is that viewers will be afforded the chance to gawk at the garish and illuminating underside of the presidential race, as it plays out across the American landscape—the American landscape in this case consisting mostly of the hotel cafeterias and parking lots of the early primary states. If the debut episode is any indication (Episode 2 airs Sunday night) this pitch is pure horseshit. "The Circus" is straight pundit porn, dished up by a trio of intelligent and likable hacks: Republican strategist Mark McKinnon and veteran reporters Mark Halperin and John Heilemann, who co-authored the 2008 campaign tell-all "Game Change." These guys have been around long enough to recognize the monstrous cynicism of the whole enterprise. But they lack the courage to bite the hand that feeds them. As a result, viewers get a camera, not an angle, a set of platitudes masquerading as a moral intelligence. It’s the electoral equivalent of those all-access sports shows where we follow the on-air talent into the locker room, only to get the same old robotic interview with the jocks in question. That might be fine if the subjects here were jocks. In fact, they are vying to be the leader of the free world. In Episode 1, McKinnon—the wee Republican operative last spotted attempting to coax a coherent sentence out of the mouth of then-vice presidential candidate Sarah Palin—visits Ted Cruz. We see Cruz pretending to be pious in a Christian bookstore. McKinnon pays an excruciatingly self-conscious visit to the candidate’s bus. He reassures Cruz that his surging campaign is starting to worry front-runner Donald Trump. “Remember what we say in Texas: A hit dog barks,” McKinnon says, from beneath his Stetson. “That’s a good line,” Cruz replies. “I may have to steal that.” “Sure, sure, you got it,” McKinnon says, adding, “You got a wave. Get out the surfboard.” McKinnon seems to be attempting to transcend lapdog status here by actually licking Cruz’s anus on camera. Later, he presents Cruz with an official Iowa corn kaleidoscope, which the candidate obligingly looks through. He is then gravely asked to describe what he sees. “It’s a typical kaleidoscope with kaleidoscopy stuff.” There is no discussion of Cruz’s policies, which include (just for instance) a mandated balanced budget along with a slashed corporate tax rate and a flat tax plan that would instantly bankrupt the country. No mention of his climate change denial, or his hard-hearted social policies. No effort to locate Cruz’s psychotic free-market evangelism in any kind of historical context. For his part, Trump doesn’t bother to give "The Circus" any face time. (Hey, Showtime’s a loser channel! Call me back when you guys get called up to HBO!) No matter. We still get to see Trump inciting a packed arena in Florida. “Every country in the world is ripping us off,” he whines. “It’s a really bad scene. And it’s going to continue if you put any of these other people. It’s not going to continue with me.” OK, boss. Later Trump, having mistakenly mentioned Mexico, where all the rapists and drug dealers come from, says this: “Again, I love Mexico. I love Mexican people … I have thousands of Hispanics who work for me. I win with Hispanics.” He concludes, “The American dream is dead. But we’re going to make it bigger and better and stronger than ever before.” Right. The response to this extraordinarily incoherent, baseless and condescending spasm of rhetoric comes in a voice-over from "Game Change" author John Heilemann (I think it’s Heilemann), who, as the camera shows slow-mo footage of Trump winking and pointing, coos about how the candidate “played the crowd like a maestro. Rock star quality. You can’t buy it. You can’t bottle it. You either have it or you don’t.” Why judge when you can jizz? Finally, "The Circus" boys visit Bernie Sanders. Despite efforts to lure him into camera-ready shtick, Sanders and his wife, Jane, emerge as the only two actual human beings in the race. Halperin mocks Sanders for arriving in New York City on a regional train. Heilemann teases him about his hair. It’s supposed to be cute, but it comes off as Beltway snobbery. It takes only a few minutes to discern that Sanders doesn’t really enjoy running for president, that he is not—like practically every other candidate this century—an egomaniac fueled by a lust for power and fame. He’s a 74-year-old idealist who honestly believes in electoral politics as a path to social justice. It also becomes clear why guys like Heilemann and Halperin spent months dismissing Sanders: because they and the media class they represent have become completely disconnected from the people whose interests they allegedly represent. Instead, they spend their lives in the vainglorious vortex of campaigns and greenrooms, slaves to a news cycle whose stimulative obsessions extend from polls to gaffes to fundraising figures. The pundits never saw Sanders coming because they had absolutely no interest in the issues he’s been raising: income inequality, wage stagnation, the pathological greed that has warped American capitalism into a cruel centrifuge. In fact, the bloated spectacle to which Halperin and Heilemann have dedicated their professional lives—“The Circus” of presidential politics—is underwritten by a plutocratic campaign finance system that Sanders has vowed to dismantle. That’s ultimately what’s so depressing about "The Circus": the manner in which it blithely betrays the legacy of intrepid political journalism practiced by guys like Twain and Mencken, who pointed out that "democracy is the art and science of running the circus from the monkey cage.” Watching the show made me ache for the kind of candid, outraged political reportage that simply doesn’t exist anymore. I kept thinking about Hunter S. Thompson’s "Fear and Loathing on the Campaign Trail ’72," which offered readers a blistering indictment of the whole sickening show. Thompson was wise to the Big Lie of objective journalism (“there is no such thing as Objective Journalism. The phrase itself is a pompous contradiction in terms”). His account of that presidential campaign was radically subjective, ruthlessly honest, and driven by an abiding disgust with the very rules and rituals that modern political reporters slavishly obey. It’s tough to say what Thompson would have made of a preening juvenile like Trump, or an unctuous nihilist like Cruz. He’d have been more likely to shove that kaleidoscope up Cruz’s ass, at least on the page. “The main problem in any democracy,” as he warned us, “is that crowd-pleasers are generally brainless swine who can go out on a stage & whup their supporters into an orgiastic frenzy—then go back to the office & sell every one of the poor bastards down the tube for a nickel apiece.” The only literary writer in recent memory to even attempt such an honest examination of our presidential sweepstakes is David Foster Wallace, whose epic essay on the 2000 race for the Republican nomination, “Up, Simba,” served as a lamentation for the apathy spawned by our inauthentic politics. “What one feels,” he wrote, “when [politicians] loom into view is just an overwhelming lack of interest, the sort of deep disengagement that is often a defense against pain. Again sadness. In fact, the likeliest reason why so many of us care so little about politics is that modern politicians make us sad, hurt us deep down in ways that are hard even to name, much less talk about.” But that’s what we should be talking about, as journalists and citizens--whether it’s still possible for us to believe in government as a force for good in the lives of the disenfranchised, a vital corrective to the corporate propaganda that otherwise rules our civic life. The absence of such voices in America’s mass media represents the larger and scarier truth lurking beneath the daily distractions of our political theater. It’s the very reason gibberish-spouting maniacs such as Trump and Cruz can mount serious bids for the presidency. All you need today is money and a convincing brand of cruelty. After all, rage is the greatest ally of fear. There are no pesky reporters around to call you out on your psychotic bullshit. They’re too busy marveling at all the seats you filled under the big top."The Circus," Showtime’s new political reality TV show, is one of those slick entertainment products that announces its low intentions with the kind of glee one might expect from a prosperous ambulance chaser or a drunk Kardashian. The pitch is that viewers will be afforded the chance to gawk at the garish and illuminating underside of the presidential race, as it plays out across the American landscape—the American landscape in this case consisting mostly of the hotel cafeterias and parking lots of the early primary states. If the debut episode is any indication (Episode 2 airs Sunday night) this pitch is pure horseshit. "The Circus" is straight pundit porn, dished up by a trio of intelligent and likable hacks: Republican strategist Mark McKinnon and veteran reporters Mark Halperin and John Heilemann, who co-authored the 2008 campaign tell-all "Game Change." These guys have been around long enough to recognize the monstrous cynicism of the whole enterprise. But they lack the courage to bite the hand that feeds them. As a result, viewers get a camera, not an angle, a set of platitudes masquerading as a moral intelligence. It’s the electoral equivalent of those all-access sports shows where we follow the on-air talent into the locker room, only to get the same old robotic interview with the jocks in question. That might be fine if the subjects here were jocks. In fact, they are vying to be the leader of the free world. In Episode 1, McKinnon—the wee Republican operative last spotted attempting to coax a coherent sentence out of the mouth of then-vice presidential candidate Sarah Palin—visits Ted Cruz. We see Cruz pretending to be pious in a Christian bookstore. McKinnon pays an excruciatingly self-conscious visit to the candidate’s bus. He reassures Cruz that his surging campaign is starting to worry front-runner Donald Trump. “Remember what we say in Texas: A hit dog barks,” McKinnon says, from beneath his Stetson. “That’s a good line,” Cruz replies. “I may have to steal that.” “Sure, sure, you got it,” McKinnon says, adding, “You got a wave. Get out the surfboard.” McKinnon seems to be attempting to transcend lapdog status here by actually licking Cruz’s anus on camera. Later, he presents Cruz with an official Iowa corn kaleidoscope, which the candidate obligingly looks through. He is then gravely asked to describe what he sees. “It’s a typical kaleidoscope with kaleidoscopy stuff.” There is no discussion of Cruz’s policies, which include (just for instance) a mandated balanced budget along with a slashed corporate tax rate and a flat tax plan that would instantly bankrupt the country. No mention of his climate change denial, or his hard-hearted social policies. No effort to locate Cruz’s psychotic free-market evangelism in any kind of historical context. For his part, Trump doesn’t bother to give "The Circus" any face time. (Hey, Showtime’s a loser channel! Call me back when you guys get called up to HBO!) No matter. We still get to see Trump inciting a packed arena in Florida. “Every country in the world is ripping us off,” he whines. “It’s a really bad scene. And it’s going to continue if you put any of these other people. It’s not going to continue with me.” OK, boss. Later Trump, having mistakenly mentioned Mexico, where all the rapists and drug dealers come from, says this: “Again, I love Mexico. I love Mexican people … I have thousands of Hispanics who work for me. I win with Hispanics.” He concludes, “The American dream is dead. But we’re going to make it bigger and better and stronger than ever before.” Right. The response to this extraordinarily incoherent, baseless and condescending spasm of rhetoric comes in a voice-over from "Game Change" author John Heilemann (I think it’s Heilemann), who, as the camera shows slow-mo footage of Trump winking and pointing, coos about how the candidate “played the crowd like a maestro. Rock star quality. You can’t buy it. You can’t bottle it. You either have it or you don’t.” Why judge when you can jizz? Finally, "The Circus" boys visit Bernie Sanders. Despite efforts to lure him into camera-ready shtick, Sanders and his wife, Jane, emerge as the only two actual human beings in the race. Halperin mocks Sanders for arriving in New York City on a regional train. Heilemann teases him about his hair. It’s supposed to be cute, but it comes off as Beltway snobbery. It takes only a few minutes to discern that Sanders doesn’t really enjoy running for president, that he is not—like practically every other candidate this century—an egomaniac fueled by a lust for power and fame. He’s a 74-year-old idealist who honestly believes in electoral politics as a path to social justice. It also becomes clear why guys like Heilemann and Halperin spent months dismissing Sanders: because they and the media class they represent have become completely disconnected from the people whose interests they allegedly represent. Instead, they spend their lives in the vainglorious vortex of campaigns and greenrooms, slaves to a news cycle whose stimulative obsessions extend from polls to gaffes to fundraising figures. The pundits never saw Sanders coming because they had absolutely no interest in the issues he’s been raising: income inequality, wage stagnation, the pathological greed that has warped American capitalism into a cruel centrifuge. In fact, the bloated spectacle to which Halperin and Heilemann have dedicated their professional lives—“The Circus” of presidential politics—is underwritten by a plutocratic campaign finance system that Sanders has vowed to dismantle. That’s ultimately what’s so depressing about "The Circus": the manner in which it blithely betrays the legacy of intrepid political journalism practiced by guys like Twain and Mencken, who pointed out that "democracy is the art and science of running the circus from the monkey cage.” Watching the show made me ache for the kind of candid, outraged political reportage that simply doesn’t exist anymore. I kept thinking about Hunter S. Thompson’s "Fear and Loathing on the Campaign Trail ’72," which offered readers a blistering indictment of the whole sickening show. Thompson was wise to the Big Lie of objective journalism (“there is no such thing as Objective Journalism. The phrase itself is a pompous contradiction in terms”). His account of that presidential campaign was radically subjective, ruthlessly honest, and driven by an abiding disgust with the very rules and rituals that modern political reporters slavishly obey. It’s tough to say what Thompson would have made of a preening juvenile like Trump, or an unctuous nihilist like Cruz. He’d have been more likely to shove that kaleidoscope up Cruz’s ass, at least on the page. “The main problem in any democracy,” as he warned us, “is that crowd-pleasers are generally brainless swine who can go out on a stage & whup their supporters into an orgiastic frenzy—then go back to the office & sell every one of the poor bastards down the tube for a nickel apiece.” The only literary writer in recent memory to even attempt such an honest examination of our presidential sweepstakes is David Foster Wallace, whose epic essay on the 2000 race for the Republican nomination, “Up, Simba,” served as a lamentation for the apathy spawned by our inauthentic politics. “What one feels,” he wrote, “when [politicians] loom into view is just an overwhelming lack of interest, the sort of deep disengagement that is often a defense against pain. Again sadness. In fact, the likeliest reason why so many of us care so little about politics is that modern politicians make us sad, hurt us deep down in ways that are hard even to name, much less talk about.” But that’s what we should be talking about, as journalists and citizens--whether it’s still possible for us to believe in government as a force for good in the lives of the disenfranchised, a vital corrective to the corporate propaganda that otherwise rules our civic life. The absence of such voices in America’s mass media represents the larger and scarier truth lurking beneath the daily distractions of our political theater. It’s the very reason gibberish-spouting maniacs such as Trump and Cruz can mount serious bids for the presidency. All you need today is money and a convincing brand of cruelty. After all, rage is the greatest ally of fear. There are no pesky reporters around to call you out on your psychotic bullshit. They’re too busy marveling at all the seats you filled under the big top."The Circus," Showtime’s new political reality TV show, is one of those slick entertainment products that announces its low intentions with the kind of glee one might expect from a prosperous ambulance chaser or a drunk Kardashian. The pitch is that viewers will be afforded the chance to gawk at the garish and illuminating underside of the presidential race, as it plays out across the American landscape—the American landscape in this case consisting mostly of the hotel cafeterias and parking lots of the early primary states. If the debut episode is any indication (Episode 2 airs Sunday night) this pitch is pure horseshit. "The Circus" is straight pundit porn, dished up by a trio of intelligent and likable hacks: Republican strategist Mark McKinnon and veteran reporters Mark Halperin and John Heilemann, who co-authored the 2008 campaign tell-all "Game Change." These guys have been around long enough to recognize the monstrous cynicism of the whole enterprise. But they lack the courage to bite the hand that feeds them. As a result, viewers get a camera, not an angle, a set of platitudes masquerading as a moral intelligence. It’s the electoral equivalent of those all-access sports shows where we follow the on-air talent into the locker room, only to get the same old robotic interview with the jocks in question. That might be fine if the subjects here were jocks. In fact, they are vying to be the leader of the free world. In Episode 1, McKinnon—the wee Republican operative last spotted attempting to coax a coherent sentence out of the mouth of then-vice presidential candidate Sarah Palin—visits Ted Cruz. We see Cruz pretending to be pious in a Christian bookstore. McKinnon pays an excruciatingly self-conscious visit to the candidate’s bus. He reassures Cruz that his surging campaign is starting to worry front-runner Donald Trump. “Remember what we say in Texas: A hit dog barks,” McKinnon says, from beneath his Stetson. “That’s a good line,” Cruz replies. “I may have to steal that.” “Sure, sure, you got it,” McKinnon says, adding, “You got a wave. Get out the surfboard.” McKinnon seems to be attempting to transcend lapdog status here by actually licking Cruz’s anus on camera. Later, he presents Cruz with an official Iowa corn kaleidoscope, which the candidate obligingly looks through. He is then gravely asked to describe what he sees. “It’s a typical kaleidoscope with kaleidoscopy stuff.” There is no discussion of Cruz’s policies, which include (just for instance) a mandated balanced budget along with a slashed corporate tax rate and a flat tax plan that would instantly bankrupt the country. No mention of his climate change denial, or his hard-hearted social policies. No effort to locate Cruz’s psychotic free-market evangelism in any kind of historical context. For his part, Trump doesn’t bother to give "The Circus" any face time. (Hey, Showtime’s a loser channel! Call me back when you guys get called up to HBO!) No matter. We still get to see Trump inciting a packed arena in Florida. “Every country in the world is ripping us off,” he whines. “It’s a really bad scene. And it’s going to continue if you put any of these other people. It’s not going to continue with me.” OK, boss. Later Trump, having mistakenly mentioned Mexico, where all the rapists and drug dealers come from, says this: “Again, I love Mexico. I love Mexican people … I have thousands of Hispanics who work for me. I win with Hispanics.” He concludes, “The American dream is dead. But we’re going to make it bigger and better and stronger than ever before.” Right. The response to this extraordinarily incoherent, baseless and condescending spasm of rhetoric comes in a voice-over from "Game Change" author John Heilemann (I think it’s Heilemann), who, as the camera shows slow-mo footage of Trump winking and pointing, coos about how the candidate “played the crowd like a maestro. Rock star quality. You can’t buy it. You can’t bottle it. You either have it or you don’t.” Why judge when you can jizz? Finally, "The Circus" boys visit Bernie Sanders. Despite efforts to lure him into camera-ready shtick, Sanders and his wife, Jane, emerge as the only two actual human beings in the race. Halperin mocks Sanders for arriving in New York City on a regional train. Heilemann teases him about his hair. It’s supposed to be cute, but it comes off as Beltway snobbery. It takes only a few minutes to discern that Sanders doesn’t really enjoy running for president, that he is not—like practically every other candidate this century—an egomaniac fueled by a lust for power and fame. He’s a 74-year-old idealist who honestly believes in electoral politics as a path to social justice. It also becomes clear why guys like Heilemann and Halperin spent months dismissing Sanders: because they and the media class they represent have become completely disconnected from the people whose interests they allegedly represent. Instead, they spend their lives in the vainglorious vortex of campaigns and greenrooms, slaves to a news cycle whose stimulative obsessions extend from polls to gaffes to fundraising figures. The pundits never saw Sanders coming because they had absolutely no interest in the issues he’s been raising: income inequality, wage stagnation, the pathological greed that has warped American capitalism into a cruel centrifuge. In fact, the bloated spectacle to which Halperin and Heilemann have dedicated their professional lives—“The Circus” of presidential politics—is underwritten by a plutocratic campaign finance system that Sanders has vowed to dismantle. That’s ultimately what’s so depressing about "The Circus": the manner in which it blithely betrays the legacy of intrepid political journalism practiced by guys like Twain and Mencken, who pointed out that "democracy is the art and science of running the circus from the monkey cage.” Watching the show made me ache for the kind of candid, outraged political reportage that simply doesn’t exist anymore. I kept thinking about Hunter S. Thompson’s "Fear and Loathing on the Campaign Trail ’72," which offered readers a blistering indictment of the whole sickening show. Thompson was wise to the Big Lie of objective journalism (“there is no such thing as Objective Journalism. The phrase itself is a pompous contradiction in terms”). His account of that presidential campaign was radically subjective, ruthlessly honest, and driven by an abiding disgust with the very rules and rituals that modern political reporters slavishly obey. It’s tough to say what Thompson would have made of a preening juvenile like Trump, or an unctuous nihilist like Cruz. He’d have been more likely to shove that kaleidoscope up Cruz’s ass, at least on the page. “The main problem in any democracy,” as he warned us, “is that crowd-pleasers are generally brainless swine who can go out on a stage & whup their supporters into an orgiastic frenzy—then go back to the office & sell every one of the poor bastards down the tube for a nickel apiece.” The only literary writer in recent memory to even attempt such an honest examination of our presidential sweepstakes is David Foster Wallace, whose epic essay on the 2000 race for the Republican nomination, “Up, Simba,” served as a lamentation for the apathy spawned by our inauthentic politics. “What one feels,” he wrote, “when [politicians] loom into view is just an overwhelming lack of interest, the sort of deep disengagement that is often a defense against pain. Again sadness. In fact, the likeliest reason why so many of us care so little about politics is that modern politicians make us sad, hurt us deep down in ways that are hard even to name, much less talk about.” But that’s what we should be talking about, as journalists and citizens--whether it’s still possible for us to believe in government as a force for good in the lives of the disenfranchised, a vital corrective to the corporate propaganda that otherwise rules our civic life. The absence of such voices in America’s mass media represents the larger and scarier truth lurking beneath the daily distractions of our political theater. It’s the very reason gibberish-spouting maniacs such as Trump and Cruz can mount serious bids for the presidency. All you need today is money and a convincing brand of cruelty. After all, rage is the greatest ally of fear. There are no pesky reporters around to call you out on your psychotic bullshit. They’re too busy marveling at all the seats you filled under the big top.

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Published on January 24, 2016 11:00

A former KGB agent isn’t the only Putin critic to wind up dead

Global Post Former Russian spy Alexander Litvinenko is back in the news after a British inquiry found that Vladimir Putin, Russia’s president, “probably” approved the ex-KGB agent’s 2006 murder by poisoning in London.

The allegation has riled the Kremlin and threatens to further damage relations between Russia and the UK. But it also brings to mind the many other critics of the regime who, like Litvinenko, have met an untimely end.

Russian officials have regularly denied any roles in these mysterious deaths, but their circumstances have long raised suspicions. Here, GlobalPost looks at just a few:

Boris Nemtsov

The most recent mysterious death is of former opposition leader Boris Nemtsov, who was fatally shot just outside the Kremlin last February. Shortly before his murder, he was helping to compile a report detailing what he said was Russia’s clandestine military involvement in the eastern Ukraine crisis.

Officials have sought to Former Russian spy Alexander Litvinenko is back in the news after a British inquiry found that Vladimir Putin, Russia’s president, “probably” approved the ex-KGB agent’s 2006 murder by poisoning in London.

The allegation has riled the Kremlin and threatens to further damage relations between Russia and the UK. But it also brings to mind the many other critics of the regime who, like Litvinenko, have met an untimely end.

Russian officials have regularly denied any roles in these mysterious deaths, but their circumstances have long raised suspicions. Here, GlobalPost looks at just a few:

Boris Nemtsov

The most recent mysterious death is of former opposition leader Boris Nemtsov, who was fatally shot just outside the Kremlin last February. Shortly before his murder, he was helping to compile a report detailing what he said was Russia’s clandestine military involvement in the eastern Ukraine crisis.

Officials have sought to







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Published on January 24, 2016 10:00

America’s dangerous “self-made” mythology: Why our ideas about upward mobility are seriously misinformed

This essay is modified from an essay published in "What Do We Do About Inequality?" by the Wicked Problems Collaborative. The book is available for pre-order here. Inequality, President Obama has claimed, “is the defining challenge of our time.” And yet, though many of his reforms are positive, he has done far too little to actually alleviate inequality. But that’s not entirely his fault; presidents, like all other humans, are confined by their circumstances, both material and ideological. Although there are a number of factors that prevent action on inequality (including racial resentment and political information), one is ideological: our society’s commitment to the mythology of upward mobility. To see how ideology functions to halt legislative action on inequality, we should examine how a bipartisan commitment to upward mobility has obfuscated the true debate. Is There Mobility? A 2007 Treasury Department study of inequality allows us to examine mobility at the most elite level. On the horizontal axis is an individual’s position on the income spectrum in 1996. On the vertical level is where they were in 2005. To examine the myth of mobility, I focused on the chances of making it into the top 10, 5 or 1 percent. We see that these chances are abysmal. Only 0.2% of those who began in the bottom quintile made it into the top 1%. In contrast, 82.7% of those who began in the top 1% remained in the top 10% a decade later. Drake may have started from the bottom, but his experience is not representative of the American experience. SalonMobility1 Studies show that this is true of capitalist systems broadly. In a recent study, Carina Engelhardt and Andreas Wagener find that in every country studied, perceptions of mobility were higher than actual mobility. SalonMobility2 Why Does Everyone Believe in Mobility? If upward mobility is illusory, why do politicians on both the left and right accept this fantasy? The main problem was recognized by Antonio Gramsci, who writes, “All men are intellectuals, but not all men have in society the function of intellectuals.” The people who benefit from inequality tend to attribute their success to themselves, rather than to luck or factors outside their control. These people then look upon the world and seek to justify it. Their justifications, because of elite power, are amplified, while the insights of the poor are ignored. The chart below, created using data from ANES, suggests that the wealthy are far more likely to believe that America is basically meritocratic. Only 33% of the richest in the survey (over $175,000 a year in family income) agree or strongly agree that “One of the big problems in this country is that we don't give everyone an equal chance,” compared with 54% of those earning less than $30,000. SalonMobility3 Economist Branko Milanovic finds that 60% of an individual's income is determined before they are born (and tells me in an interview it’s likely higher). Economists Larry Mishel and Josh Bivens find “the increase in the incomes and wages of the top 1 percent over the last three decades should largely be interpreted as driven by the creation and/or redistribution of economic rents, and not simply as the outcome of well-functioning competitive markets rewarding skills or productivity based on marginal differences.” Higher-paid CEOs underperform lower-paid CEOs. Hedge fund managers are vastly overpaid. In 2013, the 25 highest-paid hedge fund managers made 2.5 times more than every kindergarten teacher in the U.S. combined. Yet every study finds that they can’t beat the market. Instead of acknowledging that their wealth is largely due to circumstances they control, the rich moralize (and their fans encourage them to). As with a recent Business Insider piece, in which Steve Siebold writes, "Few people in the middle class really understand the mindset of the richest people. After all, if they did, they would be among the top earners as well. We’ve all heard the remarks: Rich people are lucky, rich people had an unfair advantage, rich people are crooks, rich people are selfish, etc. These are mostly empty statements with little proof to back them up." This is, of course, risibly false. The wealthy have entrenched their advantages by investing more in their children while also supporting austerity measures that -- by leaving children undernourished and undereducated -- ensure the poor can rarely rise above their rank. But it’s unlikely the rich are even aware that they are justifying themselves. Psychologists have found numerous biases -- the self-serving bias, optimism bias and illusions of control -- that afflict us all. It is only the rich who are successful enough to become entirely delusional. What Is the Consequence of Our Commitment to the Mythology of Mobility? Our commitment to mobility prevents us from alleviating inequality. Writers, thinkers and politicians from nearly every political persuasion accept the mobility ideology in their speeches. Mike Lee warned last year of an “opportunity crisis.” Cathy McMorris Rodgers’s response to the State of the Union, which will likely define the Republican line on inequality, included the line, “The president talks a lot about income inequality. But the real gap we face today is one of opportunity inequality…” At the centrist Brookings Institution, opportunity is the watchword, with Richard Reeves’s recent essay, “Saving Horatio Algers,” which concludes, “On that spring evening in the nation’s capital, the crowd had gathered not to bury Alger, but to praise him. It is now time to pay him more than lip service. Equal opportunity must and will remain the quintessential American ideal. The challenge is to live up to it.” Kirsten Gillibrand, a liberal senator from New York, has pushed for an “American Opportunity Agenda.” Redistribution is out; mobility is in. Yet the limits of mobility as a palliative to inequality should be obvious to anyone. Even in a society with perfect mobility, someone must be at the bottom. When inequality is high, the wealthy have more of an incentive to use whatever means possible to maintain their privilege. They use their economic and political power to solidify these positions, creating a glass floor from which they can look down upon the poor, whilst exhorting them to try harder. As inequality rises, the rich are more separated from the poor, and more likely to accept their ruling ideology (the “empathy gap”). Bo Rothstein and Eric Uslaner argue that, “the best policy response to growing inequality is to enact universalistic social welfare programs. However, the social strains stemming from increased inequality make it almost impossible to enact such policies.” As inequality increases, the winner-take-all economy leads voters try to look out for their own children. The period during which overall inequality has risen has seen a massive increase in more affluent families’ spending on enrichment for their own children. SalonMobility4 Engelhardt and Wagener find that redistribution is lower when actual social mobility is but also lower where perceived mobility is higher. Even if voters perceive the level of inequality correctly, their tendency to overstate the level of mobility can undermine support for redistribution. In another study, Alberto Alesina and Eliana La Ferrara find that Americans who believe that American society offers equal opportunity (a mythology) are more likely to oppose redistribution. In another paper, Alesina, along with Edward Glaeser and Bruce Sacerdote, shows that the share of respondents in the country who think success is due to luck correlates strongly with social spending. This relationship makes sense: the safety net should be understood as social insurance, and understanding that an individual has little control over their circumstances increases support for universalistic programs. As the chart shows, the view that luck determines income is weak in the United States. SalonMobility5 The authors also show that while 60% of respondents in the European Union believe the poor are trapped in poverty, only 29% of those in the United States do. Similarly, while only 26% of respondents in the European union say the poor are lazy, 60% of American respondents do (see table). Within the U.S., 88% who say that the U.S. spends too much on welfare believe the poor are lazy, compared with 35% of those who say the U.S. spends too little on welfare. These views are obviously mediated by race, as most of those who say the poor are lazy have a certain race of poor in mind. Using data from 33 democracies, Elvire Guillaud finds that those who believe they have experienced downward mobility in the past decade are 32% more likely to support redistribution. SalonMobility6 Conclusion Earlier this year, Martin Gilens and Benjamin Page rocketed to popular fame with a paper finding “average citizens’ preferences have little or no independent impact on policy.” Yet less reported was the finding that “the preferences of average citizens are positively and fairly highly correlated, across issues, with the preferences of economic elite.” This is not to say that economic elites and the general populace agree on everything -- as I’ve frequently argued, they do not. But it is where they agree, on issues like social mobility, that there are dangers. Certainly no one would reject the premise “we should increase social mobility,” but the ideological baggage upon which that statement rests is an important impediment to true progress on inequality. As long as income is “earned,” and position is “merited,” those who support equality are fighting on enemy turf. A recent Pew Survey finds, “Nearly nine-in-ten (87%) agree that: ‘Our society should do what is necessary to make sure that everyone has an equal opportunity to succeed.’ The share agreeing with this statement has varied little over the past 22 years.” It’s certainly true that people on the lowest rungs of the economic ladder are more skeptical of markets and the story of upward mobility. But their voices rarely reach politicians. A recent study by David Broockman and Christopher Skovron finds that “conservative politicians systematically believe their constituents are more conservative than they actually are by more than 20 percentage points on average, and liberal politicians also typically overestimate their constituents’ conservatism by several percentage points.” Elite control of the political system is certainly terrifying. Money flows through the veins of the political system like never before. But the control elites exercise over opinions and perceptions is certainly the more important factor -- and one even they are blithely unaware of.

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Published on January 24, 2016 09:00

January 23, 2016

This state has the most virgins, according to OkCupid data

The Daily Dot If Virginia is for lovers, Utah is for virgins. At least, according to OkCupid's latest report on user data from 2015. The report features an interactive map of the United States, ranking each state's concentration of virgins and the concentration of people looking for casual sex. At the top of the virginity ranking is Utah, with nearly 20 percent of OkCupid users from the state identifying as virgins. Utah is closely followed by South Dakota, at 18 percent. By contrast, Vermont ranks lowest—only 9 percent of OkCupid users from the Green Mountain State are virgins. More from The Daily Dot: "How escorts brought this father and song together" This the not first time that a dating site has uncovered data about the state of virginity in Utah. Back in 2013, Seeking Arrangement—a dating site for sugar daddies and sugar babies in search of one another—found that one in seven women in Salt Lake City are virgins. Additionally, the women of SLC are more likely to become sexually active later in life; while the national average age for virginity loss is 18, in SLC the average age is 20. Utah isn't lacking in surprises, however: Just because the state has a high concentration of virgins doesn't mean that those OkCupid users who are sexually active aren't looking for flings. The state ranks at No. 24 for the highest concentration of people looking for casual hookups, with nearly 12 percent of Utah's OkCupid users interested in one-night stands. (The No. 1 state in the nation for casual hookups is good ol' Oregon.) More from The Daily Dot: "Cow whose NYC slaughterhouse escape went viral gets a new home" OkCupid is a heavily data-driven site, so the company has collected statistics on everything from sexual habits to political views. If you're curious to know how often OkCupid users masturbate, whether they prefer Bernie Sanders or Hillary Clinton in the Democratic primary race, and even which emojis are most popular in messages, head on over to read the full report. The Daily Dot If Virginia is for lovers, Utah is for virgins. At least, according to OkCupid's latest report on user data from 2015. The report features an interactive map of the United States, ranking each state's concentration of virgins and the concentration of people looking for casual sex. At the top of the virginity ranking is Utah, with nearly 20 percent of OkCupid users from the state identifying as virgins. Utah is closely followed by South Dakota, at 18 percent. By contrast, Vermont ranks lowest—only 9 percent of OkCupid users from the Green Mountain State are virgins. More from The Daily Dot: "How escorts brought this father and song together" This the not first time that a dating site has uncovered data about the state of virginity in Utah. Back in 2013, Seeking Arrangement—a dating site for sugar daddies and sugar babies in search of one another—found that one in seven women in Salt Lake City are virgins. Additionally, the women of SLC are more likely to become sexually active later in life; while the national average age for virginity loss is 18, in SLC the average age is 20. Utah isn't lacking in surprises, however: Just because the state has a high concentration of virgins doesn't mean that those OkCupid users who are sexually active aren't looking for flings. The state ranks at No. 24 for the highest concentration of people looking for casual hookups, with nearly 12 percent of Utah's OkCupid users interested in one-night stands. (The No. 1 state in the nation for casual hookups is good ol' Oregon.) More from The Daily Dot: "Cow whose NYC slaughterhouse escape went viral gets a new home" OkCupid is a heavily data-driven site, so the company has collected statistics on everything from sexual habits to political views. If you're curious to know how often OkCupid users masturbate, whether they prefer Bernie Sanders or Hillary Clinton in the Democratic primary race, and even which emojis are most popular in messages, head on over to read the full report.

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Published on January 23, 2016 17:00

My ironic sorority disaster

When I arrived at Sarah Lawrence College in the fall of 2006, I saw banners hanging across the front lawn that said, “Gender Fuck; Fuck your Gender.” I didn’t have a clue what it meant to fuck your gender. I thought gender was something you were born with, something you couldn’t fuck with.

The gender fuck banner was hung between trees on the main campus, which made up the original Lawrence family estate. The manicured look of the Tudor mansions and floral pergola were what initially drew me to the school. But here was this bizarre and shocking thing blocking the picturesque view.

Despite the campus aesthetic and finishing school history, by the time I arrived, Sarah Lawrence was a place where students could, to a greater extent than in most other academic environments, avoid the norms that govern most of the world. With no grades or academic honors, it was non-hierarchical and academically noncompetitive. But rather than embracing the freedoms of that new environment, I felt drawn to recreating oppressive structures, albeit ironically. That’s what led me to create an ironic sorority. Okay, a somewhat ironic sorority.

At that time, the Sarah Lawrence student body was 75% women, and many of the men I met were gay. The near absence of straight men created what was for me a new kind of social scene. For some students, Sarah Lawrence must have been a utopia where, for the first time in their lives, social structures did not revolve around straight dating rituals or hook-up culture. But I am straight, and I was confused about where I fit into the new, liberated environment.

I went sheepishly to a gender-bending party, dressed in a Risky Business style men’s shirt and no pants. When I arrived I saw that other women were wearing facial hair and socks in their pants. Clearly we were not on the same page. My efforts to be fem-sexy and cute (like Paris Hilton in a Fedora or girls in boyfriend jeans) were out of place among other students’ transgressive gender experimentation. The gender-bending party was my first exposure to this kind of boundary-breaking among women—and it shocked me. I was more than a little unprepared for the new world I had encountered.

In high school I spent a lot of time getting dressed for parties. I would try on shirt after shirt, trying to calibrate an impossible balance between sexy and cute. I looked for outfits that didn’t “try too hard.” I wanted something that said, “oops, I’m hot." And then, running late to meet friends, and sweating beneath my winter coat in the cold, I felt ashamed of my vanity and need for positive male attention. I didn’t want to be the butt of those ubiquitous jokes about women who took too long to get dressed. But I didn’t see a way out. I wanted to be a different kind of woman than the one I was, but I was unable to imagine how this woman would feel or dress or think. Paying scrupulous attention to how I dressed felt like it was necessary for me to survive, in order to feel good and accepted.

My high school was a modern orthodox Jewish day school where feminism was a word I heard used rarely and derisively. The acronym LGBT was, perhaps intentionally, confused with BLT. In religious classes we learned that men and women are essentially different and were created to fulfill different roles in life. In the mornings we prayed, boys on one side of the room and girls on the other, separated by a makeshift mechitza – a traditional barrier segregating the sexes for worship.

In this high school context, girls were held to specific standards of dress and behavior. Those who did it best wore cashmere or Petit Bateau cotton shirts, like younger versions of their Scarsdale mothers. They spoke in that uniform cadence of privileged New York-area teen girls. Their hair was silky and straightened or curly and gelled stiff—a desirable look in 2006. That was hot; they were hot. From a young age I knew that receiving male attention was social currency. I could mimic my classmates’ cadence and save up for their clothes, but I believed I could detect a patronizing tone in their polite questions. I grew up around lots of girls like that. As early as elementary school they asked skeptically, "Where are you from?"

I grew up in Soho, in the same tiny one-bedroom apartment that my mother moved into in her twenties. Back then Soho had some grit, she said. “That’s so cool you live in Soho,” a classmate once said. “Are your parents, like, Bavarian?” My parents were and still are kind of Bohemian. They were writer-performer-waiters. They were also observant Jews who chose to send me to Jewish schools, where our financial situation and quirkiness often left me feeling out of place. Like them, I was arty and liked to write. Perhaps consequentially, my clothes, my school supplies, even my cultural points of reference were never quite right, as if my subconscious was willing me not to conform while the conscious me wanted to badly. I was highly critical of my surroundings. But I also totally bought into the expectations of those around me and was conscious of how I fell short.   

The homogeneity of my school -- we were all white, Jewish, New York-area kids -- amplified other types of differences. I imagined that everyone knew that my parents had financial difficulties. The college admissions process felt like a magnifying glass held to my family's lack of resources. Our school was academically competitive and known for sending students to Ivy League schools. I applied almost exclusively to elite schools and was rejected from all but Sarah Lawrence and SUNY Binghamton. I believed that going to a public school would perpetuate my family’s limited access to wealth and privilege, confirming in the eyes of my peers that I was different.

But the Sarah Lawrence name had cachet. They offered me a generous scholarship that enabled me to become a part of the school's legacy. I had a dated fantasy of the place as a prim, WASPy finishing school for artistically inclined girls. That elitist fantasy appealed to me. More recent cultural references to Sarah Lawrence, like Julia Stiles’ character in "Ten Things I Hate about You," who rejected mainstream culture and was a self-proclaimed feminist, might have been alienating to me if I'd paid attention to them. I had no idea what I was in for when I sent in my confirmation of enrollment. I was clueless that in choosing Sarah Lawrence, I was not only choosing an elite academic experience but a social experience that contrasted sharply with the one in which I’d come of age.

During my first few months of school, I made friends with other conventionally feminine girls and even took pleasure in thinking we were cuter or more “normal” (meaning less challenging of mainstream culture) than anyone else there. But I had a nagging insecurity about not having a “normal” college experience.

One night in the library I used the reference computer to look through Facebook pictures of high school classmates. I fixated on an album, “We’re bringing sexy back! Sorority Rush ’07,” that featured pages full of girls carefully posed with red Solo cups. In some pictures they wore sized-down football jerseys and temporary cheek tattoos to University of Michigan football games. So this is what everyone else is up to, I thought. While I navigated genderfuck parties, my Scarsdale-bred high school classmates were dressing up in identical packaged Halloween costumes. I was put off by the kind of imposed homogeneity—and the self-inflicted objectification (a very external show of internalized sexism). But at the same time that it all seemed totally insane, it was also oddly attractive. I felt excluded; this was major FOMO before I had an acronym to describe it.

I googled “sorority rush” and diligently studied the protocol with a mix of disgust, amusement and envy.  I was particularly drawn to the formal social hierarchy of the system; how you could tell who was hot, who was rich and who was cool by the fraternities or sororities they were admitted to. During rush, sorority members observed subtle social cues in order to discern who belonged. There were blogs that advised girls about what to wear. They warned against looking “trashy” or “slutty” and advocated for chaste dress combined with endless enthusiasm. They imposed a strict conception of white femininity and upheld a subtle classism:

“When you enter the room there will be loads of girls chanting and cheering! Keep a big smile on your gorgeous face!”

“Don’t wear too much jewelry, avoid loud make up or too-tight tops; a sorority is not a nightclub.”

“Dress like you’re going out with your girlfriends for ice cream.”

“You know what would be ridiculous,” I suggested to my new Sarah Lawrence friends, “starting a sorority.”

Soon we had a name, Sigma Lamda Chi, and a Legally Blonde-inspired hot-pink logo. We began drafting flyers that said, “Shave your legs and put on your miniskirts,” “Radical feminism won’t land you a man!,” and “Put down your leather collar and put on your pearls.” We made hundreds of copies and pasted them, complete with our contact information, in dormitory hallways and cafeterias.

By morning the flyers were covered in red Sharpie. Sexist bullshit, someone wrote. Disgusting. Everyone needs to chill out and learn to take a joke, I thought. It’s not like being feminine is the same as being sexist.

Although I insisted that the flyers were a satire of imposed femininity, the girls who contacted us about membership were earnestly interested in a more conservative presence on campus. A quiet girl from my Romantic Poetry class came up to me in the library and asked how she could join. She said, “When I saw you guys, I was like, thank god there are other normal people here!”

“That’s awesome!” I answered, confused about how distributing semi-sarcastic flyers with images of hairy-legged women in miniskirts could be construed as “normal.”

I was briefly interested in having a system of selecting and accepting members in order have a more “authentically elitist experience." The other sisters said that was pushing the boundaries of what was a joke. (My version of the sorority was always more sadistic than everyone else’s.) Our membership continued to grow democratically. We had a Facebook group with 15 to 20 girls excitedly posting ideas for our first sorority event—a bake sale or, I offered, a hazing ritual. Eventually we decided to throw a Greek life-themed party.

The night of the party we wore tight-fitted, pink sorority T-shirts. We went to Stop and Shop and loaded up on cases of Coors Light with the money we had pooled together from our group of Facebook members. My hands shook with excitement as I mixed the grain alcohol with powdered Hawaiian Punch. In the absence of ironic fraternities we became both sorority girls and frat boys. I joked about adding roofies for the sake of authenticity. Like a young bro enjoying scenes of bad behavior in "The Wolf of Wall Street," I could not discern between satire and aspiration.

We threw the party at Warren House, one of the single-family homes that the school had purchased for student residency. One of our sorority members, who was also a resident, suggested this venue because the size was similar to a frat house. We never thought to ask how her housemates felt about hosting. We went ahead and marked the front door with our Greek letters like the ancient Israelites with their lamb's blood. Outside it was snowing. Inside we blasted an excruciating playlist full of the dregs of top-40 music (Paris Hilton’s update on Rod Stewart’s “If You Want My Body”) and frat anthems usually played at closing time in dive bars: "Sweet Caroline" and "Don’t Stop Believing." Our party guests, confused, hipster classmates from our literature in translation seminars and poetry workshops, asked “is this for real?” They watched uncomfortably while we attempted keg stands on a Heineken mini keg, trying to hold each other upside down but failing and falling on the floor. Some grew antagonistic and tried to change the music to Elliot Smith. Others got into it. Gay male friends requested sorority shirts, danced with us on tables, chanted with us: “You’re only as strong as the drinks you mix and the tables you dance on!” By 10 p.m., we had succeeded in a producing a lively, carnivalesque recreation of mainstream culture. At midnight, one of the house residents threatened to call security if we didn’t turn down the music. “I did not agree to host this mess,” she said. We ignored her request and, as promised, campus security came and wrote us up for hosting an unregistered party.

By the next morning, in the throes of my paranoid hangover, the campus’s anonymous list serve filled up with comments about the sorority. “Sad display of sexism and self-hatred” wrote one commenter. “Dumb bitches,” someone else wrote. “Those girls think they’re so hot but they’re not.” “The blonde girl’s boobs look like sausage meat squeezed into that stupid shirt.”

I assumed that the last comment was specifically about me, and felt ashamed of my body and my insistence on exposing it. I was ashamed of our bravado, which enabled us to joke about sexism, elitism, imposed femininity, objectification—realities that persisted even within the liberal Sarah Lawrence bubble; realities that were evident in the slut-shaming condescension of the anonymous commenters. Their accusations were another version or continuation of the same female policing I had experienced in high school. On the other hand, I began to see how for other students at Sarah Lawrence, the lack of gender-normative culture was a respite. While femininity is not internalized sexism, imposed femininity is surely a product of sexism. Our “ironic” imposition was reasonably interpreted as threatening and hostile. Finally letting that thought sink in, I quickly shut down the Sigma operation and ceased hanging up flyers. The network of sorority sisters disintegrated.

When I eventually started dating someone, a student at Johns Hopkins who was in a fraternity, I gained exposure to real-deal Greek life, and I was surprised to find that my boyfriend’s masculinity was also a kind of ironic performance. “Bro!” he said, “bra, bra, what are you even about right now?!” He took pleasure in the exaggerations and insisted that his constant use of “bro” was a criticism of how middle-America college students abuse the word. “This is Johns Hopkins," he said, “It’s not like we have legit frats here.”

It occurred to me that my gender performance was not the only one that was aspirational and performative. The times that I had joked about drag being freakish or campy, I had not taken into account how contrived my own efforts were. Senior year, as a requirement for the thesis I wrote about masculinity, I enrolled in a queer theory seminar. Before each class I straightened my hair and did my makeup. I recognized my new classmates as the same students I once taunted with sorority posters. During discussions on Judith Butler’s theories of gender performativity, I picked at the split ends of my hair, just as I had seen other girls do. I began to recognize the behavior as a performance, and wondered if this new consciousness qualified the act as ironic. I wondered if something could be ironic if I continued to feel pleasure and attachment in earnest.

This year I went to meet some of my old Sarah Lawrence sorority sisters at a Mexican restaurant in the East Village. We never mention the sorority—the memory of it is buried in locked Facebook albums. For a long time it was something I wanted to disassociate from and forget.

To our left was a bachelorette party full of drunk girls wielding penis paraphernalia. The server brought them a bottle of Patron.

“I want Patrón and pink sashes,” my friend joked. “Why isn’t that us?”

“That is us,” I said. “Think of the metaphorical pink sashes we wear across our chests as cis-women.”

“L-O-L,” my friend replied, “and this war paint we call makeup.”

The bachelorette party, rebellious within mainstream boundaries, reminded me of us on the night of our sorority party. That night I found myself in a confusing place between conformity and rebellion; between an earnest longing to belong and a flippant rejection of the surrounding expectations. Today, almost a decade later, I can look back on that night with sympathy and fascination at my motivations. I don’t particularly like or want to be the person I was at that moment, but I have compassion for her. Even now, as I move between spaces such as a high school friend’s bachelorette party in Atlantic City and the small, radical feminist organization where I work, I am conscious that there is often a disconnect between my actions and my beliefs, a wish that I could have better, more “enlightened” desires. There are moments when I still find it hard to distinguish between what I do ironically and what I do earnestly. But I recognize now that rejecting gender norms and adhering to them are often motivated by the same deep and essentially human desire: to find a way to feel loved and accepted within the world.

When I arrived at Sarah Lawrence College in the fall of 2006, I saw banners hanging across the front lawn that said, “Gender Fuck; Fuck your Gender.” I didn’t have a clue what it meant to fuck your gender. I thought gender was something you were born with, something you couldn’t fuck with.

The gender fuck banner was hung between trees on the main campus, which made up the original Lawrence family estate. The manicured look of the Tudor mansions and floral pergola were what initially drew me to the school. But here was this bizarre and shocking thing blocking the picturesque view.

Despite the campus aesthetic and finishing school history, by the time I arrived, Sarah Lawrence was a place where students could, to a greater extent than in most other academic environments, avoid the norms that govern most of the world. With no grades or academic honors, it was non-hierarchical and academically noncompetitive. But rather than embracing the freedoms of that new environment, I felt drawn to recreating oppressive structures, albeit ironically. That’s what led me to create an ironic sorority. Okay, a somewhat ironic sorority.

At that time, the Sarah Lawrence student body was 75% women, and many of the men I met were gay. The near absence of straight men created what was for me a new kind of social scene. For some students, Sarah Lawrence must have been a utopia where, for the first time in their lives, social structures did not revolve around straight dating rituals or hook-up culture. But I am straight, and I was confused about where I fit into the new, liberated environment.

I went sheepishly to a gender-bending party, dressed in a Risky Business style men’s shirt and no pants. When I arrived I saw that other women were wearing facial hair and socks in their pants. Clearly we were not on the same page. My efforts to be fem-sexy and cute (like Paris Hilton in a Fedora or girls in boyfriend jeans) were out of place among other students’ transgressive gender experimentation. The gender-bending party was my first exposure to this kind of boundary-breaking among women—and it shocked me. I was more than a little unprepared for the new world I had encountered.

In high school I spent a lot of time getting dressed for parties. I would try on shirt after shirt, trying to calibrate an impossible balance between sexy and cute. I looked for outfits that didn’t “try too hard.” I wanted something that said, “oops, I’m hot." And then, running late to meet friends, and sweating beneath my winter coat in the cold, I felt ashamed of my vanity and need for positive male attention. I didn’t want to be the butt of those ubiquitous jokes about women who took too long to get dressed. But I didn’t see a way out. I wanted to be a different kind of woman than the one I was, but I was unable to imagine how this woman would feel or dress or think. Paying scrupulous attention to how I dressed felt like it was necessary for me to survive, in order to feel good and accepted.

My high school was a modern orthodox Jewish day school where feminism was a word I heard used rarely and derisively. The acronym LGBT was, perhaps intentionally, confused with BLT. In religious classes we learned that men and women are essentially different and were created to fulfill different roles in life. In the mornings we prayed, boys on one side of the room and girls on the other, separated by a makeshift mechitza – a traditional barrier segregating the sexes for worship.

In this high school context, girls were held to specific standards of dress and behavior. Those who did it best wore cashmere or Petit Bateau cotton shirts, like younger versions of their Scarsdale mothers. They spoke in that uniform cadence of privileged New York-area teen girls. Their hair was silky and straightened or curly and gelled stiff—a desirable look in 2006. That was hot; they were hot. From a young age I knew that receiving male attention was social currency. I could mimic my classmates’ cadence and save up for their clothes, but I believed I could detect a patronizing tone in their polite questions. I grew up around lots of girls like that. As early as elementary school they asked skeptically, "Where are you from?"

I grew up in Soho, in the same tiny one-bedroom apartment that my mother moved into in her twenties. Back then Soho had some grit, she said. “That’s so cool you live in Soho,” a classmate once said. “Are your parents, like, Bavarian?” My parents were and still are kind of Bohemian. They were writer-performer-waiters. They were also observant Jews who chose to send me to Jewish schools, where our financial situation and quirkiness often left me feeling out of place. Like them, I was arty and liked to write. Perhaps consequentially, my clothes, my school supplies, even my cultural points of reference were never quite right, as if my subconscious was willing me not to conform while the conscious me wanted to badly. I was highly critical of my surroundings. But I also totally bought into the expectations of those around me and was conscious of how I fell short.   

The homogeneity of my school -- we were all white, Jewish, New York-area kids -- amplified other types of differences. I imagined that everyone knew that my parents had financial difficulties. The college admissions process felt like a magnifying glass held to my family's lack of resources. Our school was academically competitive and known for sending students to Ivy League schools. I applied almost exclusively to elite schools and was rejected from all but Sarah Lawrence and SUNY Binghamton. I believed that going to a public school would perpetuate my family’s limited access to wealth and privilege, confirming in the eyes of my peers that I was different.

But the Sarah Lawrence name had cachet. They offered me a generous scholarship that enabled me to become a part of the school's legacy. I had a dated fantasy of the place as a prim, WASPy finishing school for artistically inclined girls. That elitist fantasy appealed to me. More recent cultural references to Sarah Lawrence, like Julia Stiles’ character in "Ten Things I Hate about You," who rejected mainstream culture and was a self-proclaimed feminist, might have been alienating to me if I'd paid attention to them. I had no idea what I was in for when I sent in my confirmation of enrollment. I was clueless that in choosing Sarah Lawrence, I was not only choosing an elite academic experience but a social experience that contrasted sharply with the one in which I’d come of age.

During my first few months of school, I made friends with other conventionally feminine girls and even took pleasure in thinking we were cuter or more “normal” (meaning less challenging of mainstream culture) than anyone else there. But I had a nagging insecurity about not having a “normal” college experience.

One night in the library I used the reference computer to look through Facebook pictures of high school classmates. I fixated on an album, “We’re bringing sexy back! Sorority Rush ’07,” that featured pages full of girls carefully posed with red Solo cups. In some pictures they wore sized-down football jerseys and temporary cheek tattoos to University of Michigan football games. So this is what everyone else is up to, I thought. While I navigated genderfuck parties, my Scarsdale-bred high school classmates were dressing up in identical packaged Halloween costumes. I was put off by the kind of imposed homogeneity—and the self-inflicted objectification (a very external show of internalized sexism). But at the same time that it all seemed totally insane, it was also oddly attractive. I felt excluded; this was major FOMO before I had an acronym to describe it.

I googled “sorority rush” and diligently studied the protocol with a mix of disgust, amusement and envy.  I was particularly drawn to the formal social hierarchy of the system; how you could tell who was hot, who was rich and who was cool by the fraternities or sororities they were admitted to. During rush, sorority members observed subtle social cues in order to discern who belonged. There were blogs that advised girls about what to wear. They warned against looking “trashy” or “slutty” and advocated for chaste dress combined with endless enthusiasm. They imposed a strict conception of white femininity and upheld a subtle classism:

“When you enter the room there will be loads of girls chanting and cheering! Keep a big smile on your gorgeous face!”

“Don’t wear too much jewelry, avoid loud make up or too-tight tops; a sorority is not a nightclub.”

“Dress like you’re going out with your girlfriends for ice cream.”

“You know what would be ridiculous,” I suggested to my new Sarah Lawrence friends, “starting a sorority.”

Soon we had a name, Sigma Lamda Chi, and a Legally Blonde-inspired hot-pink logo. We began drafting flyers that said, “Shave your legs and put on your miniskirts,” “Radical feminism won’t land you a man!,” and “Put down your leather collar and put on your pearls.” We made hundreds of copies and pasted them, complete with our contact information, in dormitory hallways and cafeterias.

By morning the flyers were covered in red Sharpie. Sexist bullshit, someone wrote. Disgusting. Everyone needs to chill out and learn to take a joke, I thought. It’s not like being feminine is the same as being sexist.

Although I insisted that the flyers were a satire of imposed femininity, the girls who contacted us about membership were earnestly interested in a more conservative presence on campus. A quiet girl from my Romantic Poetry class came up to me in the library and asked how she could join. She said, “When I saw you guys, I was like, thank god there are other normal people here!”

“That’s awesome!” I answered, confused about how distributing semi-sarcastic flyers with images of hairy-legged women in miniskirts could be construed as “normal.”

I was briefly interested in having a system of selecting and accepting members in order have a more “authentically elitist experience." The other sisters said that was pushing the boundaries of what was a joke. (My version of the sorority was always more sadistic than everyone else’s.) Our membership continued to grow democratically. We had a Facebook group with 15 to 20 girls excitedly posting ideas for our first sorority event—a bake sale or, I offered, a hazing ritual. Eventually we decided to throw a Greek life-themed party.

The night of the party we wore tight-fitted, pink sorority T-shirts. We went to Stop and Shop and loaded up on cases of Coors Light with the money we had pooled together from our group of Facebook members. My hands shook with excitement as I mixed the grain alcohol with powdered Hawaiian Punch. In the absence of ironic fraternities we became both sorority girls and frat boys. I joked about adding roofies for the sake of authenticity. Like a young bro enjoying scenes of bad behavior in "The Wolf of Wall Street," I could not discern between satire and aspiration.

We threw the party at Warren House, one of the single-family homes that the school had purchased for student residency. One of our sorority members, who was also a resident, suggested this venue because the size was similar to a frat house. We never thought to ask how her housemates felt about hosting. We went ahead and marked the front door with our Greek letters like the ancient Israelites with their lamb's blood. Outside it was snowing. Inside we blasted an excruciating playlist full of the dregs of top-40 music (Paris Hilton’s update on Rod Stewart’s “If You Want My Body”) and frat anthems usually played at closing time in dive bars: "Sweet Caroline" and "Don’t Stop Believing." Our party guests, confused, hipster classmates from our literature in translation seminars and poetry workshops, asked “is this for real?” They watched uncomfortably while we attempted keg stands on a Heineken mini keg, trying to hold each other upside down but failing and falling on the floor. Some grew antagonistic and tried to change the music to Elliot Smith. Others got into it. Gay male friends requested sorority shirts, danced with us on tables, chanted with us: “You’re only as strong as the drinks you mix and the tables you dance on!” By 10 p.m., we had succeeded in a producing a lively, carnivalesque recreation of mainstream culture. At midnight, one of the house residents threatened to call security if we didn’t turn down the music. “I did not agree to host this mess,” she said. We ignored her request and, as promised, campus security came and wrote us up for hosting an unregistered party.

By the next morning, in the throes of my paranoid hangover, the campus’s anonymous list serve filled up with comments about the sorority. “Sad display of sexism and self-hatred” wrote one commenter. “Dumb bitches,” someone else wrote. “Those girls think they’re so hot but they’re not.” “The blonde girl’s boobs look like sausage meat squeezed into that stupid shirt.”

I assumed that the last comment was specifically about me, and felt ashamed of my body and my insistence on exposing it. I was ashamed of our bravado, which enabled us to joke about sexism, elitism, imposed femininity, objectification—realities that persisted even within the liberal Sarah Lawrence bubble; realities that were evident in the slut-shaming condescension of the anonymous commenters. Their accusations were another version or continuation of the same female policing I had experienced in high school. On the other hand, I began to see how for other students at Sarah Lawrence, the lack of gender-normative culture was a respite. While femininity is not internalized sexism, imposed femininity is surely a product of sexism. Our “ironic” imposition was reasonably interpreted as threatening and hostile. Finally letting that thought sink in, I quickly shut down the Sigma operation and ceased hanging up flyers. The network of sorority sisters disintegrated.

When I eventually started dating someone, a student at Johns Hopkins who was in a fraternity, I gained exposure to real-deal Greek life, and I was surprised to find that my boyfriend’s masculinity was also a kind of ironic performance. “Bro!” he said, “bra, bra, what are you even about right now?!” He took pleasure in the exaggerations and insisted that his constant use of “bro” was a criticism of how middle-America college students abuse the word. “This is Johns Hopkins," he said, “It’s not like we have legit frats here.”

It occurred to me that my gender performance was not the only one that was aspirational and performative. The times that I had joked about drag being freakish or campy, I had not taken into account how contrived my own efforts were. Senior year, as a requirement for the thesis I wrote about masculinity, I enrolled in a queer theory seminar. Before each class I straightened my hair and did my makeup. I recognized my new classmates as the same students I once taunted with sorority posters. During discussions on Judith Butler’s theories of gender performativity, I picked at the split ends of my hair, just as I had seen other girls do. I began to recognize the behavior as a performance, and wondered if this new consciousness qualified the act as ironic. I wondered if something could be ironic if I continued to feel pleasure and attachment in earnest.

This year I went to meet some of my old Sarah Lawrence sorority sisters at a Mexican restaurant in the East Village. We never mention the sorority—the memory of it is buried in locked Facebook albums. For a long time it was something I wanted to disassociate from and forget.

To our left was a bachelorette party full of drunk girls wielding penis paraphernalia. The server brought them a bottle of Patron.

“I want Patrón and pink sashes,” my friend joked. “Why isn’t that us?”

“That is us,” I said. “Think of the metaphorical pink sashes we wear across our chests as cis-women.”

“L-O-L,” my friend replied, “and this war paint we call makeup.”

The bachelorette party, rebellious within mainstream boundaries, reminded me of us on the night of our sorority party. That night I found myself in a confusing place between conformity and rebellion; between an earnest longing to belong and a flippant rejection of the surrounding expectations. Today, almost a decade later, I can look back on that night with sympathy and fascination at my motivations. I don’t particularly like or want to be the person I was at that moment, but I have compassion for her. Even now, as I move between spaces such as a high school friend’s bachelorette party in Atlantic City and the small, radical feminist organization where I work, I am conscious that there is often a disconnect between my actions and my beliefs, a wish that I could have better, more “enlightened” desires. There are moments when I still find it hard to distinguish between what I do ironically and what I do earnestly. But I recognize now that rejecting gender norms and adhering to them are often motivated by the same deep and essentially human desire: to find a way to feel loved and accepted within the world.

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Published on January 23, 2016 16:30

Stop watching “Hoarders”: Our lurid reality TV obsession with mental illness has crossed a line

For a long time, I actively avoided watching "Hoarders." I am one, so I didn’t think I needed to see others engaging in my own vice. Plus, at the height of my hoarding, I had a feeling that I would approach the show only as a way to make myself feel like my hoarding wasn’t that bad compared to what I saw on my screen, even though I couldn’t even get through my apartment door without shoving it mightily to push some of the belongings littering my floor out of the way. Now that my hoarding tendencies are far more under control, thanks in part to living with a partner who calls me on it when my stuff starts to spill out everywhere, I’ve let my curiosity take over. I wanted to find out: Is "Hoarders" actually helping the people it showcases, or is it simply reveling in their mental illness in order to court viewers? I’m sad to report that in the first four episodes of Season 8 that I've viewed, the current season A&E is promoting as “more extreme than ever,” I can only conclude that "Hoarders" is exploiting the hoarders it presents. I can’t deny that the people they’ve chosen do have genuine, and often extreme, problems with hoarding; for most, their homes are clearly hazards to their health and safety. Many have been threatened with eviction, or family members have expressed concern over whether their children should be removed from their custody due to their surroundings. But what A&E has chosen to do is dramatize the outward manifestation of hoarding rather than truly getting to the root of the hoarding for either viewers or the hoarders themselves. While the experts brought onto the show may actually be helping the individual hoarders whose messy homes are shown in all their gory, overloaded detail, what message is A&E sending about these people? In my view, it’s a simple one: Look at how crazy they are! Why can’t they see how ridiculous they’re acting, how the mess is overflowing, that the clothes they’re keeping have stains? What’s wrong with them? But a better question might be: What’s wrong with us for gobbling up their misfortune? The hoarders in Season 8 seem to fall into two categories: stubborn-as-a-mule types who insist on keeping things like 40-year-old newspapers, or the “good” kind of hoarder who’s open to letting 1-800-JUNK into their home to cart away their stuff. Clearly, there’s only one correct answer these people can give, and their genuine hurt and fear at their stuff being taken away, which may give them a sense of safety or connection to a loved one, is treated as an inconvenience they need to get over in order to live in clean surroundings. To me the real question then becomes: Is "Hoarders" truly giving hoarders skills and tools to stop hoarding once the cameras are turned off? Or are they simply grateful that these people have gone so far with their hoarding that they can offer YouTube clips with bonus scenes with titles like “Barbara's Jaw-Dropping Basement Assessment.” These are questions we need to ask before tuning in if we are going to approach the show and the issue of hoarding from an empathetic perspective. Here’s how one Reddit user described a "Hoarders" taping they participated in showcasing their dad’s hoarding: “[A]t the end of the day, the producers want a good story to be told, so they are needling away at you for emotional reactions and drama. There is this weird friction between the host and clean-up crew, who seem to genuinely want to help the situation get better; and the producers who want you to dwell on emotional stuff and explore conflict for the camera.” While the Reddit poster reported that there was some improvement following the taping, along with the help of several months of working with a trash removal service, there was, in fact, no long-term improvement. Hoarding was added to the DSM-5 in 2013 as its own disorder, rather than simply a subset of OCD. In an interview with Yahoo News about this new classification, Dr. Sanjaya Saxena, director of the University of California San Diego's Obsessive-Compulsive Disorders Program, said, “The reality shows have raised awareness, but they tend to sensationalize the patients, and they rarely talk about treatment.” I would argue that hoarding reality shows haven’t actually raised all that much awareness, for the very same reason I stayed away from "Hoarders" for so long. By focusing on the “most extreme” cases, even though the show tells us in its opening credits that hoarding disorder affects more than 16 million people, it presents hoarding as something almost impossible to understand or relate to. "Hoarding" is showcased as out-there, over-the-top, monstrous. We’re meant to feel sorry for the hoarders, perhaps, but not to truly understand what hoarding feels like for them. Look—I’m not against reality TV; in my view the more gossip, the better. I love "Keeping Up With the Kardashians." I’d even go on a reality show—but not one about being a hoarder. This isn’t just a theoretical question for me; several years ago, after coming out as a hoarder in a Salon essay, I was asked to be on a hoarding reality show (not "Hoarders"). At first, I was excited; not only would I get paid $3,000, but I’d also receive many thousands of dollars worth of free expert decluttering help. My inclination was to say yes, both as a way to finally break my hoarding pattern, and publicly hold myself accountable. But when I asked my therapist, friends and loved ones, they almost unanimously told me it was a bad idea. “Is that the way you want to be known to millions of people?” they asked. I knew exactly why the show wanted me on badly enough to save a spot for me—not only was I a New York apartment dweller instead of a suburban homeowner, but since my job entails writing about sex, they (rightly) assumed that among my treasure trove would be sex toys and other racy items. Given that I had to climb over piles of belongings to get from one room to the next, I certainly didn’t know where every last vibrator I’d ever been sent to review had ended up. I argued that I couldn’t really exploit myself if I was the one agreeing to it, and that by being a public face of hoarding, I would be fighting back against the stigma surrounding it. I wanted to do the show to prove that I could laugh at myself and my situation (and even cry a little) while also making a commitment to genuine change. I declined not because of any concern about my reputation, but because I would have had to ask my landlord’s permission to film, and was afraid I’d instead be evicted. Ultimately, though, I’m glad I said no. I’ve watched enough reality TV to know that rather than having my best interests foremost on their minds, they’d want ratings. They wouldn’t have time to expand on the sentiment behind why I’ve kept every playbill or postcard or book or old piece of clothing, but simply to magnify and amplify all the ways I couldn’t keep track of what I owned. I can’t say for sure what would have happened if I’d gone on, but especially after watching "Hoarders," I’m glad I declined. There is indeed a dark side to hoarding, and I fully believe in shining light on our dark sides, on grappling with our deepest flaws in order to overcome them. I’m glad there’ve been several hoarding memoirs published in recent years, both by hoarders, such as "Lessons in Letting Go" by Corrine Grant and "Mess" by Barry Yourgrau, and books by the children of hoarders, including "Dirty Secret" by Jessie Sholl, "Coming Clean" by Kimberly Rae Miller and "White Walls" by Judy Batalion. All of these take readers deep inside the mind-set of hoarders and those who love them in a way that’s far more compassionate than what you’ll see on A&E. I do think there’s value in exposing the things we feel shame about to the world in order to combat that very shame, I just don’t believe reality TV can accomplish that—or at least, that it hasn’t yet in the case of hoarding. I understand why others do find something redeeming about the show; Matt Zoller Seitz called "Hoarders" “sincerely empathetic” in a review of an episode featuring a rat infestation. He argued, “It depicts extreme behavior, but only as a means of finding a colorful analogue for a psychological process that ‘normal’ people go through every day: the struggle to identify obsessive and/or self-destructive behavior and then do something about it.” While a show like "Hoarders" has the potential to make anyone question their own hoarding tendencies, it does so at the expense of its stars’ humanity. If "Hoarders" organized itself more like "Restaurant: Impossible," where embattled restaurant owners reach out and ask for help from chef Robert Irvine, who comes in and assesses and revamps their entire businesses, I would feel better about it. On "Restaurant: Impossible," we either see their video pleas or else hear directly from them about why they need help. At the very least, then we would know the hoarders are aware of the magnitude of the problem, and we could hear from them in their own words what they think could be done to fix it. While I’m a layperson, not an expert, I fully believe there are similarities between hoarding and various types of addiction. Therefore, like the 12 Steps of Alcoholics Anonymous, if a person cannot admit they have a problem, which many of the people on "Hoarders" can’t or won’t, it seems highly unlikely that any decluttering that happens on the show will have a lasting effect. I fully believe that, like alcoholism and drug addiction, the only way hoarders will truly have lasting peace and uncluttered lives is if the process starts with them, not if unwanted help is imposed on them from an outside source. If they don’t think they have a problem, coming in and throwing away their stuff is but a paltry band-aid on a much larger, deeper problem. Add the fact that it’s televised so that this person’s entire community, along with the rest of the world, now knows about, but doesn’t necessarily understand, their way of thinking, and you simply set them up to fail. But in the Season 8 episodes so far, most of the subjects either outright resist help, or agree to help but then battle item by item over what should stay and what should go. From the outside, of course, it’s easy to cringe or laugh at their reasoning, especially when they say things to the effect of, “I just want to look through those lists I made because there might be something important on them.” Even I, who’ve done the very same thing, wanted to scream at my TV. And that’s the point; "Hoarders" sets the viewer up to feel smug and righteous about how much smarter about clutter they are than the poor slobs on-screen. While "Hoarders" does have trained experts who talk with the hoarders, what it doesn’t show is those same experts giving viewers a way to relate to what a hoarder goes through when it comes to parting with their stuff. We may see them cry when faced with their possessions being taken away, but my impression is that we are meant to mock, at worst, and scorn, at best, their suffering. Who would ever want to keep dirty clothes or hundreds of teddy bears? We may see living examples of precisely those people, but what good is that if they’re played up to look delusional? I’m, of course, not the first to point out that "Hoarders" is exploitative. Blogger David Boles did so in 2009, writing: “The uncomfortable fact about watching 'Hoarders' is that it is really a car accident happening in real time over several years — and the hook of the show is to get you to turn your head just a bit to gawk at these misbegotten people as you sprinkle false pity upon them.” Clearly, there’s enough of an audience for the show that A&E brought it back on the air this year after canceling it in 2013. I think anyone who’s watching from a place other than empathy should ask themselves what they’re getting out of the show, and instead of rubbernecking over people who clearly have deeper issues than a 60-minute reality show can solve, figure out what you can do about your own clutter.For a long time, I actively avoided watching "Hoarders." I am one, so I didn’t think I needed to see others engaging in my own vice. Plus, at the height of my hoarding, I had a feeling that I would approach the show only as a way to make myself feel like my hoarding wasn’t that bad compared to what I saw on my screen, even though I couldn’t even get through my apartment door without shoving it mightily to push some of the belongings littering my floor out of the way. Now that my hoarding tendencies are far more under control, thanks in part to living with a partner who calls me on it when my stuff starts to spill out everywhere, I’ve let my curiosity take over. I wanted to find out: Is "Hoarders" actually helping the people it showcases, or is it simply reveling in their mental illness in order to court viewers? I’m sad to report that in the first four episodes of Season 8 that I've viewed, the current season A&E is promoting as “more extreme than ever,” I can only conclude that "Hoarders" is exploiting the hoarders it presents. I can’t deny that the people they’ve chosen do have genuine, and often extreme, problems with hoarding; for most, their homes are clearly hazards to their health and safety. Many have been threatened with eviction, or family members have expressed concern over whether their children should be removed from their custody due to their surroundings. But what A&E has chosen to do is dramatize the outward manifestation of hoarding rather than truly getting to the root of the hoarding for either viewers or the hoarders themselves. While the experts brought onto the show may actually be helping the individual hoarders whose messy homes are shown in all their gory, overloaded detail, what message is A&E sending about these people? In my view, it’s a simple one: Look at how crazy they are! Why can’t they see how ridiculous they’re acting, how the mess is overflowing, that the clothes they’re keeping have stains? What’s wrong with them? But a better question might be: What’s wrong with us for gobbling up their misfortune? The hoarders in Season 8 seem to fall into two categories: stubborn-as-a-mule types who insist on keeping things like 40-year-old newspapers, or the “good” kind of hoarder who’s open to letting 1-800-JUNK into their home to cart away their stuff. Clearly, there’s only one correct answer these people can give, and their genuine hurt and fear at their stuff being taken away, which may give them a sense of safety or connection to a loved one, is treated as an inconvenience they need to get over in order to live in clean surroundings. To me the real question then becomes: Is "Hoarders" truly giving hoarders skills and tools to stop hoarding once the cameras are turned off? Or are they simply grateful that these people have gone so far with their hoarding that they can offer YouTube clips with bonus scenes with titles like “Barbara's Jaw-Dropping Basement Assessment.” These are questions we need to ask before tuning in if we are going to approach the show and the issue of hoarding from an empathetic perspective. Here’s how one Reddit user described a "Hoarders" taping they participated in showcasing their dad’s hoarding: “[A]t the end of the day, the producers want a good story to be told, so they are needling away at you for emotional reactions and drama. There is this weird friction between the host and clean-up crew, who seem to genuinely want to help the situation get better; and the producers who want you to dwell on emotional stuff and explore conflict for the camera.” While the Reddit poster reported that there was some improvement following the taping, along with the help of several months of working with a trash removal service, there was, in fact, no long-term improvement. Hoarding was added to the DSM-5 in 2013 as its own disorder, rather than simply a subset of OCD. In an interview with Yahoo News about this new classification, Dr. Sanjaya Saxena, director of the University of California San Diego's Obsessive-Compulsive Disorders Program, said, “The reality shows have raised awareness, but they tend to sensationalize the patients, and they rarely talk about treatment.” I would argue that hoarding reality shows haven’t actually raised all that much awareness, for the very same reason I stayed away from "Hoarders" for so long. By focusing on the “most extreme” cases, even though the show tells us in its opening credits that hoarding disorder affects more than 16 million people, it presents hoarding as something almost impossible to understand or relate to. "Hoarding" is showcased as out-there, over-the-top, monstrous. We’re meant to feel sorry for the hoarders, perhaps, but not to truly understand what hoarding feels like for them. Look—I’m not against reality TV; in my view the more gossip, the better. I love "Keeping Up With the Kardashians." I’d even go on a reality show—but not one about being a hoarder. This isn’t just a theoretical question for me; several years ago, after coming out as a hoarder in a Salon essay, I was asked to be on a hoarding reality show (not "Hoarders"). At first, I was excited; not only would I get paid $3,000, but I’d also receive many thousands of dollars worth of free expert decluttering help. My inclination was to say yes, both as a way to finally break my hoarding pattern, and publicly hold myself accountable. But when I asked my therapist, friends and loved ones, they almost unanimously told me it was a bad idea. “Is that the way you want to be known to millions of people?” they asked. I knew exactly why the show wanted me on badly enough to save a spot for me—not only was I a New York apartment dweller instead of a suburban homeowner, but since my job entails writing about sex, they (rightly) assumed that among my treasure trove would be sex toys and other racy items. Given that I had to climb over piles of belongings to get from one room to the next, I certainly didn’t know where every last vibrator I’d ever been sent to review had ended up. I argued that I couldn’t really exploit myself if I was the one agreeing to it, and that by being a public face of hoarding, I would be fighting back against the stigma surrounding it. I wanted to do the show to prove that I could laugh at myself and my situation (and even cry a little) while also making a commitment to genuine change. I declined not because of any concern about my reputation, but because I would have had to ask my landlord’s permission to film, and was afraid I’d instead be evicted. Ultimately, though, I’m glad I said no. I’ve watched enough reality TV to know that rather than having my best interests foremost on their minds, they’d want ratings. They wouldn’t have time to expand on the sentiment behind why I’ve kept every playbill or postcard or book or old piece of clothing, but simply to magnify and amplify all the ways I couldn’t keep track of what I owned. I can’t say for sure what would have happened if I’d gone on, but especially after watching "Hoarders," I’m glad I declined. There is indeed a dark side to hoarding, and I fully believe in shining light on our dark sides, on grappling with our deepest flaws in order to overcome them. I’m glad there’ve been several hoarding memoirs published in recent years, both by hoarders, such as "Lessons in Letting Go" by Corrine Grant and "Mess" by Barry Yourgrau, and books by the children of hoarders, including "Dirty Secret" by Jessie Sholl, "Coming Clean" by Kimberly Rae Miller and "White Walls" by Judy Batalion. All of these take readers deep inside the mind-set of hoarders and those who love them in a way that’s far more compassionate than what you’ll see on A&E. I do think there’s value in exposing the things we feel shame about to the world in order to combat that very shame, I just don’t believe reality TV can accomplish that—or at least, that it hasn’t yet in the case of hoarding. I understand why others do find something redeeming about the show; Matt Zoller Seitz called "Hoarders" “sincerely empathetic” in a review of an episode featuring a rat infestation. He argued, “It depicts extreme behavior, but only as a means of finding a colorful analogue for a psychological process that ‘normal’ people go through every day: the struggle to identify obsessive and/or self-destructive behavior and then do something about it.” While a show like "Hoarders" has the potential to make anyone question their own hoarding tendencies, it does so at the expense of its stars’ humanity. If "Hoarders" organized itself more like "Restaurant: Impossible," where embattled restaurant owners reach out and ask for help from chef Robert Irvine, who comes in and assesses and revamps their entire businesses, I would feel better about it. On "Restaurant: Impossible," we either see their video pleas or else hear directly from them about why they need help. At the very least, then we would know the hoarders are aware of the magnitude of the problem, and we could hear from them in their own words what they think could be done to fix it. While I’m a layperson, not an expert, I fully believe there are similarities between hoarding and various types of addiction. Therefore, like the 12 Steps of Alcoholics Anonymous, if a person cannot admit they have a problem, which many of the people on "Hoarders" can’t or won’t, it seems highly unlikely that any decluttering that happens on the show will have a lasting effect. I fully believe that, like alcoholism and drug addiction, the only way hoarders will truly have lasting peace and uncluttered lives is if the process starts with them, not if unwanted help is imposed on them from an outside source. If they don’t think they have a problem, coming in and throwing away their stuff is but a paltry band-aid on a much larger, deeper problem. Add the fact that it’s televised so that this person’s entire community, along with the rest of the world, now knows about, but doesn’t necessarily understand, their way of thinking, and you simply set them up to fail. But in the Season 8 episodes so far, most of the subjects either outright resist help, or agree to help but then battle item by item over what should stay and what should go. From the outside, of course, it’s easy to cringe or laugh at their reasoning, especially when they say things to the effect of, “I just want to look through those lists I made because there might be something important on them.” Even I, who’ve done the very same thing, wanted to scream at my TV. And that’s the point; "Hoarders" sets the viewer up to feel smug and righteous about how much smarter about clutter they are than the poor slobs on-screen. While "Hoarders" does have trained experts who talk with the hoarders, what it doesn’t show is those same experts giving viewers a way to relate to what a hoarder goes through when it comes to parting with their stuff. We may see them cry when faced with their possessions being taken away, but my impression is that we are meant to mock, at worst, and scorn, at best, their suffering. Who would ever want to keep dirty clothes or hundreds of teddy bears? We may see living examples of precisely those people, but what good is that if they’re played up to look delusional? I’m, of course, not the first to point out that "Hoarders" is exploitative. Blogger David Boles did so in 2009, writing: “The uncomfortable fact about watching 'Hoarders' is that it is really a car accident happening in real time over several years — and the hook of the show is to get you to turn your head just a bit to gawk at these misbegotten people as you sprinkle false pity upon them.” Clearly, there’s enough of an audience for the show that A&E brought it back on the air this year after canceling it in 2013. I think anyone who’s watching from a place other than empathy should ask themselves what they’re getting out of the show, and instead of rubbernecking over people who clearly have deeper issues than a 60-minute reality show can solve, figure out what you can do about your own clutter.

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Published on January 23, 2016 15:30

Hitler’s turning point: Without his year in prison, “he could have disappeared into the sands of irrelevance”

For the first time since the close of World War II, Adolf Hitler’s “Mein Kampf” is available in the German language in German bookstores. Hitler wrote that notorious story of his struggle during 13 months in prison, where he was sent for his role in the infamous beer-hall putsch of 1923. It’s a period the journalist Peter Ross Range digs into in a new book, “1924: The Year that Made Hitler.” The compressed time frame gives the book an enormous amount of scene-setting detail and an oddly intimate look at Hitler’s experience of the world. Salon spoke to the author from his home in Washington, D.C.; the interview has been lightly edited for clarity. Your premise is counter-intuitive: that the year Hitler spent in prison ended up as a great boon to him. Not just productive, but a turning point. Is that fair to say? Exactly. Without that year, removed from the hurly-burly of politics, he might never have made the transition from impetuous revolutionary to patient political player for the long haul. And the long haul was what it took for him to come to power. He became almost a celebrity when he was in prison, and his treason trial made him a hero to people on the fringe. How famous did he become? He wasn’t a big national hero, but he became nationally known. He became a hero to his following – it was an impassioned crowd to begin with. On the right, he was quickly seen as the standout figure among dozens of other competitors. What it did for him nationally was to put the brand out there through the German press. There were almost 60 reporters in the courtroom every day, so the story was all over Germany all the time, and it put his name out there and it did win converts – most notably a man in northwest Germany named Joseph Goebbels. What was his daily life in prison like? It’s creepy to read that he was doing things like refereeing soccer games. That’s right – he was in prison with 40 other guys from the putsch – two or three of them were at his level but most of them were foot soldiers. And they needed exercise – they had the run of the garden of the prison for about four hours a day and were always looking for ways to get recreation and exercise. Soccer was one way; a boxing match was another. Hitler refused to participate in any games because he was totally unathletic: His only sport was walking in the mountains. But partly because he stated flatly to one of his pals: “It won’t do for a leader to seem to get beaten.” So he was already thinking of himself as someone who would rule the country. He was already, before the putsch, comparing himself to people like Napoleon, and had this grand vision of himself as a messiah, the savior of Germany. The fantasies crystalized in prison and he came up with this theory that once in centuries you find a leader in whom is embodied the two qualities – one, the visionary and two, the practical politician…. He wrote that in “Mein Kampf.” You’ve written that “Mein Kampf” was the equivalent of a campaign biography – how does it resemble what politicians turn out now? He was building his legend. We think of campaign biographies as a fairly new phenomenon, designed to paint the would-be political leader in glowing terms, to make the life story look like either a conversion story — like Ben Carson in his book — or a hard-knocks, hard-up, up-from-the-bootstraps story like Abe Lincoln’s. Well, Hitler basically did the same thing. He took his failed background as a kid in school, complicated by the fact that both his mother and father died by the time he was 18, his hard-luck years in Vienna, and turned them into an apprenticeship story in the spirit of a Bildungsroman. “Mein Kampf” has been unavailable in Germany since the end of World War II. It’s now being printed, and sold, and read – do you have mixed feelings about that? None at all. I support the project and would have supported it 20 or 30 years earlier. The copyright was held by the state of Bavaria, which made a political decision not to publish the book, and they did it in complicity with the German educational and political elite… Only after the copyright expired and the book entered the public domain on Jan. 1 could the book be published by an academic institution. It’s far better for something like this to be out there in the light of day. Keep in mind, this is a very special edition of “Mein Kampf”: The annotations alone make it more than two and a half times longer than it was in the original. It’s 2,000 pages long now – two volumes. Is the door open for any kind of edition? A neo-Nazi group could put out a very different edition? Technically the answer is yes – but what the German political establishment has now done is to issue a warning that they will prosecute anybody who produces the book in unadorned form under their incitement to hatred laws. Whether they would succeed is up to the courts. But it’s a huge disincentive now. We’re only talking in German – in English it’s been published, including in pirated editions. To what extent was Hitler a genuine anti-semite and to what extent was he an opportunist, who used hatred of Jews as a political vehicle? Here again, this is part of the legend-building. He would have us believe he was a wide-eyed citizen of the world when he arrived in Vienna at the age of 18… And by the time he left Vienna five years later he was an “absolute anti-semite” – I’m quoting this from his trial. The checkable evidence on this is unclear. His anti-semitism really didn’t come into play until after World War I, and then he saw it as a great political horse to ride. He absorbed it and then expressed it in his policies, as we know. There was nothing phony about his genocide. It’s an ambiguous answer – but it does have ambiguous origins. This sounds like the premise of an old bestseller: If Hitler hadn’t gone to prison that year, how would history have been different? Would we have had World War II and everything else? That’s one of the great what-ifs. It is possible that Hitler might have burned out… He also could have been deported according to the existing laws – he was on parole for a previous crime at the time, an assault charge for which he was convicted and served two months time a year and a half earlier. Had he been deported, back to Austria, he could have disappeared into the sands of irrelevance: Austria was a political backwater at that point. It ranks up there with one of the top what-ifs that attend the Hitler saga.For the first time since the close of World War II, Adolf Hitler’s “Mein Kampf” is available in the German language in German bookstores. Hitler wrote that notorious story of his struggle during 13 months in prison, where he was sent for his role in the infamous beer-hall putsch of 1923. It’s a period the journalist Peter Ross Range digs into in a new book, “1924: The Year that Made Hitler.” The compressed time frame gives the book an enormous amount of scene-setting detail and an oddly intimate look at Hitler’s experience of the world. Salon spoke to the author from his home in Washington, D.C.; the interview has been lightly edited for clarity. Your premise is counter-intuitive: that the year Hitler spent in prison ended up as a great boon to him. Not just productive, but a turning point. Is that fair to say? Exactly. Without that year, removed from the hurly-burly of politics, he might never have made the transition from impetuous revolutionary to patient political player for the long haul. And the long haul was what it took for him to come to power. He became almost a celebrity when he was in prison, and his treason trial made him a hero to people on the fringe. How famous did he become? He wasn’t a big national hero, but he became nationally known. He became a hero to his following – it was an impassioned crowd to begin with. On the right, he was quickly seen as the standout figure among dozens of other competitors. What it did for him nationally was to put the brand out there through the German press. There were almost 60 reporters in the courtroom every day, so the story was all over Germany all the time, and it put his name out there and it did win converts – most notably a man in northwest Germany named Joseph Goebbels. What was his daily life in prison like? It’s creepy to read that he was doing things like refereeing soccer games. That’s right – he was in prison with 40 other guys from the putsch – two or three of them were at his level but most of them were foot soldiers. And they needed exercise – they had the run of the garden of the prison for about four hours a day and were always looking for ways to get recreation and exercise. Soccer was one way; a boxing match was another. Hitler refused to participate in any games because he was totally unathletic: His only sport was walking in the mountains. But partly because he stated flatly to one of his pals: “It won’t do for a leader to seem to get beaten.” So he was already thinking of himself as someone who would rule the country. He was already, before the putsch, comparing himself to people like Napoleon, and had this grand vision of himself as a messiah, the savior of Germany. The fantasies crystalized in prison and he came up with this theory that once in centuries you find a leader in whom is embodied the two qualities – one, the visionary and two, the practical politician…. He wrote that in “Mein Kampf.” You’ve written that “Mein Kampf” was the equivalent of a campaign biography – how does it resemble what politicians turn out now? He was building his legend. We think of campaign biographies as a fairly new phenomenon, designed to paint the would-be political leader in glowing terms, to make the life story look like either a conversion story — like Ben Carson in his book — or a hard-knocks, hard-up, up-from-the-bootstraps story like Abe Lincoln’s. Well, Hitler basically did the same thing. He took his failed background as a kid in school, complicated by the fact that both his mother and father died by the time he was 18, his hard-luck years in Vienna, and turned them into an apprenticeship story in the spirit of a Bildungsroman. “Mein Kampf” has been unavailable in Germany since the end of World War II. It’s now being printed, and sold, and read – do you have mixed feelings about that? None at all. I support the project and would have supported it 20 or 30 years earlier. The copyright was held by the state of Bavaria, which made a political decision not to publish the book, and they did it in complicity with the German educational and political elite… Only after the copyright expired and the book entered the public domain on Jan. 1 could the book be published by an academic institution. It’s far better for something like this to be out there in the light of day. Keep in mind, this is a very special edition of “Mein Kampf”: The annotations alone make it more than two and a half times longer than it was in the original. It’s 2,000 pages long now – two volumes. Is the door open for any kind of edition? A neo-Nazi group could put out a very different edition? Technically the answer is yes – but what the German political establishment has now done is to issue a warning that they will prosecute anybody who produces the book in unadorned form under their incitement to hatred laws. Whether they would succeed is up to the courts. But it’s a huge disincentive now. We’re only talking in German – in English it’s been published, including in pirated editions. To what extent was Hitler a genuine anti-semite and to what extent was he an opportunist, who used hatred of Jews as a political vehicle? Here again, this is part of the legend-building. He would have us believe he was a wide-eyed citizen of the world when he arrived in Vienna at the age of 18… And by the time he left Vienna five years later he was an “absolute anti-semite” – I’m quoting this from his trial. The checkable evidence on this is unclear. His anti-semitism really didn’t come into play until after World War I, and then he saw it as a great political horse to ride. He absorbed it and then expressed it in his policies, as we know. There was nothing phony about his genocide. It’s an ambiguous answer – but it does have ambiguous origins. This sounds like the premise of an old bestseller: If Hitler hadn’t gone to prison that year, how would history have been different? Would we have had World War II and everything else? That’s one of the great what-ifs. It is possible that Hitler might have burned out… He also could have been deported according to the existing laws – he was on parole for a previous crime at the time, an assault charge for which he was convicted and served two months time a year and a half earlier. Had he been deported, back to Austria, he could have disappeared into the sands of irrelevance: Austria was a political backwater at that point. It ranks up there with one of the top what-ifs that attend the Hitler saga.

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Published on January 23, 2016 13:30

Cracking the West Wing Boy’s Club: How Obama’s top women finally broke into the room

It's no secret that one of the oldest Boy’s Clubs in the country meets in the West Wing of 1600 Pennsylvania Avenue. A bastion of male power so obdurate and so famous it has become shorthand for male careers that have shed wives and children—perish the thought of a female amid the smoke-filled rooms. Obama, raised by a strong and independent single mom and the father of two daughters with his formidable spouse, had promised to change that image. He appointed Stephanie Cutter as his top communications adviser; Valerie Jarrett was his most important confidant; and he put eight more women in vital senior roles. Thirty-nine percent of Obama’s West Wing staff was female, a 10-percentage point increase over the end of the Bush administration.  For the first time ever, women had reached what scientists and sociologists call "critical mass" in top positions in the West Wing. Typically critical mass happens when a minority group reaches between 20-30 percent of an institution, whether it’s a legislative body, a corporate board, an appellate court or the West Wing. Reaching critical mass generally triggers a perceptible change. It allows previously underrepresented groups to have their voices heard and their presences felt. But the West Wing was different. While the newly appointed women in Obama's White House had the raw numbers, they were still having a hard time getting in the room. They raised the issue on several occasions, and even expressed their frustrations to the president, but the problem persisted. By the end of Obama’s first year, the acrimony became so pronounced that several newspapers ran stories full of unhappy quotes about how the Obama administration was treating its top female staffers. The president invited the women to air their grievances at a dinner at his private residence on the second floor of the White House. Obama listened carefully but did not offer to admonish or replace anybody. “He didn’t totally defend bad behavior,” said a participant, “but he didn’t say, ‘You’re right.’”  He advised the women to step up their game. Almost offhandedly, as the dinner came to a close, the president suggested that the women start getting together regularly. Maybe they could build their own power base. Up until that point, none of the women had had time to form friendships on the job, and few had known each other well before starting at the White House. The pace was so frenzied, they’d had little opportunity to spend time together outside of work. But they took the president’s advice and began scheduling monthly dinners. They began to form a team where none existed in the White House. “The White House is a hard place at times and being able to talk to someone else, to strategize on an issue often helped,” said Lisa Brown, then Obama’s staff secretary. “The women were much more about being team players—the president’s team,” said a high-ranking woman. “The guys, it was about their own agenda.” Brown, followed by domestic policy adviser Mona Sutphen and others, began to alert women when she saw they were being excluded from meetings. The women started reinforcing each other’s points at meetings, noting when men repeated to much fanfare a point that had been made earlier by a woman. They gave advice to one another on what to wear, how to act, when to speak up and when to sit down. In short, they achieved critical mass: By the end of Obama’s first term in office, and certainly in his second term, the women of the West Wing were a force to be reckoned with. The breakthrough moment came in the summer of 2011, when President Obama and House Speaker John Boehner were pushing for a grand bargain budget deal. For a month, his top male staffers involved in the process would walk into the Oval Office to hold impromptu sessions with the president whenever a new idea struck them, or they’d turn to the topic in an unrelated meeting. Whether or not it was intentional, the result was that Obama’s top female staffers were being cut out of the negotiating process. Deputy chief of staff for policy Nancy Ann DeParle, deputy chief of staff Alyssa Mastromonaco, who controlled the budget, and senior communications advisor Stephanie Cutter grew increasingly frustrated. They half-jokingly proposed just barging into the Oval Office, musing about the looks on the men’s faces if they walked in uninvited—but no one really thought it was a good solution. Then one Sunday they heard through the ladies’ underground railroad that there was a meeting in progress between Chief of Staff Bill Daley and top political adviser David Plouffe. Mastromonaco, DeParle and Cutter gathered outside the Oval Office, took deep breaths and did together what they had considered a few years before utterly unthinkable: They opened the portal to world power—the door to the Oval Office—walked in, sat down and began participating. “The president was like, ‘Hi guys,’” said a person who was present. “Everyone pretended like nothing was amiss. Nobody ever said anything.” But the men, and the president, got the message: The women were never excluded again. Ultimately, the Grand Bargain failed, but for the women in the West Wing, it was a watershed moment: They finally broke into the room.It's no secret that one of the oldest Boy’s Clubs in the country meets in the West Wing of 1600 Pennsylvania Avenue. A bastion of male power so obdurate and so famous it has become shorthand for male careers that have shed wives and children—perish the thought of a female amid the smoke-filled rooms. Obama, raised by a strong and independent single mom and the father of two daughters with his formidable spouse, had promised to change that image. He appointed Stephanie Cutter as his top communications adviser; Valerie Jarrett was his most important confidant; and he put eight more women in vital senior roles. Thirty-nine percent of Obama’s West Wing staff was female, a 10-percentage point increase over the end of the Bush administration.  For the first time ever, women had reached what scientists and sociologists call "critical mass" in top positions in the West Wing. Typically critical mass happens when a minority group reaches between 20-30 percent of an institution, whether it’s a legislative body, a corporate board, an appellate court or the West Wing. Reaching critical mass generally triggers a perceptible change. It allows previously underrepresented groups to have their voices heard and their presences felt. But the West Wing was different. While the newly appointed women in Obama's White House had the raw numbers, they were still having a hard time getting in the room. They raised the issue on several occasions, and even expressed their frustrations to the president, but the problem persisted. By the end of Obama’s first year, the acrimony became so pronounced that several newspapers ran stories full of unhappy quotes about how the Obama administration was treating its top female staffers. The president invited the women to air their grievances at a dinner at his private residence on the second floor of the White House. Obama listened carefully but did not offer to admonish or replace anybody. “He didn’t totally defend bad behavior,” said a participant, “but he didn’t say, ‘You’re right.’”  He advised the women to step up their game. Almost offhandedly, as the dinner came to a close, the president suggested that the women start getting together regularly. Maybe they could build their own power base. Up until that point, none of the women had had time to form friendships on the job, and few had known each other well before starting at the White House. The pace was so frenzied, they’d had little opportunity to spend time together outside of work. But they took the president’s advice and began scheduling monthly dinners. They began to form a team where none existed in the White House. “The White House is a hard place at times and being able to talk to someone else, to strategize on an issue often helped,” said Lisa Brown, then Obama’s staff secretary. “The women were much more about being team players—the president’s team,” said a high-ranking woman. “The guys, it was about their own agenda.” Brown, followed by domestic policy adviser Mona Sutphen and others, began to alert women when she saw they were being excluded from meetings. The women started reinforcing each other’s points at meetings, noting when men repeated to much fanfare a point that had been made earlier by a woman. They gave advice to one another on what to wear, how to act, when to speak up and when to sit down. In short, they achieved critical mass: By the end of Obama’s first term in office, and certainly in his second term, the women of the West Wing were a force to be reckoned with. The breakthrough moment came in the summer of 2011, when President Obama and House Speaker John Boehner were pushing for a grand bargain budget deal. For a month, his top male staffers involved in the process would walk into the Oval Office to hold impromptu sessions with the president whenever a new idea struck them, or they’d turn to the topic in an unrelated meeting. Whether or not it was intentional, the result was that Obama’s top female staffers were being cut out of the negotiating process. Deputy chief of staff for policy Nancy Ann DeParle, deputy chief of staff Alyssa Mastromonaco, who controlled the budget, and senior communications advisor Stephanie Cutter grew increasingly frustrated. They half-jokingly proposed just barging into the Oval Office, musing about the looks on the men’s faces if they walked in uninvited—but no one really thought it was a good solution. Then one Sunday they heard through the ladies’ underground railroad that there was a meeting in progress between Chief of Staff Bill Daley and top political adviser David Plouffe. Mastromonaco, DeParle and Cutter gathered outside the Oval Office, took deep breaths and did together what they had considered a few years before utterly unthinkable: They opened the portal to world power—the door to the Oval Office—walked in, sat down and began participating. “The president was like, ‘Hi guys,’” said a person who was present. “Everyone pretended like nothing was amiss. Nobody ever said anything.” But the men, and the president, got the message: The women were never excluded again. Ultimately, the Grand Bargain failed, but for the women in the West Wing, it was a watershed moment: They finally broke into the room.It's no secret that one of the oldest Boy’s Clubs in the country meets in the West Wing of 1600 Pennsylvania Avenue. A bastion of male power so obdurate and so famous it has become shorthand for male careers that have shed wives and children—perish the thought of a female amid the smoke-filled rooms. Obama, raised by a strong and independent single mom and the father of two daughters with his formidable spouse, had promised to change that image. He appointed Stephanie Cutter as his top communications adviser; Valerie Jarrett was his most important confidant; and he put eight more women in vital senior roles. Thirty-nine percent of Obama’s West Wing staff was female, a 10-percentage point increase over the end of the Bush administration.  For the first time ever, women had reached what scientists and sociologists call "critical mass" in top positions in the West Wing. Typically critical mass happens when a minority group reaches between 20-30 percent of an institution, whether it’s a legislative body, a corporate board, an appellate court or the West Wing. Reaching critical mass generally triggers a perceptible change. It allows previously underrepresented groups to have their voices heard and their presences felt. But the West Wing was different. While the newly appointed women in Obama's White House had the raw numbers, they were still having a hard time getting in the room. They raised the issue on several occasions, and even expressed their frustrations to the president, but the problem persisted. By the end of Obama’s first year, the acrimony became so pronounced that several newspapers ran stories full of unhappy quotes about how the Obama administration was treating its top female staffers. The president invited the women to air their grievances at a dinner at his private residence on the second floor of the White House. Obama listened carefully but did not offer to admonish or replace anybody. “He didn’t totally defend bad behavior,” said a participant, “but he didn’t say, ‘You’re right.’”  He advised the women to step up their game. Almost offhandedly, as the dinner came to a close, the president suggested that the women start getting together regularly. Maybe they could build their own power base. Up until that point, none of the women had had time to form friendships on the job, and few had known each other well before starting at the White House. The pace was so frenzied, they’d had little opportunity to spend time together outside of work. But they took the president’s advice and began scheduling monthly dinners. They began to form a team where none existed in the White House. “The White House is a hard place at times and being able to talk to someone else, to strategize on an issue often helped,” said Lisa Brown, then Obama’s staff secretary. “The women were much more about being team players—the president’s team,” said a high-ranking woman. “The guys, it was about their own agenda.” Brown, followed by domestic policy adviser Mona Sutphen and others, began to alert women when she saw they were being excluded from meetings. The women started reinforcing each other’s points at meetings, noting when men repeated to much fanfare a point that had been made earlier by a woman. They gave advice to one another on what to wear, how to act, when to speak up and when to sit down. In short, they achieved critical mass: By the end of Obama’s first term in office, and certainly in his second term, the women of the West Wing were a force to be reckoned with. The breakthrough moment came in the summer of 2011, when President Obama and House Speaker John Boehner were pushing for a grand bargain budget deal. For a month, his top male staffers involved in the process would walk into the Oval Office to hold impromptu sessions with the president whenever a new idea struck them, or they’d turn to the topic in an unrelated meeting. Whether or not it was intentional, the result was that Obama’s top female staffers were being cut out of the negotiating process. Deputy chief of staff for policy Nancy Ann DeParle, deputy chief of staff Alyssa Mastromonaco, who controlled the budget, and senior communications advisor Stephanie Cutter grew increasingly frustrated. They half-jokingly proposed just barging into the Oval Office, musing about the looks on the men’s faces if they walked in uninvited—but no one really thought it was a good solution. Then one Sunday they heard through the ladies’ underground railroad that there was a meeting in progress between Chief of Staff Bill Daley and top political adviser David Plouffe. Mastromonaco, DeParle and Cutter gathered outside the Oval Office, took deep breaths and did together what they had considered a few years before utterly unthinkable: They opened the portal to world power—the door to the Oval Office—walked in, sat down and began participating. “The president was like, ‘Hi guys,’” said a person who was present. “Everyone pretended like nothing was amiss. Nobody ever said anything.” But the men, and the president, got the message: The women were never excluded again. Ultimately, the Grand Bargain failed, but for the women in the West Wing, it was a watershed moment: They finally broke into the room.

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Published on January 23, 2016 12:30