The Paris Review's Blog, page 864

December 14, 2012

What We’re Loving: Prohibition, Bourbon, Coffee

When I asked my college advisor how I could learn to write dialogue like Raymond Carver, he told me to study a real master: John O’Hara. Naturally this kept me from reading O’Hara's novels for twenty years. Then last week I picked up Butterfield 8, the 1935 story of a young woman who steals a fur coat after a one-night stand. Rarely has such a good book had such a bad ending. If not for the last ten pages, you’d have to call it a great book, with an unforgettable heroine, frank insights into sex and sexual abuse, a vivid picture of New York during Prohibition, and panning shots that prefigure William Gaddis. (Yes, great dialogue too.) —Lorin Stein


At a library sale, I found a box set of Ursula K. Le Guin’s Earthsea trilogy in pristine condition. The spines weren’t even broken on the slim, stiff paperbacks, and I wondered whether the previous owner had even read them. But that’s all I’ve been doing the past week, and I’m ready to cast aside familial obligations, work responsibilities, holiday demands, and whatnot if they come between me and these books. —Nicole Rudick


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Published on December 14, 2012 07:30

New Hans Christian Andersen? And Other News


A piece believed to be Hans Christian Andersen juvenilia has been discovered.
An editorial assistant job listing at Dalkey Archive earns the title of worst job posting ever.
The poster gives his side of things.
The fracas prompts the obligatory Twitter account.
The best parties in literature.

 


 


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Published on December 14, 2012 06:30

December 13, 2012

Musical Notes

PWxyz has compiled a list of songs inspired by literature, and it’s fascinating! Did you know that “Whip It” was inspired by Gravity’s Rainbow? I didn’t! But good as this list is, there was one glaring omission.




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Published on December 13, 2012 13:38

They Say It’s Wonderful: Hartman and Coltrane, an Appreciation


Over the past month or so, I have listened to John Coltrane and Johnny Hartman, one of the greatest jazz vocal albums ever made, about once a day. I haven’t tired of it, which is a testament to its durability. But I think there’s more to it than that. I discovered John Coltrane and Johnny Hartman about four years ago, and it continues to enchant me. The album—composed of six slow yet easily digestible romantic ballads—may contain the most beautiful half hour of music I have heard on one CD.


I’m not trying to idealize the record. But I’m not alone in feeling so strongly. Writing in Esquire magazine in 1990, Daniel Okrent named John Coltrane and Johnny Hartman the greatest record ever made. Okrent admitted such a claim “is a fragile limb on which to walk.” But he stood firm. “If you want to argue,” Okrent wrote, “forget it; having listened to John Coltrane and Johnny Hartman for some fifteen years, I simply can’t be moved.”


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Published on December 13, 2012 11:30

A Man Pronounces the Longest Word in the World

If you so choose, watch one Dmitry Glubovskyi pronouncing the longest word in the world, the 189,819-letter chemical name for titin (which is, appropriately enough, the largest protein in the world). Warning: it takes three hours. To quote the Daily News, “It gets really good at the 1:32:54 mark, when a pack of corgis invades.” We’ll take their word for it.


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Published on December 13, 2012 09:16

Christmas with Monte


Up until the early spring of this year, I considered myself an absolute Christmas fiend. Not in the Grinch sense of breaking out the Boris Karloff accent and green grease paint and plotting how I might swipe presents, but rather trying to figure out, as early as possible, how best to immerse myself in a holiday that I loved like no other, in a typically over-the-top fashion. You know that person you read about, who bops his head along to Christmas songs on the oldies station—yes, Brenda Lee, you rock around that tree indeed!—the day after Thanksgiving, who insists on seeing Rudolph “live,” every year, because it’s just more real on TV than Blu-ray? I was that guy. Before I had occasion to become a different guy. And before I decided to spend this holiday season with M. R. James.


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Published on December 13, 2012 07:15

Leo Tolstoy, Emerging Author, and Other News


Target inexplicably shelves Tolstoy under “Emerging Authors.”
“My feeling was, if you’re going to propose to your girlfriend this way, you’ve got to do it right … You do it in the finished book.” An illustrator pops the question in print.
The unlikely friendship between Walt Whitman and Bram Stoker.
The fiscal cliff for English majors.
Why we reread.

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Published on December 13, 2012 06:13

December 12, 2012

For the Little Ones on Your List!


Here at The Paris Review, we have all your holiday shopping covered! And for the youngest Parisians among us, we bring you our adorable onesie, in 100% cotton, with a hand-drawn logo. Your choice of custard or baby blue. Get yours here!


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Published on December 12, 2012 13:30

The Porter’s Lodge


In the summer of 2003, I attended a viewing party celebrating the premiere of The O.C. at my friend Diesel’s house. Specifically, in a guesthouse planted in an overgrown corner of his grandparents’ backyard. We called it the Barn, or the Sidehatch.


The Sidehatch had moldy furniture, an unreliable toilet, seashell ashtrays, and yellowed window lace. The refrigerator was noisy and warm. A thorny jungle pressed against the back windows. We sunk into the spotted divan, clinked cups filled with stolen table wine and scarcely potable vodka sodas, and cheered as Ryan, the greasy angel from Chino, took up residency in the Cohen family pool house.


In dreams I occasionally confuse those two structures—the faded shingles of the Sidehatch easing to smooth, cool white—the way you might confuse a historical personality with the actor who portrayed them on film. That viewing party is a warm memory I often revisit in colder, lonelier moments, and the Sidehatch remains close to my heart, as much an unexpected salvation as Ryan’s Newport Beach.


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Published on December 12, 2012 11:30

On the Twelfth Day of the Twelfth Month of 2012…

... we bring you an excerpt from Russian Symbolist poet Aleksandr Blok’s 1918 poem The Twelve. “Today I am a genius,” he wrote after completing the twelve-canto chronicle of the October Revolution. The opening lines are amongst the most famous in Russian literature.



Black night.
White snow.
The wind, the wind!
It will not let you go.
The wind, the wind!
Through God’s whole world it blows


The wind is weaving
The white snow.
Brother ice peeps from below
Stumbling and tumbling
Folk slip and fall.



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Published on December 12, 2012 09:30

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