Grea Alexander's Blog, page 6
November 14, 2018
Self-publishing vs. Traditional Publishing
I've self-published to date primary due to the following considerations:
JANET JACKSON ISN’T THE ONLY PERSON WHO WANTS CONTROL
I prefer to have 100% creative control over what I write. Traditional publication requires a lot of compromise in order to suit the tastes of a myriad of people involved at the pre-publication/publication level (all of whom will have their own individual tastes, preferences and/or vision of what your work should be) as well as what those people perceive (or understand based on market research) to be what the market wants/needs at that time.
More daring publication houses may accept works that are outside of that spectrum but that they feel may be the next big thing or that fit a particular audience they already hold or want to acquire. While this may seem like a plus at first, authors like me who genre jump may not do well with them in the long-run.
In either scenario, the end product may, in some cases, be very different from what YOUR artistic vision of what you’d like to put out is. (Which is why creative people sometimes re-release or include separate “unabridged” “director’s cuts” “uncut” versions once they get a foothold in their industry. They want THEIR vision expressed in its fullness).
While I would LOVE to never have to do anything but write for the rest of my life and to have an entire machine of people to take the burden of doing the things I don’t enjoy doing (such as marketing, social media, etc.) off my shoulders, I had a decision to make about how much I was willing to compromise my work in order to achieve financial/mainstream success.
Up to this point, that has apparently been very little. (wink)
Writing is something that is pure for me. It’s something that I love to do with all of my heart and soul and that I do for no other reason than I love to do it. Getting paid for my creativity is bonus for me. Even if I make little to nothing doing it, I will still continue to do it. When you love something that much, it’s EXTREMELY difficult to turn it over to other people.
If you’re someone who doesn’t mind molding your work as others see fit or can hold your tongue until you get a foothold into the industry, Traditional Publishing might be a better fit for you. While some publishers only accept solicited manuscripts, others hold contests or open submission periods. Others still will accept unsolicited work if it’s submitted by a literary agent they work with/respect (though securing a literary agent can be a long, grueling process in and of itself).
FREEDOM…GEORGE MICHAEL WON’T LET YOU DOWN
Being someone who writes what I feel compelled to write when I feel like writing it, I don’t necessarily include themes, characters or subject matter that is designed with an eye towards maximum profitability and mass consumption. (Yes, there are writers out there who do just that). I also tackle a wide range of topics and a wide range of genres/themes. (Ok, so I largely IGNORE genre labels/expectations in order to tell the story I have it in me to tell).
That being said, with Traditional Publishing, there are again those types of constraints/expectations. Whenever a writer as massive as Stephen King feels they have to write under a different name (Richard Bachman) in order to be able to push boundaries and see how much of their success is due to name recognition, that kind of tells you something.
NICKELS AND DIMES AREN’T JUST FOR SLOT MACHINES
Another thing for me is the principle of it. While Traditional Publishing comes with advantages, there are a lot of financial drawbacks.
While TP houses may sometimes offer generous advances and that aforementioned machine of a team, most authors are lucky if they get to retain 10% of the profit from the sales of their works – if it’s published and distributed at all. That’s right. You do 90% of the work for 10% of the profit.
Yes, TP houses invest time, energy and money in creating what they perceive as being the most profitable version of your work, however, as the major force behind the work existing at all, I think that’s a pretty crappy deal.
And that’s IF they actually publish your work. Sometimes TP houses will decide a work is not “ready” and sit on it until either you produce something they feel is more marketable or you become a success (whether with or without their help). Some contracts are multiple book, require a period of exclusivity (wherein whether or not they actually release your work you can not work with anyone else – even on a different work), the relinquishing of various copy/licensing rights (merchandising, film rights, etc.), lack of transferability (for instance, they own that ISBN or cover, etc.) and/or first look obligations (you must give them 1st chance to publish anything else you create for xyz period of time).
Now can these obstacles be overcome with a good literary agent, contract lawyer and author savvy? Of course they can! However, particularly with new authors, TP houses can be especially rigid and unyielding in these requirements…unless you have on your own demonstrated financial viability…. such as already having successfully self-publishing the work yourself.
Personally, I prefer a 100% guarantee that my work will get pushed out into the world (shivering, naked and cold) than a definite maybe….even if not much of anyone reads it. (wink)
For me, it’s kind of like planting your flag on the moon. Sure, aside from a few snap shots and a few intrepid explorers, no one will ever see it again…EVER. Still, YOU know its there (or assume the next people on the moon didn’t tear it down).
Using platforms such as Smashwords, Draft2Digital, KDP, etc. (depending on where/how it’s distributed) self-published authors retain between 60-70% of the profits on ebook sales (as with many indie-capable digital media platforms). It’s another reason why even some established authors, musicians, etc have dumped their traditional publishers, music companies, etc. and switched to self-publishing.
I will say; however, that profit on print books, unless you make your prices astronomical, are shhh…oot with the current free publication, cut of the sales model. If you’re someone who wants to focus on the print book market, you can; however ,overcome that obstacle by buying your books at Author cost (which can be as little as $3-7 per book depending on how big it is) and either consigning or direct selling them yourself.
While I do create print books (primarily for giveaway purposes, libraries and nostalgia (as I personally rather read printed books)) they represent a teeny, tiny portion of my sales.
Still, unless you have the homegrown audience/tons of sales, TP authors will, in many cases, still come out on top of the game. This is mainly because of the reach of TP houses, their connections and their much larger financial resources. And because, at the end of the day, 10% of $1,000 is more than 70% of $100.
CREDIT DECLINED
It’s an uphill battle really – getting visibility and credibility as an Indie author.
Though things have gotten better for indies over the years, as it has gotten easier and easier for independents to get their work out there, the market is being flooded with not only serious writers but damn near everyone who has ever wanted to write a book in their lives. The number of books being released every year is staggering.
Due to the lack of any real oversight of this free market (much of its charm for the likes of me, mind you), there are a lot of people who game the system for the purposes of generating profit. They pump the market with subpar and, let’s face it, just gawd awful work. I’ve heard about everything from re-releasing what is essentially the same work over and over again under different covers with different titles to click to back books (which used to plague KDP select) to paraphrasing/ “reimagining” other’s works that were previously published. This has in turn given indies, including hard-working and truly talented indies, a bad rap in many circles.
There are also many outlets that work with Traditional Publishers that an indie would have to spend hundreds or thousands of dollars with to even get considered by, others that won’t consider you at all no matter what you do and others that have such a high bar for consideration that many indies can’t overcome it.
As far as the industry at large (and many libraries, readers and bloggers) is concerned, being published by a TP house lends that work and that author an instant level of credibility and visibility. Their work is taken more seriously (even though I have read TP books that have far more errors than mine and others that just aren’t very interesting) and sells, in part, thanks to the branding that comes innately with their association with that TP house.
NO MR. ROBOTO
There are some aspects of self-publishing I really don’t like to do and therefore do very little of such as a little thing called marketing (AKA the MAJOR thing you absolutely need to do to sell books).
As an indie, you’re responsible for everything from your editing, cover design, blurb, author accounts, social media, customer service, accounting, marketing etc. etc. etc. It can be a bit daunting and overwhelming – especially if you’re someone like me who prefers just to write.
I’m likely the laziest marketer in the history of Independent Authors. For example, I published Amarna I in 2012 and did absolutely NOTHING with it for something like 2 years. When I say nothing, I mean LITERALLY nothing. It was more of a learning how to do it, doing it then planting my flag on my laptop, saying yeah me, then going on with the rest of my life thing. (Which if I’m super honest, is kind a thing with me.)
To date I have a Goodreads page I rarely visit, a Twitter that was largely automated (I created my own tweets but scheduled them to be released automatically rather than live tweeting) and that I rarely add anything to, a Library Thing page I check on like twice a year and my website that I don’t think about unless I have something to add.
Hell, even when I do giveaways, a posting here or a handful of scheduled tweets/live tweets there is generally as deep as I get with it…if I do anything at all. Sometimes I simply set it and forget it.
Do I have periods of a day or two where I hit the marketing/review trail hard? Yes, I do. However, they are few and far between.
Because of my “what not to do” philosophy on marketing, I always joke that my brand is growing more in spite of me than because of me. (laugh)
COST
When you self-publish, you foot the bill for EVERYTHING. While platforms such as Smashwords, Draft2Digital, KDP, etc. allow you to self-publish for FREE (taking only production/delivery costs at the time a sale is made), if you want a professional editor, professional cover design, to release press kits, give away physical ARCs (Advance Reader Copies), run a serious marketing campaign etc., those things aren’t free.
Depending upon how big a reach you’re after, it can be extremely expensive – and with no guarantee that you’ll EVER recoup those expenditures.
That’s one of the benefits of Traditional Publishing, if your book is a total flop, you’re not on the line (financially anyway).
Are there free avenues available to accomplish the tasks above? Absolutely! Just do it yourself! However, these free avenues are extremely time intensive.
As a human being, I’m decidedly impatient. I’d personally rather spend my time writing, traveling, exploring the world around me or in nature.
Are their lower cost paid options? Absolutely! For instance, the current Seamonkey Ink logo was redesigned by a graphic artist in Pakistan via Fiverr for $5.
However, these services can range from largely ineffective to moderately effective for the most part, with a few (with a very high bar of entry) being stand outs. It’s a lot of trial and error, pick and choosing to see which ones you like/which ones work the best in achieving your objectives (all of which takes time).
IN CONCLUSION
For me, at this time, self-publishing works best. I would not; however, rule out the Traditional Publishing route at some time in the future – even just once for practical comparison’s sake.
JANET JACKSON ISN’T THE ONLY PERSON WHO WANTS CONTROL
I prefer to have 100% creative control over what I write. Traditional publication requires a lot of compromise in order to suit the tastes of a myriad of people involved at the pre-publication/publication level (all of whom will have their own individual tastes, preferences and/or vision of what your work should be) as well as what those people perceive (or understand based on market research) to be what the market wants/needs at that time.
More daring publication houses may accept works that are outside of that spectrum but that they feel may be the next big thing or that fit a particular audience they already hold or want to acquire. While this may seem like a plus at first, authors like me who genre jump may not do well with them in the long-run.
In either scenario, the end product may, in some cases, be very different from what YOUR artistic vision of what you’d like to put out is. (Which is why creative people sometimes re-release or include separate “unabridged” “director’s cuts” “uncut” versions once they get a foothold in their industry. They want THEIR vision expressed in its fullness).
While I would LOVE to never have to do anything but write for the rest of my life and to have an entire machine of people to take the burden of doing the things I don’t enjoy doing (such as marketing, social media, etc.) off my shoulders, I had a decision to make about how much I was willing to compromise my work in order to achieve financial/mainstream success.
Up to this point, that has apparently been very little. (wink)
Writing is something that is pure for me. It’s something that I love to do with all of my heart and soul and that I do for no other reason than I love to do it. Getting paid for my creativity is bonus for me. Even if I make little to nothing doing it, I will still continue to do it. When you love something that much, it’s EXTREMELY difficult to turn it over to other people.
If you’re someone who doesn’t mind molding your work as others see fit or can hold your tongue until you get a foothold into the industry, Traditional Publishing might be a better fit for you. While some publishers only accept solicited manuscripts, others hold contests or open submission periods. Others still will accept unsolicited work if it’s submitted by a literary agent they work with/respect (though securing a literary agent can be a long, grueling process in and of itself).
FREEDOM…GEORGE MICHAEL WON’T LET YOU DOWN
Being someone who writes what I feel compelled to write when I feel like writing it, I don’t necessarily include themes, characters or subject matter that is designed with an eye towards maximum profitability and mass consumption. (Yes, there are writers out there who do just that). I also tackle a wide range of topics and a wide range of genres/themes. (Ok, so I largely IGNORE genre labels/expectations in order to tell the story I have it in me to tell).
That being said, with Traditional Publishing, there are again those types of constraints/expectations. Whenever a writer as massive as Stephen King feels they have to write under a different name (Richard Bachman) in order to be able to push boundaries and see how much of their success is due to name recognition, that kind of tells you something.
NICKELS AND DIMES AREN’T JUST FOR SLOT MACHINES
Another thing for me is the principle of it. While Traditional Publishing comes with advantages, there are a lot of financial drawbacks.
While TP houses may sometimes offer generous advances and that aforementioned machine of a team, most authors are lucky if they get to retain 10% of the profit from the sales of their works – if it’s published and distributed at all. That’s right. You do 90% of the work for 10% of the profit.
Yes, TP houses invest time, energy and money in creating what they perceive as being the most profitable version of your work, however, as the major force behind the work existing at all, I think that’s a pretty crappy deal.
And that’s IF they actually publish your work. Sometimes TP houses will decide a work is not “ready” and sit on it until either you produce something they feel is more marketable or you become a success (whether with or without their help). Some contracts are multiple book, require a period of exclusivity (wherein whether or not they actually release your work you can not work with anyone else – even on a different work), the relinquishing of various copy/licensing rights (merchandising, film rights, etc.), lack of transferability (for instance, they own that ISBN or cover, etc.) and/or first look obligations (you must give them 1st chance to publish anything else you create for xyz period of time).
Now can these obstacles be overcome with a good literary agent, contract lawyer and author savvy? Of course they can! However, particularly with new authors, TP houses can be especially rigid and unyielding in these requirements…unless you have on your own demonstrated financial viability…. such as already having successfully self-publishing the work yourself.
Personally, I prefer a 100% guarantee that my work will get pushed out into the world (shivering, naked and cold) than a definite maybe….even if not much of anyone reads it. (wink)
For me, it’s kind of like planting your flag on the moon. Sure, aside from a few snap shots and a few intrepid explorers, no one will ever see it again…EVER. Still, YOU know its there (or assume the next people on the moon didn’t tear it down).
Using platforms such as Smashwords, Draft2Digital, KDP, etc. (depending on where/how it’s distributed) self-published authors retain between 60-70% of the profits on ebook sales (as with many indie-capable digital media platforms). It’s another reason why even some established authors, musicians, etc have dumped their traditional publishers, music companies, etc. and switched to self-publishing.
I will say; however, that profit on print books, unless you make your prices astronomical, are shhh…oot with the current free publication, cut of the sales model. If you’re someone who wants to focus on the print book market, you can; however ,overcome that obstacle by buying your books at Author cost (which can be as little as $3-7 per book depending on how big it is) and either consigning or direct selling them yourself.
While I do create print books (primarily for giveaway purposes, libraries and nostalgia (as I personally rather read printed books)) they represent a teeny, tiny portion of my sales.
Still, unless you have the homegrown audience/tons of sales, TP authors will, in many cases, still come out on top of the game. This is mainly because of the reach of TP houses, their connections and their much larger financial resources. And because, at the end of the day, 10% of $1,000 is more than 70% of $100.
CREDIT DECLINED
It’s an uphill battle really – getting visibility and credibility as an Indie author.
Though things have gotten better for indies over the years, as it has gotten easier and easier for independents to get their work out there, the market is being flooded with not only serious writers but damn near everyone who has ever wanted to write a book in their lives. The number of books being released every year is staggering.
Due to the lack of any real oversight of this free market (much of its charm for the likes of me, mind you), there are a lot of people who game the system for the purposes of generating profit. They pump the market with subpar and, let’s face it, just gawd awful work. I’ve heard about everything from re-releasing what is essentially the same work over and over again under different covers with different titles to click to back books (which used to plague KDP select) to paraphrasing/ “reimagining” other’s works that were previously published. This has in turn given indies, including hard-working and truly talented indies, a bad rap in many circles.
There are also many outlets that work with Traditional Publishers that an indie would have to spend hundreds or thousands of dollars with to even get considered by, others that won’t consider you at all no matter what you do and others that have such a high bar for consideration that many indies can’t overcome it.
As far as the industry at large (and many libraries, readers and bloggers) is concerned, being published by a TP house lends that work and that author an instant level of credibility and visibility. Their work is taken more seriously (even though I have read TP books that have far more errors than mine and others that just aren’t very interesting) and sells, in part, thanks to the branding that comes innately with their association with that TP house.
NO MR. ROBOTO
There are some aspects of self-publishing I really don’t like to do and therefore do very little of such as a little thing called marketing (AKA the MAJOR thing you absolutely need to do to sell books).
As an indie, you’re responsible for everything from your editing, cover design, blurb, author accounts, social media, customer service, accounting, marketing etc. etc. etc. It can be a bit daunting and overwhelming – especially if you’re someone like me who prefers just to write.
I’m likely the laziest marketer in the history of Independent Authors. For example, I published Amarna I in 2012 and did absolutely NOTHING with it for something like 2 years. When I say nothing, I mean LITERALLY nothing. It was more of a learning how to do it, doing it then planting my flag on my laptop, saying yeah me, then going on with the rest of my life thing. (Which if I’m super honest, is kind a thing with me.)
To date I have a Goodreads page I rarely visit, a Twitter that was largely automated (I created my own tweets but scheduled them to be released automatically rather than live tweeting) and that I rarely add anything to, a Library Thing page I check on like twice a year and my website that I don’t think about unless I have something to add.
Hell, even when I do giveaways, a posting here or a handful of scheduled tweets/live tweets there is generally as deep as I get with it…if I do anything at all. Sometimes I simply set it and forget it.
Do I have periods of a day or two where I hit the marketing/review trail hard? Yes, I do. However, they are few and far between.
Because of my “what not to do” philosophy on marketing, I always joke that my brand is growing more in spite of me than because of me. (laugh)
COST
When you self-publish, you foot the bill for EVERYTHING. While platforms such as Smashwords, Draft2Digital, KDP, etc. allow you to self-publish for FREE (taking only production/delivery costs at the time a sale is made), if you want a professional editor, professional cover design, to release press kits, give away physical ARCs (Advance Reader Copies), run a serious marketing campaign etc., those things aren’t free.
Depending upon how big a reach you’re after, it can be extremely expensive – and with no guarantee that you’ll EVER recoup those expenditures.
That’s one of the benefits of Traditional Publishing, if your book is a total flop, you’re not on the line (financially anyway).
Are there free avenues available to accomplish the tasks above? Absolutely! Just do it yourself! However, these free avenues are extremely time intensive.
As a human being, I’m decidedly impatient. I’d personally rather spend my time writing, traveling, exploring the world around me or in nature.
Are their lower cost paid options? Absolutely! For instance, the current Seamonkey Ink logo was redesigned by a graphic artist in Pakistan via Fiverr for $5.
However, these services can range from largely ineffective to moderately effective for the most part, with a few (with a very high bar of entry) being stand outs. It’s a lot of trial and error, pick and choosing to see which ones you like/which ones work the best in achieving your objectives (all of which takes time).
IN CONCLUSION
For me, at this time, self-publishing works best. I would not; however, rule out the Traditional Publishing route at some time in the future – even just once for practical comparison’s sake.
September 10, 2018
Wall-E-Mart!
It's official! Grea Alexander e-books are now available through Walmart.com. Yes, THE Walmart.com that is associated with Walmart stores.
See for yourself! https://www.walmart.com/search/?cat_i...
Of course now I'm back to the fight with "great Alexander" but hey, a foot in the door is still a foot in the door.
Yay me!
Grea.
See for yourself! https://www.walmart.com/search/?cat_i...
Of course now I'm back to the fight with "great Alexander" but hey, a foot in the door is still a foot in the door.
Yay me!
Grea.
July 9, 2018
Ask Me Anything
I have received email notification that someone wanted me to do an Ask Me Anything session.
Figuring what the hay, I have set one up:
"Novelist Grea Alexander (specializing in Historical Fiction, Contemporary Fiction, Horror, Supernatural Horror & Paranormal Fiction) seeks ardent fan boys and fan girls of all ages (that happen to be greater than 18) for a passionate but short-lived and very public verbal orgy AKA an Ask Me Anything session."
I will be doing a 1 hour AMA session starting on July 19, 2018 8:05 PM EDT. You can post a question at any time from now through 9:05pm on Thursday, July 19th; however, my answer will not appear until the start of the AMA session. The entire AMA session (questions & answers) will continue posted on the site for review after the session is over.
More info: https://authorsama.amafeed.com/noveli...
Figuring what the hay, I have set one up:
"Novelist Grea Alexander (specializing in Historical Fiction, Contemporary Fiction, Horror, Supernatural Horror & Paranormal Fiction) seeks ardent fan boys and fan girls of all ages (that happen to be greater than 18) for a passionate but short-lived and very public verbal orgy AKA an Ask Me Anything session."
I will be doing a 1 hour AMA session starting on July 19, 2018 8:05 PM EDT. You can post a question at any time from now through 9:05pm on Thursday, July 19th; however, my answer will not appear until the start of the AMA session. The entire AMA session (questions & answers) will continue posted on the site for review after the session is over.
More info: https://authorsama.amafeed.com/noveli...
June 16, 2018
Goodreads Giveaway Update!
UPDATE 07/01/2018: As predicted, if you select "ending soonest" and actually see all of the available giveways (unlike from the Giveaways start page), you will see there are now only 28 pages of giveaways.
Sound like alot? Before this new program there was typically 90 pages or more!
And yes, month 7 of this new program and it's STILL U.S. only!
ORIGINAL UPDATE POST:
Enjoying the new Goodreads Giveaway Program? Well it's about to get even more intrusive, er, "better".
I've recently received an email extolling the "virtues" of a new "feature" to the giveway program that is supposed to make me wet my panties: (NEW) A customizable message sent by Goodreads to entrants who don’t win, providing a unique chance to connect with potentially thousands of readers interested in your book.
So you remember that policy they drilled into giveaway authors and used to make readers feel more comfortable? You know the one forbidding authors from contacting giveaway entrants? Well, that's gone bye-bye now. At least for anyone willing to buy access via a giveaway.
I've found a direct link to Goodreads' survey concerning Goodreads "2.0" as they've decided to call it: https://www.surveymonkey.com/r/goodre...
Think the new program is HorseSh*t? Click on the link above and make your voice heard!
Original blog post discussing the new program: https://www.goodreads.com/author_blog...
Sound like alot? Before this new program there was typically 90 pages or more!
And yes, month 7 of this new program and it's STILL U.S. only!
ORIGINAL UPDATE POST:
Enjoying the new Goodreads Giveaway Program? Well it's about to get even more intrusive, er, "better".
I've recently received an email extolling the "virtues" of a new "feature" to the giveway program that is supposed to make me wet my panties: (NEW) A customizable message sent by Goodreads to entrants who don’t win, providing a unique chance to connect with potentially thousands of readers interested in your book.
So you remember that policy they drilled into giveaway authors and used to make readers feel more comfortable? You know the one forbidding authors from contacting giveaway entrants? Well, that's gone bye-bye now. At least for anyone willing to buy access via a giveaway.
I've found a direct link to Goodreads' survey concerning Goodreads "2.0" as they've decided to call it: https://www.surveymonkey.com/r/goodre...
Think the new program is HorseSh*t? Click on the link above and make your voice heard!
Original blog post discussing the new program: https://www.goodreads.com/author_blog...
May 31, 2018
June-Bug
'ello Gre-ple!
I must admit I have been far too busy with other projects and the mundane to focus much on writing anything new this past year; however, that is about to change. In the next couple of weeks I plan to start a new book.
Which is the question.
Part of me wants to finish Miael: Lovers.
Another part wants to crack into The Pack: Bristol.
Yet another part wants to start Sedition - the spin off series/sequel to the Rebellion series.
All are basically written in my brain. They just need to be fleshed out and put down in print.
Hhhhhmmmm. Which shall it be?
I must admit I have been far too busy with other projects and the mundane to focus much on writing anything new this past year; however, that is about to change. In the next couple of weeks I plan to start a new book.
Which is the question.
Part of me wants to finish Miael: Lovers.
Another part wants to crack into The Pack: Bristol.
Yet another part wants to start Sedition - the spin off series/sequel to the Rebellion series.
All are basically written in my brain. They just need to be fleshed out and put down in print.
Hhhhhmmmm. Which shall it be?
March 28, 2018
The Open to Everyone, No Strings Attached, Free Ebook Giveaway-Storma-Palooza
I’ve decided to do something rather different.
On April 15th, beginning at 12am and ending at 11:59 that same day, Central Standard Time, I’m going to release 1 free one-time use Smashwords coupon code good for 100% off one of my randomly selected titles, once every 30 minutes, here: https://twitter.com/SeaMonkeyInk .
This giveaway is open to everyone, everywhere. Yes, even outside of the U.S.
No strings attached. No requirements. No follows. No email list sign ups. No twitter account. No “Want to Read” obligations. No nothing.
This is not a sweeps or other contest. It’s a here’s the code, whomever redeems it first is the one and only person who instantly gets the book. PERIOD.
All you have to do is:
Go to the book’s Smashword’s page (which will be provided)
Click: Buy
Enter the One-Time Use Coupon Code
Click: Apply Coupon
Click: Check Out
Once coupon is redeemed, the book will be available to the recipient indefinitely.
Available formats include: epub, mobi, pdf, lrf, pdb and read online.
----
I would LOVE it if you would review the book you receive and spread your review about the internet like confetti on every book sight you can think of and/or:
Goodreads www.GoodReads.com/GreaAlexander It's where my reviews live.
Twitter www.Twitter.com/SeaMonkeyInk It's where I pelt people with lemons then run away.
Library Thing www.librarything.com/author/alexander... It's where I once had a drunken one night stand & left behind some review babies (that I'm not entirely sure are mine).
Amazon (whichever applies to your country) http://www.amazon.com/Grea-Alexander/...
Barnes & Noble http://www.barnesandnoble.com/c/grea-...
Smashwords https://www.smashwords.com/profile/vi...
You can also post on any of these retailer sites that carry my books: http://seamonkeyink.com/smi_indexes_2...
On April 15th, beginning at 12am and ending at 11:59 that same day, Central Standard Time, I’m going to release 1 free one-time use Smashwords coupon code good for 100% off one of my randomly selected titles, once every 30 minutes, here: https://twitter.com/SeaMonkeyInk .
This giveaway is open to everyone, everywhere. Yes, even outside of the U.S.
No strings attached. No requirements. No follows. No email list sign ups. No twitter account. No “Want to Read” obligations. No nothing.
This is not a sweeps or other contest. It’s a here’s the code, whomever redeems it first is the one and only person who instantly gets the book. PERIOD.
All you have to do is:
Go to the book’s Smashword’s page (which will be provided)
Click: Buy
Enter the One-Time Use Coupon Code
Click: Apply Coupon
Click: Check Out
Once coupon is redeemed, the book will be available to the recipient indefinitely.
Available formats include: epub, mobi, pdf, lrf, pdb and read online.
----
I would LOVE it if you would review the book you receive and spread your review about the internet like confetti on every book sight you can think of and/or:
Goodreads www.GoodReads.com/GreaAlexander It's where my reviews live.
Twitter www.Twitter.com/SeaMonkeyInk It's where I pelt people with lemons then run away.
Library Thing www.librarything.com/author/alexander... It's where I once had a drunken one night stand & left behind some review babies (that I'm not entirely sure are mine).
Amazon (whichever applies to your country) http://www.amazon.com/Grea-Alexander/...
Barnes & Noble http://www.barnesandnoble.com/c/grea-...
Smashwords https://www.smashwords.com/profile/vi...
You can also post on any of these retailer sites that carry my books: http://seamonkeyink.com/smi_indexes_2...
March 25, 2018
The End of Goodreads Giveaways as We Know It...and I DON'T Feel Fine
UPDATE 04/23/18: I have one giveaway left on Goodreads: https://www.goodreads.com/giveaway/sh...
Now when you go to the giveaway page they've set it to default to "Featured". This means that unless you know or think to change the category menu at the top (ending soonest, most popular, etc), you don't even see any of the other giveaways: https://www.goodreads.com/giveaway
Enjoy!
-----
I hope you all are enjoying the diversity of the Goodreads Giveaway program for the time being as that is all going away.
As of January 2018, Goodreads has decided that it will no longer allow authors to give away books on its platform for free: https://www.goodreads.com/giveaway/pa... This means that as giveaways that were scheduled prior to that date (including mine) time out, there will be less and less variety - fewer and fewer opportunities to discover new authors. This also means that there will be fewer and fewer opportunities for readers to win. As the algorithms in use already limit who actually gets books and with the number of books on offer dropping significantly, this means that the majority of Goodreads users will likely NEVER win.
Other fun features: : "Entrants required to add the book to their Want to Read list " Giveaways will be open to US residents only.
With many competing platforms such as LibraryThing, Smashwords, etc. that DO allow authors to give away free material and AMAZON (Goodread's owner) that allows the same for only the cost of the book (from which the author still gets the royalty) this means that for the overwhelming majority of authors (especially indie authors) who currently offer giveaways on this site, Goodreads is no longer worth the effort.
Don't like this change? Complain: https://www.goodreads.com/about/conta...
Here is the reply I received from Goodreads:
"Hi Grea,
I'm sorry to hear that! We designed our new Goodreads Giveaways program based on feedback from authors and publishers, and we're now offering several features that authors and publishers have been asking for. The biggest benefit is the increased marketing and advertising benefits surrounding a giveaway. In many ways, we view a giveaway as a mini advertising campaign on Goodreads. As your giveaway is shared and promoted on Goodreads, this gets your book in front of more readers, helping build buzz about your book with readers.
We have several other free features for Goodreads Authors, including Ask the Author, which allows you to answer questions from your fans and readers, posting excerpts of upcoming publications on your author blog, and sharing your list of favorite books and recent reads with your fans. As a lower-cost alternative, you also might want to check out Amazon Giveaways. I understand that these features don't replace giveaways for you, but hope you will take advantage of the many other ways to connect with readers on Goodreads.
If you have any additional feedback you'd like to share, please don't hesitate to let me know."
And my reply to their reply:
Good morning,
I find it hard to believe that authors and publishers all said: Hey, let's completely remove the option to give away books for free and exclude people who are not in the U.S.
It would be one thing to offer these options in addition to the standard free giveway but to remove the free option all together? Not worth it - especially when there are so many options to give away books for free.
All you're doing is alienating both authors and users. Let's see how well that works out for you in the end.
Cheers!
Grea.
----
That being said, I would like to thank everyone who has entered my giveaways and added my books. However, until this policy changes, I will no longer be running any new giveaways on Goodreads.
I have only 2 remaining:
https://www.goodreads.com/giveaway/sh...
https://www.goodreads.com/giveaway/sh...
When they are done, unless the policy changes, there will be no more giveaways offered by Seamonkey Ink on this site. Rest assured; however, that I will continue to do giveaways via other platforms.
Despite the above, please feel free to review my work here.
I will make every effort to update this blog with my other giveaways.
For instance: I just set up a giveaway on Amazon for two kindle versions of Rebellion Book I: Book of Quay:
- Two copies
- Instant Win, Lucky Number
- Unfortunately only US entrants
- Enter here: https://giveaway.amazon.com/p/874fc3a...
To stay apprised of any future SeamonkeyInk giveaways: http://seamonkeyink.com/seamonkey_ink...
Cheers!
Grea.
Now when you go to the giveaway page they've set it to default to "Featured". This means that unless you know or think to change the category menu at the top (ending soonest, most popular, etc), you don't even see any of the other giveaways: https://www.goodreads.com/giveaway
Enjoy!
-----
I hope you all are enjoying the diversity of the Goodreads Giveaway program for the time being as that is all going away.
As of January 2018, Goodreads has decided that it will no longer allow authors to give away books on its platform for free: https://www.goodreads.com/giveaway/pa... This means that as giveaways that were scheduled prior to that date (including mine) time out, there will be less and less variety - fewer and fewer opportunities to discover new authors. This also means that there will be fewer and fewer opportunities for readers to win. As the algorithms in use already limit who actually gets books and with the number of books on offer dropping significantly, this means that the majority of Goodreads users will likely NEVER win.
Other fun features: : "Entrants required to add the book to their Want to Read list " Giveaways will be open to US residents only.
With many competing platforms such as LibraryThing, Smashwords, etc. that DO allow authors to give away free material and AMAZON (Goodread's owner) that allows the same for only the cost of the book (from which the author still gets the royalty) this means that for the overwhelming majority of authors (especially indie authors) who currently offer giveaways on this site, Goodreads is no longer worth the effort.
Don't like this change? Complain: https://www.goodreads.com/about/conta...
Here is the reply I received from Goodreads:
"Hi Grea,
I'm sorry to hear that! We designed our new Goodreads Giveaways program based on feedback from authors and publishers, and we're now offering several features that authors and publishers have been asking for. The biggest benefit is the increased marketing and advertising benefits surrounding a giveaway. In many ways, we view a giveaway as a mini advertising campaign on Goodreads. As your giveaway is shared and promoted on Goodreads, this gets your book in front of more readers, helping build buzz about your book with readers.
We have several other free features for Goodreads Authors, including Ask the Author, which allows you to answer questions from your fans and readers, posting excerpts of upcoming publications on your author blog, and sharing your list of favorite books and recent reads with your fans. As a lower-cost alternative, you also might want to check out Amazon Giveaways. I understand that these features don't replace giveaways for you, but hope you will take advantage of the many other ways to connect with readers on Goodreads.
If you have any additional feedback you'd like to share, please don't hesitate to let me know."
And my reply to their reply:
Good morning,
I find it hard to believe that authors and publishers all said: Hey, let's completely remove the option to give away books for free and exclude people who are not in the U.S.
It would be one thing to offer these options in addition to the standard free giveway but to remove the free option all together? Not worth it - especially when there are so many options to give away books for free.
All you're doing is alienating both authors and users. Let's see how well that works out for you in the end.
Cheers!
Grea.
----
That being said, I would like to thank everyone who has entered my giveaways and added my books. However, until this policy changes, I will no longer be running any new giveaways on Goodreads.
I have only 2 remaining:
https://www.goodreads.com/giveaway/sh...
https://www.goodreads.com/giveaway/sh...
When they are done, unless the policy changes, there will be no more giveaways offered by Seamonkey Ink on this site. Rest assured; however, that I will continue to do giveaways via other platforms.
Despite the above, please feel free to review my work here.
I will make every effort to update this blog with my other giveaways.
For instance: I just set up a giveaway on Amazon for two kindle versions of Rebellion Book I: Book of Quay:
- Two copies
- Instant Win, Lucky Number
- Unfortunately only US entrants
- Enter here: https://giveaway.amazon.com/p/874fc3a...
To stay apprised of any future SeamonkeyInk giveaways: http://seamonkeyink.com/seamonkey_ink...
Cheers!
Grea.
January 4, 2018
Reader Sets The Price
We’re going to try something a little different for January & February 2018. We’re going to use the “Reader Sets The Price” function on Smashwords for all of my Book Ones:
Amarna I: Ida
https://www.smashwords.com/books/view...
Cabello I
https://www.smashwords.com/books/view...
Miael I: Family
https://www.smashwords.com/books/view...
The Pack I: Addison
https://www.smashwords.com/books/view...
Rebellion I: Quay
https://www.smashwords.com/books/view...
Now just what is reader sets price?
It’s exactly what it sounds like. The reader pays what they can/what they feel the book is worth.
If you choose to pay a low price, we do hope that if you enjoy the book, you will purchase a 2nd copy at what you feel is a fairer price...or decide to spoil me rotten and pay an exorbitant price instead!
This feature is only available on Smashwords.
Get 'em while the gettin's good!
---------
Why Smashwords?
1. You can choose from multiple formats including: epub, mobi, pdf, lrf, pdb, html or read online
2. You can purchase from more countries than any other ebook retailer (from more than 200 countries to be more specific). To see if yours is one of them, click here: https://www.paypal.com/webapps/mpp/co...
3. More of your purchase price actually goes to the author than anywhere else.
4. Smashwords gives authors complete control over their pricing including the ability to instantly change the price, to price without pricing minimums or offer coupons without forced exclusivity or forced participation in library programs.
Now be generous or you will be smote.
Enjoy!
Grea.
Smashwords Page: https://www.smashwords.com/profile/vi...
Amarna I: Ida
https://www.smashwords.com/books/view...
Cabello I
https://www.smashwords.com/books/view...
Miael I: Family
https://www.smashwords.com/books/view...
The Pack I: Addison
https://www.smashwords.com/books/view...
Rebellion I: Quay
https://www.smashwords.com/books/view...
Now just what is reader sets price?
It’s exactly what it sounds like. The reader pays what they can/what they feel the book is worth.
If you choose to pay a low price, we do hope that if you enjoy the book, you will purchase a 2nd copy at what you feel is a fairer price...or decide to spoil me rotten and pay an exorbitant price instead!
This feature is only available on Smashwords.
Get 'em while the gettin's good!
---------
Why Smashwords?
1. You can choose from multiple formats including: epub, mobi, pdf, lrf, pdb, html or read online
2. You can purchase from more countries than any other ebook retailer (from more than 200 countries to be more specific). To see if yours is one of them, click here: https://www.paypal.com/webapps/mpp/co...
3. More of your purchase price actually goes to the author than anywhere else.
4. Smashwords gives authors complete control over their pricing including the ability to instantly change the price, to price without pricing minimums or offer coupons without forced exclusivity or forced participation in library programs.
Now be generous or you will be smote.
Enjoy!
Grea.
Smashwords Page: https://www.smashwords.com/profile/vi...
November 19, 2017
Blacker than Black Friday Sale
Friday! Friday! Nope it’s not Black Friday!
But in my world it’s close enough,
For savin’ money on my stuff!
Simply click the book’s link and select “Buy with Coupon”. That's it! It's that dang gum simple!
Offer valid on Grea Alexander e-books, only with coupon and on Smashwords.com. Sale begins right now & runs thru 11/30/17.
Offer available to everyone. No limits apply.
View all Grea Alexander ebooks/Blackest Black Friday Deals on Smashwords here: https://www.smashwords.com/profile/vi...
Enjoy!
Grea.
50% OFF!
Amarna: Ida
Regular Price: $2.99 USD
Coupon Price: $1.50 USD
Book link: : https://www.smashwords.com/books/view...
Cabello
Regular Price: $2.99 USD
Coupon Price: $1.50 USD
Book link: : https://www.smashwords.com/books/view...
Rebellion: Quay
Regular Price: $4.99 USD
Coupon Price: $2.50 USD
Book link: : https://www.smashwords.com/books/view...
35% OFF!
Miael: Family
Regular Price: $2.99 USD
Coupon Price: $1.94 USD
Book link: : https://www.smashwords.com/books/view...
The Pack: Addison
Regular Price: $2.99 USD
Coupon Price: $1.94 USD
Book link: : https://www.smashwords.com/books/view...
Amarna: The Complete Series
Includes all 3 books in the Amarna Trilogy!
Regular Price: $5.99 USD
Coupon Price: $3.89 USD
Book link: : https://www.smashwords.com/books/view...
Rebellion: The Complete Series
Includes all 3 books in the Rebellion Trilogy!
Regular Price: $9.99 USD
Coupon Price: $6.49 USD
Book link: : https://www.smashwords.com/books/view...
Get 'em while the gettin's good!
Why Smashwords?
1. You can choose from multiple formats including: epub, mobi, pdf, lrf, pdb, html or read online
2. You can purchase from more countries than any other ebook retailer (from more than 200 countries to be more specific). To see if yours is one of them, click here: https://www.paypal.com/webapps/mpp/co...
3. More of your purchase price actually goes to the author than anywhere else.
4. Smashwords gives authors complete control over their pricing including the ability to instantly change the price, to price without pricing minimums or offer coupons without forced exclusivity or forced participation in library programs.
Grea.
But in my world it’s close enough,
For savin’ money on my stuff!
Simply click the book’s link and select “Buy with Coupon”. That's it! It's that dang gum simple!
Offer valid on Grea Alexander e-books, only with coupon and on Smashwords.com. Sale begins right now & runs thru 11/30/17.
Offer available to everyone. No limits apply.
View all Grea Alexander ebooks/Blackest Black Friday Deals on Smashwords here: https://www.smashwords.com/profile/vi...
Enjoy!
Grea.
50% OFF!
Amarna: Ida
Regular Price: $2.99 USD
Coupon Price: $1.50 USD
Book link: : https://www.smashwords.com/books/view...
Cabello
Regular Price: $2.99 USD
Coupon Price: $1.50 USD
Book link: : https://www.smashwords.com/books/view...
Rebellion: Quay
Regular Price: $4.99 USD
Coupon Price: $2.50 USD
Book link: : https://www.smashwords.com/books/view...
35% OFF!
Miael: Family
Regular Price: $2.99 USD
Coupon Price: $1.94 USD
Book link: : https://www.smashwords.com/books/view...
The Pack: Addison
Regular Price: $2.99 USD
Coupon Price: $1.94 USD
Book link: : https://www.smashwords.com/books/view...
Amarna: The Complete Series
Includes all 3 books in the Amarna Trilogy!
Regular Price: $5.99 USD
Coupon Price: $3.89 USD
Book link: : https://www.smashwords.com/books/view...
Rebellion: The Complete Series
Includes all 3 books in the Rebellion Trilogy!
Regular Price: $9.99 USD
Coupon Price: $6.49 USD
Book link: : https://www.smashwords.com/books/view...
Get 'em while the gettin's good!
Why Smashwords?
1. You can choose from multiple formats including: epub, mobi, pdf, lrf, pdb, html or read online
2. You can purchase from more countries than any other ebook retailer (from more than 200 countries to be more specific). To see if yours is one of them, click here: https://www.paypal.com/webapps/mpp/co...
3. More of your purchase price actually goes to the author than anywhere else.
4. Smashwords gives authors complete control over their pricing including the ability to instantly change the price, to price without pricing minimums or offer coupons without forced exclusivity or forced participation in library programs.
Grea.
May 4, 2017
Lovers of Paranormal
What's Sappenin'?
I'm currently doing a 10 ebook Read to Review run over on Lovers of Paranormal.
The book du jour:
Sign ups are here: https://www.goodreads.com/topic/show/...
Group Rules live here: https://www.goodreads.com/topic/show/...
Reviews due by 5/25/17
Enjoy!
Grea.
I'm currently doing a 10 ebook Read to Review run over on Lovers of Paranormal.
The book du jour:
Sign ups are here: https://www.goodreads.com/topic/show/...
Group Rules live here: https://www.goodreads.com/topic/show/...
Reviews due by 5/25/17
Enjoy!
Grea.
