Martin Cid's Blog: Martin Cid Magazine, page 113

“Duchess” Movie Review: Aspiring to Emulate Guy Ritchie… but Falling Short

“Duchess” is a movie directed by Neil Marshall starring Charlotte Kirk. With Philip Winchester, Colm Meaney and Stephanie Beacham.

Are you on the hunt for a comedic action thriller sprinkled with mafia gang elements? “Duchess” brings these well-trodden themes to the table, but this time with a twist: a female lead. Charlotte Kirk, portrayed by Scarlett Monaghan, steps into the spotlight.

“Duchess” is a film that attempts to encapsulate the essence of Guy Ritchie’s early works. It features gangsters, a diamond heist plot, a sprinkling of humor, and is set in the gritty, less privileged neighborhoods of London. The twist? The central character is a woman. However, while the aesthetic ambition mirrors Ritchie’s style, the execution falls significantly short. The film lacks the vigor and finesse that hallmark Ritchie’s movies.

Plot Summary

After a woman suffers a brutal beating, she sets out on a path of vengeance. Her quest for retribution entangles her in a web of diamond trafficking and small-time London mobsters.

DuchessAbout the Film

“Duchess” is a film that feels made without a genuine sense of purpose. Aware of its lack of originality, it leans heavily on clichés in an attempt to get by, ultimately becoming so riddled with these tropes that it almost parodies itself without fully committing to satire.

The script fails to engage, the action scenes lack punch, and the characters come off as unconvincing. From its inception, the film seems to have nothing substantial to convey and lumbers awkwardly toward its conclusion, leaving viewers with the impression that it was never meant to be liked.

The performances from the actors are subpar, hampered by weak dialogues and scenes devoid of dramatic impact. The director appears disconnected from the plot, the scriptwriter seemingly uninspired, and the technical crew can do little to salvage the project.

Our Verdict

“Duchess” is a disappointing endeavor, devoid of the chemistry and spark needed to make it memorable. In its desperate attempt to emulate the films of Guy Ritchie, it ultimately falls flat, lacking the essential qualities that would allow it to stand on its own.

This film, in its quest to mimic the style of Guy Ritchie, ends up missing the mark entirely, failing to capture the essence that makes those films compelling.

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Richard Tuttle: “A Distance From This” – An Unmissable Exhibition

New York, NY – July 18, 2024 – 125 Newbury Gallery is excited to announce “Richard Tuttle: A Distance From This,” an upcoming exhibition showcasing a new series of works by the celebrated artist Richard Tuttle. Tuttle, whose pioneering efforts have continually redefined contemporary artistic practice since the 1960s, introduces a fresh suite of creations conceived over the past year, following an inspirational trip to Guatemala in February 2024. Both vibrant and ephemeral, Tuttle’s latest pieces delve into the themes of form, language, and memory, examining how these elements intertwine art with the essence of life. The exhibition will be held at the gallery’s location at 395 Broadway in Tribeca, from September 13 to October 26, 2024.

Tuttle’s creations are an intriguing blend of sculpture, painting, and drawing, forming hybrid constructions that challenge conventional categorization. His works possess an enigmatic allure, marked by irregular edges and delicate lines that balance clumsiness with tenderness. Tuttle’s art oscillates between lightness and a profound, almost metaphysical, weightiness. These sculptures serve as visual and intellectual tuning forks, becoming increasingly revealing the longer one engages with them, making the invisible become perceptible.

Utilizing an array of everyday materials such as uneven wooden strips, crudely carved cardboard, rough scrap metal, folded or rolled paper sheets, bent rubber tubes, pieces of planar Styrofoam, cotton batting, duct tape, and vividly colored paint, Tuttle orchestrates these humble elements into cohesive works of art. His art revolves around unexpected pairings, probing questions like: How do disparate elements cohere? How do ligaments connect bones to muscles, enabling movement? “A Distance From This” not only embodies a cohesive collection but also poses existential questions about the fundamentals of unity within a body and the universe.

Tuttle’s approach brings his materials into an intricate dance of harmony and intimacy, which is both unsettling and graceful. He persuades incompatible and discordant materials to engage in a form of embrace—rubber and wire converge, wood and paper merge. His art seduces viewers into spaces where dimensions mysteriously fold onto themselves, inviting them to explore the complexities of a piece’s surfaces, interiors, skins, and cavities.

The works featured in Tuttle’s exhibition at 125 Newbury Gallery represent both a culmination and a turning point in his career. His February 2024 trip to Mayan ruins in Guatemala profoundly influenced this body of work, manifesting in tangible and intangible ways. The abundance of writing and language in Mayan architecture, which intricately weaves form with meaning, resonates in Tuttle’s sculptures. He questions, “Are they glyphs? Do they connect to writing? Are they a form of a writing system? Are they part of an effort to document, preserve, and revisit? What are they aiming to capture?”

Each piece in Tuttle’s collection serves as a chronicle of its own creation. As he has consistently done throughout his career, Tuttle exposes the process behind his craft. Every cut, brushstroke, bend, fold, and twist of wire is evident in the final form, inviting viewers to retrace these steps alongside him. His works become reflections on the inseparable nature of matter and memory. In Tuttle’s realm, an artwork stands as a relic of its creator, a conduit to their existence, and a map bridging the distance between the physical object and the spirit that breathes life into it.

Born in Rahway, New Jersey, in 1941, Richard Tuttle has built a career centered on the direct and seemingly simple use of objects and gestures, paying meticulous attention to materials and experiences. Rejecting the rationality and precision of Minimalism, Tuttle has embraced a handmade quality in his forms, emphasizing line, shape, color, and space. He has resisted medium-specific labels, preferring the term “drawing” to encompass works that could otherwise be classified as sculpture, painting, collage, installation, and assemblage. By challenging traditional constraints of material, medium, and method, Tuttle’s works sharpen viewers’ perceptions. His creative process, where one series naturally evolves into the next, is driven by a consistent quest to craft objects that are complete expressions of their own essence.

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“Fly Me to the Moon” – A Romantic Comedy About Marketing and Space Exploration

“Fly Me to the Moon” is a movie directed by Greg Berlanti starring Scarlett Johansson, Channing Tatum and Woody Harrelson.

Set against the backdrop of the 1960s, a period defined by the fierce competition between Russia and the United States to be the first to land a man on the moon, “Fly Me to the Moon” introduces us to a different kind of race. While the world was captivated by the technological rivalry that culminated in the Apollo 11 mission, a parallel contest of marketing and advertising prowess was unfolding, each side vying to capture the public’s imagination.

However, “Fly Me to the Moon” does not recount the tale of the Apollo 11 mission itself. Instead, it focuses on an extraordinary woman who transformed this historical event into a media sensation through her expertise in advertising and marketing. Her arsenal of persuasive tactics succeeded in amplifying the mission’s significance, extending its reach far beyond the scientific community.

This woman, a master of sales and deception, faces her greatest challenge yet. When tasked with convincing an entire nation of the authenticity of the Apollo 11 mission, she must navigate the treacherous waters of fabricating a grand illusion. The film poses the provocative question: Did mankind truly set foot on the moon, or was it all an elaborate ruse?

“Fly Me to the Moon” stars the illustrious Scarlett Johansson, who not only takes on the lead role but also serves as the film’s producer. Johansson meticulously prepares for the project, immersing herself in a character around whom the entire narrative revolves.

The movie delves into the controversial theory of the moon landing hoax, exploring the notion that the event was meticulously staged. While “Fly Me to the Moon” is a work of fiction, it invites viewers to ponder the veracity of what they have long accepted as historical fact. The film revolves around the alleged deception, weaving a tale of intrigue and skepticism.

About the Movie

This film masterfully navigates the realms of comedy, romance, and one of the most enduring conspiracy theories since the 1970s: Did man truly reach the moon, or was it all a cleverly orchestrated montage? The film strikes a delicate balance, delivering an entertaining and humorous experience without delving too deeply into political controversies. It is a pleasure to watch, captivating audiences with its engaging storyline and impeccable technical execution.

Adhering to the quintessential Hollywood formula, the film features big-name stars and a polished, lighthearted tone. The script is effective, the characters well-developed, and the overall production restrained and tasteful. There are no jarring moments or off-color language, making it a family-friendly viewing experience.

At its core, the film is a commentary on Hollywood itself, illustrating how the industry transforms real events into seemingly more authentic fictions. It straddles the line between a classic romantic comedy and a narrative on the propagation of fake news, ultimately opting not to fully commit to either genre.

With exceptional production quality and impressive cinematography, “Fly Me to the Moon” is a visually stunning film.

Our Opinion

“Fly Me to the Moon” leaves us with mixed feelings. It neither fully embraces the romantic comedy it initially appears to be, nor does it dive headfirst into the controversies it hints at exploring. The film remains a well-crafted product, content to entertain without delving into the deeper issues its subject matter suggests.

In summary, “Fly Me to the Moon” is a captivating blend of romance, humor, and historical intrigue, skillfully executed and visually appealing, yet somewhat restrained in its exploration of the provocative themes it touches upon.

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“Love Next Door”: A Fresh Korean Love Story Streaming on Netflix

“Love Next Door” is a South Korean series starring Jung Hae-in and Jung So-min.

Ever fantasized about those incredibly successful, strikingly attractive, and exceptionally smart individuals with rich inner lives who just so happen to reside next door and are inevitably destined to fall in love? It’s a scenario straight out of our wildest dreams. But that’s precisely what movies and TV shows are meant for—to whisk us away from our everyday existence and let us indulge in whimsical fantasies.

Enter “Love Next Door,” an endearing romantic series that, rather unsurprisingly, blends romance and comedy. However, it leans more heavily on the romantic side, while retaining a curious and enchanting ability to remain consistently delightful in its romantic endeavors.

If you’re craving a heartwarming romantic series that will have your heart fluttering in sync with the cherry blossoms, “Love Next Door” presents a prime opportunity to immerse yourself deeply in the essence of love.

This Korean series graces Netflix almost every Saturday, steadily becoming a cherished tradition. Saturdays on Netflix now offer us uncomplicated Korean TV dramas, featuring pure and transparent characters designed to captivate even the most traditional viewers.

“Love Next Door” is a love story reminiscent of the golden days of romance, albeit set in contemporary Korea—a society feverishly chasing success, yet innately yearning for an inner realm of beauty and tranquility, starkly contrasted with the hustle and bustle of modern life.

In this setting, we meet our protagonists: a boy and a girl, both burdened by their talents to achieve greatness, yet nurturing a cherished inner world. Admittedly, such an abundance of romanticism might seem excessively saccharine to some, but the beauty of television and cinema lies in their diversity—there truly is something for everyone.

So, if you’re in the mood for a tender, beautifully sentimental series, look no further than “Love Next Door.” It promises to offer an enjoyable escape into the world of romance, sure to captivate your heart and senses.

Where to Watch “Love Next Door”

Netflix

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“Alien: Romulus”: Revisiting the Roots of a Classic

“Alien: Romulus” is a sci-fi movie directed by Fede Álvarez starring Cailee Spaeny. With David Jonsson, Archie Renaux and Isabela Merced. It is based on the characters created by Ronald Shusett and in the movie directed by Ridley Scott in 1979.

Countless attempts have been made, yet none have managed to capture the magic of Ridley Scott’s groundbreaking 1979 masterpiece. Not even Scott himself has been able to create a sequel that measures up to his original work. In “Alien: Romulus,” director Fede Alvarez takes a bold stab at recapturing the essence of the first film, meticulously mimicking its structure, aesthetics, and eerie atmosphere. However, he falls short of adding anything substantially new to the chilling alien mythology that fans have come to revere.

Despite this, the film is undeniably entertaining and is executed with high technical and cinematic proficiency, making it a respectable addition to the storied franchise.

Alien: RomulusThe Plot

During a mission, the crew of a spaceship stumbles upon the remnants of another vessel, one that harbors a dark history and the vestiges of a horrifying origin.

About the Film

“Alien: Romulus” is engaging, dynamic, and impeccably crafted, serving as a heartfelt homage to the original film. It resurrects the iconic imagery and themes of its predecessor, allowing Fede Alvarez to pay tribute to what might be considered the greatest sci-fi horror film ever made—a bold statement, indeed.

Naturally, the film is burdened by the legacy of its predecessors, making it impossible to watch without drawing comparisons. Alvarez is fully aware of this and embraces the iconic elements of the saga, proudly reintroducing the aesthetics, narrative style, and all the iconic motifs that have become synonymous with the series.

“Alien: Romulus” boasts a commendable cinematic pace, yet it falters in its script, offering nothing novel or unexpected. In this regard, it disappoints, as the film remains confined to delivering what is anticipated, failing to break new ground and reverting to familiar tropes of the saga.

Our Opinion

“Alien: Romulus” stands as a competent horror film, albeit one weighed down by the expectations that come with continuing this beloved franchise. The audience yearns for something specific, and any deviation from the established formula risks dissatisfaction.

In this respect, the director can take solace: he will not disappoint on the visual, aesthetic, technical, or rhythmic fronts. However, “Alien: Romulus” remains too constrained by nostalgia, ultimately making it just another sequel, albeit one steeped in a longing for the past.

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Movie Review: “Deadpool & Wolverine” – The Hilarious Sequel to the Most Side-Splitting Superhero Saga

“Deadpool & Wolverine” is a superheroes comedy movie starring Ryan Reynolds and Hugh Jackman. It is directed by Shawn Levy.

If you’ve experienced the previous installments, you already know what’s in store: a barrage of jokes, a flurry of action, and then some more jokes. This film is light on plot but heavy on humor, a combination that might make you either adore “Deadpool & Wolverine” or dismiss it as complete nonsense.

Well, we adore it.

As they declare in the film, no force can stop Deadpool and Wolverine when they team up to the beat of Madonna’s greatest hits.

Plot Summary

An enigmatic organization has nefarious plans to obliterate spacetime. To achieve this, they enlist the ever-unpredictable Deadpool. However, Deadpool has his own agenda: to reconstruct spacetime. He ventures into various dimensions to assemble a team, including a Wolverine who is a far cry from the original – think more alcoholic and reckless. But remember, Wolverine is always Wolverine, and it doesn’t take long for him to regain his formidable form.

Deadpool & WolverineAbout the Film

Balancing sharp irony and constant parody, “Deadpool & Wolverine” is a movie that stays true to its promises. If the premise doesn’t appeal to you, it’s best not to expect anything different. This film is a spectacle akin to a Marvel extravaganza, teeming with uproarious, crude humor and serving as a spoof of superhero flicks where nothing is taken seriously. The storyline delves into parallel universes and quantum infinities, but rest assured, you won’t learn a single thing about quantum physics. The film is pure, unadulterated entertainment, punctuated by raunchy jokes, chaotic fights, and slow-motion carnage set to infectious tunes.

While the movie is easily digestible and just as easily forgettable, it offers two hours of uproarious fun that make this wild spectacle worth your time. The film is peppered with references to just about everything, from the Hugh Jackman musical to Disney, Fox, and Marvel properties. Expect some amusing cameos, such as Wesley Snipes reprising his role as Blade.

Our Take

In the mood for a film so absurd that taking it seriously is out of the question? “Deadpool & Wolverine” fits the bill perfectly. We must admit, we had a blast watching it. The film delivers exactly what it promises: a grand spectacle and an abundance of laughter.

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Epic Western ‘Horizon: An American Saga – Chapter 1’ to Premiere Exclusively on Max This August

New Line Cinema and Territory Pictures have announced that the eagerly awaited “Horizon: An American Saga – Chapter 1” will premiere exclusively on Max starting Friday, August 23.

In the grand tradition of Warner Bros. Pictures’ legendary Westerns, “Horizon: An American Saga” delves into the captivating allure of the Old West, depicting its conquest—and ultimate loss—through the relentless struggles and sacrifices of many. The film spans the turbulent years of the Civil War, from 1861 to 1865, offering audiences an emotionally charged journey through a nation in conflict, as seen through the eyes of families, friends, and adversaries striving to understand the essence of what it means to be the United States of America.

The film features an impressive ensemble cast led by Kevin Costner, Sienna Miller, Sam Worthington, and Giovanni Ribisi. They are joined by a stellar supporting lineup that includes Abbey Lee, Will Patton, Jena Malone, Michael Rooker, Danny Huston, Luke Wilson, Jeff Fahey, Isabelle Fuhrman, Ella Hunt, David O’Hara, Owen Crow Shoe, Tatanka Means, Tim Guinee, Scott Haze, Tom Payne, Alejandro Edda, James Russo, Jon Beavers, Jaime Campbell Bower, Michael Anganaro, and many more.

Marking his return to the director’s chair for the first time since his critically acclaimed 2003 film “Open Range,” Kevin Costner revisits the Civil War era, a setting that brought him immense acclaim with his 1990 directorial debut “Dances with Wolves.” The latter film garnered seven Academy Awards®, including Best Picture and Best Director. Costner produces the film alongside Howard Kaplan and Mark Gillard, with Danny Peykoff, Robert Scannell, Armyan Bernstein, Charlie Lyons, Barry Berg, and Rod Lake serving as executive producers. The screenplay is penned by Jon Baird and Kevin Costner, with the story crafted by Jon Baird, Kevin Costner, and Mark Kasdan.

This epic cinematic adventure promises to captivate viewers with its powerful storytelling and evocative portrayal of a pivotal era in American history.

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“I Can’t Live Without You” on Netflix: A Perfect Comedy for Adrián Suar

“I Can’t Live Without You” (No puedo vivir sin ti) is a Spanish romantic comedy starring Adrián Suar and Paz Vega. It is directed by Santiago Requejo.

Adrián Suar headlines this comedy about a mobile-addicted executive, delivering a charming performance that anchors the film. It’s a lighthearted, unpretentious tale, elevated by Suar’s engaging portrayal.

Complementing him is Spanish actress Paz Vega, who adds a dramatic touch to the otherwise straightforward narrative. Together, they craft an enjoyable comedy centered on a man consumed by his cell phone.

Our Take

This comedy unfolds predictably: a cell phone addict loses his life and wife, then embarks on a journey to reclaim them. “”I Can’t Live Without You” on Netflix: A Perfect Comedy for Adrián Suar” offers no unexpected twists or fresh innovations, progressing from one familiar point to another.

Nevertheless, it serves as an ideal showcase for Adrián Suar’s comedic prowess, with a role seemingly tailor-made for him.

Where to Watch “I Can’t Live Without You”

Netflix

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“The Union” Friday’s Netflix movie: a blend of comedy, action, and romance wrapped in a quintessential action thriller

“The Union” is a movie starring Mark Wahlberg and Halle Berry. With J.K. Simmons and Adewale Akinnuoye-Agbaje.

Boasting a seasoned cast well-versed in action films, a plot ready for deployment, and the quintessential Hollywood blueprint for a Friday night flick, “The Union” exemplifies the adage, “If it ain’t broke, don’t fix it.” This film adheres to a tried-and-true formula that seems eternally effective. Why bother innovating when repetition guarantees success?

This film succeeds precisely because it follows a proven formula: we know what works, when to deploy certain elements, and in what manner.

It’s a pre-packaged recipe for a successful action movie, yet it carries the same appeal as quality fast food—predictable but satisfying.

Plot Summary

Mike McKenna (portrayed by Mark Wahlberg) is an ordinary guy working in construction. His life takes an unexpected turn when his ex-girlfriend Roxanne (played by Halle Berry) reappears, unbeknownst to him, about to catapult him into an elite group of super-spies, all recruited from everyday yet exceptionally talented individuals.

About the Film

Mark Wahlberg brings his extensive experience in action films to the table: he possesses the physique, the acting skills, and maintains a regimen that ensures he embodies the quintessential action hero, film after film. Halle Berry, since her debut in the Marvel Universe, has demonstrated her knack for fitting seamlessly into this genre.

With such a perfect cast, this movie adheres impeccably to the classic Friday night action film formula—a mix of international espionage, thrilling action sequences, a sprinkle of humor, and a dash of romance. Sound familiar? Indeed, we’ve seen numerous films akin to “The Union.” Though this one may not be the most groundbreaking or innovative, it accomplishes its objective: to be a traditional Hollywood product that entertains without taking any risks.

For the production company, it’s a surefire win.

An action-packed thriller with comedic and romantic undertones, the formula is crystal clear. We’ve encountered hundreds of films resembling “The Union.” This genre has become Hollywood’s bread and butter, especially now that Westerns have fallen out of favor. The formula is foolproof: with top-tier technicians, impeccable sound, cutting-edge effects, and stellar editing, these films hit the mark as ideal “Friday movies.” They entertain the entire family, uphold moral standards, advocate for world peace, and feature protagonists who are relatable, attractive, and admirable.

Our Take

This film won’t revolutionize the world of cinema, but it will entertain you for a solid two hours. Familiar with that comfort zone? This film exemplifies why we feel so at ease within it and why it’s so challenging to step outside: everything is meticulously ordered, adhering to established rules, and we know exactly what to expect and when.

A classic and comforting film with a stellar cast and flawless production—how could it possibly go wrong?

Where to Watch “The Union”

Netflix

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“inoutside” Curated by Eric Leung Siu Kee at Contemporary by Angela Li, August 15 – September 7, 2024

[Hong Kong, August 2024] The concepts of entrance and exit are inherently interwoven and relative. The act of leaving one space is simultaneously the act of entering another, mirroring the transition of university graduates from the academic realm to the broader society, embarking on fresh journeys. Creativity, too, embodies this dual sense of direction, whether gravitating towards detachment from worldly affairs or engagement with them. Traditional literati paintings often convey a sense of detachment; however, whether the artist seeks a utopian seclusion or embraces worldly involvement, the essence lies in their perception of the mundane world, differentiated only by the direction of that perception. Amidst the pandemic, the artwork of local art graduates was often tinged with a contemplative melancholy. In contrast, this year’s graduates seem to have shifted their focus towards a more pronounced engagement with their communities.

Seashore Campus, Lo Wai Ching, Rachel, Oil on canvas, 70 x 100 cm, 2024

Contemporary By Angela Li is honored to present the group exhibition “inoutside,” curated by Leung Shiu Kee Eric, running from August 15 to September 7, 2024. This exhibition showcases the works of eight recently graduated young artists, each exploring various facets of human existence through their unique perspectives and artistic styles. The featured artists include Chau Tsz Ching Kathy, Cheung Ching Ling Oychir, Chow Hoi Yung Jennifer, Chung Chun Kau, Ho Wing Wa Ernest, Lo Wai Ching Rachel, To Yan King Jenny, and Yeung Nga Fei Alice, who each offer distinct reflections on diverse subjects.

Cheung Ching Ling Oychir, a graduate of the Hong Kong Art School, uses vibrant ceramics to satirize the social dilemmas faced by recent graduates. Ho Wing Wa Ernest, from the Chinese University of Hong Kong, portrays the complex dynamics between the powerful and the dominated in his oil painting “Meat Shop,” offering a reflection on the current state of human existence. Chau Tsz Ching Kathy, from the Hong Kong Baptist University’s School of Visual Arts, explores social relationships through the interaction of half-human, half-beast figures in her horse-headed human body painting series. Chung Chun Kau, also from Hong Kong Baptist University, challenges conventional notions by depicting charming ceramic cats adorned with gangster tattoos.

Wonderland, Chow Hoi Yung, Jennifer, Acrylic on linen, 100 x 200 cm, 2024

The exhibition also includes works that use scenic depictions to express transcendent ideas. Lo Wai Ching Rachel, from the Chinese University of Hong Kong, paints traces of human presence in the absence of people, creating an “escape space” within tense living environments. To Yan King Jenny, from Hong Kong Baptist University, conveys a love-hate relationship with the sky through the perspective of observing it from within a building in her large painting “Haven.” Yeung Nga Fei Alice, also from Hong Kong Baptist University, presents “Daily Romance,” a series of mineral pigment paintings portraying commonplace objects in various settings, evoking a sense of personal, everyday romance. Finally, Chow Hoi Yung Jennifer, from Hong Kong Art School, in her painting “Wonderland,” depicts her two cats living leisurely in a pure land, reflecting a deep yearning for tranquility within our society.

This exhibition invites viewers to explore the interconnectedness of entrance and exit, detachment and engagement, as seen through the eyes of the next generation of artists.

Pattoo, Chung Chun Kau, Ceramic & Underglaze, 45 x 24 x 28 cm, 2024

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