Martin Cid's Blog: Martin Cid Magazine, page 110

The Bell Gallery at Brown University Unveils Franklin Williams Exhibition

Pink Tea, 1972. Acrylic and twine on canvas.

Providence, RI, August 27, 2024 | The esteemed David Winton Bell Gallery at Brown University proudly announces the upcoming exhibition Franklin Williams: It’s About Love, which will be on display from September 19 to December 8, 2024. This exhibition signifies the first East Coast institutional retrospective of the distinguished octogenarian artist Franklin Williams (b. 1940). It’s About Love delves deeply into Williams’ vibrant, intricately textured multimedia works, created through a disciplined studio practice spanning six decades. The exhibition will feature 40 pieces, including sculptures, complex multimedia canvases, and works on paper, each teeming with color, texture, and organic forms. Often considered a precursor to and contemporary of the Pattern and Decoration Movement of the 1970s and various West Coast schools such as California Funk and Nut Art, Williams’ work resists simple categorization. His painting and drawing, which incorporate needlework, crochet, and other fiber arts learned during his childhood in rural Utah, are highly personal and use motifs rich in symbolism. His work sustains a delicate balance between figuration and abstraction, rigor and whimsy, while exploring themes of familial and romantic love, death, sorrow, and lust, with both humor and tenderness.

The retrospective is anchored by an exploration of the sixty years Williams has dedicated to a daily, meditative studio practice. Since 1970, Williams has lived and worked from his home in Petaluma, California, alongside his wife Carol Williams, who serves as both collaborator and studio manager. His studio seamlessly extends into their home, where the walls are adorned salon-style with ancestral heirlooms that deeply influence his practice. Williams’ own paintings and drawings are surrounded by handmade quilts, furniture, and artwork created by his mother, father, and paternal uncle. Raised in an environment steeped in art and poetry, Williams’ emergence as a visual artist was profoundly shaped by this backdrop, fueling his autobiographical approach to art-making. His parents, recognizing his talents despite his academic challenges due to undiagnosed color vision deficiency (CVD) and dyslexia, provided him with a studio and encouraged his burgeoning artistic abilities. An autodidact who learned to read in his mid-30s while teaching full-time at the San Francisco Art Institute and California College of the Arts, Williams embodies a self-taught ethos that remains skeptical of the international art world, paired with a deeply generous pedagogical career as a beloved teacher in the Bay Area. “I still work as deeply as I possibly can inward to where, now, I hear my own heart, and hear the whistling in my body, and sometimes I need nothing but what I am,” states Franklin Williams.

Three Blue Fingers, 1969. Acrylic, yarn and crochet thread on canvas stuffed with cotton batting, plastic, and wood.

Although the size, scale, and palette of Williams’ work have varied over the years, his artwork retains a vibrant, even eccentric, use of color influenced by his color vision deficiency, which results in unique color recognition. His canvases are imbued with intense emotion. The joys of fatherhood and his profound love for his wife reveal Williams’ work as diaristic. Carol serves as the inspiration for much of his figuration and nearly all of the femme-reading bodies in paintings such as Twins (Part 1 & 2) (1976) and Standing Figure (circa 1990s). These erotically charged objects are devotional, intertwining love and sexuality into vividly hued human forms and bodily organs, becoming portraits of intimacy and marriage as well as moments of mourning. Several works in the exhibition mark intense periods of pain, such as the loss of an infant daughter in Baby Girl #2 (1970) and Baby Girl #4 (1971); the passing of Williams’ father in Last Gate (1982); and the looming death of his mother in Cutting Apron Strings (1982).

There are also joyous family portraits, exemplified in Pink Tea (1972), as well as celebrations of the international travel that punctuated their life in Petaluma, as seen in Secret Sweet Slovakia (2020) and Portrait 5 (2015). Williams’ playful engagement with materials, subject matter, and color has persisted from his earliest soft sculptures, included in the exhibition, to his most recent paintings and drawings, such as Fez Feeds Lovable Beauty (2020) and Sensuous Submission (2021). For Williams, art-making is an incredible gift—a nearly mystical process that channels what he refers to as “beauty, mystery, and myth” into visual form, capturing the highs and lows of a life immersed in love.

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The Korean Cultural Center proudly presents the exhibition: `Duality: word against paper,’ a collaborative endeavor between students and faculty of the School of Art3 and the Korean Cultural Center, Madrid

Nestled in the heart of Paseo de la Castellana, 15, the Korean Cultural Center will be hosting an extraordinary exhibition titled “Duality: word against paper.” This remarkable showcase features handcrafted jewelry and artisanal works inspired by Hangeul, the Korean alphabet, and Hanji, the traditional Korean paper. As part of Hangeul Week, meticulously organized by the Center, this exhibition will be open to the public without any charge from September 5 to October 31, 2024. It promises an immersive journey into Korean culture, accentuated by a series of complementary events.

The exhibition comprises twenty distinctive pieces of artistic jewelry, goldsmithing and silverware, costume jewelry, and artistic enamel fire on metals. These works are the creation of both students and educators from all Higher Level Cycles of Plastic Arts and Design at the School of Art3. They pay homage to Korea’s rich cultural heritage, utilizing Hanji paper and drawing inspiration from elements such as the Korean alphabet, nature, poetry, and music.

Myriam Toledo, the director of Art School 3, emphasized the significance of this project. Coordinating with other faculty members, she noted, “The opportunity to work with Korean Hanji paper—a completely natural, timeless, fibrous, malleable, ductile, white, flexible, translucent, almost ethereal material—has been both a challenge and a source of inspiration for our students and teachers, who are accustomed to working with metal. The combination of metal and paper broadens our creative horizons and opens up new vistas.” Toledo further highlighted the diversity of the pieces, which range from brooches that can serve as decoys, badges, or flags—each telling intimate stories—to rings that balance subtlety and strength. There are also necklaces that encircle the neck, imbuing the wearer with an aura of power or sweetness. In this creative fusion, concepts like Hangeul have been brought to life, acting as transmitters of personal narratives through artistic forms.

Jaekwang Shin, the director of the Korean Cultural Center, added his thoughts: “This exhibition holds special significance, as it is a project that was interrupted by the pandemic and is now being revived with renewed enthusiasm and energy. The exhibition offers a unique experience that invites visitors to explore the artistic languages of both Korea and Spain, while delving into the intricacies of hanji—a Korean handmade paper known for its complex and labor-intensive manufacturing process, which endows it with exceptional quality and longevity. Due to its numerous properties, such as durability, versatility, and texture, hanji is gaining international acclaim both in traditional applications and contemporary art and design.”

The School of Art 3, a public institution under the Ministry of Education of the Community of Madrid, offers Higher Level Cycles in Artistic Jewelry, Artistic Goldsmithing and Silversmithing, Artistic Costume Jewelry, and Artistic Enamel Fire on Metals. Since 2021, the School has been honored with the National Crafts Award for Public Entities, in recognition of its efforts in disseminating, preserving, experimenting with, and innovating traditional techniques in goldsmithing, jewelry, and enameling, which form part of the Intangible Cultural Heritage. “We are privileged to collaborate with the Korean Cultural Center on this exhibition, which has not only strengthened our cultural ties but also expanded our shared knowledge,” concluded the School.

The exhibition: `Duality: word against paper’ is open for public viewing at the Korean Cultural Center until October 31, from Monday to Friday, between 10:00 AM and 7:00 PM, completely free of charge.

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Lincoln Center and Buglisi Dance Theatre present “Table of Silence Project 9/11” – In-Person and Livestreamed

On Wednesday, September 11, 2024, at 8:05 a.m. ET, Buglisi Dance Theatre, in partnership with Lincoln Center for the Performing Arts, will present the 14th annual “Table of Silence Project 9/11,” a profound public performance ritual and global call to action for peace. This free event will be held in person at Josie Robertson Plaza at Lincoln Center and livestreamed worldwide.

“Scattering the seeds of hope, we recognize the need for healing, compassion, and the courage that it takes to make change.” – Artistic Director/Choreographer Jacqulyn Buglisi

The “Table of Silence Project 9/11,” conceived and choreographed by Jacqulyn Buglisi, Artistic Director of Buglisi Dance Theatre, first debuted in 2011 as a tribute to the 10th anniversary of the September 11th attacks. This moving work has evolved into an annual tradition, resonating with audiences across the globe as it addresses contemporary issues such as social justice, environmental sustainability, and the universal longing for freedom from oppression.

“We are deeply honored to present this powerful work, offering New Yorkers and viewers worldwide a way to remember those we’ve lost,” said Shanta Thake, Ehrenkranz Chief Artistic Officer of Lincoln Center for the Performing Arts. “Art plays a crucial role in fostering community, solace, and shared understanding as we move through the world. We’re proud to partner with Buglisi Dance Theatre on this project year after year.”

Table of Silence Prologue Photo by Paul B Goode 2020

This year’s performance features a collaboration of esteemed artists, including Buglisi Dance Theatre Co-Founder/Bell Master/Principal Dancer Terese Capucilli, Visual Artist Rossella Vasta, Composer/Violinist Daniel Bernard Roumain, Principal Dancer Virginie Mécène, Composer/Percussionist Paula Jeanine Bennett, Conch/Flute Artist John Ragusa, Percussionists Jeremy Smith and Stahv Danker, Sopranos Carla Lopez-Speziale, Film/Livestream Producer Nel Shelby of Nel Shelby Productions, and over 150 dancers for peace. Notable performers include Lloyd Knight, Blakeley White-McGuire, Leslie Andrea Williams, Lauren Jaeger, Jessica Sgambelluri, Jai Perez and Isabella Pagano.

At dawn, more than 150 dancers, draped in white, will ascend Josie Robertson Plaza, guided by the indigenous sound of a conch shell’s call for truth, solidarity, and peace. As they move in unison, the dancers will be accompanied by the hauntingly beautiful sounds of violin, flute, saxophone, trumpet, bells, vocalists, and the resonant “heartbeat” of bass drums. Performing 12 ritualistic gestures, repeated in sequences of ten, the dancers will form three concentric circles around the iconic Revson Fountain, creating a Peace Labyrinth. This sacred space will be imbued with the transcendent energy of a Mandala, connecting both dancers and viewers to the healing rituals of the natural world. At precisely 8:46 a.m., the dancers will raise their arms skyward in a powerful gesture of universal peace.

Envisioned as a multicultural performance ritual for peace, the “Table of Silence Project 9/11”, awakens compassion and unity, bridging all cultural and geographical boundaries through a shared experience of resilience. As the work continues to evolve, it remains a potent healing ritual, confronting the urgent challenges of our time and standing as a voice for those enduring systemic oppression.

Presented by Lincoln Center in partnership with Buglisi Dance Theatre, the “Table of Silence Project 9/11” is a project of the Arnhold Dance Innovation Fund. The event is supported by an array of community partners, including Chelsea Factory, The Juilliard School, Martha Graham Dance Center, Alvin Ailey American Dance Theater, Limón, Gibney Dance Center, and others. The performance will be livestreamed to a global audience, building on a tradition that has reached over 4.4 million viewers across all 50 states and 235 countries/territories.

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“Untold: Sign Stealer” Michigan State Scandal and the Alleged 2023 Sign Theft with Its Own Icon: Connor Stalions

“Sign Stealer” is a documentary of the “Untold” sport series. It is directed by Micah Brown.

A legendary team such as Michigan State has rarely managed to best Ohio State. Ever since clinching the national championship title in 1997, Michigan State has struggled to overcome Ohio, and this persistent failure posed a significant issue for the team.
Enter Connor Stalions, a former Marine with a knack for strategy.

No college team has etched as much history into the annals of sports as Michigan State: in 2023, a massive scandal was uncovered involving a mysterious figure at the games, sporting sunglasses. His name: Connor Stalions.

In the realm of college football, plays are conveyed from coaches to players through a complex system of signals. As telephone or radio communications are prohibited, it’s commonplace to witness coaches gesturing animatedly to direct their players.

These signals constitute a sophisticated language of their own: there are decoy signals, and multiple coaches may signal simultaneously to baffle the opponent. Recording the matches to decipher these signals is strictly forbidden to maintain fair play.

Yet, there exists an underground cadre dedicated to deciphering opponents’ signals, exploiting the loophole that allows watching games on television.

Michigan State discovered an exceptional talent in this clandestine world: Connor Stalions.

Indeed, pilfering signals from adversaries is unequivocally banned by the NCAA.

About the Documentary

“Sign Stealer” is a documentary that presents the firsthand testimony of Connor Stalions himself, detailing his methods and the inner workings of college football.

Connor contributed to Michigan’s victorious streak starting in 2021, leading to a series of triumphs over their arch-nemesis, Ohio. Under the guidance of Jim Harbaugh, the head coach of the Michigan Wolverines, the team seemed invincible, winning match after match.

“Sign Stealer” delves into Connor Stalions’ intricate system, showcasing how he amassed a remarkable database of market trends in transfers, signals from various teams, and more. This comprehensive database endowed Michigan with a significant competitive advantage, courtesy of the ingenuity of this former Marine Corps captain.

In 2023, Michigan State triumphed over Ohio State, advancing to the National Championship. With Connor orchestrating from the shadows, they dominated the field, anticipating every move, and exerting control over every facet of the game.

Then the bombshell dropped: Yahoo Sports reported that the NCAA was investigating Michigan State for the illegal practice of stealing opponents’ signals.

The revelation sent shockwaves through the media: the Washington Post ran with the story, accusing Michigan of deploying spies to opponents’ games to record signals illicitly, thereby gaining an unfair advantage.

The crux of the scandal: recording the games, a clear violation of the rules. Additionally, dispatching individuals to spy on opponents is strictly prohibited.

Was Connor Stalions the mastermind behind a covert Michigan State spy network, reaping competitive benefits? Did Michigan transgress the rules in 2023? How did this sensational case conclude?

Yes, Connor Stalions himself unravels the mystery in yet another enthralling documentary from “Untold”.

Where to Watch “Untold: Sign Stealer”

Netflix

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“Adam Sandler: Love You”: The More Nuanced and Melodic Side of Adam Sandler

Adam Sandler stars in “Adam Sandler: Love You”, a stand-up comedy special directed by Joshua Safdie.

In “Love You,” American comedian Adam Sandler presents a more mature persona, diverging from the typical humor found in his Happy Madison productions. This performance showcases Sandler’s ability to evolve, delivering a fresh comedic style that captivates the audience.

Sandler’s routine is a blend of sexual innuendos, jests about smoking clowns, and quips on child education. However, the most striking revelation is his musical prowess. Sandler skillfully plays the guitar and sings across various genres, all while peppering his act with quintessential New York humor.

The show kicks off with an impressive one-take sequence, setting the tone for a performance that transcends typical family comedy. Sandler delves into darker, edgier humor with bold and daring jokes, revealing a different facet of his comedic talent.

As a comedian, actor, and producer, Sandler’s delivery is anything but exaggerated. His stand-up act feels natural and authentic, peppered with intentional or unintentional missteps that add to its charm and hilarity.

In “Love You,” Adam Sandler reinvents himself once more, offering an adult-oriented show with a more nocturnal, somber, and daring sense of humor. Prepare to be entertained by this refreshing take on Sandler’s comedic genius.

Where to Watch “Love You”

Netflix

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Korean Comedy ‘No Gain No Love’ on Prime Video: Weddings, Where Humor and Personality Collide

“No Gain No Love” is a South Korean series starring Shin Min-ah and Kim Young-dae.

Weddings are a big business, and this economic reality holds true no matter the era or location, from medieval Europe to contemporary South Korea. Prime Video’s new series, ‘No Gain No Love,’ delves into this universal truth with a comedic twist that’s hard to resist.

At the heart of ‘No Gain No Love’ is the irrepressible Son Hae-young, a woman with an insatiable drive to always come out on top. Unfortunately for her, luck in love isn’t as easily conquered. Her romantic endeavors consistently hit dead ends, leaving her exasperated. She views marriage as just another transaction and grows increasingly frustrated by the mounting expenses of attending her friends’ and co-workers’ weddings.

Enter the antithesis of her worldview: a man who is all heart, kindness, and selflessness. He’s dedicated to helping the less fortunate and serves the community without seeking anything in return. Naturally, this irritates Son Hae-young to no end, but as the saying goes, the line between love and hate is a thin one. The series cleverly hints that this antagonistic dynamic might just evolve into something more heartfelt.

Son Hae-young, ever the pragmatist, decides to tackle the financial disparities of wedding culture in her own unique way, setting the stage for a multitude of comedic escapades.

About the Series

Shin Min-a shines as Son Hae-young, delivering a performance that transforms ‘No Gain No Love’ into more than just a romantic comedy. Her character is layered, imperfect, and utterly captivating. Shin Min-a masterfully portrays these nuances, making her character relatable and endearing despite her flaws. It’s this complexity that elevates the series, ensuring it resonates deeply with its audience while maintaining its comedic core.

Streaming platforms like Netflix and Disney+ have long embraced Korean series, and Prime Video is no exception. ‘No Gain No Love’ stands out with its lighthearted and entertaining approach, promising to elicit more than a few hearty laughs. Though only the first episode has been released, it has already left audiences in stitches, especially during the scene where Son Hae-young discovers her ex’s infidelity at his wedding reception.

In essence, ‘No Gain No Love’ offers a delightful escape from the complexities of modern life. It humorously highlights that while everything might boil down to business, there’s no reason it can’t also be incredibly fun. So, sit back, relax, and enjoy this hilarious series that’s sure to bring a smile to your face and a laugh to your heart.

Where to Watch “No Gain No Love”

Prime Video

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“Longlegs” Horror Film: Beyond Nicolas Cage, a Magnificent Horror Creation by Osgood Perkins

“Longlegs” is a horror movie starring Maika Monroe, Alicia Witt and Blair Underwood. With Nicolas Cage. It is written and directed by Oz Perkins.

“Longlegs” is, first and foremost, a film that showcases brilliant staging, impeccable pacing, and a masterful grasp of horror elements. It features pure, unadulterated setting and aesthetics, and most importantly, delivers stunning performances by Maika Monroe and Nicolas Cage. Nicolas Cage portrays the most formidable and sinister character (as one would expect), but the film transcends beyond his versatile acting prowess: it stands as an exemplary horror film in its technical aspects, brimming with aesthetic innovations and meticulously crafted settings.

This is a tale that could easily have fallen into the trap of being a conventional, almost clichéd story of a serial killer, but it evolves into something far more terrifying, thanks to the screenwriter and director, Oz Perkins, to whom we owe this demagogic horror masterpiece.

Plot Summary

Two FBI agents are on the trail of a serial killer who has been ruthlessly murdering families over several decades. It is soon revealed that the killer is fixated on one of the agents, Lee Harker.

[image error]LonglegsAbout the Film

“Longlegs” is replete with compelling aesthetic concepts: it features haunting cinematography, scenes brimming with unsettling terror, and a pacing that avoids devolving into mindless gore. The gory scenes present are justified, becoming even more shocking due to their meticulous preparation, pacing, and, above all, the film’s exceptional staging and setting.

This could have been just another serial killer movie, but “Longlegs” goes above and beyond, achieving a first-rate aesthetic and narrative proposition through its cinematography, setting, photography, and rhythm. These are the traits that should define horror but are rarely found together. Here, however, they coalesce into a film that could have been another Nicolas Cage misfire but instead becomes an outstanding horror film.

Indeed, Nicolas Cage’s presence heavily influences the film. He is deeply immersed in his character, to the point of being nearly unrecognizable. His performance carries the degree of exaggeration and histrionics that fans have come to expect from him. However, in terms of acting, the film truly belongs to Maika Monroe, an exceptional actress who seems to specialize in horror thrillers. Monroe knows how to craft a character and it’s evident that she is a talented actress waiting for a more substantial dramatic role. Her talent is undeniable.

Our Opinion

This film is a testament to the director, Oz Perkins, who shines with excellent staging and turns what could have been a mediocre horror movie into something extraordinary. “Longlegs” is, without a doubt, an excellent horror film.

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Euridice Zaituna Kala Debuts Solo Exhibition at Galerie Anne Barrault

From August 31st to October 5th, 2024, Galerie Anne Barrault proudly presents the first solo exhibition of the talented artist Euridice Zaituna Kala, titled “En quelques gestes: as if two suns were setting.” This exhibition delves into the intricate relationship between urban architecture and the natural environment, emphasizing how human activities have shaped and exploited the urban landscape.

Euridice Zaituna Kala, the recipient of the prestigious Villa Albertine research residency for 2022/2023, embarks on a journey to highlight the complex interplay between New York City’s architecture and its inherent connection to water. Her work seeks to unveil the historical and contemporary dynamics of domination rooted in colonial history and introduces the compelling concept of the liquid city. Through an extensive study of New York City’s topography, Kala examines its environment, urban layout, buildings, and inhabitants, with a particular focus on the pivotal role of water. Water, a defining element that envelops the city, serves as a living boundary, delineating the extent of human control over nature.

[image error]Euridice Zaituna KalaNuit Américaine, 2024photographie digitale noir et blanc / digital photography black and white50 x 40 cm

Continuing her exploration of archival materials, Euridice Zaituna Kala delves into the historical narrative of New York City. She investigates how the city’s development has been intricately tied to the concealment of its water sources, from its indigenous origins through colonization. The Lenape nation, the original inhabitants, once lived in a landscape characterized by hills and rivers, which urban planning has since transformed into the flat terrain dominated by towering skyscrapers. The name Manhattan itself derives from “MannaHatta,” meaning “the island of many hills,” a stark contrast to its current skyline.

Kala’s research into contemporary architecture as a form of soft power zeroes in on Manhattan’s luxury residential skyscrapers and the social housing projects predominantly occupied by Black and Latin American communities. Her work reveals the stark social inequalities mirrored in the city’s architecture: while skyscrapers soar into the sky, symbolizing affluence and power, modest neighborhoods grapple with the rising waters exacerbated by climate change.

The art pieces showcased in this exhibition are the culmination of Kala’s extensive research and creative endeavors during her residency in New York City. They offer a thought-provoking reflection on the complex relationships between architecture, social inequality, and the natural world. Visitors to Galerie Anne Barrault will be treated to a compelling visual and intellectual experience that challenges conventional perceptions of urban landscapes and their intrinsic ties to history and nature.

Galerie Anne Barrault

51 Rue des Archives, 75003 Paris, France

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“Oddity” Horror Movie: One of the Most Outstanding Horror Films of the Year

“Oddity” is a horror movie written and ddirected by Damian McCarthy starring Gwilym Lee and Carolyn Bracken.

“Oddity” is a cinematic gem that had flown completely under my radar until its premiere. I went into the film with no prior knowledge or expectations, but within just three minutes, I found myself captivated by its unsettling atmosphere. It quickly ensnared my curiosity with a sense of mystery, leaving me wondering about the direction of the plot and the ultimate destination of its narrative journey. This is one of those rare films that gradually, through its eerie ambiance, draws the viewer into a chilling, shadowy, and fantastical game, constantly blurring the lines between reality and fiction.

Plot Overview

Following the tragic death of her twin sister, a blind medium maintains contact with her sister’s grieving husband, who has since found a new partner. Her repeated visits to the couple lead her to uncover a series of disturbing truths.

About the Film

“Oddity” excels primarily in its ability to disturb and unsettle, provoking the audience to question the nature of reality, fiction, and the thin veil separating the living from the dead. The film masterfully paces itself, akin to a well-composed melody, seamlessly alternating between moments of high tension and eerie calm. The characters, teetering on the edge of sanity, are brought to life through strong performances by the main trio. Yet, it is the director who deserves the highest praise, for his adept handling of the atmospheric, almost psychological horror that leaves viewers disoriented and ensnared in the paranormal thriller unfolding on screen.

This film is a triumph in all aspects of its creation—scriptwriting, direction, acting, and cinematography. It stands as a testament to how a well-crafted horror movie does not require an extravagant budget to achieve elegance and impact. Every frame exudes a sense of refinement, proving that “Oddity” could not have been executed more impeccably.

“Oddity” is a classic horror film that skillfully incorporates familiar elements such as the twin sister, the Golem, the spirit realm, and ghostly apparitions, presenting them in a fresh and compelling manner.

Our Verdict

Are you a fan of horror? Then this film is an absolute must-see. It stands as one of the finest examples of its genre to be released this year.

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Theresa Rex Releases New Single ‘Ugly Cry’: A Messy-Girl Anthem That’s Utterly Irresistible

Theresa Rex, the acclaimed Danish independent multi-platinum pop artist, is baring her soul with her latest release, ‘Ugly Cry.’ The single, which she dubs a “messy-girl anthem,” is set to hit the airwaves on August 23rd, promising to be a relatable and heartfelt addition to her discography.

Known for her quirky yet genuine songwriting, Theresa Rex consistently resonates with her audience through her unique blend of playful and sincere lyrics. ‘Ugly Cry’ continues this trend, delivering her messages with infectious scandipop beats that fans have come to adore.

“I think most of us know that feeling of getting drunk and reaching that point of no return, where the lid just flips and the valves open, and you become an over-sharing, over-emotional, ugly-crying fool, sitting there on the bar bathroom floor asking your friends to hold your hair, do we not? Well, if you do, this might be the messy-girl anthem for you. Sometimes all you need to do is cry until the whole damn place is stuck under water,” Theresa Rex tells.

The track is driven by a simple yet engaging acoustic guitar arrangement, combined with a clever chord progression that makes ‘Ugly Cry’ both impactful and irresistibly catchy. The production, handled by the talented Jacob Buchardt, enhances the song’s emotional depth while maintaining its upbeat tempo.

Even if Theresa Rex’s name doesn’t ring a bell, her distinctive voice likely does. With over a billion streams to her credit, she is the voice behind global hits such as Martin Jensen’s ‘Solo Dance’ and Jonas Blue’s multi-platinum single ‘What I Like About You.’ As a songwriter, she has collaborated with international artists like Cheat Codes, Dimitri Vegas & Like Mike, James Carter, Timmy Trumpet, and Alle Farben. Notably, she achieved a #1 spot on the US Dance Charts last year with AFROJACK on their track ‘Let Me Go.’

Theresa Rex’s ‘Ugly Cry’ is poised to become the new anthem for anyone who has ever found themselves overwhelmed by their emotions. With its relatable lyrics and catchy melody, it’s sure to strike a chord with listeners everywhere.

FOLLOW THERESA REX

INSTAGRAM
FACEBOOK
SPOTIFY

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