Suzy Davies's Blog: Book News - Posts Tagged "retellings"

"The Ugly Duckling by Hans Christian Andersen
Offensive tale of persecution and body fascism in which an ugly-looking bird is given a hard time wherever he goes. The only birds who take him in are a group of wild ducks, who are then promptly slaughtered. He just about survives a wretched, lonely winter and is willing his own death when he is saved by a sudden (and wholly unconvincing) transmogrification into a swan.

Rewrite: Joins Ugly Duckling Support Group; campaigns successfully for physically challenged ducks' rights; is ultimately accepted for what he is rather than conforming to meaningless notions of grace and beauty."

I recently read with interest an article in "The Guardian" that argued for a new kind of children's book. One which was not so bleak and pessimistic. Perhaps one that told a story with a happy ending?

My fairy story, "Luna The Moon Pig," was inspired by my old favorite children's books with Paddington Bear and Kipling's "Just So" stories. It is also a reimagining of "The Ugly Duckling" and one which allows a pet pig, Luna, to be a super-pig and just a pig, at the same time. My idea for the ending is that she is who she is! The difference is in her own new-found self-confidence! Although Luna does not join a pigs' support group and campaign for pigs' rights, Maria, the lead human character, is on a mission to raise awareness of piggies! Luna The Moon Pig shows that animal rights should be extended to include all animals who are sentient creatures. I hope you enjoy the ending when you read my book! Here are my ideas about what makes a great ending!

In my view, a good ending requires a number of things all working together - namely:-

Resolution

The plot should all come together at the end in such a way that obstacles or problems the characters face are resolved. If the ending is magical, it should have enough of a real dimension to allow readers to suspend disbelief.

Development

The ending should show forth how characters are transformed by their journey in the world of the book. After all, life only makes sense to the extent that we are in process and find meaning through our ability to connect with others and help to shape their lives, as our interaction with others shapes ours. There should be a sense of each character having agency and some power to create their lives.

Satisfaction

A convincing ending and one which resolves things and shows the transformation of characters will
satisfy. The best endings for children's books are ones which appeal to our need for some justice in the world, and a sense that the good guys can, and do, win!

A Surprise.

What I like to see is a surprise ending in a fairy tale which still satisfies all other criteria to make it the best ending. An ending should never feel incidental or tacked on. It should be holistic both to plot and character. A well-written book will give clues to the ending, but at the same time surprise and delight!

A Beginning.

For me, every ending contains a beginning. It is essential that an ending leaves a reader satisfied but full of anticipation about the next chapter ... the beginning of a new book in the series!

What Music Inspires Your Books?

I have noticed that whenever I write, I always hear music that becomes a kind of soundtrack when I am writing. Very often this music is a driver for my writing, helping me to visualize the characters, scenes and settings of a book.

I thought I'd have a little fun with you today and let you into the secret “soundtracks” behind my recent writings. I'd be delighted to hear about yours!

“The Girl in The Red Cape” “When The Going Gets Tough, The Tough Get Going,” Billy Ocean

“Celebrate The Seasons,” Vivaldi – The Four Seasons

"Sleepy Animals," Brahms Lullaby.

"Luna The Moon Pig," I composed a few tunes of my own for her :)

"Snugs The Snow Bear," "Northern Lights," by Renaissance

"The Cave," "Rolling in The Deep," Adele

"Johari's Window," "Cherry Blossom Girl," Air, and "Cherry Blossom Ending," Busker Busker

"The Girl in The Red Cape" is about to launch on Amazon. Hold tight for a magical, mystical ride! The work of Hans Christian Andersen, and Clarissa Pinkola Estes inspired this book for children 8 years plus and their adults. Illustrated by accomplished artist, Michele Bourke, this fiction book is filled with snowy Alaskan scenes which depict Mushers and sled-dogs, wildlife and the beauty of Alaskan star-filled skies. Happy Holidays to all my readers, near and far, and Every Happiness in The New Year!

Thrilled to announce our New Release Children's Book, " The Girl in The Red Cape," available on Amazon!

5-stars for "The Girl in the Red Cape: A Mystical Sled Ride" by Suzy Davies, illustrated by Michele Bourke


Customer Review
Dan Santos
5.0 out of 5 stars Finally, the secrets of Little Red Riding Hood
Reviewed in the United States on July 12, 2020
From time to time the child in us revisits the fairy tales which have been there like forever. I don’t know about you, but I often wonder if a particular fairy tale holds meanings we missed as children. The temptation to reread it grows stronger when little details come to haunt us. Such is the case with Little Red Riding Hood.
It fascinated and even scared me the first time I heard it. A precocious (and frankly a little pain in the butt) kid, I began to ask questions. What illness did her grandmother have? Why didn’t an adult accompany her through the dangerous woods? What’s with the cape and the hood? Who was that girl anyway?
It seems I wasn’t alone in my search for answers to my troubling questions. Suzy Davies decided to tackle the revisit and answer many of the questions. As a parent, I could have predicted the first answer: the kid was a teenager. Sometimes that explains a lot of erratic behavior. But the author went further. She had a name: Stella. And she had an interesting story.
Suzy Davies built a modern day children's book around this traditional fairy tale. She has a tremendous imagination and knows how to tell a story. Moreover, she kept it within the realm of eight to ten year olds. So it is safe to share it with your little ones. And, oh yeah, it has illustrations!
So here’s your chance to begin answering all those questions. It’s a perfect early reader, or even a book to read to your kids at night. Do people still do that?

https://scribblingsofasouthernbelle.c...

Elsewhere on my Goodreads blog, I have provided an introduction to my writing process, which I state is more instinctive than organized. But when I am writing a longer work, in this case, a novel of around 50,000 words, I really have to concentrate all my efforts, and that means that a great deal goes into the planning stage and the final stage, polishing before it goes to editing.

My process for “The Snow Queen” was as follows:

Reading and Researching

Naming Characters and Writing Notes about them

Writing the First chapter…Revising The First Chapter

Planning The Story Outline in Notes

Writing Each Chapter

Writing The Final Chapter

Rewriting The Final Chapter

Reading My Work

Devising Questions that Expose any Plotholes

Developing and Exposition of Chapters

Rewriting The Final Chapter

Final Revision of The First Chapter

You can see from this brief at-a-glance outline of the process, that a great deal of back and forward motion went on. I also have to admit, that a great deal of planning went into the book. Maybe I should call this article “Making Progress - from Pantser to Plotter!” It certainly reflects my writing journey. The more I write, the more I discover just how much forward planning is a brilliant strategy that is so very rewarding. At the same time, inevitably, I have to revise and rewrite what I have written, making subtle changes in plot direction as I go along when the characters want things to progress in a slightly different way than I have planned.

I’ll explain each stage of the process, the logistics behind it, and why I think my methodology paid off.

Reading and Researching

Would it be illogical to say a writer can “do research” without planning to do it? Well, never mind! I do in fact believe this is exactly how it all happened for “The Snow Queen.” Maybe writers subconsciously seek out “writing material” in their own lives as they live them, then they squirrel these experiences away, to unearth them as resources later, in their books.

Anyway, the first piece of my research, although I was far too young to realize it, was reading Hans Christian Andersen’s original “The Snow Queen,” a hand-me-down book from my late mother. I did not read much into it as a child, and of course, I did not notice the richness of the subtext to the story. At about 8 years old, I just felt the book was the most enchanting fairytale I had ever read. Each winter, when there was snow, I imagined I might get a visit from the fairy Snow Queen, who would tell me all the secrets of her magical Queendom, and then she would wave, and drive off in her sled made of ice, pulled by reindeer. Sometimes, when I saw this, in my mind’s eye, I would stand completely motionless, peering through my bedroom window, through the icicles that made a miniature winter wonderland in my imagination, on the glass.

My fascination as a child with Hans Christian Anderson’s masterpiece did not end there. I remember having a musical box of a Snow Queen dancer, and she came alive to me every time she spun and twirled round and round to the melody that was so haunting. So for me, The Snow Queen was also a dancer, and this gave me the clue to my Roma character, Bryony, the wanna-be queen in my new take of The Snow Queen story.

Those of you who follow my blogs will already know, I “went back to school” to study the works of Hans Christian Andersen as an adult. I studied him through an online course provided by The University of Aarhus, and it was so very worthwhile.

When I read “The Snow Queen” for the around fifth time, (I think I read it around 4 times as a child,) I saw the story through new adult eyes and loved it all the more for the deep insights into human nature Andersen depicted. More than anything, I knew I was hooked on the incredible magic of it all. I just had to write my own version.

One very strong motivation for me was the knowledge, gained from my dad’s cousin, a former tv producer for B.B.C Wales, that we are descended from Roma people on my late dad’s side of the family.

I have always loved drama and reality shows, so I drew on one of my all-time favorite tv series, “My Big Fat Gypsy Wedding,” to create a magical story that had a thread of Romance through it - a love theme - that would be suitable for my Young Adult audience to read.

My thoughts turned to how to pay tribute to H.C.A, and write something reasonably good. The biggest challenge was how to write the magic, how to write beautiful descriptions in the story that would paint enchanted snowscapes, in the country and in the city in the mind’s eye of the reader. Fortunately, memories of my beautiful Wales, The Land of my Father, provided me with all the knowledge I needed.

I knew that The Ice Palace was in Scandinavia - “The Snowlands” - in my book. Again, it was lucky I had visited the birthplace of Hans Christian Andersen, Odense, in Denmark, and had traveled throughout the land which has a real fairytale castle of its own, and a real Danish fairytale about it. I decided that The Snow Queen did not live here - she was further North in the deepest, coldest part of The Snowlands, but that a fairytale Princess lived here, who would provide Cerise, sister of The Lost Boy, Adam, (originally Kai in the Andersen story,) with a pleasant detour on her quest and journey to The Ice Palace.

I wanted the story to have a happy ending. The resolution takes place in Eire, a favorite place I have visited on several occasions; the most memorable being at Waterford Writer’s Festival. Of course, Rathkeale is an important setting in the book, and I borrowed from my knowledge of weddings to write the final chapters. I included some gypsy traditions in my story, and of course, I had to mention the Emerald Isle’s lush gardens, fairytale castles, and Irish rain!

Naming Characters and Writing Notes about Them

I always enjoy “christening” my characters when I have found names that seem to fit them perfectly. Some names I take from real life, and some I research in baby name books to find their origins and meanings.

I’m particularly pleased with the name for the heroine Roma warrior woman - Bryony - in my story. It means vine, which fits perfectly with the extract from the Roma song at the front of the book, “Gelem, Gelem.” Bryony’s eyes are like dark grapes!

I’m also delighted with my name for the magical artist and acrobat Troll in the story. Dvalin means to dawdle, and when he visits The Ice Palace on a mission, he measures out The Palace’s grounds in dwarf steps.

All the other characters you will meet when you read the story.

Writing The First Chapter and Revising It

I am always excited when I write the first few sentences of a new book. But I always know that the first chapter is always going to be revised when I have completed the whole work. It is such an important task to get it right because it sets up the entire story - mood, characters, plot direction - the essence of the whole thing. For “The Snow Queen,” I decided that magic was the word that best described the overall theme and heart of the story so it seemed a good idea to open with The Wizard - a villain in the story who has a redeeming quality in spite of his evil nature - that of his love for “Mi Lady” - The Snow Queen.

Planning The Story Outline in Notes

Once I have a rough draft of the first chapter, I then sit quietly, thinking about the big picture and the overall arc of the story. The first question I ask is about motive and motivation. What does the character want? What is at stake? What happens if the protagonist does not get what he/she wants? I then think carefully about conflicts in the story, and how one character’s aims or goals clash with another’s. Finally, I think about conflict resolution - or otherwise - and how the whole thing comes to a head and is then resolved. What effect has the journey or rite of passage had on the characters? Who or what has changed them, and in what ways, however subtle? I may take a couple of days or so “playing” with alternatives before making the first outline, which I may revise as I am developing the story.

Writing Each Chapter

This is when I really pull out the throttle and I am in full flow unless I see something I have forgotten to show along the way, in which case I will go back and forward as I write. I tend to write the first draft as fast as possible in the knowledge that this IS only a first draft. Inevitably, there are several revisions.

Writing The Final Chapter

The ending is important in order to satisfy the reader and make the story believable. I tend to write my endings very slowly, and they go through several revisions with each revision of the main body of the story.

Reading My Work

When my first draft is complete, I read the story out loud. With a long book, I usually do this in two or three-part readings, right to the end. I get a second pair of ears to listen. If anything does not sound quite right, I scrap it and rephrase it to make it flow better. I always check dialogue for naturalness. I pay particular attention to cadences.

Reading for Plotholes

I read my work silently a second time, in several sittings, chapter by chapter to see that everything makes sense and that there are no plotholes. I find it helps to make a list of questions and to ask yourself the answers to each one. For example, “How does X know Y?” If you ask questions about your story, it exposes things that you may have glossed over or overlooked.

Developing and Exposition of Chapters

Sometimes, it is helpful to develop a chapter or two if they haven’t fulfilled their potential or function in the work as a whole. Sometimes, this is needed to say more about a character, setting, or event or to ease the flow from one chapter’s ending to the beginning of the next. Again, I may do this several times over until I am satisfied.

Rewriting The Final Chapter

You can say the same thing in a final chapter in so many different ways, and it will make sense. What I always bear in mind is creating a satisfying, believable ending. I tend to prefer happy endings, even with a dark read. The important thing is to think of the reader as a guest and your book is the table. What kind of feeling do you want to leave the reader with when they have read your book? A certain amount of ambiguity I love because it lets the readers' imaginations in. I usually have 2 or 3 alternative endings before I decide on the best and final one.

Rewriting The First Chapter

Once the whole work is done, it’s time to revisit the beginning. I always ask myself, “Does this beginning hook the reader? Does this beginning draw them in? Is this beginning the very best I can do?” if the answer to all these questions is “Yes!” I have completed my book, ready for editing. I have found it very useful to see how great writers begin and end their books; it gives me something to aspire to.

Let me take you back to London Town, in the old days. A sister and brother live in an upstairs tenement.They are poor and not yet worldly-wise. My book, “The Snow Queen” takes you to this London you may already know or have read about. But although the metropolis is very real, it is seen through a magic lens in the mind’s eye.

The city shivers with chiming voices on fragile winds that sigh. The presence of an ethereal beauty rides the wintry landscape. Children are in a playground on the swings. Back and for, back and for, they ride. Time stands still in an innocent world of cars and trains, traffic lights, steaming chips and ketchup, Christmas trees and oily rainbows on cracked concrete… and Mum at home awaiting them…

Yet as they grow, and the years pass slowly, someone else — a wizard — is watching. He has a plan. To conjure a spell to ensnare a boy, a teenager of good character, a hard-working boy, Adam. He will be The First Slave.

And so, through this dark conjuring, this malevolent wizardry, the world of reality and the world of magic collide. The dark force of the wizard’s magic will be known and felt. And the children of the world will be held captives forever…

Far, far away, over the ocean, all the enchantment and wonder of a glittering winter; a winter in The Snowlands, a place of mystical animals that tread the land and soar on the wind awaits. This is a mythological land of dreams.

A shoemaker is making a boot fit for a king. A princess awaits in her Danish castle with her horses who follow the star of Pegasus. A seamstress in Rovaniemi is sewing a gown of sparkling threads and jewel-drops, fit for a queen.

The Snow Queen resides in the frozen glass Ice Palace in Norway. She is waiting for her wizard. Together, they will be an evil power couple, and rule till the end of days.

A Snow Goose rides through the storm, carrying Sean to his one true love.

A brave dwarf has a plan…

Adam slumbers, a prisoner, alone in the fairy tower on the west wing of The Ice Palace. Beside his bed, a game of chess, the black king toppled over.

Aragog lies in wait in her glistening web …and always, there’s dark magic…
The wind whistles through the skeleton tree. In her crystal ball, the old gypsy caught a glimpse of what would befall her daughter. The three sisters cast their spells, harnessing good and the forces of nature.

There is yet a ray of hope. Truth be told in the prophecy of The Book of The Ancients.

In a fair world of good and evil, there’s a battle ahead. Justice is all in this moral universe. Darkness consumes itself. The Light shines forever. Shimmering rainbows dance through shadows in the snow. Celestial light glows from the heavens.

The world of “The Snow Queen” is a romantic world; a fairytale, of castles and queens, rivalry, jealousy, revenge, destiny and inheritance. It is a world of sacrifice and redemption.

My book is an epic love story. Bryony, a young warrior with dark gypsy eyes, is the heroine. Over the sea, as if in a dream, she rides, and back again, on an ocean of forgiveness, to a land, long forgotten, back in time…

The Idea for The Snow Queen

My book is a reimagining of Hans Christian Andersen’s original story.The seed of an idea to have a gypsy protagonist in my story came from my late dad’s cousin who was a television producer for Children’s BBC Wales. At a churchyard gate, in Llanberis, she informed me that on my late dad’s side of the family, we are descended from Roma people.

My Writing Process

I have written at length about my writing process on Goodreads. Basically, I combine plotter and pantser tactics. I have an outline of the story and a sense of an ending before I begin writing. However, I think you can overplan, so I revise and adjust my ending at intervals in line with the resolution of the story. The characters “tell me” which way to go. It’s a process of forward and back, and thorough editing before it all comes together. I think spontaneity is what makes writing full of life and exciting. From the seed of an idea, to outlining, writing and several edits, it takes me about 18 months to write a book this length. Part of this is because I enjoy tackling a variety of projects so I am never working on one project full time until I reach the editing stage.

A Meeting of Hearts, Hands and Minds

After writing my book, I wondered how best I might share it with people across the globe. It was just like a fairytale, a dream come true, when I discovered, quite by chance, the enchanting multi faceted world of air and paper created by the world-acclaimed paper cut artist, Bit Vejle, who is the founder of The Museum for Paper Art in Blokhus, Denmark. My fairytale journey did not end there. I revisited Musuem Odense, and found the courage to approach them with a view to featuring some of Hans Christian Andersen’s paper cuts in the paperback and hardback editions of my work. I was so fortunate that Niels Friis agreed, much to my delight! Now our book is a dream come true — something I have dreamed about all my life!

Book Blurb

The Robber Girl is back! Bryony has a special destiny, foretold in The Book of The Ancients.With her dark eyes on a handsome Roma boy, Sean, and a gypsy crown, she has a battle to win, cheating death. She must rescue Adam from the Snow Queen’s web of evil, defeating the wizard and his dark sorcery. If she fails, the evil couple will cast a maleficent shadow of doom across the world, enslaving all children until the end of time. In this tale of romance, magic, rivalry, inheritance and destiny, a heartwarming epic journey awaits.