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Billy Collins

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Billy Collins


Born
in New York City, The United States
March 22, 1941

Genre


William A. ("Billy") Collins is an American poet. He served two terms as the Poet Laureate of the United States from 2001 to 2003. In his home state, Collins has been recognized as a Literary Lion of the New York Public Library (1992) and selected as the New York State Poet for 2004. ...more

Average rating: 4.16 · 62,786 ratings · 5,941 reviews · 112 distinct worksSimilar authors
Sailing Alone Around the Ro...

4.23 avg rating — 13,341 ratings — published 2001 — 10 editions
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The Trouble With Poetry - A...

4.17 avg rating — 6,567 ratings — published 2005 — 13 editions
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Aimless Love: New and Selec...

4.18 avg rating — 5,129 ratings — published 2013 — 14 editions
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Nine Horses

4.18 avg rating — 4,566 ratings — published 2002 — 12 editions
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Picnic, Lightning

4.27 avg rating — 4,155 ratings — published 1998 — 5 editions
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Horoscopes for the Dead

4.03 avg rating — 4,064 ratings — published 2011 — 9 editions
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Poetry 180: A Turning Back ...

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4.07 avg rating — 3,100 ratings — published 2003 — 4 editions
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Ballistics

4.10 avg rating — 2,702 ratings — published 2008 — 11 editions
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The Art of Drowning

4.25 avg rating — 2,309 ratings — published 1995 — 2 editions
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The Rain in Portugal

4.03 avg rating — 2,173 ratings — published 2016 — 7 editions
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More books by Billy Collins…
Poetry 180: A Turning Back ... 180 More: Extraordinary Poe...
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4.09 avg rating — 4,071 ratings

Related News

His Favorite Works of Poetry: The former poet laureate and Goodreads Choice Best Poetry Finalist for the collection Aimless Love offers his top five.
15 likes · 2 comments

“You will always be the bread and the knife, not to mention the crystal goblet and—somehow—the wine.”
Billy Collins

Marginalia

Sometimes the notes are ferocious,
skirmishes against the author
raging along the borders of every page
in tiny black script.
If I could just get my hands on you,
Kierkegaard, or Conor Cruise O'Brien,
they seem to say,
I would bolt the door and beat some logic into your head.

Other comments are more offhand, dismissive -
Nonsense." "Please!" "HA!!" -
that kind of thing.
I remember once looking up from my reading,
my thumb as a bookmark,
trying to imagine what the person must look like
who wrote "Don't be a ninny"
alongside a paragraph in The Life of Emily Dickinson.

Students are more modest
needing to leave only their splayed footprints
along the shore of the page.
One scrawls "Metaphor" next to a stanza of Eliot's.
Another notes the presence of "Irony"
fifty times outside the paragraphs of A Modest Proposal.

Or they are fans who cheer from the empty bleachers,
Hands cupped around their mouths.
Absolutely," they shout
to Duns Scotus and James Baldwin.
Yes." "Bull's-eye." "My man!"
Check marks, asterisks, and exclamation points
rain down along the sidelines.

And if you have managed to graduate from college
without ever having written "Man vs. Nature"
in a margin, perhaps now
is the time to take one step forward.

We have all seized the white perimeter as our own
and reached for a pen if only to show
we did not just laze in an armchair turning pages;
we pressed a thought into the wayside,
planted an impression along the verge.

Even Irish monks in their cold scriptoria
jotted along the borders of the Gospels
brief asides about the pains of copying,
a bird singing near their window,
or the sunlight that illuminated their page-
anonymous men catching a ride into the future
on a vessel more lasting than themselves.

And you have not read Joshua Reynolds,
they say, until you have read him
enwreathed with Blake's furious scribbling.

Yet the one I think of most often,
the one that dangles from me like a locket,
was written in the copy of Catcher in the Rye
I borrowed from the local library
one slow, hot summer.
I was just beginning high school then,
reading books on a davenport in my parents' living room,
and I cannot tell you
how vastly my loneliness was deepened,
how poignant and amplified the world before me seemed,
when I found on one page

A few greasy looking smears
and next to them, written in soft pencil-
by a beautiful girl, I could tell,
whom I would never meet-
Pardon the egg salad stains, but I'm in love.”
Billy Collins, Picnic, Lightning

“It seems only yesterday I used to believe
there was nothing under my skin but light.
If you cut me I could shine.”
Billy Collins
tags: poem

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