Simon Guerrier's Blog, page 65
March 23, 2017
Essential Doctor Who Robots

Among its many delights there is me, cheerfully chatting to Michael Kilgarriff about playing the robot - the definite article - in Robot (1974-5), to Tom MacRae about the legal issues that affected the design of the Handbots in The Girl Who Waited (2011), and to Kate Walshe about the many maniacal machine people manufactured by Millennium FX in recent years. She also provides a glut of never-before-seen photographs.
Published on March 23, 2017 13:30
March 6, 2017
Pick of the Week

Published on March 06, 2017 00:35
March 2, 2017
Colin and the Carrionites

As I said for the news story at the Big Finish website,
"Matt Fitton asked me to write for Colin and the Carrionites. The Carrionites get their power from words, and the Sixth Doctor is the most logophile of Doctors, so I knew there was something potent there. David Richardson suggested the 1980s setting, invoking something of the Enfield poltergeist of the late 1970s, and I drew a bit on Hammer's To The Devil a Daughter, or at least my memories of being terrified of that in my teens. And I was keen to ensure that this was definitely the Carrionites, not just any witchy aliens, so I looked for something to link it firmly to The Shakespeare Code..."
Published on March 02, 2017 02:07
February 17, 2017
John Ruskin's Eurythmic Girls
John Ruskin's Eurythmic Girls is a new documentary I've produced with my brother Tom to be broadcast on Radio 3 on Sunday 3 February, and then available on iPlayer.
John Ruskin's Eurythmic Girls
Eurythmic dance at
Queenswood School, 1920sPerhaps you did music and movement at school. There was a time girls across the country learnt to dance as if they were flowers. At the start of the 20th century, Jacques-Dalcroze developed Eurythmics to teach the rhythm and structure of music through physical activity. But the idea had earlier roots, including an unlikely champion of women's liberation.
John Ruskin - now derided by feminist critics as a woman-fearing medievalist - was at the centre of a 19th-century education movement that challenged the conventional female role in society. Amid concerns about the health of the British empire he looked back to the muscular figures in medieval painting and the sculpture of the ancient Greeks, in their loose-fitting clothes. Perhaps the Victorians needed to shed their corsets and free their minds for learning. In Of Queens' Gardens he set out a radical, influential model for girls' education.
Samira Ahmed argues that Ruskin was an accidental feminist. To understand where his ideas came from, how they were enacted and what survives in the way girls are taught today, she ventures into one of the schools set up on Ruskinian principles, tries on the corsetry that restricted Victorian women's lives, and gets the insight of Victorian scholars.
Contributors: Matthew Sweet (author of Inventing the Victorians); Dr Debbie Challis (Petrie Museum of Egyptian Archaeology, UCL); Louise Scholz-Conway (Angels Costumes); Dr Fern Riddell (author of A Victorian Guide to Sex); Dr Amara Thornton (Institute of Archaeology, UCL) and Isobel Beynon, Dr Wendy Bird, Annette Haynes, Dr Jean Horton, Diane Maclean, Aoife Morgan Jones and Natasha Rajan at Queenswood School. Readings by Toby Hadoke.
Presenter Samira Ahmed
Producers Simon and Thomas Guerrier
A Whistledown Production for BBC Radio 3.
John Ruskin's Eurythmic Girls

Queenswood School, 1920sPerhaps you did music and movement at school. There was a time girls across the country learnt to dance as if they were flowers. At the start of the 20th century, Jacques-Dalcroze developed Eurythmics to teach the rhythm and structure of music through physical activity. But the idea had earlier roots, including an unlikely champion of women's liberation.
John Ruskin - now derided by feminist critics as a woman-fearing medievalist - was at the centre of a 19th-century education movement that challenged the conventional female role in society. Amid concerns about the health of the British empire he looked back to the muscular figures in medieval painting and the sculpture of the ancient Greeks, in their loose-fitting clothes. Perhaps the Victorians needed to shed their corsets and free their minds for learning. In Of Queens' Gardens he set out a radical, influential model for girls' education.
Samira Ahmed argues that Ruskin was an accidental feminist. To understand where his ideas came from, how they were enacted and what survives in the way girls are taught today, she ventures into one of the schools set up on Ruskinian principles, tries on the corsetry that restricted Victorian women's lives, and gets the insight of Victorian scholars.
Contributors: Matthew Sweet (author of Inventing the Victorians); Dr Debbie Challis (Petrie Museum of Egyptian Archaeology, UCL); Louise Scholz-Conway (Angels Costumes); Dr Fern Riddell (author of A Victorian Guide to Sex); Dr Amara Thornton (Institute of Archaeology, UCL) and Isobel Beynon, Dr Wendy Bird, Annette Haynes, Dr Jean Horton, Diane Maclean, Aoife Morgan Jones and Natasha Rajan at Queenswood School. Readings by Toby Hadoke.
Presenter Samira Ahmed
Producers Simon and Thomas Guerrier
A Whistledown Production for BBC Radio 3.
Published on February 17, 2017 02:30
February 5, 2017
From Croydon to Gallifrey

Published on February 05, 2017 04:39
February 4, 2017
Graceless title sequence
The t'rific Tom Saunders has made this tremendous opening title sequence for my science-fiction series, Graceless.
As the video says, it stars Ciara Janson and Laura Doddington with Annie Firbank and Sian Phillips, is written by me, directed by Lisa Bowerman and you can buy Graceless IV now.
As the video says, it stars Ciara Janson and Laura Doddington with Annie Firbank and Sian Phillips, is written by me, directed by Lisa Bowerman and you can buy Graceless IV now.
Published on February 04, 2017 11:47
January 22, 2017
Radio Free Skaro and Whographica

As an added bonus, you can hear me, my co-author Steve O'Brien and illustrator Ben Morris explain all the many secrets involved in writing the thing.
http://www.radiofreeskaro.com/2017/01/22/radio-free-skaro-565-warning-graphic-content/
Published on January 22, 2017 16:22
January 18, 2017
Cover of Evil
Here is the cover to my forthcoming book on 1967 Doctor Who story The Evil of the Daleks - out in May from the Black Archive series:
The artwork is by Blair Bidmead and Cody Shell. The blurb for my book is as follows...
‘Without knowing, you have shown the Daleks what their own strength is!’
In the midst of swinging London, the Daleks run an antique shop. The Victorian items on sale are all completely genuine – but they’re also brand new. Soon the Doctor is following a trail back to 1866 and then to the Dalek home planet of Skaro. It’s not just the authenticity of a few antiques that’s at stake but what it is that makes us human – and how that can be used.
The Evil of the Daleks (1967) is an epic, strange and eerie conclusion to Doctor Who’s fourth series, originally commissioned to kill off the Daleks for good. For all it’s set in history and on an alien world, the production team were consciously grappling with very contemporary issues – and improvising round practical circumstances out of their control.
This Black Archive title explores how The Evil of the Daleks developed from commission to broadcast 50 years ago – and beyond. Painstaking research and new interviews with many of those involved in the production shed fresh light on the story, its characters and its mix of science and history.
Simon Guerrier is a writer and producer, and author of a number of Doctor Who books, comics and audio plays.
For more stuff about The Evil of the Daleks, click the label below.

The artwork is by Blair Bidmead and Cody Shell. The blurb for my book is as follows...
‘Without knowing, you have shown the Daleks what their own strength is!’
In the midst of swinging London, the Daleks run an antique shop. The Victorian items on sale are all completely genuine – but they’re also brand new. Soon the Doctor is following a trail back to 1866 and then to the Dalek home planet of Skaro. It’s not just the authenticity of a few antiques that’s at stake but what it is that makes us human – and how that can be used.
The Evil of the Daleks (1967) is an epic, strange and eerie conclusion to Doctor Who’s fourth series, originally commissioned to kill off the Daleks for good. For all it’s set in history and on an alien world, the production team were consciously grappling with very contemporary issues – and improvising round practical circumstances out of their control.
This Black Archive title explores how The Evil of the Daleks developed from commission to broadcast 50 years ago – and beyond. Painstaking research and new interviews with many of those involved in the production shed fresh light on the story, its characters and its mix of science and history.
Simon Guerrier is a writer and producer, and author of a number of Doctor Who books, comics and audio plays.
For more stuff about The Evil of the Daleks, click the label below.
Published on January 18, 2017 15:32
January 13, 2017
Graceless offers and trailer
Here, hear the amazing trailer for
Graceless IV
which is out later this month. The writing is by me but the extraordinary song is the work of Duncan Wisbey.
In the meantime, this weekend those splendid fellows at Big Finish are offering special offers on previous Graceless adventures.
In the meantime, this weekend those splendid fellows at Big Finish are offering special offers on previous Graceless adventures.
Published on January 13, 2017 05:39
December 31, 2016
Dan Dare poster
Here is Brian Williamson's exciting poster for
Dan Dare: Reign of the Robots
- the story I've adapted for audio, due out in April.
The original comic strip - drawn by Frank Hampson and Don Harley - ran in Eagle between 1957 and 1958, and is a corker. Brian Williamson previously drew 36 instalments of AAAGH! that I wrote.

The original comic strip - drawn by Frank Hampson and Don Harley - ran in Eagle between 1957 and 1958, and is a corker. Brian Williamson previously drew 36 instalments of AAAGH! that I wrote.
Published on December 31, 2016 03:44
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