Mark Valentine

“It was Stevenson, I think, who most notably that there are some places that simply demand a story should be told of them. ...

After all, perhaps Stevenson had only half of the matter. It is true there are places which stir the mind to think that a story must be told about them. But there are also, I believe, places which have their story stored already, and want to tell this to us, through whatever powers they can; through our legends and lore, through our rumors, and our rites. By its whispering fields and its murmuring waters, by the wailing of its winds and the groaning of its stones, by what it chants in darkness and the songs it sings in light, each place must reach out to us, to tell us, tell us what it holds. ("The Axholme Toll")”
― Mark Valentine, Best New Horror 21

“And our task is harder even than that,” he said, “for we also have to invoke the grey fumes without denying the palpitating breath of roses. We have to give glimpses of a world that sometimes seems to work like a machine bent on some inexorable but inscrutable task, with all of us caught in its coils, cogs meshing always with the absurd, frantic pistons pushing away at the futile.”

“And yet,” he added, his voice now only a murmur which seemed to be a part of the rustling of the withered bushes and the passing noises of the road, “we may also at times suggest a slight faltering in the grinding of the machine, or the brief opening of an unknown vista suggesting that the machine is not all that there is.”
― Mark Valentine, Marked to Die: A Tribute to Mark Samuels