Charlie David's Blog, page 3

Aced It scripted comedy selected for IPF Funding

PLAYBACK MAGAZINE: Twelve projects have been selected for the

Independent Production Fund/ Fonds Indépendent de Production and Canada Media Fund | Fonds des médias du Canada’s (CMF) 2024 Short Form Series Production Program.

The chosen projects are receiving nearly $3 million in total in combined funding from IPF and CMF. The series were selected by a jury and eligible candidates consisted of the 33 projects that were funded via the Short Form Series Development Program earlier this year.

Eight of the selected series are in English while the remaining four are in French.

Four of the English-language projects hail from Ontario, including the comedies Aced It (erAced Productions), written by Hools Kay Wyder and Ashley Comeau and produced by Charlie David and Natasha Advani Thangkhiew; Confession Queens (Archipelago Productions), written by Aditi Raina and Cass Cervi and produced by Maeve Kern, Jana Stackhouse and Nicholas Ewart; and Half-fishing (Dr. Bruno Productions), written by Lisa Benedetto and produced by Benedetto and Trevor Christie.

Rounding out the Ontario selections is the adult animation Gone to Hell (Banger Films), written by Brian Peco and produced by Peco and Craig Mailman.

Two projects are B.C.-based: the comedy One Baby, Please! (Dunya Media), written by Mostafa Shaker and Adrian Neblett and produced by Shyam Valera; and the dramedy and fantasy project This Side of the Grave, (Curious Cat Productions) written by Catharine Parke with Kimberley Wakefield and Ruth Lawrence producing.

Rounding out the English-language series are Alberta-based drama and mystery/thriller Eyes in the Woods, (Numera Films) written by Alanna Schwartz and Morgan Ermter and produced by Griffin Cork, Kenya Weaver and Cayley Ermter; and P.E.I. drama and mystery/thriller Sea Salt (Westgate Pictures). Logan Fulford is the writer for Sea Salt while Céleste McNiven is the producer.

The French-language series are all based in Quebec and include the drama Casse-toi (Roméo & Fils), written by Raphaël Massicotte and produced by Jacinthe Robert, Martin Henri and Francis Corbeil-Savage; and the comedy-drama Échouées (Amalga Créations Médias), written by Manal Drissi and Gabrielle Lisa Collard and produced by André Dupuy, Marie-Alexandra Forget and Justine Landreville.

The other Quebec-based projects are the comedy and mystery/thriller Le confort du diable (La 115e), written by Ariel Poupart and Alexis Roberge and produced by Kélyna N. Lauzier; and the drama and mystery/thriller Mukbang (Babel Films). Fanie Demeule and Kevin T. Landry are the writers for the project while Philippe-A. Allard, Marco Frascarelli and Mathieu Paiement are the producers.

Read more Playback Canada:  https://playbackonline.ca/2024/11/21/ipf-cmf-select-12-short-form-series-for-production-funding/#ixzz8sEw7nBWa

Border2Border Entertainment’s Dating Unlocked Season 2 Nominated for Multiple Awards at Rio WebFest!

Border2Border Entertainment is thrilled to announce that Season 2 of Dating Unlocked has been nominated for five prestigious awards at the Rio WebFest in Brazil. This unique LGBTQ2S+ dating show brings an exciting twist to finding love, and it's garnering well-deserved recognition for its innovation and creativity. Here’s a closer look at the nominations and the talented team behind this beloved series.

Award Nominations

1. Best Variety Series

- Dating Unlocked has been recognized in the Best Variety Series category, a testament to the show’s engaging format and the hard work of its crew. Directed by Sam Coyle and produced by Charlie David, co-produced by Patrick Ware, the show is hosted by the charismatic Yaz Harris. With stunning cinematography by Nickolaos Stagias, Dating Unlocked provides viewers with a beautiful, high-energy backdrop for its innovative dating games.

2. Best Performance in a Non-Scripted Series

- Host Yaz Harris (they/them) is nominated for Best Performance in a non-scripted series. Known for their warmth and humor, Yaz brings an infectious energy to the screen, connecting with contestants and audiences alike. Their performance helps make Dating Unlocked an authentic and captivating experience, as they guide daters through each elimination-style round.

3. Best Editing

- The Best Editing nomination is a tribute to the dedication of the show’s talented post-production team. The editing team, led by Post Production Supervisor Eric Metzloff, includes editors Adam Seward, Danielle Thorn, Dylan Ntwali, and Samantha Yabut, as well as colorist Eric Metzloff. Their work brings the show’s vibrant visuals and fast-paced structure to life, capturing the essence of each dater’s journey.

4. Best Trailer

- Edited by Adam Seward, the Dating Unlocked Season 2 trailer is nominated for Best Trailer. This short yet impactful piece captures the show’s electric energy and gives a taste of the diverse personalities and heart-pounding moments that fans have come to love.

5. Best Make-up

- With the Best Make-up nomination, the show’s talented hair and makeup team is recognized for their work in creating unforgettable looks for each contestant. Head of Hair/Make-Up Andi Clifford and artists Desirée Grant, Joseph Hinds, and Melissa Itwar have delivered bold, beautiful styles that reflect each dater’s unique personality.

About Dating Unlocked

Dating Unlocked offers a refreshing take on modern dating for the LGBTQ2S+ community. In each 20-minute episode, a lead dater meets three potential matches and participates in a series of games, activities, and intimate moments designed to showcase their personalities. After an entertaining round of eliminations, the lead dater must decide which contender they’d like to invite on a second date. But the journey doesn’t end there—only by tuning in can viewers find out if their chosen date will reciprocate the interest or leave them waiting.

This season, which includes eight episodes, highlights daters from diverse backgrounds and life experiences, all united in their quest for a meaningful connection. By embracing both traditional and radical approaches to dating, *Dating Unlocked* pushes boundaries, breaks stereotypes, and challenges participants to step outside their comfort zones.

Where to Watch

For fans and newcomers alike, Dating Unlocked is available on OUTtv, Amazon, Apple, Vimeo, and through the Border2Border Entertainment store. If you're curious to see what makes this show such a hit - immerse yourself in the world of romantic possibilities.

Acknowledgments

This production is made possible by the generous financial support of Ontario Creates and the Bell Fund, OUTtv and Border2Border Entertainment. Their support allows the series to continue bringing authentic, heartfelt stories to the screen.

Congratulations to the entire Dating Unlocked team on these well-deserved nominations! As fans eagerly await the results from the Rio WebFest, there’s no better time to dive into Season 2 and see for yourself why this show is making waves in the world of LGBTQ2S+ entertainment.

Drag Heals Season 4 Nominated for Three Awards at Rio WebFest!

Border2Border Entertainment is excited to announce that Season 4 of Drag Heals, the groundbreaking hybrid stage workshop and documentary series, has received three prestigious nominations at the Rio WebFest in Brazil. With a unique blend of soul-stirring storytelling and vibrant drag performances, Drag Heals continues to captivate audiences and celebrate the transformative power of drag. Here's a closer look at the nominations and the creative team behind the series.

Award Nominations

1. Best Variety Series

   - Season 4 of Drag Heals is nominated for Best Variety Series. Directed and produced by , and , the series follows a new group of drag artists—Kings, Queens, and Monarchs—as they explore pivotal life moments and craft personal stories into powerful stage performances. With a fresh approach to the art of drag, Drag Heals offers an inspiring journey of self-discovery and self-expression.

2. Best Directing

   - Charlie David has earned a nomination for Best Directing, showcasing his talent for guiding both the production team and the participants through a heartfelt series. David's direction blends raw emotion with captivating performance, drawing viewers into the lives of each artist as they transform their personal experiences into compelling stage shows.

3. Best Performance

   - Host Tracey Erin Smith (she/her) has been nominated for Best Performance, a recognition of her ability to connect with and mentor the series' participants. As stage director, Smith leads transformative workshops that delve into each performer's personal history. Her compassionate and engaging presence creates a safe space for deep storytelling, making her a central figure in the artists' journeys.

About Drag Heals

In Drag Heals, participants engage in an intensive month-long workshop where they work with host Tracey Erin Smith and guest coaches to create a stage performance that reflects a pivotal moment in their lives. Through these workshops, the series provides an intimate glimpse into the lives of drag artists as they draw from personal experiences to create emotional and cathartic performances.

The process encourages participants to be vulnerable, explore their identities, and share their personal stories with the audience. As director Charlie David says, "They are both the pirate and the pirated, the island and treasure,"—each performer unearths deeply personal lessons, transforming them into gifts of insight for the audience.

The Season 4 cast includes Isaiah Doucet, Callan Forrester, Jerico de Jesus, Anthony Meeks, and Dev Nicoll-Ellis. The team also includes Director of Photography Nickolaos Stagias, with editing by Danielle Thorn, Samantha Yabut, Adam Seward, and Dylan Ntwali, and post-production supervision by Eric Metzloff.

Where to Watch

Drag Heals is available to stream on OUTtv, Amazon, Apple, Vimeo, and Peacock. For a sneak peek, you can watch Episode 1 on YouTube and experience the series' unique blend of performance and personal transformation.

Acknowledgments

This season was made possible with generous support from the Canada Media Fund and the Bell Fund, OUTtv and Border2Border Entertainment. These organizations continue to champion groundbreaking Canadian content that brings authentic, powerful storytelling to audiences worldwide.

Congratulations to the entire Drag Heals team on these well-deserved nominations! With the recognition from Rio WebFest, Drag Heals Season 4 solidifies its place as a powerful and transformative series within the drag community and beyond.

Slaying Shadows: Avaiyah Curves on Overcoming Adversity and Embracing Femininity

Avaiyah Curves shares a transformative journey from homelessness to embracing femininity through drag. This interview explores her impactful first performance, the integration of personal struggles into her drag narrative, and the behind-the-scenes lessons learned during Drag Heals. Avaiyah's evolution stands as a testament to drag's healing power and empowerment, showcasing a commitment to unapologetic self-expression and resilience against societal norms.

Share with us one of your most memorable performances. What made it special, and how did the audience react?

My most memorable performance was my first-ever performance, which happened during the time we were filming Drag Heals. I had never performed in drag before and always had this idea in my head that I needed to have an extravagant outfit and perfect choreography to match. Making friends with Izzy motivated me to perform at an open stage. I never had a proper outfit, but thanks to Charlie’s generosity, I was able to get a few outfits. I wore a cheetah print bodysuit and accessorized it to my liking. I went on stage with no expectations and performed “Lay it on me” by Kelly Rowland. I completely felt my fantasy on that stage. I ended up being the most tipped that night, going home with $35, and received an overwhelming ovation of applause from the crowd.

Beyond the glitz and glamour, what's a personal story or experience that you've incorporated into your drag performances?

My drag is all about "healing your inner child." That is a term we hear a lot today in society, but I feel a personal obligation to express that in my drag and performances so that other black boys from the urban ghetto can see that with perseverance and tenacity will come triumph and victory. Being a trauma survivor who’s experienced emotional abuse, negligence, and homelessness, I am happy to be in a position to show others that by doing the work, going to therapy, and practicing what you preach instead of taking on a victim mentality is where you will find bliss. Drag has given my life sheer bliss, and I wouldn’t have been able to do that without understanding the importance of letting my inner child shine bright like the star I know I was born to be.

How has Drag provided a platform for you to express aspects of your identity or share important stories?

Growing up in Scarborough was very cut-throat, and being constantly bullied for my voice and mannerisms really instilled a lot of self-hatred and self-doubt in myself. As I got older, I realized that people were projecting their insecurities onto me, thus making me insecure. Now as a grown adult, I choose to honor my effeminate characteristics. I appreciate the LGBTQ community for making it easier for me to wear makeup in public, speak in a high tone, and to just continue to live my life because my life matters and nobody can and will take that joy away from me.

What motivated you to join Drag Heals, and how has the experience impacted your growth as a drag performer and as an individual?

For a long time, I have been buying wigs, accessories, etc., to gear up for a career in drag. In March 2021, I lost my mom to covid-19, and it was one of those situations where I felt like God was personally speaking to me when the audition was posted. I felt like I was living in my mother’s shadow, of this perfect image that she had of me, so her passing set me free of those imaginary expectations that I made up in my head. Although I watched the show, I did not know what I was getting myself into, but I knew that it was a call to action, and I needed to respond to it because of where I am at in my life. I always knew I wanted to entertain, but I did not know how I would do that as a male. My biggest goal is to be crowned on Canada’s Drag Race so Drag Heals was that steppingstone for me to go snatch that crown. It is a part of my healing journey, and I am eternally grateful to be chosen to share my story.

Can you share a behind-the-scenes moment or a lesson you've learned during the Drag Heals journey that viewers might not be aware of?

During our workshops with Tracey for our shows, I started to feel very uneasy because I do not have theatre training. A lot of the feedback Tracey was giving me was not resonating with me, and I started to feel stifled. While rehearsing with her and the group one day, I had a full meltdown. Tracey did her absolute best to get to the root of my issue, which was that my story is incomplete. The trajectory of my life does not end on high notes. Whenever I reach a personal milestone, life has a way of kicking me 10 steps back, so I felt like I needed to mention my mother more in my story because she plays such a pivotal role in my life. After Tracey assured me how proud she was of me and gave me pep talks to boost my outlook on my performance, there was a fire that was lit under my ass, and I could not be happier with the turn out. I learned that performance art is going to be uncomfortable, but with good people on your side, you can accomplish and overcome your inner saboteur. And drag heals the world!

What inspired the creation of your drag persona, and how does it reflect your personal identity or artistic vision?

I discovered my drag persona, Avaiyah Curves, at a low point in my life in the homeless shelter. In August 2010, I attempted suicide and I made an oath to myself that I was going to live my life unapologetically, no matter what that may look like to others. Being neglected by my mother and having to live 2 years in a shelter, I made the conscious decision to become a drag queen. I was working at Shopper’s Drug Mart at the time, and I would purchase cheap Halloween makeup kits and lock myself in my room and practice my makeup. I discovered season 8 of drag race, and the first queen I saw was Naomi Smalls. I said to myself, “If she can do it, I can too.” Avaiyah has changed my world forever, and I am forever indebted to her for answering my call. Avaiyah is a testimony of beauty and grace and the grit it takes to be feminine in the face of adversity. She is taking a stance on the attack of femininity in today's culture and society.

Watch now! https://www.border2border.ca/drag-heals

https://www.youtube.com/watch?v=XL-5FhNS1f4

Mirror Check Moments: Devery Bess' Drag Journey from Rituals to Rhinestones

We sat down with Devery Bess where they unveil their drag journey from rituals to rhinestones. Their drag persona, inspired by charisma and unshakable confidence, transcends the ordinary, reflecting an aspiration to embody their admired self. Influenced by a diverse array of drag figures, from James Dean to local Calgary luminaries, Devery's evolution as a performer is shaped by a rich tapestry of influences. This interview delves into their concise process, challenges, and the joyous themes defining their memorable performances on the dazzling drag stage.

What inspired the creation of your drag persona, and how does it reflect your personal identity or artistic vision?

In creating my drag persona, I aimed to transcend my ordinary self and embody the person I idolise – someone charismatic, confident, unshaken by anything or anyone. It's about being the person I've always aspired to be.

Is there a specific drag queen or performer who has influenced your style and performance? How have they impacted your drag journey?

Many individuals have inspired my drag journey, from every drag child I've had to amazing kings and even some queens in my local scene in Calgary. Names like James Dean, Duke Carson, the marvellous Mo, Visa Dklien, Karla Marx, and Lilith Fair inspire me to evolve and elevate my drag.

Take us through your transformation process. How do you choose your looks, costumes, and makeup? Are there any rituals or routines you follow before hitting the stage?

To kickstart my drag journey, I begin with a shower to shift my focus to drag. After shaving and moisturising, I prime and glue down my brows, proceeding to the contouring and makeup routine. Before applying facial hair, a mirror check is a must. I then put on my binder or tape and head to the gig, saving costume packing for last unless it's a morning show.

What challenges have you faced during your drag transformation, and how have you overcome them?

Contouring as a king before it became mainstream was a mess, but over time, I learned makeup techniques from Instagram, friends, and my drag children. Each day presents an opportunity to try something new – some successes, some not so much.

Share with us one of your most memorable performances. What made it special, and how did the audience react?

Early in my drag career after moving to a new city, I spent considerable time rhinestoning a suit jacket for a performance about breaking free from societal molds. I wanted to establish myself as a flamboyant disco diva. The audience's reaction was profound, solidifying my connection to the persona.

Are there any particular themes or messages you like to convey through your performances?

Themes vary, touching on racism, isolation, and joy. However, an underlying theme of joy consistently permeates my performances.

Watch now! https://www.border2border.ca/drag-heals

https://vimeo.com/ondemand/draghealsseason3?embedded=true&source=vimeo_logo&owner=5513653

Beyond the Norm: Ana Spiral's Journey in Defying Drag Stereotypes

In the realm of drag, Ana Spiral defies stereotypes, challenging norms, and sharing a unique journey that transcends conventional boundaries. This interview delves into the challenges faced during Ana's drag transformation, navigating the complexities of being a queen born in a female body and presenting as female. Breaking away from traditional perceptions, Ana Spiral emerges as an empowering force, providing a platform to express diverse aspects of identity and share impactful stories. From the behind-the-scenes camaraderie during the Drag Heals journey to the birthplace of Ana Spiral as a character, this conversation offers a glimpse into the nuanced world of drag that goes beyond the spotlight, offering authenticity, self-discovery, and laughter.

What challenges have you faced during your drag transformation, and how have you overcome them?

I think one of the biggest hurdles for me was being a queen born in a female body and still presenting as female (some people call us hyper queens). There is little to no representation for us in the world of mainstream drag, but there are so many of us! I felt like I wasn’t allowed to be a drag queen for a long time because of this. I didn’t want to take up space in a community that wasn’t mine. But then I thought, well, I’m a non-binary queer person, and this is my community too. It helped to see other queens like me in the village in Toronto. I still get judged for how I am perceived sometimes, but I have been feeling much more secure recently.

How has drag provided a platform for you to express aspects of your identity or share important stories?

I was turned off by the idea of presenting in a feminine way for a long time and pushed away things that would make people see me as a girl. But there were elements of that I really missed. I now know that gender is fluid and doesn’t have to be one thing or the other. I can still be non-binary and have an appreciation and a draw to feminine things. Ana Spiral helped me decipher that. She was an outlet for femininity in a safe way that helped me better understand who I am and my own gender identity. She is a place where I can play with the parts of womanhood/girlhood that I still deeply resonate with, even as someone who doesn’t identify as a woman.

Can you share a behind-the-scenes moment or a lesson you've learned during the Drag Heals journey that viewers might not be aware of?

One of my favourite parts of this process was how much fun the cast and crew were having together off-camera. There were nights when the whole cast would go perform at an open stage and just experience each other’s drag and support each other. I really felt like we were a team working on building each other up. And on set between takes, we were always having so much fun. Everyone was so supportive and sweet, and I felt so taken care of during the process. It was so nice to be able to mingle with such a fun group and get to know some really lovely people. I can be a little nervous in large groups of new folks, but by the end of day one, I was so comfortable on set that I didn’t feel those nerves in the same way.

What inspired the creation of your drag persona, and how does it reflect your personal identity or artistic vision?

Honestly, one day I saw a meme that said, “God sends his toughest battles for his sluttiest clowns,” and that was the birthplace of Ana Spiral. I had known I wanted to do drag for a while but wasn’t sure what my niche was. I’m not super versed in exuding the confidence and unapologetic sexuality that so many queens pride themselves on. And I didn’t know how to channel that. But one thing I do know is how to be silly goofy. So I loved this idea of taking a clown (the most unsexy thing I can imagine) and making her slutty. I think that’s so ridiculous and hilarious. But it’s also helped me feel more attractive in and out of drag because even if I’m a clown, the two fundamental qualities of Ana are clown and sexy. So I simply have to be both, or Ana can’t exist. She has really helped me on my journey of getting to know and love myself better.

Is there a specific drag queen or performer who has influenced your style and performance? How have they impacted your drag journey?

Jinkx Monsoon is a big one for me. She showed me that drag can open doors to so many things. You can sing, perform on Broadway, do comedy, write your own shows, and do it all in a wig and heels. I was really fascinated by how being a character instead of myself as Callan would influence me as a performer, and it has made me so much more confident on stage. I feel like I get to let my guard down a bit and still do all the things I love. Seeing how Jinkx has been so praised for this made me feel validated in my own style of drag performance, even if it isn’t the one we see most frequently right now.

Watch now! https://www.border2border.ca/drag-heals

https://vimeo.com/ondemand/draghealsseason3?embedded=true&source=vimeo_logo&owner=5513653

Drag, Diversity, and Disco Fever: Jeriana 'Sirenn' Arawan on Finding Inspiration and Overcoming Challenges

In the realm of drag, Jeriana 'Sirenn' Arawan stands out as a vibrant fusion of drag, diversity, and disco vibes. As a genderfluid artist, her drag persona is a celebration of joy and femininity. From the inspired name to the thoughtful connection with historical symbolism, Jeriana shares the essence of her drag journey. This interview explores the influences, challenges, and transformative power that define both the artist and the individual in the dazzling world of drag.

What inspired the creation of your drag persona, and how does it reflect your personal identity or artistic vision?

The inspiration behind my drag persona mostly comes from my gender. As a genderfluid person, I enjoy connecting to my feminine side and showing people that. Dressing up as a girl used to be a joke for me, so in drag, my femininity really embodies joy and laughter. Jeriana “Sirenn” Arawan is a name based on other things important to me. Sirenn is inspired by mermaids, historically significant for trans femme people and women. Jeriana Arawan uses “Jerico,” my first name that I feel connected to, and Arawan (Are-ah-one) is a Filipino word that means sunshine. Many have said I have a warm vibe, so I chose to make that a part of my persona.

Is there a specific drag queen or performer who has influenced your style and performance? How have they impacted your drag journey?

A drag queen who inspires me currently is Anetra. Her style and empowerment to Asian North American Queens are influential to me. Other than Anetra, I try to draw inspiration from every queen who’s ever made me laugh. I enjoy comedy a lot and try to make it a huge part of my shows.

Take us through your transformation process. How do you choose your looks, costumes, and makeup? Are there any rituals or routines you follow before hitting the stage?

I do all of my drag transformation pretty normally, with the exception of the pre-transformation process. I love looking on Pinterest for pictures inspired by a specific theme I’m going for. Many queens do this too, but I always love making my looks based on a theme that connects to my music collection too. Whatever story I try to tell, I try to make that apparent in my look.

What challenges have you faced during your drag transformation, and how have you overcome them?

A huge challenge I’ve faced in my transformation is my contouring. There’s still a lot I’m learning, as drag has been something I’ve only been doing since April 2022. Someone who helped me a lot with figuring this out is Izzy Limprist, one of the other queens who was a part of this show.

Share with us one of your most memorable performances. What made it special, and how did the audience react?

My most memorable performance so far was probably my first one. I had spent so long learning how to properly do drag, and my friends helped me get into my fit for the night. It was a disco throwback event, and I had my outfit custom made by my partner. The part that made it so special was when I was about to finish my last song and dropped down to do a move and ripped my pants! It was so funny and it made the night more memorable, pushing through the fashion mistake.

Are there any particular themes or messages you like to convey through your performances?

I love making any of my performances funny. I usually use humor as a vehicle to convey deeper, more profound themes. Usually, I like to make a lot of content that makes people think about themselves introspectively. I want people to see what I do and think, “How does this apply to me? Oh, it applies to me like this!”

Beyond the glitz and glamour, what's a personal story or experience that you've incorporated into your drag performances?

I’m not too sure that I’ve incorporated any big personal stories into my drag performances before. Sometimes I’d incorporate what some might say are embarrassing aspects of myself into shows like certain interests (video games or nerd culture).

How has drag provided a platform for you to express aspects of your identity or share important stories?

Drag has provided a platform for me to finally feel like I’m myself. All my life I’ve wanted to be a performer, but nothing gave me the balance of all performing aspects as much as drag. It also has made me feel more connected to the way I express myself in everyday life and the ambiguity of being genderfluid. I’m so thankful for the drag community and what it’s been able to give me.

What motivated you to join Drag Heals, and how has the experience impacted your growth as a drag performer and as an individual?

Drag Heals was an amazing opportunity that showed me the potential I had to reach people with what I create. It improved me as an artist, a creator, and as a human. What motivated me to join was the premise of telling stories. I’ve always been someone who loved to tell stories, but the method in which we did it in Drag Heals was nothing less than innovative.

Can you share a behind-the-scenes moment or a lesson you've learned during the Drag Heals journey that viewers might not be aware of?

The thing I learned behind the scenes of Drag Heals is that sometimes you don’t know how to say what you mean. It’s difficult when it feels like you’re misunderstood, and you start rambling because you’re trying to get a point across as accurately as possible, and that just makes it worse. I learned that sometimes it’s okay to pause and think about how you want to say something.

Watch now! https://www.border2border.ca/drag-heals

https://vimeo.com/ondemand/draghealsseason3?embedded=true&source=vimeo_logo&owner=5513653

SETTLE DOWN Series Begins Production in Toronto, Set to Capture the Heart of Queer Dating Dynamics

Toronto, ON – April 12, 2024 – Border2Border Entertainment is thrilled to announce that production for the SETTLE DOWN series is officially underway, with cameras set to roll on Tuesday, April 23rd in Toronto. Created by screenwriter and actor Alexander Nunez and directed by Sam Coyle, SETTLE DOWN promises to deliver a fresh, authentic portrayal of queer relationships and the complexities of love in today’s world. The series is produced by Charlie David of Border2Border Entertainment.

Synopsis:

SETTLE DOWN follows the life of Mason, a charismatic and insightful matchmaker with an unmatched success rate in pairing queer individuals. As the host of the popular podcast "Well Versed," Mason offers sage advice on sex, dating, and relationships to his avid listeners. Yet, despite his proficiency in guiding others to find love, Mason's own romantic life remains a chaotic mess. Juggling a tumultuous history with an ex-fiancé, challenging client cases, and an innate tendency to meddle in the love lives of his friends, Mason finds himself at a crossroads. Can he overcome his personal obstacles and salvage his budding empire of love before it's too late?

The cast includes Alexander Nunez as Mason (Moonshine, Avocado Toast), Leighton Alexander as Jarod (Avocado Toast, Designing Christmas), Izad Etemadi as Ben (Orphan Black: Echoes, Overlord and the Underwoods), Tymika Tafari as Georgia (Slip, Chateau Laurier), Nadine Bhabha as Devon (One More Time, Letterkenny), and Angela Besharah as Dr. Zematis (Orphan Black: Echoes, Star Trek: Strange New Worlds).

Joining the ensemble cast are Vasilios Filippakis, Colton Royce, Joshua Obra, Josette Jorge, Charlotte Cattell, Thomas Gough, Liam Melady, Clare McConnell, Matt Wells, Marco DeLuca, and Scott Farley. With their diverse talents and unique perspectives, this ensemble promises to bring depth and authenticity to the vibrant world of SETTLE DOWN.

With series casting by Jesse Griffiths Casting, SETTLE DOWN is poised to be a groundbreaking addition to the landscape of queer representation on screen.

SETTLE DOWN is set to premiere exclusively on OUTtv.com on Valentine’s Day, 2025, made possible by the generous support of the Independent Production Fund, Bell Fund, and Ontario Creates.

For more information, visit https://www.border2border.ca/settle-down.

Join us as we embark on a journey of love, laughter, and self-discovery with SETTLE DOWN.

Izzy Limpwrist: Unveiling the Layers of Drag Artistry, Resilience, and Personal Triumph

Venture into the world of drag with Izzy Limpwrist—a creation inspired by a passion for performing arts and a commitment to defying artistic norms. In this interview, Izzy unveils the origins of her dark and sexy persona, shares insights into her fashion choices and pre-show rituals, and recounts a powerful performance merging artistry with activism. Izzy reflects on the transformative impact of her participation in Drag Heals Season 4, revealing newfound confidence and a deeper understanding of both her art and herself.

What inspired the creation of your drag persona, and how does it reflect your personal identity or artistic vision?

Izzy Limpwrist was created from my love of performing arts, as an homage to queer nightlife and the club kid scene of the 1990s, and a wish to subvert audience expectations of art. I knew I wanted my drag persona to be beautifully dark and sexy - attributes that at the time I didn't think I could have outside of drag living my day-to-day life. Through drag, I was able to take all of these characteristics that I had always admired in other people and learn to apply them to my art and to myself. Izzy doesn't care what other people think - she's a diva, she's the moment, and she knows that every eye in the room will be on her when she steps on stage.

Take us through your transformation process. How do you choose your looks, costumes, and makeup? Are there any rituals or routines you follow before hitting the stage?

A lot of my fashion choices are made in reference to fetish and alternative trends from the last twenty years or so. I take a lot of inspiration from club kid culture, from the way I paint my face to the way I create outfit pieces. Any time I see a garment that makes me gasp a little, I know it'll be perfect for Izzy. I spend a lot of time sketching outfit designs out and finalizing my vision before I start to source out all of the little pieces that will make it all come to life.

As for makeup choices, I'm very inspired by 90's and early 2000's runway trends and current drag culture. One thing drag has taught me is how to keep up on current trends and how to use them to market your brand as a performer and entertainer. I'm always trying out something new for my looks, always trying to keep myself current in an always-evolving world such a drag.

My favourite pre-show ritual is to pour myself half of a canned vodka soda and half of an energy drink, put on "Bad Girls" by Donna Summer and other songs from the house music era of the 70's, 80's and 90's, and paint my face with my drag family. Painting has always felt like it's done best as a community - we all need someone to tell us when something either looks great, or isn't working at all. Plus, it makes the whole process feel more special when you get to do it with people you love.

Share with us one of your most memorable performances. What made it special, and how did the audience react?

I competed in a local pageant in July 2023, and as soon as I signed up I knew I wanted to tell a personal story through my talent performance. I spray painted the word ART all over a long black catsuit, and performed "Rainbow" by Kesha, a beautiful song about growing from your past and finding the beauty and the light in life again. Towards the end of the performance, I grabbed a box, also covered with the word ART, and upon bringing it with me up on stage I tilted the box to the side to reveal that the ART that had been plastered everywhere throughout the number actually stood for Anti-Retroviral Therapy (the medication an HIV+ person takes once a day to maintain their undetectable viral load). I opened the box up, took my daily pill on stage, and then revealed a gorgeous red rhinestoned bodysuit from underneath my catsuit while transitioning to the end of the song "Stronger" by Britney Spears. I wanted to tell a story of working through my diagnoses and coming out on the other side "stronger than yesterday". I've never been more proud of a performance than I was with that one because of its impact on my audience and knowing that I was able to both entertain and educate.

Are there any particular themes or messages you like to convey through your performances?

When I perform, I like to convey themes of darkness, otherworld-ness, and play with sexuality and sensuality. I love how the diversity of the drag that I bring to the table allows me to be able to structure certain performances or numbers to the audience that I'll be performing for. I can be dumping a litre of fake blood on myself for a number on a Friday night, host a 90's night dance party on Saturday night, and then performing ballads and musical theatre for Sunday brunch - my drag is versatile and proves that you don't have to confine yourself to one particular box or niche.

Through my drag, I want to be able to showcase the strength and resilience I've found within myself, especially throughout my HIV journey. I try to show my audience that even when hard times hit, you can find a way to come out of the other side stronger than you thought you could be.

What motivated you to join Drag Heals, and how has the experience impacted your growth as a drag performer and as an individual?

I was motivated to join Drag Heals in part by my desire to share my art with the world, and to prove to people that a story about HIV can have a happy ending. While Season 4 was casting, I was really struggling with not being able to find any movies or tv shows that featured people living with HIV and showing them in a positive light - I was tired of only seeing stories about death and mourning and sadness. As soon as I heard about the Drag Heals process, I knew I needed to be a part of it. If I couldn't find anything positive that I could relate to, I decided that I would just have to tell my own story, and hopefully be for other people what I had needed so badly especially after my initial diagnoses.

I'm so proud of the work that I showed on Drag Heals, and I can't begin to express how much I have grown as a drag performer, a storyteller, and as a person because of it. I feel like I have a much better grasp of who I am, and who Izzy is. I've also learned that there isn't as big of a difference between myself as a person and the character I portray on the stage as I thought there was.

After Drag Heals, I'm more confident in my abilities as an artist. Before I would often second-guess myself, and now I know that I don't have to do that. My art is beautiful and good and enough, and I'm so thankful that because of Drag Heals, now I've realized this.

Watch now! https://www.border2border.ca/drag-heals

https://vimeo.com/ondemand/draghealsseason3?embedded=true&source=vimeo_logo&owner=5513653

Interview with Victor on Dating Unlocked: Navigating the Maze of Modern Connections

Victor shares his insights on the highs and lows of dating apps, red flags to watch for on dates, and the art of balancing physical attraction with deeper connections.

In the world of dating apps. Do you think they've made forming connections easier or worse?

It's a bit of a mix, to be honest. On the positive side, dating apps have been a blessing for the shy ones among us. They provide that extra nudge of confidence to reach out and express feelings, something that might be a bit daunting in person. But the downside is that these platforms can sometimes turn what should be deeply personal interactions into something more transactional. It's like we're shopping for connections rather than organically discovering them.

When it comes to red flags on a date, you mentioned a few. Can you elaborate on those?

Absolutely. First off, if my date is all about themselves and shows zero interest in my story, that's a major red flag. I mean, a conversation should flow both ways. Then there's the extreme behavior – whether it's being overly nice or aggressive. Both extremes are warning signs for me; it's like they're playing a role rather than being genuine. And, of course, visible signs of drug addiction are a clear indication that we might not be on the same page in life.

How do you view the importance of physical attraction in forming a connection?

Physical attraction is undeniably crucial, especially for someone who's actively seeking a romantic connection. I'm not one for a checklist of characteristics; it's more about the intangibles. Charm, sensuality, and persuasion, those are the elements that really make someone physically attractive to me. But here's the thing – as important as that is, kindness and goodness hold a special place. Sure, I'm drawn to someone with that magnetic appeal, but if they're not kind and good-hearted, it's just not sustainable. A physically attractive person with a beautiful soul, now that's the perfect combination.

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