Marc Tyler Nobleman's Blog, page 103
July 14, 2013
The Girl in the Video: “Legs” (1984), part 1 of 3
Introduction to series “The Girl in the Video.”
The video: “Legs” by ZZ Top.
The girl-now-woman: Wendy Frazier. [MTN: Kymberly Herrin and Danièle Arnaud are in separate posts.]
How I found Wendy:
“richlunt” posted she’s from Marlborough, CT.The high school for Marlborough, RHAM, confirmed she was class of ‘81 but would not say (or knew) nothing more.On the chance that “richlunt” was a man named Rich(ard) Lunt, I searched “Lunt” in CT phone directory.Luckily, one was listed in Hebron, a town next to Marlborough and one of the towns that feeds into RHAM.The person at that number is related to Richard and gave me his number. (That number matched a Richard Lunt on Zabasearch.)I called and Richard’s wife gave me his e-mail.I did not hear back so I checked with a town librarian; she came up empty but suggested I call the town tax collector, who gave me three names, but two actually did not know the Fraziers and one said she’d pass word to her daughters. I did not hear back.I searched the web for “RHAM class of ‘81” and searched some of those names on Facebook. One ‘81 led me to others via her friends list (there’s an option to view friends by high school). I contacted several and then randomly chose one and searched “Frazier” on that person’s high school list. No luck, but when I searched it on her whole friends list, Wendy Frazier came up.
[I recount this only to give insight into my research process and to show that dead ends should not be deterrents; I cite details that are already public but out of respect for Wendy, I am, of course, vague with private details. I probably do not need to state this, but please do not try to contact her, or anyone else profiled in this series. If you disregard this courtesy, both the Eliminator girls and a biker gang will show up and make you regret it.]
Like Margaret Olmsted Menendez, Wendy unshackled herself from my Q&A format and answered in a (lovely) free-form essay.
Copy and tweet to help me find more 1980s music video girls:
Next: ZZ Top, more “Legs” (1984).
The video: “Legs” by ZZ Top.
The girl-now-woman: Wendy Frazier. [MTN: Kymberly Herrin and Danièle Arnaud are in separate posts.]
How I found Wendy:
“richlunt” posted she’s from Marlborough, CT.The high school for Marlborough, RHAM, confirmed she was class of ‘81 but would not say (or knew) nothing more.On the chance that “richlunt” was a man named Rich(ard) Lunt, I searched “Lunt” in CT phone directory.Luckily, one was listed in Hebron, a town next to Marlborough and one of the towns that feeds into RHAM.The person at that number is related to Richard and gave me his number. (That number matched a Richard Lunt on Zabasearch.)I called and Richard’s wife gave me his e-mail.I did not hear back so I checked with a town librarian; she came up empty but suggested I call the town tax collector, who gave me three names, but two actually did not know the Fraziers and one said she’d pass word to her daughters. I did not hear back.I searched the web for “RHAM class of ‘81” and searched some of those names on Facebook. One ‘81 led me to others via her friends list (there’s an option to view friends by high school). I contacted several and then randomly chose one and searched “Frazier” on that person’s high school list. No luck, but when I searched it on her whole friends list, Wendy Frazier came up.
[I recount this only to give insight into my research process and to show that dead ends should not be deterrents; I cite details that are already public but out of respect for Wendy, I am, of course, vague with private details. I probably do not need to state this, but please do not try to contact her, or anyone else profiled in this series. If you disregard this courtesy, both the Eliminator girls and a biker gang will show up and make you regret it.]
Like Margaret Olmsted Menendez, Wendy unshackled herself from my Q&A format and answered in a (lovely) free-form essay.
Once I started to think about it I was surprised how many memories came back to me.
When I was a young girl, I always dreamed of being Miss America. The excitement I felt each year when it was televised was more than picking the winners but also slipping into their crowns and being carried away, away from my simple and at times abusive childhood.
[Just after] I just turned 18, I moved to Los Angeles with a girlfriend. I can’t say my initial intention was the silver screen; [it was] more of an escape from the small town I grew up in. My father always told me when I was a little girl to get out of Marlborough, CT as soon as I could and see the world. I remember[ed that] he once lived in California so my tongue always tasted its sweetness.
My girlfriend and I took off from the east coast on a drive across country in her Porsche convertible, chiffon dresses peeking thru the small trunk and blowing in the wind. I was young and naïve, she was older and experienced, so I followed her with the intent of growing up and exploring the life I felt destined for.
Not long after I arrived I met two girls, a crazy beautiful party girl named Nina and a stunning model named Julie Anne. I will get to Julie Anne later…
I loved Nina. Not only was she fun but also a great singer, always focused on making her first album—a common dream in this town, but I believed in her. We became fast buddies. Nina had her hand in many pots and was well connected, so hanging out with her was a bevy of wild new experiences, not always good…
[I asked her to elaborate]
Anything said about Nina was “light-hearted.” I have learned, although sadly it took a while, that there are no bad experiences with friends, loved ones, etc., just circumstance to teach you more about yourself. All of the pains and joys I’ve experienced or mistakes/hurts made by myself or others were fundamental in becoming who I am today. Rehashing negativity [is] pointless. I prefer to move forward in my life positively.
While driving down Sunset Boulevard one afternoon, I ran into her at a stoplight. She told me that she was on her way to audition for a rock video and [asked me] to join her. I’d never done anything like this and the butterflies started flying but I followed her. The band was called Baxter Robinson or Robertson [MTN: Robertson] and the song was called “Silver Strand.” I got the part!
I was shocked, nervous, and beyond excited. I don’t believe MTV had launched yet but would in the very near future [MTN: this video was in 1983 and MTV had debuted two years earlier]. The director was Tim Newman, [who also directed] most or maybe all of the innovative storytelling ZZ Top videos.
Nina later starred in Billy Idol’s “Eyes Without a Face.”
My first experience in front of the camera, although terrifying, was a dream. All of the attention I received having my hair and makeup done, a stylist dressing me, even a choreographer—I was constantly pinching myself. The video premiered the same day of MTV’s launch [MTN: as noted above, MTV launched in 1981 and this video came out in 1983]. I waited at the foot of my bed watching every video until 4 a.m. when it finally [aired]. I never heard of the band after that but for me it was unforgettable and almost as exciting as “Legs.”
I’m not sure how much time had passed [when] I received a call from either the casting director or Tim Newman’s office and was asked to come down and audition for “Legs.” When I walked into Tim’s office, he was on the telephone; I remember him saying something to the tune of “I think ‘Legs’ just walked in.” My heart skipped a beat.
From what I remember I was brought into the final audition [during which] only a few girls were being considered. I got the part. As excited as I was, I felt I would never be able to compete with the sexy ZZ Top girls, gorgeous playmates who “knew how to use it.” I say that playfully—I was in awe of them.
I had my 21st birthday on the set. I believe the band gave me a signed teddy bear. The video was filmed in the Valley in the middle of nowhere, a two- or three-day shoot. Things went fairly smoothly—a few “girl” dramas but I don’t remember who or why.
One particular scene I remember: after I had been given the ZZ Top keychain and transformed into a long-legged Tinker Bell of sorts, I entered the store and confronted my “bullies”; [when] snapping the nose of Eddie (who was actually the choreographer…and my manicurist [in the video] was Deborah Kurtz, the casting director), [I] really hurt him. My acting skills—not great, so when I did it, I had to mean it < smirk >.
I think the most memorable scene (although some would disagree, preferring the lingerie shot) was being placed by the biker up on the counter and spinning to kick off my boyfriend’s boss. In the process, by accident, just a peek of the crotch of my underwear showed. I was ahead of Sharon Stone. A true slip and never brought to my attention.
The only thing I was aware of at the time was the pain and the horrible bruises on my thighs from the counter. When we returned to the hotel that night, well after 4 a.m., I sunk into a hot bath. I don’t think I ever felt so exhausted.
We had to reshoot part of the video. Something happened that slips my mind. One of the actors had to be replaced, but Alison Reynolds, the makeup artist, made it undetectable. I still see Alison’s beautiful face from time to time.
I don’t think I saw the band again after the shoot—maybe once.
I’m not sure if it was his real name or not, but I think we called my boyfriend in the video “Billy.” I never spoke more than a few words to him.
As far as the Eliminator girls [the three ZZ Top bombshells-in-residence], it was the same. Jeana [Ellen Keough, then Tomasino] was the only one who took an interest in helping me, and basically that was limited to “Wendy, no need to keep acting once the director calls cut.”
I never saw or heard from any of them again except to be pleasantly surprised to see Jeana, looking gorgeous, on Housewives of Orange County. Oh…and even more surprising was when my girlfriend Laura Morton, a best-selling author, texted me a couple of years ago to say she was having lunch with Jeana. I think they might have been working on a project but Laura is always cloak and dagger about her work and I know not to ask and never heard mention of her again.
Julie Anne…
I don’t remember how we met but I’m guessing it was a party Nina invited me to. [Julie Anne] was a tall, dark beauty who seemed to know everyone. We became fast friends and I was always her plus one.
Julie Anne invited me to a party aboard a boat to launch an album by an up-and-coming band called Duran Duran. I had never heard of them but after that night there was no forgetting. I spent the evening watching Nick Rhodes fall head over heels in love with Julie Anne while the boat cruised around the marina. Needless to say I drove the car home and Julie Anne went “on tour” with the band.
News of the nuptials was not a surprise. I was so happy for Julie Anne.
“Legs” had premiered and I was ecstatic. It was so much fun! I think the first time I was recognized was at the airport on my way to Julie Anne’s wedding. I was shocked and really flattered.
The wedding was my first trip to London. I met Nina at the hotel and it was a crazy fun week of celebration. The ceremony was at the Savoy; so many beautiful people, flamingos, magic… Nick’s best man was a woman. I don’t remember all the names but the event was star-studded.
Sometime after the wedding, Julie Anne informed me that the newspaper from her hometown had more to say about me being at the wedding than her. I found this hard to believe but reveled in the thought of it. Her comments to me about the article were most likely her just poking fun, her sense of humor dry—something I would most certainly appreciate much more now.Des Moines Register 8/23/84;
the relevant passage is the following, which includes a statement
from Jay Levitt, a University of Iowa student who attended the event:
[His] biggest thrill was meeting a rock video model named “Wendy.” “She’s in the ZZ Top ‘Legs’ video. … I like that video. It was really exciting to meet her. She was very nice.” The “Legs” video features four pulchritudinous beauties with minimal clothing arriving in a customized street rod to transform a plain Jane wimp woman into a knock-em-dead siren.
My boyfriend at the time wasn’t invited to the wedding; Julie Anne couldn’t stand him, for good reason. I didn’t go back to LA from London and [instead] moved [directly] to New York to avoid further contact with him.
New York…wow. Luckily Nina was around to show me the ropes whether that be good or bad. Ha ha. She was from New York and always had a nose for fun; we moved into a five-story walk-up studio apartment somewhere in the Village.
Not long after my arrival to New York, I was informed that “Legs,” along with “Sharp Dressed Man,” had been nominated for an MTV Video Award. I went to the awards with Tim Newman and sat in the first few rows. Madonna was there performing “Like a Virgin.” Although “Legs” lost to “Sharp Dressed Man” [MTN: actually, “Legs” won “Best Group Video,” beating “Sharp Dressed Man”], the night was magic.
I received fan mail, none of which I still have. I have moved so many times in my life that any photos, fan mail, etc., from that period have been lost. I never really felt “connected” to any of it anyway. But I will always appreciate the kind words both men and woman expressed—mostly “I wish you would come and rescue me out of my town.” Sometimes lingerie was included and once a pair of sneakers…strange but sweet.
The last time I was recognized was on Easter Sunday in Aspen, CO. I was shocked—it had been at least 10 years since the video premiered. Fun!
It’s been over 20 years since I have seen either Nina or Julie Anne…
My girlfriends still make it a point to tell people we meet of the video. I always blush and tell them it dates me and to stop. Nothing is worse than seeing the blank face of a person who was an infant when “Legs” was in its glory and clueless to the video; however, there are those who do remember and it’s always a treat for me to see the smiles and get recognition.
I have since lived and traveled all over the world, experiencing life to its fullest, learning about and appreciating different cultures, and, most importantly, discovering and appreciating who I am, something I never paid much mind to in my youth.
Upon my return to California, I purchased a beautiful home. I decorated, renovated, and turned it into the one of the sexiest rentals in town, one of my favorite tenants being Kelly Clarkson.
My rental property is like a hotel for those who prefer to stay in a home. It’s cost effective when traveling with others, private, and fabulous, so it’s a full time job. I’m very proud of my “sanctuary.” I believe its energy inspires creativity to those who stay and know it creates a sense of peace and relaxation for them which gives me so much pleasure.
[I asked if Kelly Clarkson knew of Wendy’s own distinguished connection to the music industry]
I guess it sounds as if I name-dropped. I’m blushing… While I respect Kelly’s fame and love her music, she is one of my favorite tenants because of the beautiful energy she left behind in my home; not everyone does, sadly. Kelly had no idea [of her music video past]; my contact [with her was] brief and landlord-like, ha ha.
[I asked why she didn’t continue as an actress/model]
I was never really cut out to be an actress or model, although I loved the attention and did do a few successful ad campaigns and commercials I was incredibly camera shy which caused an uncomfortable anxiety in me. I preferred entertaining and making a home for those I loved. Although a bit wild, I’m an old-fashioned girl at heart.
[I asked if she has kids]
I always thought I would have children, but as of late only a small petting zoo. I would love to adopt a child when and if it is my calling, but for now I am beyond thrilled to be the godmother to my oldest and best friend Randall’s son Miles.
I’m a bit of an artist at heart. My latest passion: designing and creating chandeliers out of semi-precious stones; the first was out of labradorite, the second citrine, the third will be quartz, but sadly, I haven’t had the time to begin this labor of love. This is beginning to sound like an online dating profile so I will stop before I embarrass myself!
I presently live in Los Angeles.Tweet about this interview to @ZZTop, @BillyFGibbons, and @jeanakeough!
[I asked her reaction when she heard from me]
It was a delight and a bit of a giggle to hear from you; just hoping that you are with good intention and forthright...
Actually it [this interview] was fun—although sobering sometimes, ha ha—remembering.
Copy and tweet to help me find more 1980s music video girls:
Real research question: if you know the Annie Hubbard who was in 1984 Night Ranger video “Sister Christian,” pls contact @MarcTNobleman
Real research question: if you know the woman—even just her name—in 1986 Cinderella video “Shake Me,” pls contact @MarcTNobleman
Real research question: if you know woman—even just her name—in ‘87 Richard Marx video “Should’ve Known Better,” pls contact @MarcTNobleman
Next: ZZ Top, more “Legs” (1984).
July 13, 2013
The Girl in the Video: “Separate Ways (Worlds Apart)” (1983) and “Oh Sherrie” (1984)
Introduction to series “The Girl in the Video.”
The videos: “Separate Ways (Worlds Apart)” by Journey; “Oh Sherrie” by Steve Perry.
The girls-now-women: Margaret Oldsted Menendez (“Separate Ways”); Sherrie Swafford (“Oh Sherrie.”).
“Separate Ways (Worlds Apart)”
Of the people interviewed for (phase one of) this series, Margaret was the last person I contacted. Her video was not as front-of-mind the others I am including, possibly because it predates when my family got cable. But in any case, I’m so glad I thought to look for her. She reported back: “My children said ‘You have to do this, mom!’”
And luckily, she took their advice.
How were you cast in the video for “Separate Ways (Worlds Apart)”?
I am from New Orleans where music and hospitality is part of our culture. The music scene was new wave and some punk rockers. During my high school and college days, I dated a cute musician, Chuck Menendez. It was his sister, who was in an infamous ‘80s New Orleans band called The Cold, who ultimately led me to the audition for the Journey video.
She was friends with the makeup artist in the production company. I got a call from Chuck because they hadn’t found anyone to cast for the girl part, and they wanted “his girlfriend” to come and audition. I must have been clueless; had I thought it through I probably wouldn’t have even shown up to the audition. I am relatively shy and quiet.
I was a college student at Tulane University in uptown New Orleans. I double majored in biology and environmental studies. I was working and paying my way through college so the [notion] of making money for shooting a video was a godsend. It paid $250 a day and I was paid for three days of work. That was a lot of money at the time for a student like me. So I was now the girl in the Journey video, still clueless.
What was it like making the video?
The first day on the wharf of the Mississippi River by the French Quarter was freezing. There were two Winnebagos, one for the band and another for production. Lots of people were hanging in the production RV. Everyone was friendly, saying Beverly Hillbillies lines—”Y’all come back nah, ya hear?” But in New Orleans, we have southern—not exactly hillbilly—charm. Still, it was laid back and entertaining.
The director called for the musicians. Suddenly the RV was empty. The nice, relaxed gentlemen who were so entertaining [turned out to be] the band, Journey. Immediately I was nervous and also thankful for living a life of bliss—it can save a shy person. Oh, one band member, Steve Perry, pretty much stayed to himself in his (the band’s) RV. The rest of the band continued to use our RV. I have pictures from that day and an autographed album and Steve Smith’s drumsticks, which were given to Chuck.
The second day of the shoot was perfect New Orleans weather. A touch of spring for the Mardi Gras season. I remember the band appearing later than was expected and seemingly confused. They [had gone] out the night before. What they couldn’t understand was why no one ever said “Last call!” Being a New Orleans girl, I couldn’t understand what a last call even was. They explained they were out all night because normal cities close bars and let everyone know that they are closing. But this was New Orleans, and Mardi Gras.
I couldn’t even imagine wearing my hair that way—the video was the first and last time I did. Makeup artists are just that, artists. I really appreciated her talents to enhance not just my looks but also that great time period, the ‘80s! She picked out the outfit in a local store in the French Quarter.
My boyfriend (unlike me, not clueless) bought their new album and brought it to the shoot. His brother-in-law (also not clueless) brought a camera, too [which is where these set photos come from].
How was it to work with Journey?
Everyone in the band was professional and did a great shoot that day. Steve was still reserved and quiet. I didn’t think anything of it; in fact, I thought I was the same way, so it seemed normal. It wasn’t until many years later that I learned of his girlfriend being upset that a girl was in a Journey video.
The rest of the band gladly offered their personal stories, shared photos, and enjoyed being in New Orleans. I rarely spoke, but I did talk to Jonathan Cain. Once again, I was oblivious—didn’t realize he was in one of my all-time favorite bands, The Babys, or I might have never gone near him. (I still listen to their music!)
Were you already familiar with Journey’s music?
I knew the Journey hits and loved their music. However, videos were new novelties so I didn’t know band members like we do now from videos.
Any funny anecdotes from the shoot?
When the shoot went a little longer than expected, I was running late to meet my boyfriend at his sister’s apartment, so I jumped in my car with full makeup and large ‘80s hair. It was important not to be late or I wouldn’t have parking for Endymion, one of the largest parades of the season. Luckily we had ladders set up behind the crowd to be able to see the parade. We had perfect viewing. Then the riders on each float started pointing at us, throwing beads as far as they could, bombing us as each float came by. My hair and makeup were the perfect bead magnets. It was one of the funniest times in my life and one of my best memories.
What did your parents think of the video?
My parents, God bless them, were older when the video was made. They weren’t up to date on pop culture—like knowing what MTV was or what music videos were. They didn’t seem surprised that I would be in a music video mainly for that fact. Funny, but my own children are likely to say the same about me.
What did you friends think of it?
My friends and family were supportive and, of course, happy to say they knew the “girl in the Journey video.”
Did the video generate any controversy that you know of?
If there was any controversy, the band made sure I was not a part.
Did you watch the MTV World Premiere of the video, and if so, how did that feel?
I did watch [it]. I was with friends who were in Chuck’s band at the time. We were so excited we even taped it on the Betamax!
I also watched Marilyn McCoo introduce it on Solid Gold. I have tried and tried to get the tape of when it was on Beavis & Butthead. I think that episode made me really think this video surpasses all others and is a true icon. That was the defining moment.
Were you ever recognized in public? How often and when last? Any stories about that?
I haven’t been recognized in public outright. To illustrate, about a year ago, our oldest daughter was presented as a Maid in the court of Neptune. An ‘80s cover band, equipped with videos, played “Separate Ways” at the ball. My daughter and I had the best time dancing and walking and laughing and being in the spotlight during that song! My husband thought the band should know that I was the girl in the video they just played and brought me backstage. For whatever reason, the band lacked enthusiasm. They were, however, polite enough to say that I did look like the girl in the video, especially around the eyes.
What are you doing these days?
I’m very proud and happy that Chuck and I married at the ripe age of 21 (about a year after the video was made). I am super thankful to say I am married to my best friend and sweetheart. We met when we were thirteen, then dated through high school and college. When Chuck got down on his knee to propose, he made sure a Journey song was playing.
I am the proud mother of our four beautiful children. They are Chase (25), who is attending MSU and completing [a degree in] broadcast meteorology; Madeline (21), who is attending Belmont University and studying music business/math while songwriting and recording music; Laina (14), who is entering 9th grade at St. Patrick Catholic High School; and Briggs (9), who is entering 4th grade at St. James Elementary School. I am blessed to be able to be at home raising them and enjoying every moment! I enjoy, and have to laugh, when I’ve been running around all day in sweats and a T-shirt, then I bring Briggs to his guitar lesson and the guy in the music store wants to know “What was it like to meet Journey?”
What do your kids think of the video?
I guess this video stands the test of time. My children are not embarrassed. In fact, they and their friends are impressed. [By] text I get pictures and videos from their friends singing “Separate Ways” to the video while they are out, and at any time of day or night. I love that! Their happiness is priceless.
Where do you live?
We live on the Mississippi Gulf Coast. Yes, we met Katrina up [close] and personally; she destroyed our home on the beach.
There were many miracles during that time. One, I guess you can say, is that one wall of our home survived the storm’s surge. We returned to survey the damages, and still hanging [on] this wall was the framed, autographed Journey album. It still has the remnants of the marsh and is proudly displayed in my husband’s office. The drumsticks, sadly, are now a part of Katrina’s collection. Luckily, I placed most of our photos upstairs in a container, and I also have pictures taken during the video. Journey came to Biloxi, MS not long after the storm. After the performance, I gave a roadie a picture taken during the [video] shoot. I asked him if he could get the band to sign it. He brought it back to me with thoughtful comments and autographs! That is all the contact I have ever had with Journey since the video.
What did you think when you first heard from me?
Lately the attention I receive from the video has grown. I get random questions about it, stories from friends when they tell other people they know me, and a lot of attention from my children’s friends. I mostly hear “How cool!” Still, even with this attention, I was so shocked to get your request to answer some questions!
Has anyone else ever interviewed about this? Have you appeared at any fan conventions to sign autographs? If not, would you?
I haven’t been interviewed, other than curious friends asking what it was like to be a part of it. I haven’t been to any conventions, either.
How do you look back on the experience?
I most appreciate the fact that while making the video, the band was especially nice to me. They were all easygoing. I think they truly respected each other. I guess they are genuine, thoughtful people who also have talent beyond belief. Steve Smith seemed to like having a fan who was also a drummer (Chuck) on the set.
Janet Cross (who appeared in Huey Lewis and the News’s “If This Is It” video) is related to Frederick Law Olmsted (designer of Central Park). Are you?
I no longer have my father’s research (Katrina) but he claimed Frederick Law Olmsted was my great-great uncle (?). The Olmsted family tree is gigantic so it’s possible [Janet Cross, AKA Janet Olmsted Cross] and I are distantly related, but it would take some effort to know for sure. Small world! I probably get asked about my famous relative and my connection to him more than I get asked about the Journey video though.
Anything you’d like to add?
Another recent story about this band’s heart and soul is that Neal Schon gave his guitar to a boy in the front row of a Journey concert in New Orleans. This boy loves guitar and was playing air guitar along with Neal during the concert. The cool thing is, that boy not only loves Journey…but his cousin is married to the girl in the video. I would just love for Neal Schon to know this story and how happy he made our little cousin!
Thanks for your interest. I can’t help but smile while thinking someone is actually curious about little ol’ me! I am glad to help you, and as a dear family friend and second mother to me says, “We help each other.”
BONUS: What happened to Sherrie Swafford?
Sherrie was the girlfriend of Steve Perry, classic lead singer of Journey, and the inspiration for the 1984 hit “Oh Sherrie.” She also appeared in the video and, if you ask me, she emanates sincerity.
To my great thrill, I found Sherrie. To my great disappointment (but complete understanding), she was not comfortable participating. But to my great honor, she wrote this brief update and said I could share it:
I can see why she and Steve were drawn to each other; they both seem like unwavering class acts. Is it any wonder “Oh Sherrie” is such a beautiful song?
Tweet about this interview to @JourneyOfficial, @TheJonathanCain, @NealSchonMusic, and @FrontiersRec!
Copy and tweet to help me find more 1980s music video girls:
Next: ZZ Top, “Legs” (1984).
The videos: “Separate Ways (Worlds Apart)” by Journey; “Oh Sherrie” by Steve Perry.
The girls-now-women: Margaret Oldsted Menendez (“Separate Ways”); Sherrie Swafford (“Oh Sherrie.”).
“Separate Ways (Worlds Apart)”Of the people interviewed for (phase one of) this series, Margaret was the last person I contacted. Her video was not as front-of-mind the others I am including, possibly because it predates when my family got cable. But in any case, I’m so glad I thought to look for her. She reported back: “My children said ‘You have to do this, mom!’”
And luckily, she took their advice.
How were you cast in the video for “Separate Ways (Worlds Apart)”?
I am from New Orleans where music and hospitality is part of our culture. The music scene was new wave and some punk rockers. During my high school and college days, I dated a cute musician, Chuck Menendez. It was his sister, who was in an infamous ‘80s New Orleans band called The Cold, who ultimately led me to the audition for the Journey video.
She was friends with the makeup artist in the production company. I got a call from Chuck because they hadn’t found anyone to cast for the girl part, and they wanted “his girlfriend” to come and audition. I must have been clueless; had I thought it through I probably wouldn’t have even shown up to the audition. I am relatively shy and quiet.
I was a college student at Tulane University in uptown New Orleans. I double majored in biology and environmental studies. I was working and paying my way through college so the [notion] of making money for shooting a video was a godsend. It paid $250 a day and I was paid for three days of work. That was a lot of money at the time for a student like me. So I was now the girl in the Journey video, still clueless.
What was it like making the video?
The first day on the wharf of the Mississippi River by the French Quarter was freezing. There were two Winnebagos, one for the band and another for production. Lots of people were hanging in the production RV. Everyone was friendly, saying Beverly Hillbillies lines—”Y’all come back nah, ya hear?” But in New Orleans, we have southern—not exactly hillbilly—charm. Still, it was laid back and entertaining.
The director called for the musicians. Suddenly the RV was empty. The nice, relaxed gentlemen who were so entertaining [turned out to be] the band, Journey. Immediately I was nervous and also thankful for living a life of bliss—it can save a shy person. Oh, one band member, Steve Perry, pretty much stayed to himself in his (the band’s) RV. The rest of the band continued to use our RV. I have pictures from that day and an autographed album and Steve Smith’s drumsticks, which were given to Chuck.
The second day of the shoot was perfect New Orleans weather. A touch of spring for the Mardi Gras season. I remember the band appearing later than was expected and seemingly confused. They [had gone] out the night before. What they couldn’t understand was why no one ever said “Last call!” Being a New Orleans girl, I couldn’t understand what a last call even was. They explained they were out all night because normal cities close bars and let everyone know that they are closing. But this was New Orleans, and Mardi Gras.
I couldn’t even imagine wearing my hair that way—the video was the first and last time I did. Makeup artists are just that, artists. I really appreciated her talents to enhance not just my looks but also that great time period, the ‘80s! She picked out the outfit in a local store in the French Quarter.
My boyfriend (unlike me, not clueless) bought their new album and brought it to the shoot. His brother-in-law (also not clueless) brought a camera, too [which is where these set photos come from].
How was it to work with Journey?
Everyone in the band was professional and did a great shoot that day. Steve was still reserved and quiet. I didn’t think anything of it; in fact, I thought I was the same way, so it seemed normal. It wasn’t until many years later that I learned of his girlfriend being upset that a girl was in a Journey video.
The rest of the band gladly offered their personal stories, shared photos, and enjoyed being in New Orleans. I rarely spoke, but I did talk to Jonathan Cain. Once again, I was oblivious—didn’t realize he was in one of my all-time favorite bands, The Babys, or I might have never gone near him. (I still listen to their music!)
Were you already familiar with Journey’s music?
I knew the Journey hits and loved their music. However, videos were new novelties so I didn’t know band members like we do now from videos.
Any funny anecdotes from the shoot?
When the shoot went a little longer than expected, I was running late to meet my boyfriend at his sister’s apartment, so I jumped in my car with full makeup and large ‘80s hair. It was important not to be late or I wouldn’t have parking for Endymion, one of the largest parades of the season. Luckily we had ladders set up behind the crowd to be able to see the parade. We had perfect viewing. Then the riders on each float started pointing at us, throwing beads as far as they could, bombing us as each float came by. My hair and makeup were the perfect bead magnets. It was one of the funniest times in my life and one of my best memories.
What did your parents think of the video?
My parents, God bless them, were older when the video was made. They weren’t up to date on pop culture—like knowing what MTV was or what music videos were. They didn’t seem surprised that I would be in a music video mainly for that fact. Funny, but my own children are likely to say the same about me.
What did you friends think of it?
My friends and family were supportive and, of course, happy to say they knew the “girl in the Journey video.”
Did the video generate any controversy that you know of?
If there was any controversy, the band made sure I was not a part.
Did you watch the MTV World Premiere of the video, and if so, how did that feel?
I did watch [it]. I was with friends who were in Chuck’s band at the time. We were so excited we even taped it on the Betamax!
I also watched Marilyn McCoo introduce it on Solid Gold. I have tried and tried to get the tape of when it was on Beavis & Butthead. I think that episode made me really think this video surpasses all others and is a true icon. That was the defining moment.
Were you ever recognized in public? How often and when last? Any stories about that?
I haven’t been recognized in public outright. To illustrate, about a year ago, our oldest daughter was presented as a Maid in the court of Neptune. An ‘80s cover band, equipped with videos, played “Separate Ways” at the ball. My daughter and I had the best time dancing and walking and laughing and being in the spotlight during that song! My husband thought the band should know that I was the girl in the video they just played and brought me backstage. For whatever reason, the band lacked enthusiasm. They were, however, polite enough to say that I did look like the girl in the video, especially around the eyes.
What are you doing these days?
I’m very proud and happy that Chuck and I married at the ripe age of 21 (about a year after the video was made). I am super thankful to say I am married to my best friend and sweetheart. We met when we were thirteen, then dated through high school and college. When Chuck got down on his knee to propose, he made sure a Journey song was playing.
I am the proud mother of our four beautiful children. They are Chase (25), who is attending MSU and completing [a degree in] broadcast meteorology; Madeline (21), who is attending Belmont University and studying music business/math while songwriting and recording music; Laina (14), who is entering 9th grade at St. Patrick Catholic High School; and Briggs (9), who is entering 4th grade at St. James Elementary School. I am blessed to be able to be at home raising them and enjoying every moment! I enjoy, and have to laugh, when I’ve been running around all day in sweats and a T-shirt, then I bring Briggs to his guitar lesson and the guy in the music store wants to know “What was it like to meet Journey?”
What do your kids think of the video?
I guess this video stands the test of time. My children are not embarrassed. In fact, they and their friends are impressed. [By] text I get pictures and videos from their friends singing “Separate Ways” to the video while they are out, and at any time of day or night. I love that! Their happiness is priceless.
Where do you live?
We live on the Mississippi Gulf Coast. Yes, we met Katrina up [close] and personally; she destroyed our home on the beach.
There were many miracles during that time. One, I guess you can say, is that one wall of our home survived the storm’s surge. We returned to survey the damages, and still hanging [on] this wall was the framed, autographed Journey album. It still has the remnants of the marsh and is proudly displayed in my husband’s office. The drumsticks, sadly, are now a part of Katrina’s collection. Luckily, I placed most of our photos upstairs in a container, and I also have pictures taken during the video. Journey came to Biloxi, MS not long after the storm. After the performance, I gave a roadie a picture taken during the [video] shoot. I asked him if he could get the band to sign it. He brought it back to me with thoughtful comments and autographs! That is all the contact I have ever had with Journey since the video.
What did you think when you first heard from me?
Lately the attention I receive from the video has grown. I get random questions about it, stories from friends when they tell other people they know me, and a lot of attention from my children’s friends. I mostly hear “How cool!” Still, even with this attention, I was so shocked to get your request to answer some questions!
Has anyone else ever interviewed about this? Have you appeared at any fan conventions to sign autographs? If not, would you?
I haven’t been interviewed, other than curious friends asking what it was like to be a part of it. I haven’t been to any conventions, either.
How do you look back on the experience?
I most appreciate the fact that while making the video, the band was especially nice to me. They were all easygoing. I think they truly respected each other. I guess they are genuine, thoughtful people who also have talent beyond belief. Steve Smith seemed to like having a fan who was also a drummer (Chuck) on the set.
Janet Cross (who appeared in Huey Lewis and the News’s “If This Is It” video) is related to Frederick Law Olmsted (designer of Central Park). Are you?
I no longer have my father’s research (Katrina) but he claimed Frederick Law Olmsted was my great-great uncle (?). The Olmsted family tree is gigantic so it’s possible [Janet Cross, AKA Janet Olmsted Cross] and I are distantly related, but it would take some effort to know for sure. Small world! I probably get asked about my famous relative and my connection to him more than I get asked about the Journey video though.
Anything you’d like to add?
Another recent story about this band’s heart and soul is that Neal Schon gave his guitar to a boy in the front row of a Journey concert in New Orleans. This boy loves guitar and was playing air guitar along with Neal during the concert. The cool thing is, that boy not only loves Journey…but his cousin is married to the girl in the video. I would just love for Neal Schon to know this story and how happy he made our little cousin!
Thanks for your interest. I can’t help but smile while thinking someone is actually curious about little ol’ me! I am glad to help you, and as a dear family friend and second mother to me says, “We help each other.”
BONUS: What happened to Sherrie Swafford?
Sherrie was the girlfriend of Steve Perry, classic lead singer of Journey, and the inspiration for the 1984 hit “Oh Sherrie.” She also appeared in the video and, if you ask me, she emanates sincerity.
To my great thrill, I found Sherrie. To my great disappointment (but complete understanding), she was not comfortable participating. But to my great honor, she wrote this brief update and said I could share it:
You are the only person [who] has ever received a response! MTV, VH1 [contacted me and] I did nothing and hoped they thought it was the wrong number! I am an esthetician, teach yoga, never married, no children. Love my animals, planting flowers, and life. Cherish my friends (including Steve) and my privacy. It was so different for us! It was just Love, nothing else!
I can see why she and Steve were drawn to each other; they both seem like unwavering class acts. Is it any wonder “Oh Sherrie” is such a beautiful song?
Tweet about this interview to @JourneyOfficial, @TheJonathanCain, @NealSchonMusic, and @FrontiersRec!
Copy and tweet to help me find more 1980s music video girls:
Real research question: if you know the Annie Hubbard who was in 1984 Night Ranger video “Sister Christian,” pls contact @MarcTNobleman
Real research question: if you know the woman—even just her name—in 1986 Cinderella video “Shake Me,” pls contact @MarcTNobleman
Real research question: if you know woman—even just her name—in ‘87 Richard Marx video “Should’ve Known Better,” pls contact @MarcTNobleman
Next: ZZ Top, “Legs” (1984).
July 12, 2013
The Girl in the Video: “Heart and Soul” (1983) and “I Want a New Drug” (1984)
Introduction to series “The Girl in the Video.”
The videos: “Heart and Soul” and “I Want a New Drug” by Huey Lewis and the News.
The girl-now-woman: Signy Coleman.
“Heart and Soul”
“I Want a New Drug”
How I found Signy:
I sent her a message on Facebook. Weeks past and she had still not seen it, so I called SAG for her agent. The one listed is not her agent anymore but gave me the name of Signy’s former manager, who kindly said she’d try to find her. I also reached out to the director of a music video Signy recently shot for a new artist, Kattail (who thanks Huey Lewis and the News on her site). The next day, I heard from Signy, and also from the director.
How old were you when you appeared in the “Heart and Soul” and “I Want a New Drug” videos?
22.
Where were you living at the time?
I was living in San Francisco, right above Ghirardelli Square. Beautiful apartment—I wish I still had. Big bay windows overlooking the bay.
Did you know Huey Lewis before the video?
I didn’t know him on a friendship level. I knew him on more of a “Hi, how are you?” level. Huey used to play with [his former band] Clover in Bolinas, CA, where I grew up—an hour and 20 minutes north of San Francisco. I’d go to dances on Saturday nights and Huey was playing. He did a wicked version of “Johnny B. Goode.” My older brother and sister Jeffrey and Tiffany knew him better because they were the same age group. They traveled in same circles.
What music videos, shows, or movies had you appeared in prior to that?
At that point, none. I was already modeling, spending six months of the year in Paris, six in San Francisco. At that point you couldn’t open up a local paper without seeing me in it. I was really working as a model so consistently that acting hadn’t become a part of my life yet. After “Heart and Soul” in particular started airing, music videos exploded and my agent started getting calls from casting directors in Los Angeles. After getting a guest star part on Mickey Spillane’s Mike Hammer, [lead actor] Stacy Keach said “You have natural talent and you have to move to Los Angeles or New York.”
How were you cast?
It was very funny. My agent said, “They’re looking for punk rockers so I want you to put some of that spray stuff in your hair and put on torn fishnet stockings.” I said, “Lynn, I’m not doing that. I don’t look anything like a punk rocker.” I said I’ll put on high heels but that’s about the extent of it. I went to the audition and there were 50 of the most hardcore punk rockers I’ve ever seen. I turned around to leave and the director popped his head out of the room they were casting in and said, “Hey, miniskirt, where are you going?” He pulled me in and said they were also looking for a girl who’s the opposite and stands out in the crowd of these unusual characters. I was asked to pretend to flirt with guy across the room, which I like to believe I had a little experience with at that point.
They put on “Heart and Soul” (first time I heard it) and said “Dance to it.” I had been a dancer for many years, starting ballet at seven. At 13 I was on full scholarship for the San Francisco School of Ballet, but quit at 16 because I saw a destructive lifestyle—diet pills, cigarettes. I mean no disrespect to anyone doing it, but the world of dance can be cutthroat. But the discipline I learned in dancing has carried through the rest of my life. By the time I’d gotten home from the “Heart and Soul” audition, I’d already gotten the call that I got the video. No one knew at the time how MTV was going to change the fabric of the music industry.
Had you even heard of music videos at that point?
Maybe…such a long time ago! I was a huge Aerosmith, AC/DC, Beatles fan.
Do you remember what your reaction was when you were cast for the first video (“Heart and Soul”)?
I was thrilled. They said we’d shoot on location in San Francisco, my home town (with Bolinas).
Did you have to audition for the second video (“I Want a New Drug”), or were you asked to be in it because of the first video?
I was just asked. They were filmed about a year apart.
That one was more difficult. They had me on a boat in the bay when it was cold.
The concert footage in it was real concert footage. Girls who are Huey fans are hardcore Huey fans. Right before they were about to start they walked me across the stage and put me dead center and there were girls in the front row of the audience who had all kinds of unladylike things to say to me. I won’t repeat them! The crew had to handpick a group of people to surround me so I didn’t get my hair ripped out, particularly when Huey leaned in to kiss me.
How long were the shoots?
“Heart and Soul” was about three days. “I Want a New Drug” was probably a little longer because it had different locations. Maybe five days to a week.
How did you feel making the videos?
I loved it. “Heart and Soul”—to be in that loft in San Francisco with all of these wonderful, creative people. Huey was incredibly intelligent, a very educated man, a huge Cole Porter fan—he’ll just break out in a Porter song. He knows the history of Porter’s life. He’s a very lighthearted, lovely human being. Funny as hell. The band is the nicest, down-to-earth group of people. Bill Gibson is like the father figure—always calm, grounded, rational. These guys are like family to each other. Huey treats everyone equally.
What was the hardest part of the shoots?
The first shoot didn’t wrap till I think 3 or 4 in the morning. But I walked out of there glowing.
How was it to work with the band? What were they like? Did they hit on you?
None of the band did. They were incredibly professional. Everyone had a crush on Huey. He was gorgeous. The background people were hitting on me right and left. I was dating a guy at the time. I was always professional. I was very focused on work. A great time to be alive. I didn’t get caught up in the partying scene though.
“Heart and Soul”
“I Want a New Drug”
What did you think of the videos? Do you like one more than the other?
Both are near and dear to my heart. I can’t say which I like better. Both incredible in the way they were done visually. In “I Want a New Drug,” I love that you see so much of San Francisco in it. The videos launched my career, got my foot in the door in Hollywood. Allowed me to segue from modeling into acting.
What did your parents think of the videos?
They were always incredibly proud of my accomplishments. Huey’s mother Magda is a very good friend of my mother’s! Magda and my mom would see each other in town and say about Huey and me, “Wow, those two are really going to go far!” They would giggle about it. Of course with platinum albums, Huey went farther. (laughs)
What did your friends think of the videos?
My friends thought I was the coolest thing since sliced bread. My boyfriend was skiing in Tahoe and the video came on and he told the guys in the bar that I was his girlfriend and they didn’t believe him. But when he showed them a photo from his wallet, they started buying him drinks.
Did the videos ever affect your dating life in any way (i.e. when you first told boyfriends you were the woman in them)?
I’m very loyal in my relationships. There were guys that came out of the woodwork and said “You’re the Huey Lewis and the News girl.” I would laugh and say, “I am but I have a boyfriend.”
Did you receive fan mail? If so, do you still have any of it?
It came to my modeling agency.
How did people know how to reach you? Your name wasn’t in the video and Google wasn’t around yet.
My agency Top Models did a lot of advertising in a local newspaper called Pacific Sun. I was on the cover a lot.
Did the videos generate any controversy that you know of?
Not that I remember.
What were you paid each time?
I imagine it was not much or else it would have been memorable. (laughs)
Did you watch the MTV World Premiere of the videos, and if so, where and how did that feel?
Yes. It was phenomenal! I had a national toothpaste commercial running at the time. But other than that and a Macy’s ad, I had never seen myself on the screen bigger than life like that.
Were you ever recognized in public? How often and when last? Any stories about that?
Constantly. I still have people comment! I had more of a baby face then but I haven’t changed that much.
Did you appear in other music videos after that?
Not in that era. The only other I’ve done is the recent one for Kattail. I think she’s going to do well.
If you ever met other women who were female leads in a mainstream ‘80s rock video, who?
I was supposed to do “If This Is It” but I was in Paris and the booking crossed over by one day; they wouldn’t release me from the shoot. I was heartbroken. But my girlfriend Pepper (Janet Cross) did the video and I was happy about that. She and I used to model all the time together—Macy’s.
If you went to college, where and what did you study?
I was accepted to UC Berkeley and was going to major in business but before that I had been picked up off the street by a modeling agency in San Francisco and they signed me. Two months later an agency in Paris also signed me. So school was put on hold. I have to say I regret not having the college experience but I was traveling all over Europe, getting more of a life education. I did graduate from high school, so stay in school, kids! (laughs)
What are you doing these days?
In the ‘80s, I was studying at the Loft Studio, an acting studio like the Actors Studio in New York. Peggy Feury, a prominent acting coach, was there. Sean and Chris Penn and Meg Ryan were there, too. We lived at the studio. I supported myself modeling until I got my first contract role on a show called Santa Barbara. I did Human Target with Rick Springfield, X-Files, Charles in Charge. Some feature films thrown in there as well. Most recently I was involved in a web series called River Ridge on SFN Entertainment Network. I was hired as an actress and then asked to be a producer. I took time to think about it because it was a huge commitment and a steep learning curve. I just booked a film called Tempest but can’t say anything more about it yet. I have a busy voiceover career—commercials, some animation.
Where do you live?
New Jersey.
If you are/were married, what was your future husband’s reaction when he learned you were in this video?
I married Vincent Irizarry, a fellow actor from Santa Barbara. I’m not married now.
Kids?
Oldest is Siena Sophia, and she’s gearing up to start culinary school in New York. Amazingly talented. Isabella Grace is twelve. When the River Ridge director/writer Tyler Ford met her, he liked her so much that they created a character for her. She played the daughter of a junkie. She’s always been involved with drama at school. It’s like watching myself as a child. Very vivacious. Siena had no interest in acting. She went on one audition for Oreos in Los Angeles when she was eight and never wanted to do it again. She’s a deep, old soul, a prolific writer. Her poetry and short stories have been published since a young age.
What do your kids think of your Huey videos?
(Signy asked Isabella directly, right then) “It was cool. My mom was famous. Pretty rocking awesome.”
Isabella loves Huey’s music. The first concert I took her to was Huey in New York and he gave us backstage passes. It was so sweet. Siena thought it was amazing but as a child, she was often on the set with me. She grew up shuffling back and forth to shoots, so for her it was par for the course.
What did you think when you first heard from me?
I thought it was a wonderful idea. I said, “I wish I thought of that!” I am a contributing editor to Commerce, a local magazine. My sister Bethany Atherton and I have written a book, a food memoir with recipes called Love Dish. We’re in talks with a couple of publishers and are deciding if we want to self-publish.
Has anyone else ever interviewed about the Huey Lewis videos? If so, who, when, and for what publication?
I think back in the ‘80s, yes. I know Pacific Sun and maybe the Independent Journal did. But not as large scale as what you’re doing.
Have you appeared at any fan conventions to sign autographs? If not, would you?
No. But soap opera junkets, yes.
Did you stay in touch with the band after the shoot?
Yes. There were gaps but I see them whenever possible.
On a granular level, how did that work? Did you just exchange phone numbers with Huey and the band after the first video?
Huey was a married man—you don’t really exchange phone numbers. Our moms were friends so we’d bump into each other that way. And also through Huey’s manager, Bob Brown.
When was the last time you were in touch with them?
I contacted him the other day. I was doing an interview for SFN radio so I texted him and asked him the name of the director of our videos. We were also in touch when the 49ers were in the playoffs.
How do you look back on the experience?
It was an amazing experience. I have fond memories of the entire experience and am forever grateful because it launched my acting career.
Anything you’d like to add?
To this day, the band’s music lives on. It’s timeless.
Tweet about this interview to @Huey_Lewis_News and @signycoleman!
Copy and tweet to help me find more 1980s music video girls:
Next: Journey, “Separate Ways (Worlds Apart)” (1983) and “Oh Sherrie” (1984).
The videos: “Heart and Soul” and “I Want a New Drug” by Huey Lewis and the News.
The girl-now-woman: Signy Coleman.
“Heart and Soul” 
“I Want a New Drug”How I found Signy:
I sent her a message on Facebook. Weeks past and she had still not seen it, so I called SAG for her agent. The one listed is not her agent anymore but gave me the name of Signy’s former manager, who kindly said she’d try to find her. I also reached out to the director of a music video Signy recently shot for a new artist, Kattail (who thanks Huey Lewis and the News on her site). The next day, I heard from Signy, and also from the director.
How old were you when you appeared in the “Heart and Soul” and “I Want a New Drug” videos?
22.
Where were you living at the time?
I was living in San Francisco, right above Ghirardelli Square. Beautiful apartment—I wish I still had. Big bay windows overlooking the bay.
Did you know Huey Lewis before the video?
I didn’t know him on a friendship level. I knew him on more of a “Hi, how are you?” level. Huey used to play with [his former band] Clover in Bolinas, CA, where I grew up—an hour and 20 minutes north of San Francisco. I’d go to dances on Saturday nights and Huey was playing. He did a wicked version of “Johnny B. Goode.” My older brother and sister Jeffrey and Tiffany knew him better because they were the same age group. They traveled in same circles.
What music videos, shows, or movies had you appeared in prior to that?
At that point, none. I was already modeling, spending six months of the year in Paris, six in San Francisco. At that point you couldn’t open up a local paper without seeing me in it. I was really working as a model so consistently that acting hadn’t become a part of my life yet. After “Heart and Soul” in particular started airing, music videos exploded and my agent started getting calls from casting directors in Los Angeles. After getting a guest star part on Mickey Spillane’s Mike Hammer, [lead actor] Stacy Keach said “You have natural talent and you have to move to Los Angeles or New York.”
How were you cast?
It was very funny. My agent said, “They’re looking for punk rockers so I want you to put some of that spray stuff in your hair and put on torn fishnet stockings.” I said, “Lynn, I’m not doing that. I don’t look anything like a punk rocker.” I said I’ll put on high heels but that’s about the extent of it. I went to the audition and there were 50 of the most hardcore punk rockers I’ve ever seen. I turned around to leave and the director popped his head out of the room they were casting in and said, “Hey, miniskirt, where are you going?” He pulled me in and said they were also looking for a girl who’s the opposite and stands out in the crowd of these unusual characters. I was asked to pretend to flirt with guy across the room, which I like to believe I had a little experience with at that point.
They put on “Heart and Soul” (first time I heard it) and said “Dance to it.” I had been a dancer for many years, starting ballet at seven. At 13 I was on full scholarship for the San Francisco School of Ballet, but quit at 16 because I saw a destructive lifestyle—diet pills, cigarettes. I mean no disrespect to anyone doing it, but the world of dance can be cutthroat. But the discipline I learned in dancing has carried through the rest of my life. By the time I’d gotten home from the “Heart and Soul” audition, I’d already gotten the call that I got the video. No one knew at the time how MTV was going to change the fabric of the music industry.
Had you even heard of music videos at that point?
Maybe…such a long time ago! I was a huge Aerosmith, AC/DC, Beatles fan.
Do you remember what your reaction was when you were cast for the first video (“Heart and Soul”)?
I was thrilled. They said we’d shoot on location in San Francisco, my home town (with Bolinas).
Did you have to audition for the second video (“I Want a New Drug”), or were you asked to be in it because of the first video?
I was just asked. They were filmed about a year apart.
That one was more difficult. They had me on a boat in the bay when it was cold.
The concert footage in it was real concert footage. Girls who are Huey fans are hardcore Huey fans. Right before they were about to start they walked me across the stage and put me dead center and there were girls in the front row of the audience who had all kinds of unladylike things to say to me. I won’t repeat them! The crew had to handpick a group of people to surround me so I didn’t get my hair ripped out, particularly when Huey leaned in to kiss me.
How long were the shoots?
“Heart and Soul” was about three days. “I Want a New Drug” was probably a little longer because it had different locations. Maybe five days to a week.
How did you feel making the videos?
I loved it. “Heart and Soul”—to be in that loft in San Francisco with all of these wonderful, creative people. Huey was incredibly intelligent, a very educated man, a huge Cole Porter fan—he’ll just break out in a Porter song. He knows the history of Porter’s life. He’s a very lighthearted, lovely human being. Funny as hell. The band is the nicest, down-to-earth group of people. Bill Gibson is like the father figure—always calm, grounded, rational. These guys are like family to each other. Huey treats everyone equally.
What was the hardest part of the shoots?
The first shoot didn’t wrap till I think 3 or 4 in the morning. But I walked out of there glowing.
How was it to work with the band? What were they like? Did they hit on you?
None of the band did. They were incredibly professional. Everyone had a crush on Huey. He was gorgeous. The background people were hitting on me right and left. I was dating a guy at the time. I was always professional. I was very focused on work. A great time to be alive. I didn’t get caught up in the partying scene though.
“Heart and Soul”
“I Want a New Drug”What did you think of the videos? Do you like one more than the other?
Both are near and dear to my heart. I can’t say which I like better. Both incredible in the way they were done visually. In “I Want a New Drug,” I love that you see so much of San Francisco in it. The videos launched my career, got my foot in the door in Hollywood. Allowed me to segue from modeling into acting.
What did your parents think of the videos?
They were always incredibly proud of my accomplishments. Huey’s mother Magda is a very good friend of my mother’s! Magda and my mom would see each other in town and say about Huey and me, “Wow, those two are really going to go far!” They would giggle about it. Of course with platinum albums, Huey went farther. (laughs)
What did your friends think of the videos?
My friends thought I was the coolest thing since sliced bread. My boyfriend was skiing in Tahoe and the video came on and he told the guys in the bar that I was his girlfriend and they didn’t believe him. But when he showed them a photo from his wallet, they started buying him drinks.
Did the videos ever affect your dating life in any way (i.e. when you first told boyfriends you were the woman in them)?
I’m very loyal in my relationships. There were guys that came out of the woodwork and said “You’re the Huey Lewis and the News girl.” I would laugh and say, “I am but I have a boyfriend.”
Did you receive fan mail? If so, do you still have any of it?
It came to my modeling agency.
How did people know how to reach you? Your name wasn’t in the video and Google wasn’t around yet.
My agency Top Models did a lot of advertising in a local newspaper called Pacific Sun. I was on the cover a lot.
Did the videos generate any controversy that you know of?
Not that I remember.
What were you paid each time?
I imagine it was not much or else it would have been memorable. (laughs)
Did you watch the MTV World Premiere of the videos, and if so, where and how did that feel?
Yes. It was phenomenal! I had a national toothpaste commercial running at the time. But other than that and a Macy’s ad, I had never seen myself on the screen bigger than life like that.
Were you ever recognized in public? How often and when last? Any stories about that?
Constantly. I still have people comment! I had more of a baby face then but I haven’t changed that much.
Did you appear in other music videos after that?
Not in that era. The only other I’ve done is the recent one for Kattail. I think she’s going to do well.
If you ever met other women who were female leads in a mainstream ‘80s rock video, who?
I was supposed to do “If This Is It” but I was in Paris and the booking crossed over by one day; they wouldn’t release me from the shoot. I was heartbroken. But my girlfriend Pepper (Janet Cross) did the video and I was happy about that. She and I used to model all the time together—Macy’s.
If you went to college, where and what did you study?
I was accepted to UC Berkeley and was going to major in business but before that I had been picked up off the street by a modeling agency in San Francisco and they signed me. Two months later an agency in Paris also signed me. So school was put on hold. I have to say I regret not having the college experience but I was traveling all over Europe, getting more of a life education. I did graduate from high school, so stay in school, kids! (laughs)
What are you doing these days?
In the ‘80s, I was studying at the Loft Studio, an acting studio like the Actors Studio in New York. Peggy Feury, a prominent acting coach, was there. Sean and Chris Penn and Meg Ryan were there, too. We lived at the studio. I supported myself modeling until I got my first contract role on a show called Santa Barbara. I did Human Target with Rick Springfield, X-Files, Charles in Charge. Some feature films thrown in there as well. Most recently I was involved in a web series called River Ridge on SFN Entertainment Network. I was hired as an actress and then asked to be a producer. I took time to think about it because it was a huge commitment and a steep learning curve. I just booked a film called Tempest but can’t say anything more about it yet. I have a busy voiceover career—commercials, some animation.
Where do you live?
New Jersey.
If you are/were married, what was your future husband’s reaction when he learned you were in this video?
I married Vincent Irizarry, a fellow actor from Santa Barbara. I’m not married now.
Kids?
Oldest is Siena Sophia, and she’s gearing up to start culinary school in New York. Amazingly talented. Isabella Grace is twelve. When the River Ridge director/writer Tyler Ford met her, he liked her so much that they created a character for her. She played the daughter of a junkie. She’s always been involved with drama at school. It’s like watching myself as a child. Very vivacious. Siena had no interest in acting. She went on one audition for Oreos in Los Angeles when she was eight and never wanted to do it again. She’s a deep, old soul, a prolific writer. Her poetry and short stories have been published since a young age.
What do your kids think of your Huey videos?
(Signy asked Isabella directly, right then) “It was cool. My mom was famous. Pretty rocking awesome.”
Isabella loves Huey’s music. The first concert I took her to was Huey in New York and he gave us backstage passes. It was so sweet. Siena thought it was amazing but as a child, she was often on the set with me. She grew up shuffling back and forth to shoots, so for her it was par for the course.
What did you think when you first heard from me?
I thought it was a wonderful idea. I said, “I wish I thought of that!” I am a contributing editor to Commerce, a local magazine. My sister Bethany Atherton and I have written a book, a food memoir with recipes called Love Dish. We’re in talks with a couple of publishers and are deciding if we want to self-publish.
Has anyone else ever interviewed about the Huey Lewis videos? If so, who, when, and for what publication?
I think back in the ‘80s, yes. I know Pacific Sun and maybe the Independent Journal did. But not as large scale as what you’re doing.
Have you appeared at any fan conventions to sign autographs? If not, would you?
No. But soap opera junkets, yes.
Did you stay in touch with the band after the shoot?
Yes. There were gaps but I see them whenever possible.
On a granular level, how did that work? Did you just exchange phone numbers with Huey and the band after the first video?
Huey was a married man—you don’t really exchange phone numbers. Our moms were friends so we’d bump into each other that way. And also through Huey’s manager, Bob Brown.
When was the last time you were in touch with them?
I contacted him the other day. I was doing an interview for SFN radio so I texted him and asked him the name of the director of our videos. We were also in touch when the 49ers were in the playoffs.
How do you look back on the experience?
It was an amazing experience. I have fond memories of the entire experience and am forever grateful because it launched my acting career.
Anything you’d like to add?
To this day, the band’s music lives on. It’s timeless.
Tweet about this interview to @Huey_Lewis_News and @signycoleman!
Copy and tweet to help me find more 1980s music video girls:
Real research question: if you know the Annie Hubbard who was in 1984 Night Ranger video “Sister Christian,” pls contact @MarcTNobleman
Real research question: if you know the woman—even just her name—in 1986 Cinderella video “Shake Me,” pls contact @MarcTNobleman
Real research question: if you know woman—even just her name—in ‘87 Richard Marx video “Should’ve Known Better,” pls contact @MarcTNobleman
Next: Journey, “Separate Ways (Worlds Apart)” (1983) and “Oh Sherrie” (1984).
July 11, 2013
The Girl in the Video: original interviews with icons of 1980s MTV
I can’t sing (well).
I can’t play an instrument.
And though I can write, I have never written about music.
However, I love music. Especially ‘80s music.
How much?
This much:
1988. Black jean jacket and high school gym shorts. I am sorry.
So I am following up the oral history of superhero entertainment of my formative years with an oral history of music videos of my formative years…which happens to overlap with the formative years of music videos themselves.
born 1981
In other words, “Where Are They Now?: 1980s Video Vixens Edition.”
This blog shares stories behind the stories I write; with this series, it’s more broadly about stories behind stories that have inspired me to write stories. I can’t write with music on, but music injects me with a certain passion—a rhythm, even—I call upon, in silence, when writing.
(And running. I am still bummed that Nike does not still run its Run Hit Wonder race, which I did in New York in 2004. A Flock of Seagulls’s “I Ran [So Far Away]” was a highlight...naturally.)
But no one-hit wonders here.
These are the videos, by year, whose famous faces/crushes for countless teens I interviewed (links/posts will become active one per day starting tomorrow):
1983
Huey Lewis and the News, “Heart and Soul” and “I Want a New Drug” (1984) – Signy ColemanJourney, “Separate Ways (Worlds Apart)” – Margaret Olmsted Menendez (+ BONUS: Steve Perry, “Oh Sherrie” [1984] – Sherrie Swafford)
1984
ZZ Top, “Legs” and others – Wendy Frazier, Kymberly Herrin, Danièle ArnaudDon Henley, “The Boys of Summer” – Audie Lenkov (Audie England)Huey Lewis and the News, “If This Is It” – Janet Cross, Sandra Wilder
1985
a-ha, “Take On Me” – Bunty BaileyTom Petty and the Heartbreakers, “Don’t Come Around Here No More” – Wish Cohen (Louise “Wish” Foley)Bryan Adams, “Summer of ‘69” and others – Lysette Anthony
1986
Robert Palmer, “Addicted to Love” – Julie Pankhurst, Patty Elias (Patty Kelly), Kathy Davies, Mak Gilchrist, Julia BolinoThe Outfield, “Your Love” – JoAnn Willette
1987
Lou Gramm, “Midnight Blue” – Traci Lind
1988
Michael Jackson, “Smooth Criminal” – Kelley Parker
1989
Tom Petty and the Heartbreakers, “Free Fallin’” – Devon Kidd (Devon Jenkin)
Most of these former starlets were pretty tough to find and have never been interviewed about their videos. (The VH1 series Where Are They Now? featured two episodes on this subject. As far as I can tell, none in this feature appeared on “Video Vixens 1” [season 2, episode 8, 7/28/00], and only two here, Signy Coleman and Bunty Bailey, appeared on “Video Vixens II” [season 2, episode 24, 11/28/00]. I made those exceptions because their videos are two personal favorites.)
Similarly, I did not include video stars who are now household names (Courtney Cox, Christie Brinkley, Tawny Kitaen, Helena Christensen) or who have been covered elsewhere (Ola Ray, Jeana Ellen Keough [Jeana Tomasino], Lillian Muller, Betsy Lynn George).
Some of the thirteen videos profiled here were regulars on big-brand “best music videos” lists, back when they used to make “best music videos” lists:
“Take On Me” (almost always in the top 50)
#8 VH1 Top 100 Music Videos of All Time (2001)#9 Rolling Stone Top 100 Music Videos (1993)#14 MTV 100 Greatest Music Videos of All Time (1999)#35 MTV 500 Greatest Videos of All Time (1997)All-TIME Best Music Videos (2011; 10 per decade, unranked within each decade)
“Addicted to Love” (almost always in the top 50)
#8 MTV (1999)#30 VH1#43 MTV (1997)
“Don’t Come Around Here No More” (sometimes in the top 50)
#14 Rolling Stone #43 VH1#79 MTV (1997)#85 MTV (1999)TIME
“The Boys of Summer”
#23 Rolling Stone#53 VH1#67 MTV (1999)#94 MTV (1997)
“Legs”
#22 MTV (1997)#96 VH1
“Free Fallin’”
#56 MTV (1997)
“Summer of ‘69”
#161 MTV (1997)
“I Want a New Drug”
#166 MTV (1997)
Conversely, “Separate Ways (Worlds Apart)” has been called (unfairly, I say) one of the worst videos ever made.
Curiously, Patty Elias’s ex-husband wrote the MTV theme, which makes them an MTV power (ex-)couple like no other:
Warning as you proceed into the series (and therefore the ‘80s): more mustaches than you remember.
Three of the most pressing questions of the ‘80s music landscape will be answered in this series:
Who is Josie (from “Your Love”)?Who is Annie (from “Smooth Criminal”)?What happened to Sherrie Swafford (from “Oh Sherrie”)?
Three of my (many) favorite comments (to find out who said them, stay tuned):
“I got rock-star-by-proxy status.”“We were dangerous ornaments.”“Me in a music video in a negligee was not a topic of conversation at the dinner table.”
Three fun facts you get right now:
Two “Huey girls” (Janet Cross and Signy Coleman) dated Don Henley.Signy knew both Janet and JoAnn Willette.Janet is the great-great granddaughter and Margaret Olmsted Menendez’s father said she is the great-great niece of Central Park designer Frederick Law Olmsted. What are the chances that FLO would be related to not one but two video vixens?
Bonus fact:
The video for “Jessie’s Girl” by Rick Springfield barely has a girl in it. [NOTE: I originally wrote that it does not have a girl in it, but after a reader corrected me in the comments, I made the tweak here.]
Three I found who responded to my interview request although they normally don’t:
Patty EliasTraci Lindthe first person on the next list…
Three I found who chose not to participate:
Steve Perry, “Oh Sherrie” (1984) – Sherrie Swafford (she respectfully declined a full interview but did give me permission to share a brief update)The Cars, “You Might Think” (1984) – Susan Gallagher The Moody Blues, “Your Wildest Dreams” (1986) – Janet Spencer-Turner
Sherrie Swafford; “Oh Sherrie”
Susan Gallagher; “You Might Think”
Janet Spencer-Turner; “Your Wildest Dreams”
Three I wanted to find but haven’t…yet:
Night Ranger, “Sister Christian” (1984) – Annie HubbardCinderella, “Shake Me” (1986) – name unknownRichard Marx, “Should’ve Known Better” (1987) – name unknown
Annie Hubbard; “Sister Christian”
name unknown (but not Amanda Peet!); “Shake Me”
name unknown; “Should’ve Known Better”
To quote the Moody Blues, “I know you’re out there somewhere.”
Three matters of housekeeping:
I conducted the interviews between January and July 2013.Stills from videos are copyright their respective labels. I got permission to post all previously unpublished images; if you want to repost, please do the same by asking me first. You know the music business does not tolerate piracy.I am crowdsourcing to add to this series. See next...
THREE REQUESTS (and please lend a hand no matter when you’re reading this):
TWEET to help me find the three I didn’t; this can work!; simply copy and paste any or all of these pleas (character count is Twitter-ready, but once pasted, you may need to delete extra spaces):
SHOW LOVE: if you want Susan and/or Janet to reconsider, say so in comments below; perhaps an outpouring of interest will persuade them
VOTE: tell me in comments below who you would like me to next find and interview?
First up: Huey Lewis and the News, “Heart and Soul” (1983) and “I Want a New Drug” (1984).
I can’t play an instrument.
And though I can write, I have never written about music.
However, I love music. Especially ‘80s music.
How much?
This much:
1988. Black jean jacket and high school gym shorts. I am sorry.So I am following up the oral history of superhero entertainment of my formative years with an oral history of music videos of my formative years…which happens to overlap with the formative years of music videos themselves.
born 1981 In other words, “Where Are They Now?: 1980s Video Vixens Edition.”
This blog shares stories behind the stories I write; with this series, it’s more broadly about stories behind stories that have inspired me to write stories. I can’t write with music on, but music injects me with a certain passion—a rhythm, even—I call upon, in silence, when writing.
(And running. I am still bummed that Nike does not still run its Run Hit Wonder race, which I did in New York in 2004. A Flock of Seagulls’s “I Ran [So Far Away]” was a highlight...naturally.)
But no one-hit wonders here.
These are the videos, by year, whose famous faces/crushes for countless teens I interviewed (links/posts will become active one per day starting tomorrow):
1983
Huey Lewis and the News, “Heart and Soul” and “I Want a New Drug” (1984) – Signy ColemanJourney, “Separate Ways (Worlds Apart)” – Margaret Olmsted Menendez (+ BONUS: Steve Perry, “Oh Sherrie” [1984] – Sherrie Swafford)
1984
ZZ Top, “Legs” and others – Wendy Frazier, Kymberly Herrin, Danièle ArnaudDon Henley, “The Boys of Summer” – Audie Lenkov (Audie England)Huey Lewis and the News, “If This Is It” – Janet Cross, Sandra Wilder
1985
a-ha, “Take On Me” – Bunty BaileyTom Petty and the Heartbreakers, “Don’t Come Around Here No More” – Wish Cohen (Louise “Wish” Foley)Bryan Adams, “Summer of ‘69” and others – Lysette Anthony
1986
Robert Palmer, “Addicted to Love” – Julie Pankhurst, Patty Elias (Patty Kelly), Kathy Davies, Mak Gilchrist, Julia BolinoThe Outfield, “Your Love” – JoAnn Willette
1987
Lou Gramm, “Midnight Blue” – Traci Lind
1988
Michael Jackson, “Smooth Criminal” – Kelley Parker
1989
Tom Petty and the Heartbreakers, “Free Fallin’” – Devon Kidd (Devon Jenkin)
Most of these former starlets were pretty tough to find and have never been interviewed about their videos. (The VH1 series Where Are They Now? featured two episodes on this subject. As far as I can tell, none in this feature appeared on “Video Vixens 1” [season 2, episode 8, 7/28/00], and only two here, Signy Coleman and Bunty Bailey, appeared on “Video Vixens II” [season 2, episode 24, 11/28/00]. I made those exceptions because their videos are two personal favorites.)
Similarly, I did not include video stars who are now household names (Courtney Cox, Christie Brinkley, Tawny Kitaen, Helena Christensen) or who have been covered elsewhere (Ola Ray, Jeana Ellen Keough [Jeana Tomasino], Lillian Muller, Betsy Lynn George).
Some of the thirteen videos profiled here were regulars on big-brand “best music videos” lists, back when they used to make “best music videos” lists:
“Take On Me” (almost always in the top 50)
#8 VH1 Top 100 Music Videos of All Time (2001)#9 Rolling Stone Top 100 Music Videos (1993)#14 MTV 100 Greatest Music Videos of All Time (1999)#35 MTV 500 Greatest Videos of All Time (1997)All-TIME Best Music Videos (2011; 10 per decade, unranked within each decade)
“Addicted to Love” (almost always in the top 50)
#8 MTV (1999)#30 VH1#43 MTV (1997)
“Don’t Come Around Here No More” (sometimes in the top 50)
#14 Rolling Stone #43 VH1#79 MTV (1997)#85 MTV (1999)TIME
“The Boys of Summer”
#23 Rolling Stone#53 VH1#67 MTV (1999)#94 MTV (1997)
“Legs”
#22 MTV (1997)#96 VH1
“Free Fallin’”
#56 MTV (1997)
“Summer of ‘69”
#161 MTV (1997)
“I Want a New Drug”
#166 MTV (1997)
Conversely, “Separate Ways (Worlds Apart)” has been called (unfairly, I say) one of the worst videos ever made.
Curiously, Patty Elias’s ex-husband wrote the MTV theme, which makes them an MTV power (ex-)couple like no other:
Warning as you proceed into the series (and therefore the ‘80s): more mustaches than you remember.
Three of the most pressing questions of the ‘80s music landscape will be answered in this series:
Who is Josie (from “Your Love”)?Who is Annie (from “Smooth Criminal”)?What happened to Sherrie Swafford (from “Oh Sherrie”)?
Three of my (many) favorite comments (to find out who said them, stay tuned):
“I got rock-star-by-proxy status.”“We were dangerous ornaments.”“Me in a music video in a negligee was not a topic of conversation at the dinner table.”
Three fun facts you get right now:
Two “Huey girls” (Janet Cross and Signy Coleman) dated Don Henley.Signy knew both Janet and JoAnn Willette.Janet is the great-great granddaughter and Margaret Olmsted Menendez’s father said she is the great-great niece of Central Park designer Frederick Law Olmsted. What are the chances that FLO would be related to not one but two video vixens?
Bonus fact:
The video for “Jessie’s Girl” by Rick Springfield barely has a girl in it. [NOTE: I originally wrote that it does not have a girl in it, but after a reader corrected me in the comments, I made the tweak here.]
Three I found who responded to my interview request although they normally don’t:
Patty EliasTraci Lindthe first person on the next list…
Three I found who chose not to participate:
Steve Perry, “Oh Sherrie” (1984) – Sherrie Swafford (she respectfully declined a full interview but did give me permission to share a brief update)The Cars, “You Might Think” (1984) – Susan Gallagher The Moody Blues, “Your Wildest Dreams” (1986) – Janet Spencer-Turner
Sherrie Swafford; “Oh Sherrie”Susan Gallagher; “You Might Think” Janet Spencer-Turner; “Your Wildest Dreams”Three I wanted to find but haven’t…yet:
Night Ranger, “Sister Christian” (1984) – Annie HubbardCinderella, “Shake Me” (1986) – name unknownRichard Marx, “Should’ve Known Better” (1987) – name unknown
Annie Hubbard; “Sister Christian” name unknown (but not Amanda Peet!); “Shake Me” name unknown; “Should’ve Known Better”To quote the Moody Blues, “I know you’re out there somewhere.”
Three matters of housekeeping:
I conducted the interviews between January and July 2013.Stills from videos are copyright their respective labels. I got permission to post all previously unpublished images; if you want to repost, please do the same by asking me first. You know the music business does not tolerate piracy.I am crowdsourcing to add to this series. See next...
THREE REQUESTS (and please lend a hand no matter when you’re reading this):
TWEET to help me find the three I didn’t; this can work!; simply copy and paste any or all of these pleas (character count is Twitter-ready, but once pasted, you may need to delete extra spaces):
Real research question: if you know the Annie Hubbard who was in 1984 Night Ranger video “Sister Christian,” pls contact @MarcTNobleman
Real research question: if you know the woman—even just her name—in 1986 Cinderella video “Shake Me,” pls contact @MarcTNobleman
Real research question: if you know woman—even just her name—in ‘87 Richard Marx video “Should’ve Known Better,” pls contact @MarcTNobleman
SHOW LOVE: if you want Susan and/or Janet to reconsider, say so in comments below; perhaps an outpouring of interest will persuade them
VOTE: tell me in comments below who you would like me to next find and interview?
First up: Huey Lewis and the News, “Heart and Soul” (1983) and “I Want a New Drug” (1984).
July 8, 2013
The “Dark Knight” Edits
To my recollection, I’ve made only a small handful of edits to Wikipedia—a couple at least five years ago, two the summer of 2012, and one or two more recently. Not surprisingly, most (if not all) were related to Bill Finger.
The summer 2012 edits were to the entries for The Dark Knight and The Dark Knight Rises , the second and final films in Christopher Nolan’s groundbreaking Batman trilogy.
I added that the first Batman story to include the phrase “the Dark Knight” was one written by Bill Finger (in Batman #1, 1940). The fact that neither film needed the word “Batman” in the title shows how iconic not only the character but this nickname are.
Note that I did not write “Bill Finger was the first to call Batman ‘the Dark Knight’” nor did I claim that Finger coined the phrase.” I think both were the case, but we may never know for sure. Therefore, to defend my objectivity, I inserted the info in a way that is indisputable.
I feel it is a travesty that Bill’s name is not in the credits of those (or any) Batman movies, but am somehow comforted by the fact that at least Wikipedia has the truth. More people have access to Wikipedia than to the movie…
The summer 2012 edits were to the entries for The Dark Knight and The Dark Knight Rises , the second and final films in Christopher Nolan’s groundbreaking Batman trilogy.
I added that the first Batman story to include the phrase “the Dark Knight” was one written by Bill Finger (in Batman #1, 1940). The fact that neither film needed the word “Batman” in the title shows how iconic not only the character but this nickname are.
Note that I did not write “Bill Finger was the first to call Batman ‘the Dark Knight’” nor did I claim that Finger coined the phrase.” I think both were the case, but we may never know for sure. Therefore, to defend my objectivity, I inserted the info in a way that is indisputable.
I feel it is a travesty that Bill’s name is not in the credits of those (or any) Batman movies, but am somehow comforted by the fact that at least Wikipedia has the truth. More people have access to Wikipedia than to the movie…
July 7, 2013
Bill Finger on NBC News, Today.com, MSN
Today Bill Finger was on Today, the homepage of The Today Show:
Equal standing with the royal baby, baby!
The article page:
It also made the homepages of NBC News and MSN (where it was an Editors’ Pick).
As you see, the biggest American news story of the day was a tragedy on a grander scale: the plane crash in San Francisco. I apologize that showing a screenshot of this Bill the Boy Wonder: The Secret Co-Creator of Batman coverage juxtaposes an incident in which people were killed and hurt. My condolences to the people affected.
Among the retweeters are the unlikely pair of television/radio news personality Lou Dobbs and 30 Days of Night horror author Steve Niles.
I’m further honored that Niles favorited my acknowledgment of his tweet.
Longtime DC Comics writer J.M. DeMatteis, of whom I’m a fan, retweeted Niles.
The article posted in late morning EST and by 6:30 p.m. EST, the Amazon rank of Bill the Boy Wonder had shot up to 10,539.
Most importantly, thank you to Rick Schindler for writing a story about my story about Bill Finger.
Equal standing with the royal baby, baby! The article page:
It also made the homepages of NBC News and MSN (where it was an Editors’ Pick).
As you see, the biggest American news story of the day was a tragedy on a grander scale: the plane crash in San Francisco. I apologize that showing a screenshot of this Bill the Boy Wonder: The Secret Co-Creator of Batman coverage juxtaposes an incident in which people were killed and hurt. My condolences to the people affected.
Among the retweeters are the unlikely pair of television/radio news personality Lou Dobbs and 30 Days of Night horror author Steve Niles.
I’m further honored that Niles favorited my acknowledgment of his tweet.
Longtime DC Comics writer J.M. DeMatteis, of whom I’m a fan, retweeted Niles.
The article posted in late morning EST and by 6:30 p.m. EST, the Amazon rank of Bill the Boy Wonder had shot up to 10,539.
Most importantly, thank you to Rick Schindler for writing a story about my story about Bill Finger.
July 6, 2013
"Boys of Steel," "Man of Steel," and Voice of America
With the release of Man of Steel, Voice of America asked me about Boys of Steel: The Creators of Superman.
VOA is a government institution. Its radio broadcasts are aimed at people living outside the United States for whom English is probably not the native language. It was my first experience with it. I was told to speak slowly and without difficult vocabulary.
Up, up, and far, far away...
VOA is a government institution. Its radio broadcasts are aimed at people living outside the United States for whom English is probably not the native language. It was my first experience with it. I was told to speak slowly and without difficult vocabulary.
Up, up, and far, far away...
July 5, 2013
"Danger! Dialogue Ahead" article in "Horn Book"
The May/June 2013 issue of The Horn Book includes the first article I have written for that esteemed magazine. It is a variation and extension on thoughts about writing dialogue in nonfiction I first expressed here.
Online:
Online:
July 3, 2013
Sea World water skiing superheroes...2013?
Artist Michael "mic?" Magtanong created a skillfully executed homage/update to the fondly remembered Sea World water skiing superhero show of the 1970s, which I have been known to mention here.
He kindly gave me permission to re-post it:
Some clever, understated touches:
the cables for Wonder Woman, Mera, and Batman are their own devices/abilitiesthe cables for the rest (and the skis for those who need them) are Green Lantern constructsSuperman don't need no cablelove the updating: John Stewart replacing Hal Jordan (and/or Robin, Green Arrow, or Captain Marvel), Hawkgirl and Vixen replacing Supergirl and Batgirl love the gay pride flag (this piece debuted online the week that DOMA was named unconstitutional)
And coloring the sky blood-red is an interesting choice. Perhaps this show took place during an invasion from Apokolips.
Kudos again, Michael, and thanks again for letting me help share your great work.
He kindly gave me permission to re-post it:
Some clever, understated touches:
the cables for Wonder Woman, Mera, and Batman are their own devices/abilitiesthe cables for the rest (and the skis for those who need them) are Green Lantern constructsSuperman don't need no cablelove the updating: John Stewart replacing Hal Jordan (and/or Robin, Green Arrow, or Captain Marvel), Hawkgirl and Vixen replacing Supergirl and Batgirl love the gay pride flag (this piece debuted online the week that DOMA was named unconstitutional)
And coloring the sky blood-red is an interesting choice. Perhaps this show took place during an invasion from Apokolips.
Kudos again, Michael, and thanks again for letting me help share your great work.
July 2, 2013
An original Boy of Steel gives love to Bill Finger
Phil Yeh became my friend after an interview I conducted with him in 2008. I conducted an interview with him because he was instrumental in bringing attention to the plight of Jerry Siegel and Joe Shuster in the 1970s.
And now he’s done something for another undercredited Golden Age great, our very own Bill Finger:
Uncle Jam #102 (summer 2013)
He profusely apologized for misspelling my first name.I am especially forgiving to anyone who devotes ink to Bill Finger.
Thank you, Phil, for fighting the noble fight on behalf of comics creators for going on 40 years.
And now he’s done something for another undercredited Golden Age great, our very own Bill Finger:
Uncle Jam #102 (summer 2013) 
He profusely apologized for misspelling my first name.I am especially forgiving to anyone who devotes ink to Bill Finger. Thank you, Phil, for fighting the noble fight on behalf of comics creators for going on 40 years.
