C. Litka's Blog, page 53
August 20, 2019
An Update

I see that it has been three months since I last posted, but I have an excuse. We have been in the process of finding a new place to live, one that will better serve us as we enter our seventh decade. Living in a small rural town of 2,000 people has its advantages, but as one grows older, things like family and health care closer at hand, as well as yard work, snow shoveling, etc, began to weigh on one's mind. That being the case, we set out to find a condo in the nice sized city of Eau Claire Wisconsin this spring.
I hate to travel, so luckily I only had to make one 400 mile round trip to view a possible condo, which, as it turned out was just about perfect. We had an offer drawn up right after leaving the viewing, which was accepted the next day. In the current house market, you don't have the luxury of "sleeping on it."
Of course, that was only the beginning. I had been working all spring to get our house spruced up and de-cluttered and yard trimmed, so has to be ready to put our property on the market. However, since we did not dare to put our house on the market until we had actually closed on the Eau Claire condo -- so as not to find ourselves homeless if the wheels should come off the deal -- we only put it on in the middle of June. Luckily it was a good time to sell a house, and it sold within 10 days. Next up was moving...
All spring we had been "downsizing", taking car loads of junk to the charity stores and the dump. However, once I started packing, it became clear that we had not been ruthless enough. Plus, I have too many books and paintings, both of which get too heavy fast. Still, in the end, we had everything boxed and ready for the movers when the came in July. They loaded up one day, and unloaded the next. And then the process went in reverse -- figuring out where to put everything in the new place. After which there is the process of opening new bank accounts, setting up phone and the internet, and just finding our way around our new hometown while we waited for the sale of our house to be finalized. After one last 400 mile round trip a week or so ago, we closed on the house and had finished the big move.
All of which is to say, that I've been far too busy to write anything. While I have been thinking about the next story since I finished up Sailing to Redoubt, I've not been able to come up with anything more than a couple of opening scenes or two. The actual story has so far eluded me. Part of the problem is that I'm fussy about the stories I write. Not only do I want a story that I will enjoy daydreaming up for months on end, but I also need a story that falls within the rather narrow limits of my talent. This has never been easy for me. However, once I get a story in hand, I can write it fairly fast. I started Sailing to Redoubt in October and published it in March, so that there's still plenty of time for me to come up with my 2020 novel. And well, I do have two characters and how they fit together in mind, which is a start. Hopefully, I can find a story for them. I'll update you when I know more.
Published on August 20, 2019 20:17
May 20, 2019
Character Flaws That Make Writing Fun

With my 2019 novel published and my 2020 novel not even a glimmer on the horizon, I thought I might take this fallow time to write a post or two about my experiences as a writer.
Over the past four years I’ve come across a good number of articles written by writers concerning their struggles as a writer. In these articles, they often discuss their experiences dealing with things like writer’s block, criticism, and self-doubts about their talent and stories, plus the usual struggles of getting agents, making sales, or the business of self-publishing. This is not going to be one of those articles, since it seems that I have avoided much of that drama in my writing life. I owe that, I believe, to my set of character flaws.
So let’s have a look at them to see how they make writing easy and fun for me.
Perhaps the over arching character flaw of mine is that I don’t take writing all that seriously. I’ve written stories, or parts of stories, off and on my entire life, but rarely with any serious intent. I simply enjoy the process. I enjoy playing with words. So when I’m writing, I’m having fun. I hope my stories reflect that. Moreover, I will cheerfully admit that I’ve nothing profound, or otherwise, to say about the human condition. I’m not on a mission. I write light, hopefully entertaining stories, and that’s it.
I don’t have a great deal of fortitude. Many years ago, when I was young and foolish, I wrote some stories that I submitted to magazines and a book publisher, collecting a small collection of rejections slips that I still have for my efforts. I gave that up rather quickly. And so, decades later, when I started writing my first three self published novels, I never even considered trying to sell them to publishers. I wrote them simply as a personal challenge and, as I’ve said, for the fun of playing with words. I had collected all the rejections slips I cared to collect. Self publishing was the easy route, making it my preferred route because...
I am lazy. I write imaginary world stories so I can just make things up and thus avoid the tedious research necessary to place stories in history and the known world. It also means that when it comes to publishing, I don’t bother with anything that resembles work, which for me, is everything other than writing, making the cover, and uploading my books after my volunteer proof and beta readers have found most of my many mistakes. And with that, I’m content because...
I must have been standing behind the door when ambition was being handed out since I lack ambition. I have no desire for fame or fortune, or to do the work they require. And I also don’t need, or even want, great success. Fame and wealth seem to be very toxic. And since I’ve successfully avoided both my whole life, I not about to blow it now as a writer. So I’m quite content with my modest success. And yet...
...I have a big ego. Or maybe it’s little one. I’m not sure. All I know is that satisfaction for me is largely internal. I’m a shy person. I don’t need acclaim. I’m a writer, and I don’t need a price on my books to consider myself a professional grade writer. “Professional” writers are free to consider me a “hobbyist” but I don’t see a difference. I mean, it’s not like most professional writers actually make a “professional” level income from their freelance writing. And most of the professional indie authors are making pocket change from the sales of their books, if they’re making any money at all. Writing is simply writing. Money is neither here nor there. This attitude saves me a whole boatload of grief. So is it a lack of ego that allows me the joy of writing without a monetary reward, or is a vast ego that allows me to serenely look down on those scrambling for coins, shake my head and smile? Who knows?
Another character flaw is that I’m not a perfectionist. Good enough is, indeed, good enough, for me. While I try to make every book the best book I can write, I don’t get (too) discouraged by the fact that I can’t go back and read more than a couple pages of any of my books without coming across something that I’d like to change. Something that makes me wonder what in the hell I was thinking when I though that it was good enough. However, achieving perfection is a true life illustration of the fact that, in theory, you can never actually arrive anywhere, since every journey can be divided into halves. Get halfway there, and there’s another halfway point that must be reached before arriving, and so on and on; the remaining halves just keep getting ever smaller and smaller, and smaller but never disappear. Getting close to perfection is like that. You never actually arrive, but the closer you get to it, the more time and effort it takes to achieve any tiny incremental improvement. Being able to sigh, shrug, and say, “good enough” when those efforts no longer make any sense, makes life, and writing easier. That, and the knowledge that no matter how close you come to “perfection,” perfection is always subjective. Some people will like it and others won’t, and that can’t be helped. And that being the case, I can be...
Selfish. I write only to please me. You, my dear reader are merely along for the ride, though your company is very welcome. I only write the stories that I enjoy, trusting that other people, but far from everyone, will enjoy them as well. As the creator of the story, I have to live with the story and its many variations, in my head for months on end. So what my readers might want (And who knows what that is?) doesn’t figure into my calculations. It’s all about me and what I enjoy. I know that whatever I write is never going to please everyone, so I don’t even try to please everyone. I’d like to think, however, that by making the best possible story for me, I make a far better story for the readers who share my taste in stories.
Which brings me around to my last flaw. I may be a bit of a snob. I consider writing art. I paint as well as write and both involve bringing something into the world that did not exist in it before. I’m a creator. And I think the highest ideal of creation is to make something as original, and as personal, as one can make it. I don’t claim any great originality, but they are all very personal creations. They are mine, and all mine. And I think there is great value in that. It is art in its purest form.
Commercial art is something different. It is art in a harness. It is not lesser art, but it is a creation process that is compromised in order to appeal to the broadest audience possible. People know what they like, and like what they know, so if one wants to appeal to the most people possible, one gives them what they know and like – a minor variation of a familiar product. In order to sell a lot of books, the books are engineered to fit a very specific and well researched market niches. They have covers that look like every other cover in the specific genre, they have blurbs that have been fined tuned and filled with key words known to appeal to the target readers, and are written to include all the tropes that the readers expect find it them. They are designed to be just original enough that the reader knows they’ve read new book. (Though I gather that just changing a book’s title, cover, and author can sometimes accomplishes the same thing.) These books are so similar that their authors need to publish a book every two or three months just to be remembered by their readers. And then, when that particular sub-genre falls out of fashion, as it will, every book in that sub-genre will seem old and as out of date as a month old newspaper. It is disposable art.
I won’t compromise my vision for increased sales. I don’t chase fashion. I don’t chase readers. My books will likely never in fashion, but then, they will never be out of fashion either. (Always just unfashionable.) I choose this approach because I think it will produces books that can and will be read decades from now. As I said earlier, my books are just light entertainment. I make no claim for any greatness. But they are as original as I can make them within the long stream of adventure stories, and I think that counts.
This has gotten to be a very long post. But then, I’m not known for brevity in my writing. So to draw it to its conclusion, certain characteristics of mine, ones that can be seen as flaws, combine to make writing for me fun, while allowing me to avoid a great deal of angst that other writers without these flaws may have to endure.
Published on May 20, 2019 18:42
May 2, 2019
Four Years in Self-publishing

On 23 April 2015 I published A Summer in Amber, the first of three novels I released in 2015. Some Day Days and The Bright Black Sea followed in July and September. This blog post marks the end of my fourth year in self-publishing, which means that it is time for my annual report. My previous reports can be found here:
First Year Report May 2016First Year & 1/2 Report Nov 2016Second Year Report May 2017Third Year Report May 2018Three & 1/2 Year Report Nov 2018
Most of my sales are free downloads, though they do include sales on Amazon’s non-US sites, sales on Amazon.com when Amazon is not price-matching, plus the odd paperback sale. The numbers include sales reported by Amazon, Apple, B & N, and Smashwords for the entire year. Kobo does not report free downloads to Smashwords. In October 2018 I listed my books with Google and those sales are now included in my report. My books can also be found on Obooko.com and many other sites that offer PDF books, for which I have no way of knowing sales numbers.
Let’s start with the numbers I do have:
A Summer in Amber (23 April 2015)Download/sales: as of:May 1 2018: 4,915May 1 2019: 6,399Sales for the year: 1,484
Some Day Days (9 July 2015)Download/sales as of:May 1 2018: 2,050May 1 2019: 3,127Sales for the year: 1,077
The Bright Black Sea (17 September 2015)Download/sales as of:May 1 2018: 7,836May 1 2019: 9,840Sales for the year: 2,004
Castaways of the Lost Star (4 Aug 2016 – withdrawn: 13 July 2017)Download/sales total: 2,176
The Lost Star’s Sea (13 July 2017)Download/sales as of:May 1 2018: 2,078May 1 2019: 4,021Sales for the year: 1,943
Beneath the Lanterns (13 Sept 2018)Download/sales as of:May 1 2019: 1,154Sales for the year: 1,154
Sailing to Redoubt (15 March 2019)Download/sales as of:May 1 2019: 563Sales for the year: 563
Total download/sales as of 1 May 2018: 19,055Total download/sales as of 1 May 2019: 27,280Total download/sales Year 4: 8,225
Yearly sales:Year One: 6,537 (3 books released)Year Two: 6,137 (1 book released)Year Three: 6,385 (1 book released)Year Four: 8,225 (2 books released)
Performance over time for each title:Downloads/sales per year: Year: 1 2 3 4*A Summer in Amber 2,222 1,357 1,336 1,484Some Day Days 1,139 511 400 1,077The Bright Black Sea 3,176 2,569 2,092 2,004Castaways of the Lost Star 2,176 (total)The Lost Star’s Sea 2,078 1,943Beneath the Lanterns 1,154 (half year)Sailing to Redoubt 563 (six weeks)
*Includes a single day sale of 1,950 books, approx 500 per book, Summer in Amber through The Lost Star’s Sea. See below.
The Bright Black Sea, a space opera is my most mainstream and most popular book. Its sequel, The Lost Star’s Sea, is currently selling about equal to it. A Summer in Amber ticks along, Some Day Days, with my earliest writing, is my least popular book, for several reasons, but actually sells pretty well on Smashwords. Beneath the Lanterns and Sailing to Redoubtare off to reasonable starts. All, in all, my book sales are holding up reasonably well, especially because fashionable book sales "fall off a cliff" after three months or less. Having never been in fashion, they are never out of fashion.
Performance of retailers:For the entire year, my sales split between Smashwords distributed books and Amazon was: Smashwords, (approx.) 36% vs 64% for Amazon, including that 1,950 sales day. If you discount that strange one day’s sales, the ratio is Smashwords 47% vs Amazon’s 53%. And then, considering only my 2019 sales, the ratio actually flips: 62% of my sales were from Smashwords vs 38% for Amazon. In February and March my sales on Amazon really dried up until the release of Sailing to Redoubt. However, Smashwords more than took up the slack – perhaps a result of their new storefront design. Presently Google accounts for less than 10% of my total sales. We’ll have to see if that grows or not. And to complete the comparison between retailers for the year, my numbers within Smashwords distribution are Smashwords: 76%, Apple: 21%, and B & N: 3%. Kobo does not report free sales.
Profit and loss:I actually don’t keep track of this, since the numbers are too small to matter. Income comes from the rare ebook sale on Amazon’s non-US sites where it does not price match my free price, and, every so often, the sale of a paperback book. My only out of the pocket expenses are the purchase of a number of copies of my paperback books as proof copies and as gifts to my beta readers plus the postage for those gift books. I believe my sales for a year more than covers these expenses.
Year four performance:This was my best year yet, by the numbers. However, the numbers should perhaps be taken with a grain of salt. Amazon reported a one day sale of 1,950 books spread almost equally among my four titles at the time. I contacted Amazon and was assured it was actual sales. However, I could find no reason for this big jump, and since it did affect the sales rank of my books I suspect that it was perhaps Amazon’s bookkeeping catching up with sales, since other sellers of free books have experienced similar inexplicable jumps in sales. Still, to put it in context, this one day sale more than covers my 1,840 sales increase over the previous year. The second and more substantial reason for the increase is that I released both my 2018 and 2019 novels during this period. New releases generate sales for not only the new book but for all the other books as well. These two factors, taken together, suggest that my fourth year might not be as rosy as the numbers suggest. Still, all in all, things are going well, and I am quite happy with the results.
As I mentioned, I released two books this operational year; my 2018 novel, Beneath the Lanterns, in September 2018 and my 2019 novel, Sailing to Redoubt, in March 2019. I had a lot of fun writing Sailing to Redoubt and it rolled right along. I finished the first draft in three months, and the second and third drafts in a month and a half, which allowed me to get it out to my beta readers in mid February and release it in the middle of March. I’d like to think it is my best written novel yet. At the time of writing this post, I don’t know what, if anything, I will write next. This is not unusual. Though I had started writing Sailing to Redoubt right after the release of Beneath the Lanterns, I had actually finished writing Beneath the Lanterns by the end of June, so I had time to run through a number of story ideas before latching on to the Sailing to Redoubt story. Since I have something like 18 months in which to release my 2020 novel, I am not in any panic – though I wish I had something to write. Not writing leave a big hole in my day.
This past year I further define type of stories I write: imaginary world adventure stories. My books are basically old fashioned adventure stories – “romances” in the older meaning of the term – set in the future or on imaginary worlds. Setting the stories in imaginary worlds gets them slotted into the science fiction genre, but they land far from the popular mainstreams of science fiction, so I don’t anticipate vast sales. In addition, both are stand alone books. Conventional wisdom in commercially orientated indie publishing is that series book sell much better than stand alone books, though those books have to be released every two to three months to keep the attention of their readerships. Clearly I am not writing for commercial success. But there is a market for my books, however large or small, and the easiest way to find it, is to let people try them for free. Having more than 27,000 books in circulation while essentially putting no effort into promoting them, suggests my system has a pretty darn efficient effort to result ratio. I ain’t getting rich, but I’m still in the black. And still having fun.
Looking ahead, I’m not anticipating a banner fifth year. Selling, and even giving away books, gets harder and more expensive every year, at least on Amazon. Amazon has geared its business so as to require advertising on the product page of competing books to be visible – and you have to be visible to sell, or even give away, books. It also weighs books borrowed in its Kindle Unlimited lending library as sales, moving those books up the best seller charts, so that to sell on Amazon you have to be all in, and give a significant portion of one’s royalties back to them, one way or another. I’m not writing the sort of books that the avid readers who sign on to Kindle Unlimited want, nor do I write at the sort of pace needed to keep them satisfied, so I suspect that my visibility, and hence sales, will continue to decline on Amazon. Hopefully sales on Smashwords will continue to at its current rate, which to date more than makes up for the slowing sales on Amazon. Stay tuned.
Thank you!I would like to thank my wife, Sally, who finds the first six hundred or more typos in my manuscripts, and to my beta readers, Hannes, Dale, and Walt who find another hundred or more. They make reading my stories so much better. I would also like to thank the people who comment on this site, and all the readers who leave reviews and ratings – everyone is appreciated. Thanks to all of you, writing and self-publishing my stories has been great fun. I’m looking forward to another story and another year in self-publishing.
If you have any questions, I would be glad to answer them. Thanks for looking in.
Published on May 02, 2019 06:39
April 5, 2019
Why Free?

I choose to share my ebooks rather than sell them for a variety of reasons. Let’s see how many I can list.
First off, right from the beginning, writing has always been a pastime for me. I’ve written stories off and on my whole life. However, when I started writing the stories in Some Day Days, I did so as a personal challenge. It was easy to be a critic. It was easy to think that I could write better than what I was reading when I didn’t like it. But could I? I challenged myself to actually write a story myself, and do it better. So I started writing, this time around, first as a personal challenge.
It wasn’t a hard challenge, since I’ve always enjoyed writing. Writing is fun. It’s like painting with words. I enjoy the creative process. I don’t need to be paid to do it – I did it simply for fun.
As I got deeper into writing with A Summer in Amber and The Bright Black Sea,I felt that if I could convince myself that I’d not make a complete fool of myself by letting other people read my work, I would dare to self-publish them as ebooks. I never had any intention of trying to get them published via the traditional publishing route. At age 60, it was far too late in the game to go that route, even if I wanted to. And, well, I had tried that route in my youth and I knew that I didn’t have the gumption to do that. And besides, just like with my painting, I wanted to tell stories that appealed to me. One of the reasons why I was imagining and writing the stories, was because I couldn’t find the stories I liked. This suggested that the stories I liked were either no longer being written, or no longer selling, so that trying to sell them to traditional publishers wasn’t likely to end well.
Which brings us to another reason for just sharing them. I don’t think there is a vast market for the stories I like, and the leisurely style of writing that I like. I like keeping things simple, so am my audience, and I know it pretty well, which makes writing easy. I had no desire to try to tailor my writing to appeal to the mainstream market, which didn’t appeal to me anyway. Still, no matter how large or small an audience is, it exists and the question is how to you reach it? Given the flood of self-published books in 2015, I decided to make it easy for my market to find my stories by making it frictionless for everyone to sample my books. They were just a simple click away.
Another reason that I share my books is that I don’t need the money. Not, at least, the money I’d likely make selling by them. Since my books fall outside Amazon’s lucrative mainstream of avid readers who know what the like, like what the know, and want their books to be minor variations of familiar stories, and read lots of them, they were never going to sell in vast numbers. And unless you’re in the mainstream, self-publishing pays pizza money. At best.
And that brings us to another point. I don’t have anything to prove. I’m proud to be an amateur; someone who does something – in this case, writing – for the love of it. I will sometimes come across comments by people who say that authors must not think much of their book if they don’t put a price on it. Ironically, some of them are indie publishers who price their ebooks at a small faction of traditionally published books. Do they think their books are crap? The reality is that price is not a self-awarded badge of excellence. It is a marketing tool, and I use a free price instead of advertising to promote my books. It’s a whole lot easier and cheaper. And, at least for me, likely more efficient as well.
And then too, some writers, perhaps most writers, buy the idea that if one does everything the self-publishing gurus say one should – buy a professional cover that looks like every other cover in one’s genre, and buy all the other editorial services one can afford, and then put a price on it, that makes one a professional writer. It doesn’t matter if one sells just several dozen copies of the book, or how much money one loses, one’s a professional writer. Chin up, they tell themselves. Gurus say that it takes 10 years or more to establish a writing career, so one in on one’s way. Well, it may have taken 10 years back in the day in traditional publishing, but it clearly it doesn’t in indie publishing. So besides calling oneself a professional writer, what is one accomplishing with a price and little sales? Selling several dozen books a year ain’t establishing anything. What’s in a name?
By giving away my ebooks and leaving pizza money on the table, my books reach at least a hundred times more readers than I would if I put a price on them. Even at a $.99 price. I will be posting my full four years in publishing report in a month or so, but to date I have given away something like 26,000 ebooks in the last four years without me doing much more than just releasing them for free on all the major ebook stores. If one dreams of writing a best seller, one needs to get it into the hands of readers. The more readers, the better your chances of being discovered. So unless one is spending big money on advertising, going free is a way to reach more people and build a name for one’s self. I’m not dreaming of being a best seller. I just want to have fun. And the response from my readers has made it even more fun. Thank you. Money is not necessary to make writing worthwhile for me.
And I should add that because I can write and produce both my ebooks and paperbacks for no more than what it costs me to buy and mail paper copies to my kindly volunteer beta readers, I don’t lose money by selling them for free. The odd foreign ebook, and paperback sale here and there where Amazon does not price match, pretty much covers those minor expenses. Basically, I’m a low cost competitor, who can undersell my competitors with a free price and not lose money doing it.
These days, on Amazon, at least, it appears that one must spend money to advertise in order have a chance of your books being discovered, which is necessary for selling them. I hate spending money, and I hate self-promoting, so all that would be unpleasant work, even if it actually produced results, which I doubt that it would. And, as I’ve mentioned, I’m too old to work. So they’re free.
Another reason for staying the amateur, besides my old age, is that I don’t believe the prospects of a long lasting professional career in indie publishing is very great. There is a great deal of fashion in reading – what is hot one year is passe a few years later. Traditional publishers paced the release of their books to make each book special. But these days, in the fast money lane of indie publishing, authors need to crank out a book every month or two, or risk being forgotten, in the great swarm of look-alike competitors. That being the case, it seems almost inevitable that that type a pace will end in a few years with a flame, with either the author getting burned out, or their audience getting burned out on their writing and moving on to fresh writers with a fresh, but familiar twist to their favorite stories. Even if I was decades younger, I’d not be doing anything different than I am now – just having fun.
So, all in all, I think that just sharing my books with you is a win for all of us. I’m doing something I enjoy, and avoiding a whole lot of stuff that I don’t. And you are, hopefully, enjoying one of those “best things in life are free” experience – a good, free book, without having to go to the library.
NOTE: Other than my newest book, I set my ebook “list prices” on Amazon to reflect the price of traditionally published books rather than indie published books, since as long as Amazon price matches the free price on its competitors sites in the US, list price doesn’t matter. I price them in that range because I think they are as good as traditionally published books. Amazon, however, generally does not price match the free price in its other stores, so that Kindle readers outside of the US should download the free mobi format version of my stories from Smashwords, and sideload them into your Kindle.
Published on April 05, 2019 05:56
March 27, 2019
Sailing to Redoubt Free on Amazon.com

I am happy to report that Sailing to Redoubt is now, as of 27 March 2019, FREE on Amazon.com, but only on Amazon's US store. Find it here:
https://www.amazon.com/dp/B07PMXXB2P
It is still the equivalent of $.99 on all the other Amazon stores around the world, which is usually the case. That can change, especially in the UK store where they change prices every now and again.

Published on March 27, 2019 07:43
March 16, 2019
Sailing to Redoubt on Amazon (Updated)

Both the ebook version, for $.99, and the trade paperback version for $12.00 are now (16 March 2019) available on Amazon. The ebook version is currently available for FREE on Smashwords, Kobo, B &N, and Google Books. I haven't seen it listed on Apple Books yet, but it should be available shortly.
Update: On 18 March I contacted Amazon and requested that they price match the other ebook stores. I received an update from them today that says that they will decide by Monday 25 March. In the meantime, here is were you can purchase a FREE copy of Sailing to Redoubt. Smashwords offers a Mobi version that can be side-loaded and read on a Kindle.
Smashwords https://www.smashwords.com/books/view/928728B & N https://www.barnesandnoble.com/w/books/1130934551?ean=2940156016303Kobo https://www.kobo.com/us/en/ebook/sailing-to-redoubtGoogle Books https://play.google.com/store/books/details/C_Litka_Sailing_to_Redoubt?id=vRyNDwAAQBAJ&hl=en
Apple Books https://itunes.apple.com/us/book/sailing-to-redoubt/id1456399494?mt=11
Published on March 16, 2019 19:55
Sailing to Redoubt Now on Amazon

Both the ebook version, for $.99, and the trade paperback version for $12.00 are now (16 March 2019) available on Amazon. The ebook version is currently available for FREE on Smashwords, Kobo, B &N, and Google Books. I haven't seen it listed on Apple Books yet, but it should be available shortly.
I will email Amazon in the next day or so and point out that they are being undersold by their competitors. It will then be up to them to decide if they want to match the FREE price of the others, and in what markets. They have done so for the last four years, at least on Amazon.com, but it is not a given. I will keep you informed.
Thanks to everyone who has picked up this book. Hope you enjoy it as much as I did writing it.
Published on March 16, 2019 19:55
March 14, 2019
Sailing to Redoubt Now Available on Smashwords

I am happy to announce that my 2019 novel, Sailing to Redoubt is now available on Smashwords for FREE, as usual. It should be showing up on Apple, Kobo, and Barns and Noble in the next few days. I will be releasing it on the Google Play Store on March 15th, and will release it on Amazon for $.99 within a week or so, and hopefully get them to price match my FREE price within a day or two after it is released. I will, however, be releasing the trade paperback version via Amazon on March 15th or 16th if all goes well.
This story is set in the same "universe" as The Bright Black Sea and The Lost Star's Sea. It is a story of a world settled by slower than light speed colony ships dispatched from the long settled Terran solar system. Unlike the worlds of the Nine Star Nebula which had been settled tens of thousands of years before the story took place, Dara lll is a much younger settlement; only about 5000 years old. It, however, suffered a great setback within two hundred years of the Terra colony ships' arrival so that most of the advanced technology from Terra was lost.
Under the Lanterns was also, in fact, also set in that "universe" as well, though it was a much older Earth colony that suffered a catastrophic collapse long after it had been settle.
I had a lot of fun writing Sailing to Redoubt and the writing went very smoothly. I began it early in October 2018 and finished the first draft right on schedule, Christmas morning. I took a week off, and finished the second draft by the end of January 2019, and the final draft in mid February, after which it was proof and beta read, hopefully finding and eliminating most of my many mistakes. Thank you, beta readers!
I hope that you will enjoy reading it as much as I enjoyed daydreaming it up and setting it down in words.
Published on March 14, 2019 18:06
Maps for Sailing to Redoubt

I do not include maps in the ebook versions of my books because I feel that they are hard to quickly find and use so I offer them here. Feel free to download them, if you desire.


Published on March 14, 2019 15:36
March 10, 2019
Sailing to Redoubt -- Chapter One

Sailing To RedoubtC. Litka
Chapter 01 Storm, Shipwreck, and Pirates
01I clung to the railing on the tilting deck. The horizon would not stay still. It would sink below the Island Crown’s railing, leaving only the sickly green-tinted clouds racing silently overhead, like a school of kelp darters with an armorfish in pursuit. This was followed, moments later, by an uncomfortable twist as the Island Crown righted itself on top of the broad crest, revealing the eastern horizon. A horizon of menacingly dark, lightning-laced purple clouds – the racing green clouds’ armorfish, as it were. And then, the Island Crown would once again twist and tilt the other way. This time the angry horizon would be swallowed by the oily-smooth green wall of the next wave as the ship slid into its deep trough. My stomach wasn’t easy. My mind wasn’t particularly easy either.There wasn’t a breath of wind. It was hot as an oven. The only sound, the hiss and gurgle of the sea rolling away from the Island Crown’s stem, and the remote, thump, thump, of its steam engine.‘Welcome back to the islands, Lieutenant,’ said a grinning Mr. Derth, the Island Crown’s second mate, as he, clinging to the handrails, slowly dodged his way along the sloping deck, making certain all the cabin doors were secure. ‘I bet it brings back fond memories of your island youth.’ ‘In my island youth, I’d be securing the last of the storm shutters over the windows at the mercantile. No islander would be at sea in this weather. Look around, you don’t see a sail. They’ve long since found themselves a sheltered cove on the lee side of a tall island. About now they’re brewing a big pot of kaf and will ride out the storm in comfort.’‘I can’t say I don’t envy them. Still, we’re steel and steam, not thin wood planking and batten sails. And we have a schedule to keep with plenty of sea room and no islands to worry about. Besides, we’ve yet to meet a typhoon that has the Island Crown’s name on its ledger,’ he added with a sweep of his hand and a grin. ‘And we’ve met more than a few...’‘Now don’t go tempting fate and the storm gods, mate.’‘Oh, don’t go all islander on me,’ he laughed. ‘The glass ain’t all that low. Yon storm’s going to just brush by us.’‘I trust you’re right, Mr. Derth.’‘Too late now, not to, Lieutenant,’ he said with a grin, and continued weaving his way forward on the steeply angled deck.With each rise of the true horizon, the menacing purple clouds arched ever higher in the sky. Below them, a thin white line marked the sky from the dark sea. Still eerily silent, the whole world seemed to be holding its hot breath. As ugly as the scene was, or at least promised to be, I could not tear myself away. So I clung to the railing and the iron pillar that rose to the bridge deck above, watching the storm’s approach. Finally, when the white line of the sea was close enough to be seen as the surface of the ocean being torn to wispy threads by the force of the onrushing wind, I decided that it was time to retire to my cabin. Too late.As I lurched across the sloping passageway, I felt the Island Crown begin to swing about to face the coming blow. The wind screamed and struck the ship. And before I could get my cabin door completely closed, the roaring, wind driven rain sent me reeling into my cabin. Wind and spindrift tore around it several times before I found a foothold to brace myself, and shouldered the door closed.Slowly the Island Crown righted itself and its movement changed as it plunged through the onrushing storm. There was nothing left for me to do, but climb into the hammock I’d hung across my small cabin, and ride it out.For what seemed like endless hours, the wind howled and the waves pounded the Island Crown, while the thump, thump of the engine defied them. I could hear its single screw frantically racing for a moment every time its stern was lifted clear of the water. While I didn’t exactly envy the crew, and their tasks, perhaps doing something more than swinging helplessly in a hammock, would’ve made those hours crawl by faster than they did for me. Eventually, sometime during the night, I fell into a restless sleep.
02All storms must end, and this one blew by shortly after dawn. Mr. Derth was right; we must’ve just brushed along its edge, since island typhoons can blow for days. When I finally rolled out of my hammock, the day was bright, and while the Island Crown was still lively bounding along, it had a familiar rhythm that my stomach didn’t mind. Indeed, I had an appetite. So I put on a fresh, tropical uniform of white shorts, shirt, sandals, and the cap of an Aerlonian Navy lieutenant, limited time, and stepped out into the bright morning. The sky was rain washed clean, deep blue and streaked with thin white clouds; the tattered hem of the racing typhoon. The sun was already warm, the air mild – a smiling Tropic Sea day once more.I made my way to the grey and green painted saloon below the bridge. Stepping in, I was delighted to discover the enticing aroma of fresh roasted kaf beans, strong enough to overlay its customary pall of nondescript stews and cabbage. The weary off watch was struggling to stay awake as they ate their lukewarm porridge and drank that hot kaf from battered tin mugs. ‘Sleep well, Lieutenant?’ Chief Engineer Gildock, asked sarcastically.‘I was rocked to sleep, Chief. Beautiful day isn’t it? There’s always a welcomed freshness after a bit of rain, isn’t there?’‘Oh, it will get hot and close enough soon enough.’‘Where you’re working, anyway,’ I replied cheerfully while pouring myself a cup of kaf from the battered pot. ‘Still, thanks mates, for the chance to enjoy this cup on this side of the great divide.’‘We live to serve our customers,’ the Chief replied raising his cup.I raised mine to him and the crew as well. ‘”We live” are the operative words, I believe.’‘Oh, fosh! That little blow? And you an islander – and a naval officer!’ exclaimed Derth.‘An LT officer, mate – LT as in limited time. And all I’ve been commanding is a desk in the Admiralty in Kanadora these past two years. Plus, I’m seven years away from the islands. I may’ve grown rather soft.’‘I’d say rather posh,’ growled Gildock.‘And posh,’ I admitted.
03Mid-morning found me lounging on a deckchair on the bridge deck enjoying the ever more familiar Tropic Sea. The deep blue sea sparkled in the sunlight that was hot on my shoulders. The breeze carried hints of the jungle from the tall, lush green island off to port. There were two more islands around the half of the horizon I could see, both blue in the distance, both crowned by a cloud. You were never out of sight of an island in the Tropic Sea. I noted seven sails spread around the horizon – all but one small fishing boats. The one was a large, three masted island trader.I sighed and smiled. It was good to be home, or at least within three days, of home. I’d left the islands to attend university nearly seven years ago, and was last home for a visit more than two years ago, between graduating and joining the Aerlonian Navy.‘Would you mind stepping up to the bridge for a minute, Lieutenant Lang?’ Captain Wera called down from the navigation bridge. ‘I’d be delighted, sir,’ I replied. I climbed to my feet and then up the steep steps to the navigation bridge, close at hand.‘What do you make of that fellow, Lieutenant?’ he asked, handing me his binoculars and nodding to that three masted island trader that I’d been watching. It had come at us from that tall, single peaked island off our port side. ‘He altered his course to close in on us. I’m wondering what he’s thinking.’‘I was wondering that myself,’ I replied. Bringing the binoculars to my eyes, I brought the ship into focus. The three blue-dyed batten sails were already suggestive – though there were probably a hundred islands with blue-dyed, batten sailed ships plying the Tropic Sea. But few of them would have been that large. Once I was able to clearly see her hull – a black painted lorcha with its distinctive yellow trim – there was no question. She had the wind on her aft quarter and was sailing all out, throwing up a creaming white bow wave.‘A Banjar trading lorcha,’ I replied.‘Humpf. A trading lorcha?’ muttered the Captain. ‘With a 50 man crew lining the windward rail?’‘Well, let’s say a nominal trader.’‘Why not simply say a pirate?’I lowered the glasses and smiled. ‘If you asked him, he’d claim to be a trader.’‘And you’d believe him?’‘Well, no. And he’d not expect me to,’ I smiled. ‘But it’s all part of the island way of life. You’re given the benefit of doubt until you open fire.’‘I’m not an islander,’ grumbled the Captain.I turned back to watch the approaching lorcha. ‘He’s rather far out of his usual haunts. I recall reading a report that the Banja’s neighboring islands of Zanra and Trillora have both increased their navies thanks to Feldarain aid. It would seem that the Princes of Banjar are having to send their traders further afield these days.’‘Humpf! He can’t possibly be thinking that he can do business with me, can he?’‘I doubt it. He’s probably sailing all out like that to snatch up any worthwhile ships coming out of shelter form the neighboring islands before they scatter to the four winds.’Occasional piracy was an ugly facet of the island way of life. However, the island way of life dictated that the boats that were sheltering together in a storm must put aside their trades and rivalries to observe a truce for the storm, plus a day afterwards to give all the kelp darters of the boats a fair chance to escape any armorfish that may have also taken shelter in the lagoon with them. To do otherwise would be like netting fish in a barrel. Fair is fair, even in piracy. Plus, it is widely believed to anger the island gods whom the islanders, including pirates, depended on for their luck and prosperity.We watched in silence for a while as the Banjar continued to rapidly close with us.‘Surely he can’t be thinking that we’re potential prey,’ the Captain muttered, shaking his head. He glanced aft, towards the canvas covered 10 cm cannon just visible on the after edge of the bridge deck beyond the boat davit. ‘But then, I’m not fond of pirates, so let him try.’‘He does seem rather eager, doesn’t he?’ I muttered, as I considered the situation. Manned with 50 sailors, a Banjar lorcha would certainly eye every island ship they encountered with thoughts of capturing her, making her cargo their own, and selling her crew as slaves. However, one would think that a steel steamship from one of the southern continents would be another matter. At least in broad daylight. Steamships, like the 70 meter Cealan & Cha Line Island Crown, are always armed with a 10 cm cannon or two that can fire explosive shells capable of reducing the swift sailing, wooden sailing ships of the islands to driftwood in short order. Prudent would-be-pirates did not attempt to take steamships, at least in broad daylight. Given a dark, cloudy night, well, that might be a different story, if the pirate captain wasn’t all that prudent. It was no coincidence that batten sails of the Banjar were dyed dark blue.‘Perhaps he’s not seen your 10 cm pieces yet, since yours are not bow and stern mounted,’ I said after a while. ‘Not seeing them there, he might want to take a closer look at us on the off chance that the lack of bow and stern cannons is due to storm damage. I doubt that he’ll venture any closer than he needs to spy your pair. But then again, maybe he’s just taunting you. It would be in character.’‘Well, I’ve been sailing the islands long enough to be a bit of a character myself,’ he growled, and turning to the first mate, who had the watch, said, ‘See that the port cannon is armed and manned, Mr. Bril. I have the bridge. Two can taunt.’‘Aye, sir,’ said Bril, with a grin, and hurried aft, calling out to the deck crew, who were hammering away on a storm damaged ventilator, to clear and man the gun.Once the gun was cleared for action, Captain Wera altered course slightly to make certain that the Banjar captain, now less than a kilometer off, could see his manned gun. And that it was manned and cleared for action. The altered course also brought the gun to bear on the Banjar lorcha.In response, the Banjar captain backed his sails, bringing his ship to a standstill, allowing the Island Crown to steam by, with its 10 cm cannon tracking the lorcha; its crew eager for the order to fire. Like the Banjar crew across the way, the entire Island Crown’s off duty crew were lining the railing, eager for any action.‘That captain fellow looked a’mite disappointed,’ muttered Captain Wera as he dropped his binoculars once we put the lorcha astern. ‘An ugly looking chap.’The lorcha reset her sails and crossing our trailing wake of white water and a wispy white smoke, swung around to our starboard side and began to gain on us again. ‘So he wants to see our starboard gun, as well, does he?’ muttered the Captain. A jerk of his hand to his first mate, who was watching him from the gun mount, sent the gun crew scampering to the starboard cannon. The eager spectators, shifted to starboard, as well.I followed the Captain across to the starboard wing of the navigation bridge and scanned the sea to see if there were any sails on the horizon that might prove more profitable prey for the Banjars than the Island Crown. No sails, but ahead and off to starboard, I saw a flash of color and a spark of reflection which was not a sunbeam off a wave.I stared hard. I could just make out a handful of figures waving their shirts from what looked to be a raft when it rose to the top of the swell. ‘Sir, I believe there are some shipwrecked survivors.’ I pointed in their direction. The Captain swung around and focused his glass on them for several moments before sighing, ‘Ah, yes, I believe you’re right. I don’t suppose it would be proper for an Aerlonian gentleman to leave the Banjars to rescue them… Would it?’I took it to be a rhetorical question, and didn’t answer. It was his call. He turned back to the bridgehouse and called out, ‘Quartermaster, 2 points to starboard, quarter speed!’ The quartermaster at the helm repeated the order, swung the wheel and rang the engine room.Walking to the after edge of the navigation wing, he called out, ‘Mr. Bril, See to the launching of the starboard longboat, and gather a boat crew. Lively now, we have some shipwrecked survivors to collect, before the Banjars can get to them.’ ‘May I volunteer to join the boat party, Captain?’ I asked.‘Suit yourself, Lieutenant.’‘Thank you, sir,’ I replied eagerly, and hurried to my quarters to dig out my sidearm and a box of ammunition from my kit bag. I shoved the box of bullets in my pocket and belted on my service revolver as I hurried around to the other side of the ship where the crew were freeing the longboat for launching. ‘The Skipper has given me permission to join your boat crew, Mr. Bril – with your permission, of course,’ I said, stepping next to him as he directed the operation.‘Oh, you’re welcome enough,’ he replied glancing aside to me, and noting my sidearm, added, ‘Are we to expect trouble?’‘Armorfish for sure,’ I replied, and glancing across the half a kilometer of water that now separated us from the Banjar lorcha, I could see activity around their stern boat as well. ‘And well, it looks like the Banjars are just as eager to rescue them as we are. They’re potentially lucrative slaves to the Banjars, so there may be a spot of trouble with them.’‘I doubt that your revolver will be able to settle any trouble with the likes of them,’ he murmured, turning back to the davit to call out some more directions.I had to admit that he was likely right. But we did have a 10 cm cannon.
04I glanced up from loading my revolver at the crackling of gunfire. The rise of the swell revealed that the Banjars in the boat they had launched were cheerfully firing into the sea with their handguns and rifles – no doubt at any armorfish in sight. The wreck had attracted quite a pack of them.There’s a shared love between armorfish and humans. They love to eat us, and we find them delicious eating, as well. However, in this case they weren’t being hunted for dinner. The Banjars were attempting to draw blood in order to attract the armorfish away from the wreck. Their handgun fire was just a playful lark, as revolvers aren’t likely to do any harm to a three to five meter long armorfish with its hard, bone-like back plates with a double row of spikes. Oh, it might startle, and maybe annoy them, but that was about it. The larger caliber rifles, however, might draw blood, and since it takes only a trace of blood to attract their attention. Any blood drawn might draw at least some of the armorfish away from the wreck, making getting the survivors off a little safer. Hopefully their ploy would work, since I could see quite a few glistening spiked backs not only circling the low, waterlogged wreck, but occasionally surging up onto its wave washed deck to snap at the six survivors perched on the top of a half-height cabin. I snapped the cylinder of my revolver shut as the Banjar captain bellowed an order to his boat crew to cease firing and man the oars, in order to race us to the wreck. I had taken my station in the bow of the launch and had a boat hook close at hand to hold us alongside the wreck when we arrived. We had four men at the oars, with Mr. Bril standing in the stern manning the tiller. He too, was now wearing a holstered revolver, along with a rifle on the bench before him.The larger crewed Banjar boat beat us to the wreck by less than half a minute. The Banjar captain, who was on board their launch, was already bellowing out orders for the shipwrecked crew to come aboard, or be dragged on board, when we arrived, tactfully on the other side of the wreck.The wreck looked to be a single-hulled yacht of some twelve meters, wooden built with a single mast, that was now floating alongside on the Banjar side. The cabin down the center of the yacht was the last refuge of the crew, as water filled its interior and waves washed over its deck. Only the natural buoyancy of its wooden construction was keeping it afloat. The crew, save one, were sitting on their kit bags and seemed unmoved by the Banjar captain’s orders. The one, a slim woman, was standing alongside the stump of the yacht’s mast and had been telling the Banjars to shove off. All of the yacht’s crew were dressed in loose, tan colored, calf-length trousers, a sailors’ knives on their belts, and white, loose, open necked shirts with colorful bandannas, topped by a variety of brimmed and rather waterlogged woven grass hats. In short, the typical dress of a more cosmopolitan type of islanders.‘Push off, you lot!’ roared the much more colorfully dressed Banjar captain, directing his attention to us, as I hooked the lip of the yacht’s deck with the boat hook and pulled us close alongside. Adding, with an even darker glare, ‘This is our salvage by right of first claim.’His numerous boat crew growled, seconding his claim. They were a very colorful band of men and a few women. They were dressed either brightly dyed loincloths or baggy trousers, with skirts in reds, oranges and yellows, many with open jerkins of armorfish leather and armor. They also had several bandannas around their necks. The men and women both wove strings of shells and beads through their long hair, and all sported several armorfish leather belts around their waist for their long knives, short swords, and handguns. The barrel chested captain wore chains of gold under his open armorfish jerkin.I gave him a casual island salute, touching my forehead with my fist. ‘We do not contest your right of salvage...’‘We’ve already declined your offer of salvage,’ snapped the rather savage looking young lady at the mast. ‘They have no claim.’‘And wisely so,’ I said, saluting her as well. ‘We make no claim to salvage. We’re here to offer you and your crew passage to Fey Lon, courtesy of the Island Crown, and, I might add, passage home as well, if necessary, courtesy of the Aerolonia Navy’s distressed mariners’ fund.’ ‘Bugger off, mate,’ growled the Banjar captain. ‘I’m giving you one and only one warning. They’re mine, and I intend to have them, one way or another. And there’s nothing you can do about it,’ he added with a sweep of his hand to his crew at his back, who outnumbered us three to one, and outgunned us by a far greater margin. I bit back my first impulse to mention our 10 cm cannon in the offing. It would be of no help here and now. Instead I smiled and said, ‘We don’t want trouble. Trouble will only feed the armorfish...’ One of which, as if on cue, surfaced and slid over the battered railing and across the mostly submerged deck of the launch to snap at the crew on the cabin, and then at us in the boat, before wiggling back into the water. It then swam under our boat, raking its spikes against its bottom, just to prove its point. ‘I don’t mind trouble. And I wouldn’t mind feeding you to the armorfish or making you guests of the Bird-of-night as well,’ replied the Banjor captain. ‘So bugger off and let me take off this sorry lot of hopeless excuses for sailors.’‘I will make a great deal of trouble for you if you try,’ snapped the lady at the mast. I had only one card to play, and it was a weak one. But as I said, it was my only one.‘We’re within the waters of the Principality of Merkara. Piracy and slavery is outlawed in Merkara waters. As an officer of in Aerlonian Navy, and an ally of the Prince of Merkara, I’m ordering you to cease your efforts to take these people prisoners. They have refused your offer of aid, so please return to your ship and be on your honest way.’He laughed. I didn’t blame him. Given the circumstances, I had to make a great effort to play that card without laughing myself. Still, it was on the table.‘And if I don’t? Are you going to try to stop me?’‘I’ll see that you’re hunted down and hung as pirates. We’ll be in Merkara by this evening (a lie) and I’ll report you as a pirate upon arrival,’ I replied, boldly enough. They did hang pirates in the Principality of Merkara, and who knows, perhaps Captain Wera would briefly call on Merkara... ‘Plus, we’re only three days out of Fey Lon and its Aerlonian naval base. There’s likely a fast corvette or frigate at anchor that would like nothing better than to hunt down a Banjar pirate.’ That part, at least, might not be all bluff. The Banjar Captain considered my threat for a second or two, and then grinned, ‘The seas are wide.’ And adding, with a sweep of his arm, ‘Bak, Nan, Lee, jump to it and haul our guests onboard. The rest of you, keep yon crew in your sights, but don’t shoot until I give the order. We don’t want trouble, now, do we?’ he added with a laugh, watching me.As Bak, Nan, and Lee, made their way to the gunwale of the boat, armed with thick canes to beat the yacht crew into submission, I let my hand fall to the handle of my revolver at my side. And yet… I looked across the wreck to the thickly packed Banjar boat. I could think of nothing else to do. Nothing wise, anyway. A gun fight would not only result in getting myself and my shipmates shot and possibly killed, but would likely kill the survivors on the wreck in the crossfire as well. It was now up to Captain Wera aboard the Island Crown and his 10 cm cannon...The Banjar captain’s smile widened, as he read my thoughts on my face. ‘Off you go mates,’ he snarled to Bak, Nan, and Lee, who had prudently paused on the gunwale to survey the surrounding waters for armorfish.But before they could be off, the grim faced lady at the mast lifted her arm, and pointing it at them, said in a clear, cold, loud voice, ‘Die.’I can’t say, with certainty, what happened in the next few seconds. But something did happen. I was left with an impression that there was some sort of flickering and then, silently, Bak, Nan, and Lee collapsed into the arms of their comrades behind them, as if dead.For several long seconds I, and everyone else on both boats, just stared at the limp bodies, trying to make sense of what just happened. And then we all turned to the grim faced figure at the mast. She still had her arm outstretched, and was now pointing directly at the Banjar captain.‘Now go,’ she commanded, in her hard, cold voice.The Banjar captain, after staring in disbelief at his collapsing men, roared, ‘Bak, Nan, Lee, jump to it, I said! Get her!’Held upright only by their comrades behind them, the three limp men didn’t jump to it.One of the rowers behind me – a native islander – was next to speak. ‘Sorcery,’ he muttered quietly. And then loudly in rising panic, ‘She’s a sorceress! Why, they’re the fire-cursed Vente, mates!’ This sent a startled ripple of fear through the Banjar boat’s crew. The other islander on our crew gasped as well.‘Leave now, Captain, or you, and your crew, will all die,’ said the alleged sorceress, pointing directly at him.Undaunted, the Banjar Captain roared, ‘Shoot her!’ ‘Die,’ she commanded, in reply.A flicker? And he did, folding and collapsing like Bak, Nan, and Lee into the arms of his crew behind him. ‘Fire-cursed magic!’ exclaimed our islander crewman behind me.A couple of wild shots followed, but almost to a man, the Banjar crew decided not to die. They flung themselves into a flurry of howling activity, not to open fire, but to escape the fire-cursed Vente wreck with its sorceress. They scrambled to their oars, and frantically pushed their boat away from the wreck. Once clear, they started rowing for their ship, putting their back into it, without orders to. The slender woman at the mast kept her arm pointing at them until the were out of reliable gun shot range. And just to be fair, our two islanders had tried to follow suit, but Bril and I held the boat tight to the wreck, while Bril howled, ‘Hold up, you blasted fools. What are you up to? I gave no orders!’I suppose to most islanders, no orders were necessary to get clear of a fire-cursed Vente sorcerer, given their dark reputation. Islanders learned to fear the Vente from a young age. The stories of the Ventes arriving in the moonless darkness of the night to carry very naughty children away with them, were used to frighten naughty children into behaving. The Vente were, however, more than just stories to scare children. They were part of the dark pantheon of island mythology – like demon armorfish, the volcanic fire gods, or the storm gods with their lightning ships of blue fire. I’m far from certain that the Banjar captain could have even made them approach the wreck if they had known they were Vente. Or that he would’ve even tried.Of course, like the demon armorfish and the storm gods, the Vente were mostly myth and legend, at least this far south in the Tropic Sea. Actual Vente or not, it was the fact that the woman at the mast pointed to four men, told them to die, and they did, that made them Vente. That was enough. And, truth be told, if I’d been one of them, a true islander, I’d be rowing hard with them as well. But I wasn’t quite a true islander, despite having been born and raised in the islands. And I was university educated. And I didn’t believe in the island gods and magic. And finally, she wasn’t pointing at me. That said, I could not say what had just happened. It didn’t seem like one needed to believe in magic, for magic to work...Dropping her arm, the woman, the alleged sorceress, turned to us. ‘Is your offer still open?’‘Ah, yes… Yes, of course,’ I stammered, and glanced back to Bril. I was, after all, only a passenger. ‘I’m right, aren’t I, Mr. Bril?’Luckily, Bril, likely as stunned as I was by what had just happened, was an Aerlonian, and viewed island superstition with either humor or disdain. He merely nodded “Yes” absently, adding, grimly, ‘That’s what we’re here for.’That was good enough for me – especially since I didn’t think we really had an alternative. ‘Right, then, let’s get everyone on board,’ I said, as brightly as I could, turning back to the sorceress. ‘And the sooner the better. We want to be on our way before the Banjars find their courage again.’ I braced a foot on the gunwale and held out my free hand to help haul the crew onboard.She nodded and turned to her crew with a nod. They stood, and, as she slowly named her crew, three men and two woman, one by one, they grabbed their kit bags and jumped down to the narrow, wave washed deck, and crossed it in a bound or two. I helped each to climb aboard with my free hand. Each gave a nod of thanks and settled on the nearest bench or in the hollow behind me. The slender sorceress was the last to collect her kit and, timing her jump to the swell, she landed on the deck, just as an armorfish, half the length of our boat, leaped straight out of the sea behind Bril to land on the wreck’s deck with a thump and a mighty splash. With its many teethed jaws wide open, it swooshed across the slippery deck towards the sorceress. She made a desperate leap for the boat. I abandoned the boathook to free both hands and caught her by the waist, lifting her up, over my head, hoping to get her clear of the snapping jaws of the armorfish. I staggered back and twisted to avoid going over the other side of the boat, to collapse into the collective laps and kit bags of her crew around me. She landed on top of me – her damp chest on my face. She quickly pushed off, her hands on my shoulders, to scowl down at me with her cold blue-green eyes for a second or two.I smiled, and asked, a bit breathlessly, ‘Still have all ten toes?’‘Yes,’ she replied, coldly, without a smile, and rolled off of me to take a seat with her crew, who quickly made room on the bench for her.‘Are you done having fun up there, Lieutenant?’ called out Bril, as I sat up and took a seat facing aft at the very bow of the boat. ‘I believe so. Home, Mr. Bril,’ I replied cheerfully, much relieved that we had carried off the rescue against all odds. I settled back as we pushed off the wreck, and took in the mythical Ventes – if indeed that was who and what they were. They looked no different than any other islander.I beamed a friendly smile at the six waterlogged survivors sitting silently on the benches and crouching before me, and asked, ‘Victims of the typhoon, I take it?’ The sorceress gave me one withering look of disdain with her cold blue-green eyes for uttering such an inane question, and looked away and back towards the wreck.The fellow by the name of Vara, who may have been the captain of the yacht, replied quietly, ‘The storm was mostly to the south of us. Still, we were making for shelter along a white-water reef, looking for a passage into the lagoon of yonder island, when a white squall struck us with great force, driving us over the reef and into the lagoon, taking off our mast in the process. Before we could clear the wreckage and get some steerage, the squall drove us across the lagoon and over the reef once more, this time taking out a large section of our bottom hull. We managed to lighten the boat, and get a couple of lines around the hull to hold it together and stay afloat all night. Luckily you came along, so we haven’t suffered all that much.’ I nodded sadly. ‘Ill luck and good luck. The hazards of the sea. I appreciate your loss. Still, you’re alive and safe,’ I added with an encouraging smile. ‘And you’ve nothing more to worry about. The Aerlonian Navy base on Fey Lon has a fund to see that shipwrecked and stranded mariners get home.’ Though, if they were actual Vente Islanders, that might prove difficult. But that was a problem – and perhaps an opportunity – for another day. It may also explain why my assurances didn’t seem to cheer them up. Still, I suppose returning home, no matter what island home it may be, without the yacht you set out in, was never going to be all that happy of a return. It was, however, better than being a lump in an armorfish’s belly.‘Oh, by the way, my name is Taef Lang, Lieutenant, LT, Aerlonia Navy. I’m actually just a passenger aboard the Island Crown, on my way to Fey Lon. I’ll be happy to look after matters concerning your return when we arrive.’Vara nodded, glancing to the sorceress, who continued to stare back at the wallowing wreck.I decided to play the Aerlonian, and fain ignorance of islands myths. So I looked to the sorceress, and asked, ‘How did you do that? To the Banjars, I mean. Just pointing at them… It was like magic,’ I added with a forced laugh. And then adding, authentically curious, ‘It wasn’t magic, was it?’ She ignored the question. But I continued on, nevertheless.‘Did you really kill them? Not that I blame you. You would’ve ended up as slaves or worse. And to be honest, I don’t know what we could’ve done to prevent them from taking you, if you hadn’t sent them packing. Captain Wera would not have needed much of an excuse to sink the Banjar ship, but we would’ve all been feeding the armorfish by then, so I guess we all owe you a debt of gratitude,’ I said, rambling on, to no effect.I looked to Vara, and the rest. They offered to add nothing more, taking their cue from the sorceress.Still, undaunted, I said, ‘Well, we have Vara and Muse, Hiks, Kin, and Ade, here.’ I nodded to each in turn, and then returned to the sorceress with a smile, ‘But I don’t know your name, ah… Miss?’ I didn’t dare to call her a sorceress to her face.She ignored me.So I laughed and added, ‘Oh, well, I suppose we’ve already met.’She turned her head and focused her cold gaze on me for a chilling moment or two. Thankfully she didn’t point at me, but I had the feeling she was fighting that urge. Finally she said, scornfully, ‘Forgive us. We have suffered a very exhausting experience and are not in the mood for palaver. You can interrogate us once we have time to recover.’‘Of course. Sorry. I was, actually, just trying to make polite conversation,’ I said, contritely. ‘But, as you say, we’ll have time enough to chat once you’ve rested.’ Which was wishful thinking, as it turned out.
Note: This is a not quite final version. The Complete Book will be released in March 2019 as an ebook for free and a $12 trade paperback. Stay tuned for the exact release date.
Published on March 10, 2019 11:09