So I was talking with Intagliod the other day about those new formalists who strive for a flat, conversational line that buries the meter and the rhyme under a kind of casualness that, to be honest, bores the crap out of me. I mean, I understand the effort it takes to appear effortless, and I appreciate that, but what if we could use traditional form for evil, not for good? What if the lines bounced and flounced and rhymed all over the place? I've been, in my secret evil laboratory, working o...
Published on October 19, 2009 08:20