Riley Sager > Quotes

“Darling Erica, Such a pleasure! Your youthfulness gives me life! Best wishes, Greta Manville”
― Riley Sager, Lock Every Door

“150.97768 WEST 164 At first, I think they might be coordinates on a map.”
― Riley Sager, The Last Time I Lied

“I might not approve of what Virginia did, but it doesn’t make me hate her. It’s possible to love someone while hating something they’ve done.”
― Riley Sager, The Only One Left

“I firmly believe it’s possible for people not to be harnessed to bad things from their past. People can recover. They can move on.”
― Riley Sager, Final Girls

“Lately I’ve found it best not to get my hopes up about things.”
― Riley Sager, Lock Every Door

“I’m on Facebook, that insipid swamp of likes and links and atrocious grammar.”
― Riley Sager, Final Girls

“I was just looking out for you. Women need to do that, you know. Look out for each other. There's a special place in hell for those who don't.”
― Riley Sager, Survive the Night

“Power earns you importance. And the truly important people in the world deserve to live longer lives than those who are beneath them. That’s especially true as we face another epidemic.”
― Riley Sager, Lock Every Door

“insurance companies are terrible and yes, the two of us are just cogs in a vast healthcare industrial complex that puts profits over people every damn time.”
― Riley Sager, The Only One Left

“Me,” Lenora says, punctuating the word with a sip of wine and a hard swallow. “My father. The real Miss Baker. After what we did, the only surprise is that she didn’t kill us all.”
― Riley Sager, The Only One Left

“But on the flip side, sometimes your gut tells you something else. So while Lenora looks like she can’t do much, maybe, like you, there’s more than meets the eye.”
― Riley Sager, The Only One Left

“Yes,” Miss Baker replied with a weary huff. “Me.”
― Riley Sager, The Only One Left

“Why can’t you be normal?” he says. “Why do you have to be such a weirdo? Why do you always have to be such a freak? If you like ghosts so much, why don’t you just die and become one?”
― Riley Sager, Middle of the Night

“Over the past twenty years, she’s suffered a series of strokes. They left her unable to speak and the right side of her body paralyzed. She can move her head and neck, but it’s sometimes difficult for her to control them. All she has, really, is limited use of her left arm.”
― Riley Sager, The Only One Left

“One can only take so much stress and fear and utter fucked-upness before losing it entirely.”
― Riley Sager, The House Across the Lake

“I wait an hour for sleep to arrive, flat on my back, breathing evenly, telling myself that at any moment I’ll sink into slumber. But my thoughts are an unruly bunch, always on the move, in no hurry to settle down. I picture them as part of the dream sequence from Vertigo—bright spirals that are forever spinning. Each one has its own color.”
― Riley Sager, Final Girls

“Some of the older girls swore that if you turned out all the lights, stood in front of a mirror, and recited it, Lenora herself might appear in the glass. And if that happened, look out, because it meant your family was going to die next.”
― Riley Sager, The Only One Left

“Those of us at Hope’s End aren’t like most people.” Mrs. Baker turns toward the row of windows and the terrace railing just beyond them. Beyond that is . . . nothing. A chasm made up of sky above and, presumably, water below. “Here, we give young women accused of terrible deeds the benefit of the doubt.”
― Riley Sager, The Only One Left

“I knew it was just a variation on Bloody Mary,”
― Riley Sager, The Only One Left

“Until now, I’ve been good about not thinking I’m talking to Katherine.”
― Riley Sager, The House Across the Lake

“She stood up to me last night, which took major ovaries.”
― Riley Sager, The Last Time I Lied

“The husband pretending to like the sofa his wife picked out. The wife who watches her husband’s favorite show even though she quietly despises it.”
― Riley Sager, The House Across the Lake

“And as I watched my mother’s casket lowered into the ground, the main thought running through my head was how much I regretted being such a little shit about something as innocuous as cereal.”
― Riley Sager, Lock Every Door

“I’ll bring in divers tomorrow and see if you’re right,”
― Riley Sager, The House Across the Lake

“There's such as a thing as too much sweetness, Quincy, [dad] told [Quincy]. All the best bakers know this. There needs to be a counterpoint. Something dark. Or bitter. Or sour. Unsweetened chocolate. Cardamom and cinnamon. Lemon and lime. They cut through all the sugar, taming it just enough so that when you do taste the sweetness, you appreciate it all the more.”
― Riley Sager, Final Girls

“friendly but friendless. Approachable yet purposefully aloof. I saw no point in getting too close with anyone.”
― Riley Sager, Final Girls

“I'm losing a friend.
A horrible one, yes.
But not always.”
― Riley Sager, The House Across the Lake

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¿Cómo puedo llamar a Viva Aerobus en México?
¿Necesitas llamar a Viva Aerobus en México?
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― Riley Sager, Lock Every Door

“I stifle a harsh laugh. Innocent is the last word I’d use to describe a woman who’s collected money for decades to stay silent about what she thinks was a quadruple homicide.”
― Riley Sager, The Only One Left

“Y0U SH0ULDN’T BE ALIVE. Y0U SH0ULD’VE DIED IN THAT CABIN. IT WAS Y0UR DESTINY T0 BE SACRIFICED.” Whoever wrote it had used a typewriter. The keys had been struck so hard that, on the page, the letters looked like burn marks seared into leather. Every ‘o’ was actually a zero, meaning that key was likely broken.”
― Riley Sager, Final Girls