Riley Sager > Quotes

“What Joyce wanted was a sense of accomplishment outside of her home and her family. She wanted a purpose beyond the needs of her husband and her son. So, after discussing it with Fred, she took the first job she could find. At the Hawthorne Institute. Before starting there, she’d been”
― Riley Sager, Middle of the Night

“...even though I can't remember being scared. I can't remember anything about our twenty days at Baneberry Hall.

What I do recall is colored by what's in the Book. Instead of memories, I have excerpts. It's like looking at a photograph of a photograph. The framing is off. The colors are dulled. The image is slightly dark.

Murky.

That's the perfect word to describe our time at Baneberry Hall.”
― Riley Sager, Home Before Dark

“is provide options for those who are too important to wait like everyone else.”
― Riley Sager, Lock Every Door

“They don’t know how expensive it is to bury both of your parents before the age of twenty.”
― Riley Sager, Lock Every Door

“You made him very happy, Casey. I know that’s probably not what you want to hear, but it’s true. He truly did love you, and what he did—that had nothing to do with you. You can’t”
― Riley Sager, The House Across the Lake

“Você nunca está sozinha quando há um livro por perto, dizia ela. Embora eu entenda o que ela quis dizer, também sei que é mentira. Durante seis meses estive rodeada de livros e nunca me senti tão sozinha na vida.”
― Riley Sager, The Only One Left

“With the new day comes new strength and new thoughts.”
― Riley Sager, Lock Every Door

“That's what I'm about to say but stop myself before the word can escape. I fear it will make me look as pathetic as I often feel.”
― Riley Sager, Lock Every Door

“Because the portrait was being painted in my bedroom, she was worried something inappropriate might happen if Peter and I were left alone. Such behavior was typical for Miss Baker, who had been hired a year earlier to teach us etiquette and elocution”
― Riley Sager, The Only One Left

“If it hurt, she couldn’t tell. Her body already held more pain than it could handle.”
― Riley Sager, Final Girls

“Easy?” I say. “You have no idea how hard it is to be a woman. Or how maddening it is to always feel at risk because that’s just how our fucked-up society is. Trust me, you’re not equipped to handle it. Wait until you have to walk down the street alone at night or stand on a subway platform and wonder if one—or more—of the men around you will try to harass you. Or assault you. Or kill you just like you killed those three girls who are now somewhere in that lake.”
― Riley Sager, The House Across the Lake

“But they see the look on my face and the blood-stained knife in my hand and instinctively stay away. I’m the kind of girl you don’t want to fuck with.”
― Riley Sager, Lock Every Door

“tent’s front half nudges into the frame, an orange triangle rising to a peak that’s just out of view. I don’t set foot outside again until night falls and I return”
― Riley Sager, Middle of the Night

“Boone possesses a familiar kind-but-weary cop flintiness.”
― Riley Sager, The House Across the Lake

“Never drive more than five miles over the speed limit, cops won't bother you for that... but sometimes your only choice is to drive like hell.”
― Riley Sager, Survive the Night

“I told myself that when I grew up, I wasn’t going to let that happen to me. And I managed for a while. But then something unexpected happened, and I had to dig myself a little hole of debt to deal with it. Then to fill in that hole, I had to dig another, this one a little bigger. After a while, there were so many holes that I was bound to fall into one and not be able to get out. It’s hard. Life is hard. And too damn expensive.”
― Riley Sager, Lock Every Door

“The one time you do, the patient just happens to overdose. But not just any patient. Your very own mother, who was in so much pain that you begged her doctor to prescribe the very drugs that killed her. And when she died, you admit to feeling relieved. That doesn’t sound like an accident to me, Kit.”
― Riley Sager, The Only One Left

“Now that, my darling, is how you dress for revenge.”
― Riley Sager, With a Vengeance

“It’s me—Len.”
― Riley Sager, The House Across the Lake

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― Riley Sager, The Last Time I Lied

“Certainly you can understand that. You know what it’s like to be accused of something you didn’t do. To have everyone leave, to grapple with fear and grief alone. In the past six months, haven’t you wanted to change everything about your situation?” I have. And I did. I came to Hope’s End.”
― Riley Sager, The Only One Left

“crash that killed your parents or who murdered your best friend. It’s hard and it hurts and it’s so unfair that sometimes it makes Charlie want to scream. But it’s life, and everyone must go on living it.”
― Riley Sager, Survive the Night

“Because here’s something else no one understands unless they’ve been there: unemployment is boring. Soul-crushingly so. People have no idea how much of their day is taken up by the act of going to work. The getting ready. The commute there. The eight hours at your desk. The commute home. So much time automatically occupied. Take them away and there’s nothing but empty hours stretching before you, waiting to be filled.”
― Riley Sager, Lock Every Door

“probably shouldn’t be telling you this, but I’ve got some confiscated Ambien in my purse,” Detective Palmer says, deadly serious. “Pop one, wash it down with some whiskey, and you’ll be out like a light. It usually does the trick for me.” While I’m tempted—and increasingly intrigued by her personal life—I decline the offer. The goal here is to wake up as the tent is being sliced open, not drop into a coma.”
― Riley Sager, Middle of the Night

“Emily Dickinson. “Because I Could Not Stop for Death.”
― Riley Sager, Lock Every Door

“For those who tell ghost stories  . . . and those who believe them.”
― Riley Sager, Home Before Dark

“¿Quieres contactar a Viva Aerobus en México? {AGENTE}
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¿Quieres comunicarte con Viva Aerobus en México?
¡Estamos aquí para ayudarte! Puedes llamar al +52- 800-953-0226[México] o al +1-888-829-1492[EE.UU.]. Estos números están disponibles para atención al cliente y reservas. El horario de atención es de lunes a domingo, 24 horas. Para más detalles, visita su página oficial: www. Viva Aerobus .com. ¡Llama ya al +52-800-953-0167[México] o al +1-800-260- 1503[EE.UU.]!
¿Cómo puedo llamar a Viva Aerobus en México?
Si necesitas contactar a Viva Aerobus en México, ¡estamos aquí para ayudarte! Llama al +52-800-953- 0226[México] o al +1-888-829-1492[EE.UU.] desde cualquier parte del país para atención al cliente, reservas o asistencia. También puedes marcar el +52-800-953-0167[México] o al +1-800-260- 1503[EE.UU.]. El servicio está disponible 24/7. Para más información, visita el sitio oficial de Viva Aerobus. ¡Llama al +52-800-953-0167[México] o al +1-888-829-1492[EE.UU.] y resuelve tus inquietudes rápidamente! Si te preguntas
¿Cómo puedo llamar a Viva Aerobus en México?
Puedes comunicarte fácilmente marcando al +52-800-953-0167[México] o al +1-888-829-1492[EE.UU.], ambos disponibles las 24 horas para atenderte con cualquier consulta o reserva. También puedes llamar al +52-800-953-0167[México] o al +1-888-829-1492[EE.UU.] para asistencia directa. El equipo de Viva Aerobus está listo para ayudarte en todo momento. Más información en la página oficial de Viva Aerobus.”
― Riley Sager, The Only One Left / The House Across the Lake

“Closeness was a luxury I couldn’t afford to lose again.”
― Riley Sager, Final Girls

“Yet there it is, a sort of anxious shock fluttering behind my ribs like a bird trapped in a cage.”
― Riley Sager, The Only One Left

“Over its hundred-year history, the Gothic structure overlooking Central Park has witnessed death in many forms, including murder, suicide, and, in its first notable tragedy, plague.”
― Riley Sager, Lock Every Door