Rick

“Montana is the hostess, a pretty, pleasantly blank-looking high-school-age girl. It’s not profound blankness—just the vacancy of youth. A certain position of the head, a set of the eyes, all of which can be transformed by twenty-two or twenty-five or twenty-seven, her eyes sharper, head tilted down into life, ready for impact. She just needs something terrible to happen to her, and then needs to do something terrible to someone else. After that, she’s all set.”
― Scott Hutchins, A Working Theory of Love

“You think fairy tales are only for girls? Here’s a hint—ask yourself who wrote them. I assure you, it wasn’t just the women. It’s the great male fantasy—all it takes is one dance to know that she’s the one. All it takes is the sound of her song from the tower, or a look at her sleeping face. And right away you know—this is the girl in your head, sleeping or dancing or singing in front of you. Yes, girls want their princes, but boys want their princesses just as much. And they don’t want a very long courtship. They want to know immediately.”
― Rachel Cohn, Dash & Lily's Book of Dares

“The problem with epiphanies is the next day they feel like they happened to someone else. Inspiration will get you nowhere in life.”
― Scott Hutchins, A Working Theory of Love

“There is something about knowing you are not safe in sleep that gives a person bad dreams. The expectation of being woken every night — that feeling of insecurity and dread I remember carrying around with me as my marriage was drawing to a close, like a rotting smell I couldn’t find the source of, shit I didn’t know I stepped in. The subconscious starts sending messages: Be vigilant. Don’t relax. Here’s a boogeyman or two to keep your nerves on edge.”
― Lynn Coady, Watching You Without Me