Lisa

“...a chasm opened in the earth and out of it coal-black horses sprang, drawing a chariot and driven by one who had a look of dark splendor, majestic and beautiful and terrible. He caught her to him and held her close. The next moment she was being borne away from the radiance of earth in springtime to the world of the dead by the king who rules it.”
― Edith Hamilton, Mythology

“Purity without balance is its own corruption.”
― V.E. Schwab

“What's that?" he snarled, staring at the envelope Harry was still clutching in his hand. "If it's another form for me to sign, you've got another -"
"It's not," said Harry cheerfully. "It's a letter from my godfather."
"Godfather?" sputtered Uncle Vernon. "You haven't got a godfather!"
"Yes, I have," said Harry brightly. "He was my mum and dad's best friend. He's a convicted murderer, but he's broken out of wizard prison and he's on the run. He likes to keep in touch with me, though...keep up with my news...check if I'm happy....”
― J.K. Rowling, Harry Potter and the Prisoner of Azkaban

“There is a distinct difference between "suspense" and "surprise," and yet many pictures continually confuse the two. I'll explain what I mean.

We are now having a very innocent little chat. Let's suppose that there is a bomb underneath this table between us. Nothing happens, and then all of a sudden, "Boom!" There is an explosion. The public is surprised, but prior to this surprise, it has seen an absolutely ordinary scene, of no special consequence. Now, let us take a suspense situation. The bomb is underneath the table and the public knows it, probably because they have seen the anarchist place it there. The public is aware the bomb is going to explode at one o'clock and there is a clock in the decor. The public can see that it is a quarter to one. In these conditions, the same innocuous conversation becomes fascinating because the public is participating in the scene. The audience is longing to warn the characters on the screen: "You shouldn't be talking about such trivial matters. There is a bomb beneath you and it is about to explode!"

In the first case we have given the public fifteen seconds of surprise at the moment of the explosion. In the second we have provided them with fifteen minutes of suspense. The conclusion is that whenever possible the public must be informed. Except when the surprise is a twist, that is, when the unexpected ending is, in itself, the highlight of the story.”
― Alfred Hitchcock