Let the Right One In Quotes

“Real love is to offer your life at the feet of another.”
― John Ajvide Lindqvist, Let the Right One In

“Are you OLD?"
"No. I'm only twelve. But I've been that for a long time.”
― John Ajvide Lindqvist, Let the Right One In

“There was no one to be seen so she gave in freely to her sobs as she made her way home, pressed her arms against her stomach; the pain lodged in there like an ill-tempered foetus.
Let a person in and he hurts you.
There was a reason why she kept her relationships brief. Don't let them in. Once they're inside they have more potential to hurt you. Comfort yourself. You can live with the anguish as long as it only involves yourself. As long as there is no hope.”
― John Ajvide Lindqvist, Let the Right One In

“Be me a little.”
― John Ajvide Lindqvist, Let the Right One In

“Closed his mouth. Then pressed a kiss on Oskar's lips. For a few seconds Oskar saw through Eli's eyes. And what he saw was... himself. Only much better, more handsome, stronger than what he thought of himself. Seen with love.”
― John Ajvide Lindqvist, Let the Right One In

“Keep your relationships brief. Don’t let them in. Once they’re inside they have more potential to hurt you. Comfort yourself. You can live with the anguish as long as it only involves yourself. As long as there is no hope.”
― John Ajvide Lindqvist, Let the Right One In

“-there was something in her, something that was...pure horror. Everything you were supposed to watch out for. Heights, fire, shards of glass, snakes, Everything that his mom tried so hard to keep him safe from.”
― John Ajvide Lindqvist, Let the Right One In

“What he was scared of was not that maybe she was a creature who survived by drinking other people's blood. No, it was that she might push him away.”
― John Ajvide Lindqvist, Let the Right One In

“He had put his hand up in class, a declaration of existence, a claim that he knew something. And that was forbidden to him. They could give a number of reasons for why they had to torment him; he was too fat, too ugly, too disgusting. But the real problem was simply that he existed, and every reminder of his existence was a crime.”
― John Ajvide Lindqvist, Let the Right One In

“Which monster do you choose?”
― John Ajvide Lindqvist, Let the Right One In

“No respect for beauty – that was characteristic of today’s society. The works of the great masters were at most employed as ironic references, or used in advertising. Michelangelo’s ‘The Creation of Adam’, where you see a pair of jeans in place of the spark.

The whole point of the picture, at least as he saw it, was that these two monumental bodies each came to an end in two index fingers that almost, but not quite, touched. There was a space between them a millimetre or so wide. And in this space – life. The sculptural size and richness of detail of this picture was simply a frame, a backdrop, to emphasise the crucial void in its centre. The point of emptiness that contained everything.

And in its place a person had superimposed a pair of jeans.”
― John Ajvide Lindqvist, Let the Right One In

“A lot of screams for so little wool, said the man who sheared the pig”
― John Ajvide Lindqvist, Let the Right One In

“They stood there for a while, not saying anything. Then Eli said: 'Do you want to come in?'
Oskar didn't reply. Eli pulled on her T-shirt, lifted her hands, let them fall.
'I'm never going to hurt you.'
'I know that.'
'What are you thinking about?'
'That T-shirt. Is it from the trash room?'
'...yes.'
'Have you washed it?'
Eli didn't answer.
'You're a little gross, you know that?'
'I can change, if you like.'
'Good. Do that.”
― John Ajvide Lindqvist, Let the Right One In

“He felt like normal. Filled with anxiety, dread, sure. But even that wasn't unusual...”
― John Ajvide Lindqvist, Let the Right One In

“Which circle did Dante himself go to after death...”
― John Ajvide Lindqvist, Let the Right One In

“Children. There was no particular gurney for children and few things made Benke feel as uncomfortable as seeing the empty spaces left over on the trolley when he was transporting the body of a child; the little figure under the white cover, pushed up against the headboard. The lower half empty, the sheet smooth. That flat sheet was death itself.”
― John Ajvide Lindqvist, Let the Right One In

“Sorry I broke your music machine.”
― John Ajvide Lindqvist, Let the Right One In

“He glanced at the sheep photograph and nodded to himself. In his present state it did not seem strange to him that the police were apprehending sheep.”
― John Ajvide Lindqvist, Let the Right One In

“But then, it's probably different when you're young.”
― John Ajvide Lindqvist, Let the Right One In

“Let the right one in Let the old dreams die Let the wrong ones go They cannot do What you want them to do —Morrissey, “Let the Right One Slip In”
― John Ajvide Lindqvist, Let the Right One In

“Please, dear God. Let her come back. You can have whatever you like. All my magazines, all my books, my things. Whatever you want. But just make it so she comes back. To me. Please, please God.”
― John Ajvide Lindqvist, Let the Right One In

“A little boy was tugging on his pant leg.
'Teacher, I have to pee.'
Avila woke from his skating dreams and looked around, pointed to some trees by the shore that grew out over the water; the bare network of branches fell like a shielding curtain toward the ice.
'You can pee there.'
The boy squinted at the trees.
'On the ice?'
'Yes? What is wrong with that? Makes new ice. Yellow.”
― John Ajvide Lindqvist, Let the Right One In

“Deja entrar el día la luz y suelta mi vida.”
― John Ajvide Lindqvist, Let the Right One In

“That’s how you should be. Accept your burden and carry it, with joy. That’s how you should be”
― John Ajvide Lindqvist, Let Me In

“Eli snorted, her eyes narrowed.
— Because I am like you.
— What do you mean like me? I..
Eli thrust her hand through the air as if she was holding a knife, said:
— What are you looking at, idiot? Want to die, or something? — Stabbed the air with empty hand. — That what happens if you look at me.
Oskar rubbed his lips together, dampening them.
— What are you saying?
— It's not me that's saying it. It's you. That was the first thing I heard you say. Down on the playground.
Oskar remembered. The tree. The knife. How he had held up the blade of the knife like a mirror, seen Eli for the first time.”
― John Ajvide Lindqvist, Let the Right One In

“No one thought of anything but themselves. My happiness, my future was the only thing you heard. Real love is to offer your life at the feet of another, and that’s what people today are incapable of.”
― John Ajvide Lindqvist, Let the Right One In

“There was silence on the other end. The static crackle from one hundred kilometres of telephone lines. Crows sitting on them, shivering, while people's conversations darted past under their feet.”
― John Ajvide Lindqvist, Let the Right One In

“He didn’t want to scream anymore. Didn’t have the energy. The veils now covered his entire field of vision. He didn’t have a body any longer. The colors danced. He melted into the rainbow.”
― John Ajvide Lindqvist, Let the Right One In

“Han reste sig, lämnade toaletten. Lät blodfläcken på golvet vara. Låt någon se den, låt någon undra. Tro att någon blivit dödad här, eftersom någon hade blivit dödad här. För hundrade gången i ordningen.”
― John Ajvide Lindqvist, Let the Right One In

“The person his dad became when he drank had no connection to the person he was when he was sober. And so it was comforting to think about Dad being a werewolf. That he in fact contained a whole other person in his body. Just as the moon brought out the wolf in a werewolf, so alcohol brought this creature out of his dad.”
― John Ajvide Lindqvist, Let the Right One In