Somewhere Towards the End Quotes

“I am not sure that digging in our past guilts is a useful occupation for the very old, given that one can do so little about them. I have reached a stage at which one hopes to be forgiven for concentrating on how to get through the present.”
― Diana Athill, Somewhere Towards the End

“An important aspect of the ebbing of sex was that other things became interesting. Sex obliterates the individuality of young women more often than it does that of young men, because so much more of a woman than a man is used by sex.”
― Diana Athill, Somewhere Towards the End

“To me it was plain silly. It is so obvious that life works in terms of species rather than individuals. The individual just has to be born, to develop to the point at which it can procreate, and then to fall away into death to make way for its successors, and humans are no exception whatever they may fancy.”
― Diana Athill , Somewhere Towards the End

“Dwindling energy is one of the most boring things about being old. From time to time you get a day when it seems to be restored, and you can't help feeling that you are 'back to normal', but it never lasts. You just have to resign yourself to doing less--or rather, taking more breaks than you used to in whatever you are doing. In my case I fear that what I most often do less of is my duty towards my companion rather than indulgence of my private inclinations.”
― Diana Athill, Somewhere Towards the End

“All through my sixties I felt I was still within hailing distance of middle age, not safe on its shores, perhaps, but navigating its coastal waters. My seventieth birthday failed to change this because I managed scarcely to notice it, but my seventy-first did change it. Being 'over seventy' is being old: suddenly I was aground on that fact and saw that the time had come to size it up.”
― Diana Athill, Somewhere Towards the End

“How, then, does the written word work? What part of a reader absorbs it - or should that be a double question: what part of a reader absorbs what part of a text?
I think that underneath, or alongside, a reader's conscious response to a text, whatever is needy in him is taking in whatever the text offers to assuage that need.”
― Diana Athill, Somewhere Towards the End

“She was an object lesson on the essential luck, whatever hardships may come their way, of those born able to make things.”
― Diana Athill, Somewhere Towards the End

“I have heard people bewailing man's landing on the moon, as though before it was touched by an astronaut's foot it was made of silver or mother-of-pearl, and that footprint turned it into gray dust. But the moon never was made of mother-of-pearl, and it still shines as if it were so made.”
― Diana Athill, Somewhere Towards the End

“HOW SUCCESSFULLY ONE manages to get through the present depends a good deal more on luck than it does on one’s own efforts. If one has no money, ill health, a mind never sharpened by an interesting education or absorbing work, a childhood warped by cruel or inept parents, a sex life that betrayed one into disastrous relationships…If one has any one, or some, or all of those disadvantages, or any one, or some, or all of others that I can’t bear to envisage, then whatever is said about old age by a luckier person such as I am is likely to be meaningless, or even offensive. I can speak only for, and to, the lucky. But there are more of them than one at first supposes, because the kind of fortune one enjoys, or suffers, does not come only from outside oneself. Of course much of it can be inflicted or bestowed on one by others, or by things such as a virus, or climate, or war, or economic recession; but much of it is built into one genetically, and the greatest good luck of all is built-in resilience.”
― Diana Athill, Somewhere Towards the End

“As children we loved the roses, watched eagerly for the first snowdrops, stroked the velvet of pansy petals, had our other favourite flowers, but the garden was not simply a place to be looked at. We inhabited it: climbed its trees, hid in its bushes, fished tadpoles and newts from its stream, stole its peaches and grapes (which was a sin and therefore more exciting that eating its plums and apples from the branch, which was allowed). And we were given regular tasks such as picking the sweet-peas for Gran and the strawberries and raspberries which were to come to the table that day. Towards the end of each season such tasks became a bit of a chore, but they were never disagreeable, and because they always involved delicious tastes and smells and pleasant leafy sensations, a garden was naturally accepted as a source of sensuous pleasure as well as a place full of beauty.”
― Diana Athill, Somewhere Towards the End

“do still sometimes amuse myself by trying to draw, and wish I had the energy to do so more often because it remains an absorbing occupation. And however far from being an artist my feeble attempts have left me, I am grateful to those classes for one positive result: I am now much better at seeing things than I used to be. That is something often said by people who have tried to draw, and it is a good reason for making the attempt, even in old age, because it adds such a generous pinch of pleasure to one’s days.”
― Diana Athill, Somewhere Towards the End

“Drawings are what artists, great or small, do when they are working their way towards understanding something, or catching something they want to preserve: they communicate with such immediacy that they can abolish time.”
― Diana Athill, Somewhere Towards the End

“Always we are being reflected in the eyes of others. Are we silly or sensible, stupid or clever, bad or good, unattractive or sexy…? We never stop being at least slightly aware of, if not actively searching for, answers to such questions, and are either deflated or elated, in extreme cases ruined or saved, by what we get. So if when you are old a beloved child happens to look at you as if he or she thinks (even if mistakenly!) that you are wise and kind: what a blessing! It’s not that such a fleeting glimpse of yourself can convert you into wiseness and kindness in any enduring way; more like a good session of reflexology which, although it can cure nothing, does make you feel like a better person while it’s going on and for an hour or two afterwards, and even that is well worth having.”
― Diana Athill, Somewhere Towards the End

“What is so good about it is not just the affection young people inspire and how interesting their lives are to watch. They also, just by being there, provide a useful counteraction to a disagreeable element in an old person’s life. We tend to become convinced that everything is getting worse simply because within our own boundaries things are doing so. We are becoming less able to do things we would like to do, can hear less, see less, eat less, hurt more, our friends die, we know that we ourselves will soon be dead…It’s not surprising, perhaps, that we easily slide into a general pessimism about life, but it is very boring and it makes dreary last years even drearier. Whereas if, flitting in and out of our awareness, there are people who are beginning, to whom the years ahead are long and full of who knows what, it is a reminder–indeed it enables us actually to feel again–that we are not just dots at the end of thin black lines projecting into nothingness, but are parts of the broad, many-coloured river teeming with beginnings, ripenings, decayings, new beginnings–are still parts of it, and our dying will be part of it just as these children’s being young is, so while we still have the equipment to see this, let us not waste our time grizzling.”
― Diana Athill, Somewhere Towards the End

“I have nephews, nieces, great-nephews and great-nieces, all of whom make nonsense of gloomy forebodings about modern youth–but they are the two I see most often, so it is they who seem to symbolize my good fortune in this respect. What is so good about it is not just the affection young people inspire and how interesting their lives are to watch. They also, just by being there, provide a useful counteraction to a disagreeable element in an old person’s life. We tend to become convinced that everything is getting worse simply because within our own boundaries things are doing so. We are becoming less able to do things we would like to do, can hear less, see less, eat less, hurt more, our friends die, we know that we ourselves will soon be dead…It’s not surprising, perhaps, that we easily slide into a general pessimism about life, but it is very boring and it makes dreary last years even drearier. Whereas if, flitting in and out of our awareness, there are people who are beginning, to whom the years ahead are long and full of who knows what, it is a reminder–indeed it enables us actually to feel again–that we are not just dots at the end of thin black lines projecting into nothingness, but are parts of the broad, many-coloured river teeming with beginnings, ripenings, decayings, new beginnings–are still parts of it, and our dying will be part of it just as these children’s being young is, so while we still have the equipment”
― Diana Athill, Somewhere Towards the End

“I put my hand on hers. Her head shifted, eyelids heaved up. Her eyes focused. Out of deep in that dying woman came a great flash of recognition and of utmost joy. My brother was there. Later he said, ‘That was a very beautiful smile she gave you.’ It was the love I had never doubted flaming into visibility. I saw what I had always believed in.”
― Diana Athill, Somewhere Towards the End

“much of the painting and sculpture I love best (and such things matter a lot to me) was made by artists who lived long enough ago to believe that heaven and hell were real. In the Correr Museum in Venice, coming suddenly on Dieric Bouts’s little Madonna nursing the Child, I was struck through with delight as I never was by a mother and child by, for example, Picasso or Mary Casson, and I cannot remember being more intensely moved by any painting than by Piero della Francesca’s Nativity.”
― Diana Athill, Somewhere Towards the End

“have accepted a great deal of Christ’s teaching partly because it was given me in childhood by people I loved, and partly because it continues to make sense and the nearer people come to observing it the better I like them (not that they come, or ever have come, very near it, and nor have I).”
― Diana Athill, Somewhere Towards the End

“was living in London, still by great good luck working, sharing a flat with an old friend who had barely enough money to cover his keep, while I had never earned enough to save a penny. Nothing would have made my mother confess that she longed to have me at home with her in Norfolk, but I knew that she did, and I believed that if you are the child of a loving, reliable and generously undemanding woman you owe her this consolation in her last years. I think that for people to look after their children when they are young, and to be looked after by them when they are old, is the natural order of events–although stupid or perverse parents can dislocate it. My mother was not stupid or perverse.”
― Diana Athill, Somewhere Towards the End

“and as for toddlers, I didn’t go so far as to blame them for being what they were, but I did feel that they were tedious to have around except in very small doses.”
― Diana Athill, Somewhere Towards the End