Burning Down the Haus Quotes

“East German punks used to spray-paint the phrase Stirb nicht im Warteraum der Zukunft—Don’t die in the waiting room of the future—on walls in Berlin. It wasn’t about self-preservation. It was an indictment of complacency. It was a battle cry: Create your own world, your own reality. DIY. Revolution.”
― Tim Mohr, Burning Down the Haus: Punk Rock, Revolution, and the Fall of the Berlin Wall

“The ethos of East Berlin punk infused the city with a radical egalitarianism and a DIY approach to maintaining independence-to conjuring up the world you want to live in regardless of the situation or surroundings.”
― Tim Mohr, Burning Down the Haus: Punk Rock, Revolution, and the Fall of the Berlin Wall

“In hindsight, it's seen as inevitable that the two Germany's would reunite. But none of the people who had laid the groundwork for the fall-those who had started the tremors and endured the security forces' brutality-envisioned a unified Germany. Those people had sacrificed their places in society for the chance to form a new one, something different and distinct, an independent East Germany built form scratch. The hadn't looked to the West for inspiration before, and none of them looked to the West for salvation now that the border was open.”
― Tim Mohr, Burning Down the Haus: Punk Rock, Revolution, and the Fall of the Berlin Wall

“Don't die in the waiting room of the future.”
― Tim Mohr, Burning Down the Haus: Punk Rock, Revolution, and the Fall of the Berlin Wall

“A hardliner by nature, Honecker was nonetheless more open to rock music. But rather than import music by decadent capitalist puppets like the Doors or the Stones, he determined the DDR should foster its own rock culture. This led to a string of officially sanctioned East German rock bands dominating Free German Youth concerts and DDR youth radio during the 1970s. Bands with names like the Puhdys, Renft, Electra-Combo, Karussell, and Stern-Combo Meissen aped Deep Purple, Uriah Heep, King Crimson, Blood, Sweat & Tears, and Jethro Tull—and landed deals with the government record label, Amiga, the sole music manufacturer and distributor in the tightly-controlled East German media system.”
― Tim Mohr, Burning Down the Haus: Punk Rock, Revolution, and the Fall of the Berlin Wall

“The craze surrounding the Beatles—as well as demonstrations and a near-riot by hundreds of kids in Leipzig in October 1965 after authorities there banned almost all the local Beat bands—elicited commentary directly from head of state Walter Ulbricht during a meeting of the Central Committee of the Communist Party: I am of the opinion, comrades, that we should put an end to the monotony of the Yeah Yeah Yeah and whatever else it’s called. Must we really copy every piece of garbage that comes from the West?”
― Tim Mohr, Burning Down the Haus: Punk Rock, Revolution, and the Fall of the Berlin Wall

“And as the Stasi began to pay more and more attention to the new network, they made the same mistake they had when trying to break up the punk scene a few years before: they sought to identify leaders and focus on undermining them. The Stasi assumed every organisation had a top-down structure like the Stasi, like the Party, like the dictatorship.”
― Tim Mohr, Burning Down the Haus: Punk Rock, Revolution, and the Fall of the Berlin Wall

“Kids in tje East had also grown up with a genuine sense of fear that the world might actually come to an end during their lifetime. That it probably would in fact. For some this fueled nihilistic feelings - one reason Toster from Die Anderen, for instance, never got deeply political was because he stopped giving a shit.”
― Tim Mohr, Burning Down the Haus: Punk Rock, Revolution, and the Fall of the Berlin Wall

“She just wanted to be herself, and doing, saying, reading and writing the things that would have made her feel like herself were all verboten.”
― Tim Mohr, Burning Down the Haus: Punk Rock, Revolution, and the Fall of the Berlin Wall

“The problem in the DDR wasn't No Future, the rallying cry of British Punk. As Planlos guitarist Kobs liked to say, the problem in East Germany was Too Much Future.”
― Tim Mohr, Burning Down the Haus: Punk Rock, Revolution, and the Fall of the Berlin Wall