In the Beginning...Was the Command Line Quotes

“I use emacs, which might be thought of as a thermonuclear word processor.”
― Neal Stephenson, In the Beginning...Was the Command Line

“A few dud universes can really clutter up your basement.”
― Neal Stephenson, In the Beginning...Was the Command Line

“What would the engineer say, after you had explained your problem and enumerated all of the dissastisfactions in your life? He would probably tell you that life is a very hard and complicated thing; that no interface can change that; that anyone who believes otherwise is a sucker; and that if you don’t like having choices made for you, you should start making your own.”
― Neal Stephenson, In the Beginning...Was the Command Line

“Hacker with Bullhorn: "Save your money! Accept one of our free tanks! It is invulnerable, and can drive across rocks and swamps at ninety miles an hour while getting a hundred miles to the gallon!"
Prospective Station Wagon Buyer: "I know what you say is true...but...er...I don't know how to maintain a tank!"
Bullhorn: "You don't know how to maintain a station wagon either!"
Buyer: "But this dealership has mechanics on staff. If something goes wrong with my station wagon, I can take a day off work, bring it here, and pay them to work on it while I sit in the waiting room for hours, listening to elevator music."
Bullhorn: "But if you accept one of our free tanks, we will send volunteers to your house to fix it for free while you sleep!"
Buyer: "Stay away from my house, you freak!”
― Neal Stephenson, In the Beginning...Was the Command Line

“Why are we rejecting explicit word-based interfaces, and embracing graphical or sensorial ones—a trend that accounts for the success of both Microsoft and Disney? Part of it is simply that the world is very complicated now—much more complicated than the hunter-gatherer world that our brains evolved to cope with—and we simply can’t handle all of the details. We have to delegate. We have no choice but to trust some nameless artist at Disney or programmer at Apple or Microsoft to make a few choices for us, close off some options, and give us a conveniently packaged executive summary.”
― Neal Stephenson, In the Beginning...Was the Command Line

“think that the message is very clear here: somewhere outside of and beyond our universe is an operating system, coded up over incalculable spans of time by some kind of hacker-demiurge. The cosmic operating system uses a command line interface. It runs on something like a teletype, with lots of noise and heat; punched-out bits flutter down into its hopper like drifting stars. The demiurge sits at his teletype, pounding out one command line after another, specifying the values of fundamental constants of physics: universe -G 6.672e-11 -e 1.602e-19 -h 6.626e-34 -protonmass 1.673e-27…. and when he’s finished typing out the command line, his right pinky hesitates above the enter key for an aeon or two, wondering what’s going to happen; then down it comes—and the whack you hear is another Big Bang.”
― Neal Stephenson, In the Beginning...Was the Command Line

“But possession of this psychological high ground is different from a monopoly in any normal sense of that word, because here the dominance has nothing to do with technical performance or price. The old robber-baron monopolies were monopolies because they physically controlled means of production and/or distribution. But in the software business, the means of production is hackers typing code, and the means of distribution is the Internet, and no one is claiming that Microsoft controls those.”
― Neal Stephenson, In the Beginning...Was the Command Line

“If Microsoft ever makes a software package that I use and like, then it really will be time to dump their stock, because I am a market segment of one.”
― Neal Stephenson, In the Beginning...Was the Command Line

“As I’ve explained, selling OSes for money is a basically untenable position, and the only way Apple and Microsoft can get away with it is by pursuing technological advancements as aggressively as they can, and by getting people to believe in, and to pay for, a particular image: in the case of Apple, that of the creative free thinker, and in the case of Microsoft, that of the respectable techno-bourgeois. Just like Disney, they’re making money from selling an interface, a magic mirror. It has to be polished and seamless, or else the whole illusion is ruined and the business plan vanishes like a mirage.”
― Neal Stephenson, In the Beginning...Was the Command Line

“In trying to understand the Linux phenomenon, then, we have to look not to a single innovator but to a sort of bizarre Trinity: Linus Torvalds, Richard Stallman, and Bill Gates. Take away any of these three and Linux would not exist.”
― Neal Stephenson, In the Beginning...Was the Command Line

“As it turned out, two different Mac crash recovery utilities were unable to find any trace that my file had ever existed. It was completely and systematically wiped out. We went through that hard disk block by block and found disjointed fragments of countless old, discarded, forgotten files, but none of what I wanted. The metaphor shear was especially brutal that day. It was sort of like watching the girl you’ve been in love with for ten years get killed in a car wreck, then attending her autopsy, and learning that underneath”
― Neal Stephenson, In the Beginning...Was the Command Line

“The overarching concept of the MacOS was the “desktop metaphor,” and it subsumed any number of lesser (and frequently conflicting, or at least mixed) metaphors. Under a GUI, a file (frequently called “document”) is metaphrased as a window on the screen (which is called a “desktop”). The window is almost always too small to contain the document and so you “move around,” or, more pretentiously, “navigate” in the document by “clicking and dragging” the “thumb” on the “scroll bar.” When you “type” (using a keyboard) or “draw” (using a “mouse”) into the “window” or use pull-down “menus” and “dialog boxes” to manipulate its contents, the results of your labors get stored (at least in theory) in a “file,” and later you can pull the same information back up into another “window.” When you don’t want it anymore, you “drag” it into the “trash.” There is massively promiscuous metaphor-mixing going on here,”
― Neal Stephenson, In the Beginning...Was the Command Line

“In your high school geology class you probably were taught that all life on earth exists in a paper-thin shell called the biosphere, which is trapped between thousands of miles of dead rock underfoot, and cold dead radioactive empty space above. Companies that sell OSes exist in a sort of technosphere. Underneath is technology that has already become free. Above is technology that has yet to be developed, or that is too crazy and speculative to be productized just yet. Like the earth’s biosphere, the technosphere is very thin compared to what is above and what is below.”
― Neal Stephenson, In the Beginning...Was the Command Line

“So a proprietary, closed, secret operating system is a contradiction in terms. It goes against the whole point of having an operating system. And it is impossible to keep them secret anyway. The source code—the original lines of text written by the programmers—can be kept secret. But an OS as a whole is a collection of small subroutines that do very specific, very clearly defined jobs. Exactly what those subroutines do has to be made public, quite explicitly and exactly, or else the OS is completely useless to programmers; they can’t make use of those subroutines if they don’t have a complete and perfect understanding of what the subroutines do.”
― Neal Stephenson, In the Beginning...Was the Command Line

“When Ronald Reagan was a radio announcer, he used to call baseball games that he did not physically attend by reading the terse descriptions that trickled in over the telegraph wire and were printed out on a paper tape. He would sit there, all by himself in a padded room with a microphone, and the paper tape would creep out of the machine and crawl over the palm of his hand printed with cryptic abbreviations. If the count went to three and two, Reagan would describe the scene as he saw it in his mind’s eye: “The brawny left-hander steps out of the batter’s box to wipe the sweat from his brow. The umpire steps forward to sweep the dirt from home plate,” and so on. When the cryptogram on the paper tape announced a base hit, he would whack the edge of the table with a pencil, creating a little sound effect, and describe the arc of the ball as if he could actually see it. His listeners, many of whom presumably thought that Reagan was actually at the ballpark watching the game, would reconstruct the scene in their minds according to his descriptions. This is exactly how the World Wide Web works: the HTML files are the pithy description on the paper tape, and your web browser is Ronald Reagan. The same is true of graphical user interfaces in general.”
― Neal Stephenson, In the Beginning...Was the Command Line

“Contemporary culture is a two-tiered system, like the Morlocks and the Eloi in H.G. Wells's The Time Machine, except that it's been turned upside down. In The Time Machine the Eloi were an effete upper class, supported by lots of subterranean Morlocks who kept the technological wheels turning. But in our world it's the other way round. The Morlocks are in the minority, and they are running the show, because they understand how everything works. The much more numerous Eloi learn everything they know from being steeped from birth in electronic media directed and controlled by book-reading Morlocks. So many ignorant people could be dangerous if they got pointed in the wrong direction, and so we've evolved a popular culture that is (a) almost unbelievably infectious and (b) neuters every person who gets infected by it, by rendering them unwilling to make judgments and incapable of taking stands.”
― Neal Stephenson, In the Beginning...Was the Command Line

“A huge, rich, nuclear-tipped culture that propagates its core values through media steepage seems like a bad idea. There is an obvious risk of running astray here. Words are the only immutable medium we have, which is why they are the vehicle of choice for extremely important concepts like the Ten Commandments, the Koran, and the Bill of Rights. Unless the messages conveyed by our media are somehow pegged to a fixed, written set of precepts, they can wander all over the place and possibly dump loads of crap into people's minds.”
― Neal Stephenson, In the Beginning...Was the Command Line

“If you are a professional writer—i.e., if someone else is getting paid to worry about how your words are formatted and printed—emacs outshines all other editing software in approximately the same way that the noonday sun does the stars. It is not just bigger and brighter; it simply makes everything else vanish.”
― Neal Stephenson, In the Beginning...Was the Command Line

“The other, somewhat subtler point, was that interface is very important. Sure, the MGB was a lousy car in almost every way that counted: balky, unreliable, underpowered. But it was fun to drive. It was responsive. Every pebble on the road was felt in the bones, every nuance in the pavement transmitted instantly to the driver's hands. He could listen to the engine and tell what was wrong with it. The steering responded immediately to commands from his hands. To us passengers it was a pointless exercise in going nowhere--about as interesting as peering over someone's shoulder while he punches numbers into a spreadsheet. But to the driver it was an experience. For a short time he was extending his body and his senses into a larger realm, and doing things that he couldn't do unassisted.”
― Neal Stephenson, In the Beginning...Was the Command Line

“The ability to make judgments, to believe things, is the entire point of having a culture. I”
― Neal Stephenson, In the Beginning...Was the Command Line

“Humans are conversant in many media (music, dance, painting), but all of them are analog except for the written word, which is naturally expressed in digital form (i.e. it is a series of discrete symbols—every letter in every book is a member of a certain character set, every “a” is the same as every other “a,” and so on). As any communications engineer can tell you, digital signals are much better to work with than analog ones because they are easily copied, transmitted, and error-checked. Unlike analog signals, they are not doomed to degradation over time and distance. That”
― Neal Stephenson, In the Beginning...Was the Command Line

“it comes out of the fact that during this century, intellectualism failed, and everyone knows it. In places like Russia and Germany, the common people agreed to loosen their grip on traditional folkways, mores, and religion, and let the intellectuals run with the ball, and they screwed everything up and turned the century into an abattoir. Those wordy intellectuals used to be merely tedious; now they seem kind of dangerous as well.”
― Neal Stephenson, In the Beginning...Was the Command Line

“Disney and Apple/Microsoft are in the same business: short-circuiting laborious, explicit verbal communication with expensively designed interfaces. Disney is a sort of user interface unto itself—and more than just graphical. Let’s call it a Sensorial Interface. It can be applied to anything in the world, real or imagined, albeit at staggering expense.”
― Neal Stephenson, In the Beginning...Was the Command Line

“The cathedral as a whole is awesome and stirring in spite, and possibly because, of the fact that we have no idea who built it. When we walk through it, we are communing not with individual stone carvers but with an entire culture.”
― Neal Stephenson, In the Beginning...Was the Command Line

“Lewis Carroll and J. M. Barrie were very strange men, and such is the nature of the written word that their personal strangeness shines straight through all the layers of Disneyfication like X-rays through a wall. Probably”
― Neal Stephenson, In the Beginning...Was the Command Line

“Americans’ preference for mediated experiences is obvious enough, and I’m not going to keep pounding it into the ground. I’m not even going to make snotty comments about it—after all, I was at Disney World as a paying customer. But it clearly relates to the colossal success of GUIs, and so I have to talk about it some. Disney does mediated experiences better than anyone. If they understood what OSes are, and why people use them, they could crush Microsoft in a year or two.”
― Neal Stephenson, In the Beginning...Was the Command Line

“GUIs tend to impose a large overhead on every single piece of software, even the smallest, and this overhead completely changes the programming environment. Small utility programs are no longer worth writing. Their functions, instead, tend to get swallowed up into omnibus software packages.”
― Neal Stephenson, In the Beginning...Was the Command Line

“Apple has always insisted on having a hardware monopoly, except for a brief period in the mid-1990s when they allowed clone-makers to compete with them, before subsequently putting them out of business. Macintosh hardware was, consequently, expensive. You didn’t open it up and fool around with it because doing so would void the warranty. In fact, the first Mac was specifically designed to be difficult to open—you needed a kit of exotic tools, which you could buy through little ads that began to appear in the back pages of magazines a few months after the Mac came out on the market. These ads always had a certain disreputable air about them, like pitches for lock-picking tools in the backs of lurid detective magazines.”
― Neal Stephenson, In the Beginning...Was the Command Line

“A string of ones and zeroes was not a difficult thing for Bill Gates to distribute, once he’d thought of the idea. The hard part was selling it—reassuring customers that they were actually getting something in return for their money. Anyone who has ever bought a piece of software in a store has had the curiously deflating experience of taking the bright shrink-wrapped box home, tearing it open, finding that it’s ninety-five percent air, throwing away all the little cards, party favors, and bits of trash, and loading the disk into the computer. The end result (after you’ve lost the disk) is nothing except some images on a computer screen, and some capabilities that weren’t there before. Sometimes you don’t even have that—you have a string of error messages instead. But your money is definitely gone. Now we are almost accustomed to this, but twenty years ago it was a very dicey business proposition.”
― Neal Stephenson, In the Beginning...Was the Command Line

“But it’s easy to find the whole environment a little creepy, because something is missing: the translation of all its content into clear explicit written words, the attribution of the ideas to specific people.”
― Neal Stephenson, In the Beginning...Was the Command Line