Shadow and Act Quotes

“We look too much to museums. The sun coming up in the morning is enough.”
― Ralph Ellison, Shadow and Act

“When we finally achieve the full right of participation in American life, what we make of it will depend upon our sense of cultural values, and our creative use of freedom, not upon our racial identification. I see no reason why the heritage of world culture—which represents a continuum—should be confused with the notion of race. Japan erected a highly efficient modern technology upon a religious culture which viewed the Emperor as a god. The Germany which produced Beethoven and Hegel and Mann turned its science and technology to the monstrous task of genocide; one hopes that when what are known as the “Negro” societies are in full possession of the world’s knowledge and in control of their destinies, they will bring to an end all those savageries which for centuries have been committed in the name of race. From what we are now witnessing in certain parts of the world today, however, there is no guarantee that simply being non-white offers any guarantee of this. The demands of state policy are apt to be more influential than morality. I would like to see a qualified Negro as President of the United States. But I suspect that even if this were today possible, the necessities of the office would shape his actions far more than his racial identity.”
― Ralph Ellison, Shadow and Act

“At best Americans give but a limited attention to history. Too much happens too rapidly, and before we can evaluate it, or exhaust its meaning or pleasure, there is something new to concern us. Ours is the tempo of the motion picture, not that of the still camera, and we waste experience as we wasted the forest.”
― Ralph Ellison, Shadow and Act

“There is in this a cruel contradiction implicit in the art form itself. For true jazz is an art of individual assertion within and against the group. Each true jazz moment (as distinct from the uninspired commercial performance) springs from a contest in which each artist challenges all the rest; each solo flight, or improvisation, represents (like the successive canvases of a painter) a definition of his identity: as individual, as member of the collectivity and as a link in the chain of tradition. Thus, because jazz finds its very life in an endless improvisation upon traditional materials, the jazzman must lose his identity even as he finds it — how often do we see even the most famous of jazz artists being devoured alive by their imitators, and, shamelessly, in the public spotlight?”
― Ralph Ellison, Shadow and Act

“When American life is most American it is apt to be most theatrical.”
― Ralph Ellison, Shadow and Act

“As the advertising industry, which is dedicated to the creation of masks, makes clear, that which cannot gain authority from tradition may borrow it with a mask.”
― Ralph Ellison, Shadow and Act

“with the combatants being the same people, civil wars are never really won; and because their most devastating engagements are fought within the individual human heart.”
― Ralph Ellison, Shadow and Act

“that there are many men in his image while he is himself unseen;”
― Ralph Ellison, Shadow and Act

“No, I believe in diversity, and I think that the real death of the United States will come when everyone is just alike.”
― Ralph Ellison, Shadow and Act

“popular, were combined with the special virtues of some local bootlegger, the eloquence of some Negro preacher, the strength and grace of some local athlete, the ruthlessness of some businessman-physician, the elegance in dress and manners of some head-waiter or hotel doorman.”
― Ralph Ellison, Shadow and Act

“That which we do is what we are. That which we remember is, more often than not, that which we would like to have been; or that which we hope to be. Thus our memory and our identity are ever at odds; our history ever a tall tale told by inattentive idealists.”
― Ralph Ellison, Shadow and Act

“For man without myth is Othello with Desdemona gone: chaos descends, faith vanishes and superstitions prowl in the mind.”
― Ralph Ellison, Shadow and Act

“Civil wars...are the best wars for the writer...because they have a way of continuing long afterwl wars between nations are resolved; because, with the combatants being the same people, civil wars are never really won; and because their most devastating engagements are fought within the individual human heart.”
― Ralph Ellison, Shadow and Act

“...out of the counterfeiting of the black American's identity [in blackface minstrelsy] there arises a profound doubt in the white man's mind as to the authenticity of his own image of himself. He, after all, went into the business when he refused the king's shilling and revolted. He had put on a mask of his own, as it were...For the ex-colonials, the declaration of an American identity meant the assumption of a mask, and it imposed not only the discipline of national self-consciousness, it gave Americans an ironic awareness of the joke that always lies between appearance and reality, between the discontinuity of social tradition and that sense of the past which clings to the mind. And perhaps even an awareness of the joke that society is man's creation, not God's. Americans began their revolt from the English fatherland when they dumped the tea into Boston Harbor, masked as Indians, and the mobility of the society created in this limitless space has encouraged the use of the mask for good and evil ever since.”
― Ralph Ellison, Shadow and Act

“Deep at the dark bottom of the melting pot, where the private is public and the public private, where black is white and white black, where the immoral becomes moral and the moral is anything that makes one feel good (or that one has the power to sustain), the white man's relish is apt to be the black man's gall.”
― Ralph Ellison, Shadow and Act

“For we select neither our parents, our race nor our nation; these occur to us out of the love, the hate, the circumstances, the fate, of others.”
― Ralph Ellison, Shadow and Act