The Arrangement Quotes

“Catherine de Medici brought her cooks to France when she married, and those cooks brought sherbet and custard and cream puffs, artichokes and onion soup, and the idea of roasting birds with oranges. As well as cooks, she brought embroidery and handkerchiefs, perfumes and lingerie, silverware and glassware and the idea that gathering around a table was something to be done thoughtfully. In essence, she brought being French to France.”
― Ashley Warlick, The Arrangement

“Without Al, Mary Frances discovered what she did alone. She liked to cook for herself, to assemble a meal of things he would never consider worth a mealtime- shad roe and toast, soft-set eggs, hearts of celery and palm with a quick yellow mayonnaise, a glass of wine, an open book in her lap, and the radio on. The elements that mattered most were the simple ones: butter, salt, a thick plate of white china and a delicate glass, the music faint, the feel of paper in her hand, and the knowledge that there was more, always more book to read, more wine if she liked it, some cold fruit in the refrigerator when she was hungry again, and the hours upon hours to satisfy herself.”
― Ashley Warlick, The Arrangement

“She browned onions and garlic, and from the pot on the windowsill, chopped a few winter-sad leaves of tarragon. The smell was green and strong, and she thought of spring.
Spring in Dijon, when she and Al would hike into the mountains with the Club Alpin, the old women forever chiding her tentative steps, her newborn French: la petite violette, violette américaine. She would turn back to Al, annoyed, and he would laugh. Hardly his delicate flower. When they stopped for lunch, it was Mary Frances with the soufflé of calves' brains, whatever was made liver or marrow, ordering enough strong wine that everyone was laughing. The way home, the women let her be.
If she wanted calves' brains now, she wouldn't even know where to begin to look or how to pay. She and Al seemed to be living on vegetables and books, tobacco, quiet. She blanched a bunch of spinach and chopped it. She beat eggs with the tarragon, heated the skillet once again. There was a salad of avocados and oranges. There was a cold bottle of ale and bread. Enough, for tonight.”
― Ashley Warlick, The Arrangement

“I try never to speak until people have finished with the weather reports.”
― Ashley Warlick, The Arrangement

“The garden was a tyrant, and they lived off it. Tomatoes, the reddest she had ever seen, their stalks twined up the cages Tim had built from galvanized wire. The peas were gone now, but Tim had planted radishes beneath the lettuces so that they might be shaded longer into the summer; each plant provided something for the other. Eggplants and peppers and squash, tents of beans, they were good for the soil. Basil and chives, a few melons, potatoes for the fall and keeping. And down the terrace, espaliered apples and pears that had fruited for decades, farther down the grapes, all this lushness, and then the wide blue stretch of the lake, a plate of glass.”
― Ashley Warlick, The Arrangement

“They ordered all the things they'd never eaten before, things from the sea: Venus clams and whelks, potatoes pressed with caviar, champagne and Chambertin, Rex finally pulling the waiter aside and asking for more caviar, making a bowl with his giant hands, the best caviar he'd ever eaten, and by god, he wanted his fill.
They would eat caviar all across the city that week, in fine restaurants and cafés and bistros, mounded in ice bowls, from tiny ivory spoons, spread on toast, on blinis, on eggs and potatoes, but Rex would always return to that first night, his first bite, and how he would never have another as good.”
― Ashley Warlick, The Arrangement

“Soufflé! Omelets with burnt sugar, like we used to get at Aux Trois Faisons, with our initials burned into the crust. The Tuileries! the wind biting at our coats. We walk and walk and walk (so as to wear out Mrs. Parrish so that when they did return, she was exhausted. She begged off dinner. She began to lose weight, they all did, even though they ate the lunches of duck, creamed Brussels sprouts with lardons, terrine, confit, fromage blanc, steak tartare with shimmering soft-set eggs, brioche).”
― Ashley Warlick, The Arrangement

“In the deep sauté, she has made a stew: eggplant and tomatoes, onions and summer squash, a sort of ratatouille, tiella, samfina, pisto, there are as many names for it as countries, and she has stopped caring for all the names of things. She has made stew, and there are ripe peaches and cream for dessert, a few bottles of wine to choose from.”
― Ashley Warlick, The Arrangement

“Lucullus placed a live fish in a glass jar in front of every diner at his table. The better the death, the better the meal would taste.
Catherine de Medici brought her cooks to France when she married, and those cooks brought sherbet and custard and cream puffs, artichokes and onion soup, and the idea of roasting birds with oranges. As well as cooks, she brought embroidery and handkerchiefs, perfumes and lingerie, silverware and glassware and the idea that gathering around a table was something to be done thoughtfully. In essence, she brought being French to France.
Everything started somewhere else. She thought of Tim's note: write to me. He didn't want to hear about Lucullus and Catherine de Medici; but she loved her old tomes and the things unearthed there, the ballast they lent, the safety of information. She spread her notebooks open across the table. There was a recipe for roasted locusts from ancient Egypt, and on the facing page, her own memory of the first thing she ever cooked, the curry sauce and Anne's chocolate.”
― Ashley Warlick, The Arrangement

“From a long board, he watched her rake a pile into the stockpot: tomatoes and garlic, orange peel and bay, the heads and spines and tails of a dozen sardines. She plunged a knife into a spider crab and split it in two, tossing it after. She hadn't noticed Al standing behind her.
He cleared his throat, and she swung around.
"Oh, goodness," she said.
"You've been busy."
She held to his face a mortar of green pounded herbs and garlic, a rouille so sharp it made his eyes water. And then a hard loaf of bread, white fish steaks translucent as china; she put a salted almond in his mouth, a crust dipped into the stockpot, her finger. She was giddy, beautiful, his wife.
She poured the stock through a strainer, pressing on the bones and shells with the back of a wooden spoon. She poached the fish steaks, some tiny rings and tangles of squid, picking out the mussels as they opened; she toasted bread; she warmed a Delft tureen with boiling water. She set the table, handing a cold bottle of white wine from the refrigerator and a corkscrew to him.
"There's so much in this kitchen," she whispered.
"Is Gigi here?"
"No, not ever, I don't think. But she's got every kind of gadget. Look at this. Do you know what this is?" She held up a Bakelite-handled comb with a dozen tines.
Al waited.
"It's for slicing cake," she said.”
― Ashley Warlick, The Arrangement

“The market smelled of hay and roasted nuts; she bought a newspaper cone of almonds from a woman stirring them over an open fire. She bought thick sandy leeks, a rope of garlic and a pound of tomatoes; she bought a long batard of sourdough bread, a dozen bluish speckled eggs, a jar of cream, because now she had a refrigerator and could keep such things for more than an hour or two. She lifted the paper lid of the cream and tasted it, wiping her mouth with the back of her hand; she remembered the pillowy clouds of Gruyère grated onto her piece of waxed paper at Les Halles, the cheese maker young and handsome and milk-fed himself; he tried to teach her the French for being in love with him: mon cocotte, mon chouchou, ma petit lapin, Madame, s'il vous plaît.
She walked the stalls, and on the edge of the market, a fishmonger laid out his catch on two blocks of ice: strange curled squids and spider crabs, silvery piles of sardines, their eyes still sparkling, thick slabs of some white-meated fish, its head as big as a dinner plate.”
― Ashley Warlick, The Arrangement

“Without Al, Mary Frances discovered what she did alone. She liked to cook for herself, to assemble a meal of things he would never consider worth a mealtime - shad roe and toast, soft-set eggs, hearts of celery and palm with a quick yellow mayonnaise, a glass of wine, an open book in her lap and the radio on. The elements that mattered most were the simple ones: butter, salt, a thick plate of white chine and a delicate glass, the music faint, the feel of paper in her hand, and the knowledge that there was more, always more book to read, more wine if she liked it, some cold fruit in the refrigerator when she was hungry again...”
― Ashley Warlick, The Arrangement

“But you've looked forward to this trip for so long."
"And now I won't have it to look forward to any longer.”
― Ashley Warlick, The Arrangement

“Cuban-heeled stockings; not the sort of thing you could buy for another man's wife.”
― Ashley Warlick, The Arrangement

“How do they know what to do?" Mary Frances said. "To just rip into a building like that and expect it to stay standing."
"For the parts you want to stay standing," Tim said.
"Exactly."
"Practice," Al said. "And of course, one of them is in charge."
Mary Frances studied the tangle of men, all dressed alike, movingly easily together. "I can't tell them apart."
"Well, it's like war, I guess," Al said. "If you knew whom to blame, it'd be too easy to shoot him.”
― Ashley Warlick, The Arrangement

“He leaned close. "I look at you, I look at this." His gesture indicated the fine room, the fine people in it. "And I doubt you've ever been hungry in your life.

It seemed a ridiculous thing to have to prove.

She leaned closer, reached across his untouched plate, and plucked the small white carnation from his boutonniere. She bit the petals from the stem and chewed.”
― Ashley Warlick, The Arrangement

“Al shook his head. "Honestly," he said. "How can you use such things?"
Mary Frances finished her thought. Use was an interesting word, the word for tools, talents, whores. She wanted to say, At least I'm using something, but she looked at his face, and she couldn't.”
― Ashley Warlick, The Arrangement