The Whites Quotes

“Castro inhaled again, blew out enough smoke to announce a pope.”
― Harry Brandt, The Whites

“His wife would never admit it to him, but Billy’s guess was that interns killed patients all the time, and their supervisors, with an eye for the long-term healer to come, mainly looked the other way. Well, it was the same with him. In order to get the greater job done, to mold your people as you saw fit and prepare them to effectively do the job in the years to come, you tolerated error, you turned a not-quite-blind eye to the actions of others and to your own actions. You created secrets and you kept secrets. Out on the streets, same thing: depending on the individual and the situation, sometimes you threw the Thor hammer at a misdemeanor, other times you let an individual walk who had no right to sleep in his own bed that night. You did all these things and more because as a boss, if you weren’t willing to play fast and loose when required, if you weren’t willing to make a discreet hash of the rule book now and then, on this job you might as well call in sick. That’s just the way it was. *”
― Harry Brandt, The Whites

“Hey,” Pavlicek held on, “what’s the most bullshit word in the English language.” “Closure.” “Give that man a cigar,” Pavlicek said, then hung up.”
― Harry Brandt, The Whites

“He had the kind of droopy eyes that suggested he had never recovered from the exhausting experience of being born.”
― Richard Price, The Whites

“As he reached for his Visa card, the security monitor next to the register caught Billy in all his glory: football burly but slump-shouldered, his pale face with its exhaustion-starred eyes topped with half a pitchfork’s worth of prematurely graying hair. He was only forty-two, but that crushed-cellophane gaze of his combined with a world-class insomniac’s posture had once gotten him into a movie at a senior citizen’s discount.”
― Richard Price, The Whites

“The sound of tires rolling over a side street full of shattered light bulbs was like the sound of Jiffy Pop achieving climax ...”
― Richard Price aka Harry Brandt, The Whites

“You know, you read the papers after a young man dies in this city, someone's always saying, 'He was just starting to get his life together, he was just talking about going back to school, getting his GED, getting job, talking about being a real father to his daughter, talking about getting away from the hood, about enlisting, about marrying his fiancée, he was just about to do this, to do that...' All these 'just's, whether they were true or not, because they all died young and 'just' was all they had, tomorrow was all they had. And the same could be said for my boy. He was 'just' about to finish his schooling, he was 'just' about to find his own way in the world, 'just' about to show me the man that now, now, he'll never get to be, the man that over the years would have null-and-voided every hardship, every heartache I've ever endured in my life.”
― Richard Price, The Whites

“Later that night it took him most of a bottle of Chartreuse to work up the resolve to quit drinking.”
― Richard Price, The Whites

“Don't they watch the news? Uranus isn't even a planet anymore.”
― Richard Price, The Whites

“In the beginning, there wasn't a physical position or a sexual fancy off limits, but as they grew more comfortable with each other, it always seemed like straight-up missionary, after a little of this and a little of that, unfailingly ended with both of them afterward euphorically raiding the refrigerator in search of the next fun thing to do.”
― Richard Price, The Whites

“ho-shitting,”
― Harry Brandt, The Whites

“Eight-year-old Declan, also wearing camo from boots to forage cap, was on his knees in the living room, trying to get the pet rabbit out from under a couch with a hockey stick, the huddled, personality-less thing hissing and sneezing like a Komodo dragon.”
― Richard Price, The Whites

“There’s some people in this room right now,” Pavlicek said, “who gave twenty years or more to the Job, myself included. We’ve seen it all, handled it all, and when a young person dies we’ve all walked up the stairs, knocked on the doors, and delivered the news, between us, to an army of parents. We’ve caught them on their way to the floor, carried them into the bedroom or living room, then gone into their kitchens and brought them water—over the years, an ocean of water, glass by glass by glass. And so, after all that, we think we understand what it must feel like to be one of those parents, but we don’t. We can’t. I still can’t. But I’m getting there.”
― Richard Price, The Whites

“4B, Sofia announced. Who lived here? Mrs. Sanchez, she was a very nice lady. She was nice? Yes. 4C. Who lived here. The Kleins. Were they nice? They were old. The apartment doors, once oak, were now all single slabs of siege-mentality sheet metal, their numbers, in his time screwed-in brass, nothing more than hardware-store decals. But he couldn’t care less about these particular outrages against memory, because in the end the information they provided was the same information as twenty years ago, and any way you cut it the doors and their numbers would always tell the same story. 4D. Who lived here?”
― Richard Price, The Whites

“they had all met their personal Whites, those who had committed criminal obscenities on their watch and then walked away untouched by justice, leaving their obsessed ex-WG hunters heading into retirement with pilfered case files to pore over in their offices and basements at night, still making the odd unsanctioned follow-up call: to the overlooked counterman in the deli where the killer had had a coffee the morning of the murder, to the cousin upstate who had never been properly interviewed about that last phone conversation he had with the victim, to the elderly next-door neighbor who left on a Greyhound to live with her grandchildren down in Virginia two days after the bloodbath on the other side of the shared living room wall—and always, always, calling the spouses, children, and parents of the murdered: on the anniversary of the crime, on the victims’ birthdays, at Christmas, just to keep in touch, to remind those left behind that they had promised an arrest that bloody night so many years ago and were still on it.”
― Richard Price, The Whites

“Well, this wasn’t one of my better ideas, was it.’ He flies home the next day, it’s really a nothing”
― Harry Brandt, The Whites

“This was how the slow process of ending a fight always began for them, with a sullen agreement to tolerate each other’s presence while engaged in a nonverbal activity, during which, at some point, one of them would make a not-quite-spontaneous comment about something unrelated to the argument, something safe, delivered in an offhand monotone, that didn’t require a response but usually got one, also to be delivered in the same flatline tone. From there, the exchanges, always off the subject of the fight, would gradually begin to pick up speed until they were actually talking and that monotone was replaced by the natural oscilloscope of unself-conscious human speech. Formal apologies, if the situation really demanded it, usually came later in another room or, if they could get away with it, never, neither of them wanting to risk another potentially volatile encounter if it wasn’t necessary.”
― Harry Brandt, The Whites

“As CSU continued to bag and photograph, as the LIRR and Transit detectives and his own crew began to work the waiting room, wandering among the semiconscious potential wits like a squadron of visiting nurses, Billy noticed that one of the commuters sleeping there had what appeared to be blood on his Rangers jersey.”
― Harry Brandt, The Whites

“Pavlicek said to the space between the”
― Harry Brandt, The Whites

“Carla and a Maria—are you sure Marilys”
― Harry Brandt, The Whites