The Commodore Quotes

“Other people's marriages are a perpetual source of amazement.”
― Patrick O'Brian, The Commodore

“Stephen had been put to sleep in his usual room, far from children and noise, away in that corner of the house which looked down to the orchard and the bowling-green, and in spite of his long absence it was so familiar to him that when he woke at about three he made his way to the window almost as quickly as if dawn had already broken, opened it and walked out onto the balcony. The moon had set: there was barely a star to be seen. The still air was delightfully fresh with falling dew, and a late nightingale, in an indifferent voice, was uttering a routine jug-jug far down in Jack's plantations; closer at hand and more agreeable by far, nightjars churred in the orchard, two of them, or perhaps three, the sound rising and falling, intertwining so that the source could not be made out for sure. There were few birds that he preferred to nightjars, but it was not they that had brought him out of bed: he stood leaning on the balcony rail and presently Jack Aubrey, in a summer-house by the bowling-green, began again, playing very gently in the darkness, improvising wholly for himself, dreaming away on his violin with a mastery that Stephen had never heard equalled, though they had played together for years and years.

Like many other sailors Jack Aubrey had long dreamed of lying in his warm bed all night long; yet although he could now do so with a clear conscience he often rose at unChristian hours, particularly if he were moved by strong emotion, and crept from his bedroom in a watch-coat, to walk about the house or into the stables or to pace the bowling-green. Sometimes he took his fiddle with him. He was in fact a better player than Stephen, and now that he was using his precious Guarnieri rather than a robust sea-going fiddle the difference was still more evident: but the Guarnieri did not account for the whole of it, nor anything like. Jack certainly concealed his excellence when they were playing together, keeping to Stephen's mediocre level: this had become perfectly clear when Stephen's hands were at last recovered from the thumb-screws and other implements applied by French counter-intelligence officers in Minorca; but on reflexion Stephen thought it had been the case much earlier, since quite apart from his delicacy at that period, Jack hated showing away.

Now, in the warm night, there was no one to be comforted, kept in countenance, no one could scorn him for virtuosity, and he could let himself go entirely; and as the grave and subtle music wound on and on, Stephen once more contemplated on the apparent contradiction between the big, cheerful, florid sea-officer whom most people liked on sight but who would have never been described as subtle or capable of subtlety by any one of them (except perhaps his surviving opponents in battle) and the intricate, reflective music he was now creating. So utterly unlike his limited vocabulary in words, at times verging upon the inarticulate.

'My hands have now regained the moderate ability they possessed before I was captured,' observed Maturin, 'but his have gone on to a point I never thought he could reach: his hands and his mind. I am amazed. In his own way he is the secret man of the world.”
― Patrick O'Brian, The Commodore

“When Jack came in he found him sitting before a tray of bird's skins and labels. Stephen looked up, and after a moment said, 'To a tormented mind there is nothing, I believe, more irritating than comfort. Apart from anything else it often implies superior wisdom in the comforter. But I am very sorry for your trouble, my dear.'

'Thank you, Stephen. Had you told me that there was always a tomorrow, I think I should have thrust your calendar down your throat.”
― Patrick O'Brian, The Commodore

“For you must know, gentlemen, that when the mariner is dosed, he likes to know that he has been dosed: with fifteen grains or even less of this valuable substance scenting him and the very air about him there can be no doubt of the matter; and such is the nature of the human mind that he experiences a far greater real benefit than the drug itself would provide, were it deprived of its stench.”
― Patrick O'Brian, The Commodore

“Did your mathematical studies ever reach to the quadratic equation, Stephen?'
'They did not reach to the far end of the multiplication table.”
― Patrick O'Brian, The Commodore

“Dr Maturin had many of the virtues required in a medical man... yet he had some faults, and one was a habit of dosing himself, generally from a spirit of inquiry, as in his period of inhaling large quantities of the nitrous oxide and of the vapour of hemp, to say nothing of tobacco, bhang in all its charming varieties in India, betel in Java and the neighbouring islands, qat in the Red Sea, and hallucinating cacti in South America, but sometimes for relief from distress, as when he became addicted to opium in one form or another; and now he was busily poisoning himself with coca-leaves, whose virtue he had learnt in Peru.”
― Patrick O'Brian, The Commodore

“Years had passed, and years had a bad name: a verse of Horace floated into his mind: Singula de nobis anni praedantur euntes; eripuere jocos, Venerem, convivia, ludum… and for a moment he tried to make a tolerable English version; but his The years in passing rob us of our delight, of merriment and carnal love, of each in turn, all sport and dining out… did not please him and he abandoned the attempt.”
― Patrick O'Brian, The Commodore

“Calligraphy,” said Plato, “is the physical manifestation of an architecture of the soul.” That being so, mine must be a turf-and-wattle kind of soul, since my handwriting would be disowned by a backward cat; whereas yours, particularly on your charts, has a most elegant flow and clarity, the outward form of a soul that might have conceived the Parthenon.”
― Patrick O'Brian, The Commodore

“It was a damned near-run thing, I must admit,' said Jack, modestly; then after a pause he laughed and said, 'I remember your using those very words in the old Bellerophon, before we had our battle.'

'So I did,' cried Dundas. 'So I did. Lord, that was a great while ago.'

'I still bear the scar,' said Jack. He pushed up his sleeve, and there on his brown forearm was a long white line.

'How it comes back,' said Dundas; and between them, drinking port, they retold the tale, with minute details coming fresh to their minds. As youngsters, under the charge of the gunner of the Bellerophon, 74, in the West Indies, they had played the same game. Jack, with his infernal luck, had won on that occasion too: Dundas claimed his revenge, and lost again, again on a throw of double six. Harsh words, such as cheat, liar, sodomite, booby and God-damned lubber flew about; and since fighting over a chest, the usual way of settling such disagreements in many ships, was strictly forbidden in the Bellemphon, it was agreed that as gentlemen could not possibly tolerate such language they should fight a duel. During the afternoon watch the first lieutenant, who dearly loved a white-scoured deck, found that the ship was almost out of the best kind of sand, and he sent Mr Aubrey away in the blue cutter to fetch some from an island at the convergence of two currents where the finest and most even grain was found. Mr Dundas accompanied him, carrying two newly sharpened cutlasses in a sailcloth parcel, and when the hands had been set to work with shovels the two little boys retired behind a dune, unwrapped the parcel, saluted gravely, and set about each other. Half a dozen passes, the blades clashing, and when Jack cried out 'Oh Hen, what have you done?' Dundas gazed for a moment at the spurting blood, burst into tears, whipped off his shirt and bound up the wound as best he could. When they crept aboard a most unfortunately idle, becalmed and staring Bellerophon, their explanations, widely different and in both cases so weak that they could not be attempted to be believed, were brushed aside, and their captain flogged them severely on the bare breech. 'How we howled,' said Dundas. 'You were shriller than I was,' said Jack. 'Very like a hyena.”
― Patrick O'Brian, The Commodore

“(he was a great believer in the healing powers of cheerfulness, if not of open mirth). Yet he had some faults, and one was a habit of dosing himself, generally from a spirit of enquiry, as in his period of inhaling large quantities of the nitrous oxide and of the vapour of hemp, to say nothing of tobacco, bhang in all its charming varieties in India, betel in Java and the neighbouring islands, qat in the Red Sea, and hallucinating cacti in South America, but sometimes for relief from distress, as when he became addicted to opium in one form or another; and now he was busily poisoning himself with coca-leaves, whose virtue he had learnt in Peru.”
― Patrick O'Brian, The Commodore

“Why, I declare, she has a poop, which adds much to her dignity.”
― Patrick O'Brian, The Commodore

“Vade retro, Satanas!”
― Patrick O'Brian, The Commodore

“A sailor, who may be absent for years, throws impossible strains on his wife. If she is a woman of any degree of temperament at all there is of course the question of chastity; and in either case there is that of command or perhaps I should say of decision.”
― Patrick O'Brian, The Commodore

“It must be a weary life, being in a permanent state of rage or at least at half-cock.”
― Patrick O'Brian, The Commodore

“I am so happy,’ observed Jack, after a moment; and indeed he could be seen swelling with it. ‘But what was that about beer?’ ‘I asked whether we were still in the beer region, or domain, that part of the ocean in which the beer we bring from home and which we serve out daily at the absurd and criminal rate of a gallon – a gallon: eight pints! – a head, is still available. Has the beer not yet given way to the even more pernicious grog?’ ‘I believe we are still on beer. We do not usually run out before we raise the Peak of Tenerife. Should you like some?’ ‘If you please. I particularly need a light, gentle sleep tonight; and beer, a respectable ship’s beer, is the most virtuous hypnotic known to man.”
― Patrick O'Brian, The Commodore

“Pochi uccelli Stephen preferiva ai succiacapre, ma non era stato il loro canto a farlo scendere dal letto. Rimase fermo, appoggiato alla ringhiera, e poco dopo Jack Aubrey, in un padiglione presso il campo di bocce, ricominciò a suonare con grande dolcezza nel buio, improvvisando solo per sé, fantasticando sul suo violino con una maestria che Stephen non aveva mai conosciuto in lui, sebbene avessero suonato insieme per tanti anni.[...] In effetti suonava meglio di Stephen, e ora che stava usando il suo prezioso Guarnieri invece del robusto strumento adatto al mare, la differenza era ancora più marcata: ma il Guarnieri non bastava a spiegarla del tutto, assolutamente no. Quando suonavano insieme, Jack nascondeva la propria eccellenza, mantenendosi al mediocre livello di Stephen [...]; mentre rifletteva su questo, Maturin si rese conto a un tratto che era sempre stato così: Jack, indipendentemente dalle condizioni di Stephen, detestava mettersi in mostra. Ma in quel momento, in quella notte tiepida, ora che non vi era nessuno da sostenere moralmente, cui dare il proprio appoggio, nessuno che potesse criticare il suo virtuosismo, Jack poteva lasciarsi andare completamente; e mentre la musica grave e delicata continuava a diffondersi, Stephen si stupì una volta di più dell'apparente contraddizione tra il grande e grosso ufficiale di marina, florido e allegro [...] e la musica pensosa, complessa che quello stesso uomo stava ora creando. Una musica che contrastava immensamente con il suo limitato vocabolario, un vocabolario che lo rendeva talvolta quasi incapace di esprimersi.”
― Patrick O'Brian, The Commodore

“«I matrimoni degli altri sono una perpetua fonte di perplessità», commentò Stephen.”
― Patrick O'Brian, The Commodore

“«Hai il dono di comparire proprio quando la mia mente è piena del tuo nome e perfino della tua immagine. Ma, Stephen, mio caro, sei così pallido e magro! Ti danno da mangiare? Sei stato malato? Sei in licenza, senza dubbio. Devi fermarti qui per molto tempo, il colonnello ti rimpinzerà di salmone, di anguille affumicate e di trote, tornerà prima di cena. Mio Dio, sono così felice di vederti, mio caro! Vieni ora, riposati, sembri distrutto. Vieni a coricarti nel mio letto.»
«Devo venire nel tuo letto?»
«Ma certo che devi venire nel mio letto: e non devi lasciarlo più. Stephen, non devi tornare sul mare mai più»”
― Patrick O'Brian, The Commodore