The Years Quotes

“There must be another life, she thought, sinking back into her chair, exasperated. Not in dreams; but here and now, in this room, with living people. She felt as if she were standing on the edge of a precipice with her hair blown back; she was about to grasp something that just evaded her. There must be another life, here and now, she repeated. This is too short, too broken. We know nothing, even about ourselves.”
― Virginia Woolf, The Years

“But why do I notice everything? She thought. Why must I think? She did not want to think. She wanted to force her mind to become a blank and lie back, and accept quietly, tolerantly, whatever came.”
― Virginia Woolf, The Years

“Would there be trees if we didn't see them?”
― Virginia Woolf, The Years

“Thinking was torment; why not give up thinking, and drift and dream? But the misery of the world, she thought, forces me to think. Or was that a pose? Was she not seeing herself in the becoming attitude of one who points to his bleeding heart? to whom the miseries of the world are misery, when in fact, she thought, I do not love my kind. Again she saw the ruby-splashed pavement, and faces mobbed at the door of a picture palace; apathetic, passive faces; the faces of people drugged by cheap pleasures; who had not even the courage to be themselves, but must dress up, imitate, pretend.”
― Virginia Woolf, The Years

“Anyhow, she thought, they are aware of each other; they live in each other; what else is love, she asked, listening to their laughter.”
― Virginia Woolf, The Years

“Am I a weed, carried this way, that way, on a tide that comes twice a day without a meaning?”
― Virginia Woolf, The Years

“Millions of things came back to her. Atoms danced apart and massed themselves. But how did they compose what people called a life?”
― Virginia Woolf, The Years

“She felt as if things were moving past her as she lay stretched on the bed under the single sheet. But it’s not landscape any longer, she thought; it’s people’s lives, their changing lives.”
― Virginia Woolf, The Years

“Love ought to stop on both sides, don’t you think, simultaneously?’ He spoke without any stress on the words, so as not to wake the sleepers. ‘But it won’t - that’s the devil,’ he added in the same undertone.”
― Virginia Woolf, The Years

“Thinking was torment; why not give up thinking, and drift and dream?”
― Virginia Woolf, The Years

“It was better to die, like Eugénie and Digby, in the prime of life with all one's faculties about one. But he wasn't like that, she thought, glancing at the press cuttings. 'A man of singularly handsome presence... shot, fished, and played golf.' No, not like that in the least. He had been a curious man; weak; sensitive; liking titles; liking pictures; and often depressed, she guessed , by his wife's exuberance. She pushed the cuttings away and took up her book. It was odd how different the same person seemed to two different people, she thought. There was Martin, liking Eugénie; and she, liking Digby. She began to read.
She had always wanted to know about Christianity - how it began; what it meant, originally. God is love, The kingdom of Heaven is within us, sayings like that she thought, turning over the pages, what did they mean? The actual words were very beautiful. But who said them - when? Then the spout of the tea-kettle puffed steam at her and she moved it away. The wind was rattling the windows in the back room; it was bending the little bushes; they still had no leaves on them. It was what a man said under a fig tree, on a hill, she thought. And then another man wrote it down. But suppose that what that man says is just as false as what this man - she touched the press cuttings with her spoon - says about Digby? And here I am, she thought, looking at the china in the Dutch cabinet, in this drawing-room, getting a little spark from what someone said all those years ago - here it comes (the china was changing from blue to livid) skipping over all those mountains, all those seas. She found her place and began to read.”
― Virginia Woolf, The Years

“When shall we be free? When shall we live adventurously, wholly, not like cripples in a cave?”
― Virginia Woolf, The Years

“Must a kettle boil?”
― Virginia Woolf, The Years

“Thinking was torment; why not give up thinking, and drift and dream? But the misery of the world, she thought, forces me to think. Or was that a pose? Was she not seeing herself in the becoming attitude of the one who points to his bleeding heart? to whom the miseries of the world are misery, when in fact, she thought, I do not love my kind. Again she saw the ruby-splashed pavement, and faces mobbed at the door of the picture palace; apathetic, passive faces; the faces of people drugged with cheap pleasures; who had not even the courage to be themselves, but must dress up, imitate, pretend.”
― Virginia Woolf, The Years

“Or was there always, he thought, as he too rose and looked for his hat, something that came to the surface, inappropriately, unexpectedly, from the depths of people, and made ordinary actions, ordinary words, expressive of the whole being …”
― Virginia Woolf, The Years

“But this man Brown - it was difficult to place him at once. He talked, spreading his fingers out with the volubility of a man who will in the end become a bore. And Eleanor wandered about, holding a cup, telling people about her shower-bath. He wished they would stick to he point. Talk interested him. Serious talk on abstract subjects. 'Was solitude good; was society bad?' That was interesting; but they hopped from thing to thing. When the large man said, 'Solitary confinement is the greatest torture we inflict,' the meagre old woman with the wispy hair at once piped up, laying her hand on her heart, 'It ought to be abolished!' She visited prisons, it seemed.”
― Virginia Woolf, The Years

“She left the room without looking in the glass. From which we deduce the fact, he said to himself, as if he were writing a novel, that Miss Sarah Pargiter has never attracted the love of men. Or had she? He did not know. These little snapshot pictures of people left much to be desired, these little surface pictures that one made, like a fly crawling over a face, and feeling, here’s the nose, here’s the brow.”
― Virginia Woolf, The Years

“And for some reason she held the sentence suspended without meaning in her mind’s ear, “…quite enough for everybody at present,” she repeated. After all the foreign languages she had been hearing, it sounded to her pure English. What a lovely language, she thought, saying over to herself again the common place words…”
― Virginia Woolf, The Years

“How terrible old age was, she thought; shearing off all one’s faculties, one by one, but leaving something alive in the centre.”
― Virginia Woolf, The Years

“Where does she begin, and where do I end? she thought... On they drove. They were two living people, driving across London; two sparks of life enclosed in two separate bodies; and those sparks of life enclosed in two separate bodies are at this moment, she thought, driving past a picture palace. But what is this moment; and what are we?”
― Virginia Woolf, The Years

“It was January. Snow was falling; snow had fallen all day. The sky spread like a grey goose's wing from which feathers where falling all over England.”
― Virginia Woolf, The Years

“Why--?" he jerked his thumb in the direction of the young, "when they're so lovely--"

She too looked at the girl, who was fastening a flower that had come undone in the front of her frock. She smiled. She said nothing. Then half consciously she echoed his question without a meaning in her echo, "Why?"

He was dashed for a moment. It seemed to him that she refused to help him. And he wanted her to help him. Why should she not take the weight off his shoulders and give him what he longed for --assurance, certainty? Because she too was deformed like the rest of them? He looked down at her hands. They were strong hands; fine hands; but if it were a question, he thought, watching the fingers curl slightly, of "my" children, of "my" possession, it would be one rip down the belly; or teeth in the soft fur of the throat. We cannot help each other, he thought, we are all deformed. Yet, disagreeable as it was to him to remove her from the eminence upon which he placed her, perhaps she was right, he thought, and we who make idols of other people, who endow this man, that woman, with power to lead us, only add to the deformity, and stoop ourselves.”
― Virginia Woolf, The Years

“You can't drive a bayonet through a chap's body in cold blood," he remembered him saying. "And you can't go in for an exam. without drinking," said Edward.”
― Virginia Woolf, The Years

“At last the door opened stealthily. Ellen, the discreet black maid, stood behind Mrs. Chinnery's chair, waiting. Mrs. Chinnery pretended to ignore her, but the others were glad to stop. Ellen stepped forward and Mrs. Chinnery, submitting, was wheeled off to the mysterious upper chamber of extreme old age. Her pleasure was over.”
― Virginia Woolf, The Years

“...somebody had talked about her life. And I haven't got one, she thought. Oughtn't a life to be something you could handle and produce? - a life of seventy odd years. But I've only the present moment, she thought. Here she was alive, now, listening to the fox-trot.”
― Virginia Woolf, The Years

“Rest - rest - let me rest. How to deaden; how to cease to feel; that was the cry of the woman bearing children; to rest, to cease to be. In the Middle Ages, she thought, it was the cell; the monastery; now it's laboratory; the professions; not to live; not to feel; to make money, always money, and in the end, when I'm old and worn like a horse, no, it's a cow...”
― Virginia Woolf, The Years

“Az ember már nem gyerek, gondolta, tekintetét a kékkel ernyőzött fényre szegezve. Az évek megváltoztatták a dolgokat; szétrombolták a dolgokat; felhalmoztak dolgokat - gondokat s kedvetlenségeket; itt voltak ezek újra. Beszélgetések foszlányai az emlékezetében; képek bukkantak fel előtte. Látta magát, ahogy egy lökéssel feltolja az ablakot; látta Warburton néni állán a borostát. Látta, hogyan emelkednek fel a nők, flangálnak be a férfiak. Sóhajtva fordult egyet az alvódeszkán. Mindőjükön ugyanolyan öltözék; mind ugyanazt az életet élik. És mi a helyes?, gondolta, nyugtalanul hánykolódva ezen az ágyon itt. Mi az, ami téves? Fordult egyet megint.
A vonat ragadta el, el. A zaj mélyült, robajlássá változott. Hogyan aludjon ő itt? Hogyan szabjon gátat gondolatainak? Elfordult a fénytől. Hol vagyunk most?, kérdezte magát. Hol jár a vonat e pillanatban? Most, mormolta, szemét lehunyva, elhaladtunk épp a fehér ház előtt a dombon; most megyünk be az alagútba; most átkelünk a folyó hídján... Üresség tárult; gondolatai között nőttek a közök; kuszábbak lettek e gondolatok. Múlt és jelen eggyé gombolyodott.”
― Virginia Woolf, The Years

“One of these days d'you think you'll be able to see things at the end of the telephone?" Peggy said, getting up.”
― Virginia Woolf, The Years:

“she had insisted upon showing him her new showerbath. "You press that knob," she had said, "and look—" Innumerable needles of water shot down. He laughed aloud. They had sat on the edge of the bath together. But”
― Virginia Woolf, The Years:

“Then he looked at a car. It was odd how soon one got used to cars without horses, he thought. They used to look ridiculous.”
― Virginia Woolf, The Years: