Dragon Tears Quotes
Dragon Tears
by
Dean Koontz24,277 ratings, 3.78 average rating, 760 reviews
Open Preview
Dragon Tears Quotes
Showing 1-8 of 8
“In real life during the last decade of the twentieth century, Rumpelstiltskin would probably get the queen's daughter. He would no doubt addict her to heroin, turn her out as a prostitute, confiscate her earnings, beat her for pleasure, hack her to pieces, and escape justice by claiming that society's intolerance for bad-tempered, evil-minded trolls had driven him temporarily insane.”
― Dragon Tears
― Dragon Tears
“Sometimes you have to break a rule to save the system.”
― Dragon Tears
― Dragon Tears
“Rush headlong and hard at life
or just sit at home and wait.
All things good and all the wrong
will come right to you: it's fate.
Hear the music, dance if you can.
Dress in rags or wear your jewels.
Drink your choice, nurse your fear
in this old honkytonk of fools.”
― Dragon Tears
or just sit at home and wait.
All things good and all the wrong
will come right to you: it's fate.
Hear the music, dance if you can.
Dress in rags or wear your jewels.
Drink your choice, nurse your fear
in this old honkytonk of fools.”
― Dragon Tears
“He had the restraint that came from training and the capacity for reciprocal affection that in animals—perhaps in people as well—grew from being loved.”
― Dragon Tears
― Dragon Tears
“In other words, life is hard, even cruel – but it’s also what you make of it.’ Putting”
― Dragon Tears
― Dragon Tears
“All the sex education in the world, all the graphic pamphlets on condom use, could be swept aside by one tab of Ecstasy if the user experienced an erotic response, as so many did. How could you remain concerned about disease when the stranger you'd just met was such a soulmate, the yin to your yang, radiant and pure to your third eye, so in tune to your every desire?”
― Dragon Tears
― Dragon Tears
“Four or five hundred people, mostly between eighteen and twenty-five, but some as young as fifteen, were frozen in either the act of dancing or just hanging out. Because the disc jockeys at raves invariably played highly energized techno dance music with a rapidly pounding bass that could shake walls, many of the young celebrants had been Paused in bizarre poses of flailing and gyrating abandon, bodies contorted, hair flying. The men and boys were for the most part dressed in jeans or chinos with flannel shirts and baseball caps worn backward, or with preppy sportcoats over T-shirts, though some were decked out all in black. The girls and young women wore a wider variety of clothes, but every outfit was provocative-tight, short, low-cut, translucent, revealing; raves were, after all, celebrations of the carnal. The silence of graves had replaced the booming music, as well as the screams and shouts of the partiers; the eerie light combined with the stillness to impart an anti-erotic cadaverous quality to the exposed curves of calves, thighs, and breasts.
As he and Connie moved through the crowd, Harry noticed the dancers' faces were stretched in grotesque expressions which probably had conveyed excitement and hopped-up gaiety when they were animated. In freeze-frame, however, they were eerily transformed into masks of rage, hatred, and agony.
In the fierce glow produced by the lasers and spots, and by the psychedelic images that film projectors beamed onto two huge walls, it was easy to imagine that this was no party, after all, but a diorama of Hell, with the damned writhing in pain and wailing for release from their excruciating torment.
By seining out the rave's noise and movement, the Pause might have captured the truth of the event in its net. Perhaps the ugly secret, beneath the flash and thunder, was that these revelers, in their obsessive search for sensation, were not truly having fun on any fundamental level, but were suffering private miseries from which they frantically sought relief that eluded them. ”
― Dragon Tears
As he and Connie moved through the crowd, Harry noticed the dancers' faces were stretched in grotesque expressions which probably had conveyed excitement and hopped-up gaiety when they were animated. In freeze-frame, however, they were eerily transformed into masks of rage, hatred, and agony.
In the fierce glow produced by the lasers and spots, and by the psychedelic images that film projectors beamed onto two huge walls, it was easy to imagine that this was no party, after all, but a diorama of Hell, with the damned writhing in pain and wailing for release from their excruciating torment.
By seining out the rave's noise and movement, the Pause might have captured the truth of the event in its net. Perhaps the ugly secret, beneath the flash and thunder, was that these revelers, in their obsessive search for sensation, were not truly having fun on any fundamental level, but were suffering private miseries from which they frantically sought relief that eluded them. ”
― Dragon Tears
“…you gotta be in sync with the rhythms of destruction…civilization is coming down around our ears…gotta know when to break a rule to save the system…surf on every random wave of madness that comes along….”
― Dragon Tears
― Dragon Tears
