The Masque of the Black Tulip Quotes
The Masque of the Black Tulip
by
Lauren Willig11,607 ratings, 3.93 average rating, 738 reviews
Open Preview
The Masque of the Black Tulip Quotes
Showing 1-6 of 6
“Patience is only a virtue when there is something worth waiting for.”
― The Masque of the Black Tulip
― The Masque of the Black Tulip
“Miles was still mourning the loss of his Romantic Plan. 'There was going to be champagne, and oysters, and you' -- he held out both hands as though shifting a piece of furniture -- 'were going to be sitting there, and I was going to get down on one knee, and...and...”
― The Masque of the Black Tulip
― The Masque of the Black Tulip
“That was the problem with snide comments; they invariably lost all their punch on repetition. Besides, when facing impending death, what did the odd witticism matter?”
― The Masque of the Black Tulip
― The Masque of the Black Tulip
“Right now, I couldn't have cared less if someone had waltzed across the room in a large flower costume with a sign saying GET YOUR BLACK TULIPS HERE. Every nerve in my body was on man-alert, screaming, "incoming!”
― The Masque of the Black Tulip
― The Masque of the Black Tulip
“Crossing my arms over my chest, I said, a little too heartily, “So this is the library.” There certainly couldn’t be any doubt on that score; never had a room so resembled popular preconception. The walls were paneled in rich, dark wood, although the finish had worn off the edges in spots, where books had scraped against the wood in passing one too many times. A whimsical iron staircase curved to the balcony, the steps narrowing into pie-shaped wedges that promised a broken neck to the unwary. I tilted my head back, dizzied by the sheer number of books, row upon row, more than the most devoted bibliophile could hope to consume in a lifetime of reading.
In one corner, a pile of crumbling paperbacks—James Bond, I noticed, squinting sideways, in splashy seventies covers—struck a slightly incongruous note. I spotted a moldering pile of Country Life cheek by jowl with a complete set of Trevelyan’s History of England in the original Victorian bindings. The air was rich with the smell of decaying paper and old leather bindings. Downstairs, where I stood with Colin, the shelves made way for four tall windows, two to the east and two to the north, all hung with rich red draperies checked with blue, in the obverse of the red-flecked blue carpet. On the west wall, the bookshelves surrendered pride of place to a massive fireplace, topped with a carved hood to make Ivanhoe proud, and large enough to roast a serf. In short, the library was a Gothic fantasy.”
― The Masque of the Black Tulip
In one corner, a pile of crumbling paperbacks—James Bond, I noticed, squinting sideways, in splashy seventies covers—struck a slightly incongruous note. I spotted a moldering pile of Country Life cheek by jowl with a complete set of Trevelyan’s History of England in the original Victorian bindings. The air was rich with the smell of decaying paper and old leather bindings. Downstairs, where I stood with Colin, the shelves made way for four tall windows, two to the east and two to the north, all hung with rich red draperies checked with blue, in the obverse of the red-flecked blue carpet. On the west wall, the bookshelves surrendered pride of place to a massive fireplace, topped with a carved hood to make Ivanhoe proud, and large enough to roast a serf. In short, the library was a Gothic fantasy.”
― The Masque of the Black Tulip
“he just didn’t want to share him with anyone. Ever. She wanted to be the person his eyes sought out in a crowded ballroom, the person he nudged when he had a really smashing joke he just had to tell, the first person he saw when he woke up in the morning, and the last person he spoke to when he went to bed at night. She wanted to be the one whose ear he whispered in at the opera, and the one perched next to him in his alarmingly tottery phaeton when he drove in the park at five.”
― The Masque of the Black Tulip
― The Masque of the Black Tulip
