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Ben Lerner17,474 ratings, 3.80 average rating, 3,119 reviews
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“Unconscious inference, our brain guessing, making us hear what it thinks is likely there. We hear as if.”
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“It is one thing to fail to provide for your children because you live under brutal material conditions, because you are impoverished or displaced, because your city is being firebombed; it is another to have every privilege, every resource, every organic berry and cut of grass-fed beef, and to see your child starve herself, to see her—this is how it felt—refuse life, the life you have offered. Is it because the life on offer is a lie? Is it because she knows that privilege involves the immiseration of others? is it because she registering a sense of futurelessness, catastrophe—fires, floods, fascism? Of course she couldn't tell us; she didn't have the language for it.”
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“kept seeing the flowers as organic one instant and as artificial the next, a kind of duck–rabbit effect, not between things the object might represent, but between nature and culture, the given and the constructed.”
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“I was astonished by what I saw. I couldn’t quite believe that this moth orchid was glass, that this pear blossom was lampwork, that these objects had been blown and shaped and painted, that these impossibly delicate things were the result of a thousand rapid choices and adjustments, movements of the hand. (That I’d recently read about the firebombing of Dresden in one of my classes with Thomas, seen slides of the ruined city, added another layer of pathos to the brittle flowers.) I joked with Anisa that these must be actual plants that some conceptual artist was claiming were glass—they probably replaced them each night—but the joke masked the flowering of a new sense: I kept seeing the flowers as organic one instant and as artificial the next, a kind of duck–rabbit effect, not between things the object might represent, but between nature and culture, the given and the constructed. And I carried this new way of looking, or this new hinge in my looking, outside the museum: when my sister dragged me camping, for instance, I was typically unmoved by “unspoiled” mountain views; after the glass flowers, I would see cracks in the rock face as penciled, as a history of small decisions, and then experience the view as beautiful. I could will myself to see the rose and pink of a sunset as applied in touches or stains and then revert to seeing it as natural; and so on. It was with Anisa that I first became conscious of this quiet but crucial technique, somewhere between a child’s game, a CBT exercise, and a religion. Eventually I’d call this “fiction.”
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“extend the dream when we share it. You call it fiction, but it is more. Like the eyes, all dreams are brown until they are shared. You asked me a beautiful question when you were a child: Were there dreams before cinema? And”
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“(Anisa was studying musicology; she was always saying things I only half understood about the gamelan.)”
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“That afternoon Adelle and I had a lunch date, and I confessed to her all that I'd said the night before. She was livid, furious, until I just started crying - maybe one of three times I'd managed to cry in ten years - blubbering in this bustling restaurant about how I just didn't know what to do, how scared and ashamed I was, and then Adelle started crying as well. Two parents, two lawyers, two self-loathing elites, weeping over overpriced salads - people at the other tables pretending not to look - because our child, for reasons we couldn't fathom, would not let nourishment pass her lips, because we'd failed to help our child thrive. The shame would be difficult to overstate. It is one thing to fail to provide for your children because you live under brutal material conditions, because you are impoverished or displaced, because your city is being firebombed; it is another to have every privilege, every resource, every fucking organic berry and cut of grass-fed beef, and to see your child starve herself, to see her - this is how it felt - refuse life, the life you have offered. Is it because the life on offer is a lie? Is it because she knows that privilege involves the immiseration of others? Is it because she is registering a sense of futureless -”
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“But I couldn't attend to the poems. I wanted -- I needed -- to check my texts, my email, to swipe and scroll and photograph, to frame and filter and archive, to share my location, etc., so as not only, not fully, to be where I was; since at least 2008, to be where I was was too much for me, or too little.”
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“You call it fiction, but it is more.”
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