The Last Camellia Quotes

“I've come to realize that you can fight a lot of things in life, but you can't help who you love. You can't change who your heart chooses. I'm afraid that very fact will be the greatest tragedy of my life.”
― Sarah Jio, The Last Camellia

“The truth of the matter is that we always know the right thing to do. The hard part is doing it.”
― Sarah Jio, The Last Camellia

“People are much like those stars up there. Some burn faintly for millions of years, barely visible to us on earth. They're there, but you'd hardly know it. They blend in, like a speck on a canvas. But others blaze with such intensity, they light up the sky. You can't help but notice them, marvel at them. Those are the ones that never last long. They can't. They use up all their energy quickly”
― Sarah Jio, The Last Camellia

“The stars have their own language, you know. If you're careful, you can learn it.”
― Sarah Jio, The Last Camellia

“I walked to the bookcase and examined the storybooks inside. As a girl, I had dreamed of having stacks of books at my disposal--stories to get lost in, other worlds to live in when mine was so bleak.”
― Sarah Jio, The Last Camellia

“The old woman paid no attention to the camellia until that morning, when a fleck of pink caught her eye. The single saucer-size blossom was more magnificent than she could ever have imagined. More beautiful than any rose she'd ever seen, it swayed in the morning breeze with such an air of royalty, the old woman felt the urge to curtsey in its presence.”
― Sarah Jio, The Last Camellia

“It is funny how our past comes back around to find us again.”
― Sarah Jio, The Last Camellia

“There is so much beauty here, and yet it's hardly even acknowledged.”
― Sarah Jio, The Last Camellia

“I turned away. I couldn't hold his gaze for fear that my eyes would project the hurt, the pain I kept buried inside.”
― Sarah Jio, The Last Camellia

“Janie ran to my side, where she tugged at the book eagerly as though she'd seen it before. "Flower book," she said, pointing to the cover.
"Where did you find Mummy's book?" Katherine asked, hovering near me.
Cautiously, I revealed the book as I sat on the sofa. "Would you like to look at it with me?" I said, avoiding the question.
Katherine nodded and the boys gathered round as I cracked the spine and thumbed through page after page of beautiful camellias, pressed and glued onto each page, with handwritten notes next to each. On the page that featured the 'Camellia reticulata,' a large, salmon-colored flower, she had written: 'Edward had this one brought in from China. It's fragile. I've given it the garden's best shade.' On the next page, near the 'Camellia sasanqua,' she wrote: 'A christmas gift from Edward and the children. This one will need extra love. It hardly survived the passage from Japan. I will spend the spring nursing it back to health.'
On each page, there were meticulous notes about the care and feeding of the camellias- when she planted them, how often they were watered, fertilized, and pruned. In the right-hand corner of some pages, I noticed an unusual series of numbers.
"What does that mean?" I asked the children.
Nicholas shrugged. "This one was Mummy's favorite," he said, flipping to the last page in the book. I marveled at the pink-tipped white blossoms as my heart began to beat faster. The Middlebury Pink.”
― Sarah Jio, The Last Camellia

“I took a cautious step inside, marveling at the sight before me. A vast conservatory awaited, or what 'once' was a conservatory. Sunlight beamed through the enormous glass roof. I realized that its position at the center of the house precluded its visibility from below. In awe, my heart beating wildly, I lingered in an arbor covered with bright pink bougainvillea, with a trunk so thick, it was larger than my waist. Most of it had died off, but a single healthy vine remained, and it burst with magenta blossoms. I could smell citrus warming in the sunlight, and I immediately noticed the source: an old potted lemon tree in the far corner. 'This must have been Lady Anna's.'
I walked along the leaf-strewn pathway to a table that had clearly once showcased dozens of orchids. Now it was an orchid graveyard. Only their brown, shriveled stems remained, but I could imagine how they'd looked in their prime. I smiled when I picked up a tag from one of the pots. 'Lady Fiona Bixby. She must have given them her own names.' Perhaps there hadn't been anything sinister going on in the orchard, after all. Lady Anna was clearly a creative spirit, and maybe that played out in her gardens and the names she gave to her flowers and trees.”
― Sarah Jio, The Last Camellia

“I was too awestruck to speak. Vines of bright pink flowers danced over a wrought-iron arbor. I recognized them immediately as the very same variety, bougainvillea, that grew in Greenhouse No. 4 at the New York Botanical Garden. Just beyond, two potted trees stood at attention- a lemon, its shiny yellow globes glistening in the sunlight, and what looked like an orange, studded with the tiniest fruit I'd ever seen.
"What is this?" I asked, fascinated.
"A kumquat," she said. "Lady Anna used to pick them for the children." She reached out to pluck one of the tiny oranges from the tree. "Here, try for yourself."
I held it in my hand, admiring its smooth, shiny skin.
I sank my teeth into the flesh of the fruit. Its thin skin disintegrated in my mouth, releasing a burst of sweet and sour that made my eyes shoot open and a smile spread across my face. "Oh, my," I said. "I've never had anything like it."
Mrs. Dilloway nodded. "You should try the clementines, then. They're Persian."
I walked a few paces further, admiring the potted orchids- at least a hundred specimens, so exquisite they looked like Southern belles in hoop skirts. On the far wall were variegated ferns, bleeding hearts, and a lilac tree I could smell from the other end of the room.”
― Sarah Jio, The Last Camellia

“I wanted to take a photo of his face just then. That boyish grin. That look of love, of contentedness. Couldn't he see? We didn't need children to complete us. We were already complete. I had my flowers and plants, and he had his writing. Wasn't that enough? Didn't he love the ebb and flow of our life together just as it was? The way I'd race home for dinner with a basket brimming with vegetables from the market or a handful of herbs from a garden project, eager to read the pages he'd written that day. Didn't he love, as I did, the quiet mornings we spent in our garden, sipping espresso and discussing our latest venture to a flea market in Queens or an antiques shop in Connecticut? Once we carted an enormous painted dresser to a taping of 'Antiques Roadshow' only to find that the piece was made in China. I grinned at the memory.”
― Sarah Jio, The Last Camellia

“Yes, I had dreamed of becoming a botanist, my entire life, really. I'd thought a great deal about the various species of maple and rhododendron while braiding challah, and I'd successfully planted a wisteria vine in a large pot and trained it over the awning of the bakery. And at night, after we closed shop, I volunteered at the New York Botanical Garden. Sweeping up cuttings and fallen leaves hardly seemed like work when it provided the opportunity to gaze into the eye of a Phoenix White peony or a Lady Hillingdon rose, with petals the color of apricot preserves.
Yes, horticulture, not pastries, was my passion.”
― Sarah Jio, The Last Camellia

“I sighed, looking down at the book in my hands. The Years. I rested my elbow against the arm of the couch and cracked the spine. It had the feel of a book that hadn't been touched in decades, creaking, as if to say ahhh.”
― Sarah Jio, The Last Camellia

“My eyes blinked like a camera shutter clicking through the frames of my life, except the images were mismatched and haphazard: a ragged-looking doll with a rose-colored dress; crocheted white baby mittens, slightly unraveled; a row of tulips, vibrant red; Rex's smile; a rusty weather vane whirling in the wind.
My eyelids fluttered, fighting to remain open, but when they closed, the welcoming image that waited beckoned me to stay, promising to give me the comfort, the peace I longed for.
The camellias.
I could see them, seemingly endless rows of big, bushy green trees with waxy leaves and showy flowers the size of saucers. Pinks, reds- bursting into bloom, as if they'd been painted by the Queen of Hearts.”
― Sarah Jio, The Last Camellia

“I placed the tubes of paint on the palette and selected a small canvas. I prepared the palette with an assortment of colors, then closed my eyes, remembering the way the moors had looked when I rode into town with Lord Livingston. He'd been so different on that drive into the village before he left for London. Had that been the side of him that Lady Anna had fallen in love with? I dipped my brush into the black paint and then mixed in some white until I'd created the right shade of gray, then touched the brush to the canvas. I loved the feeling of the paintbrush in my hand. He'd been kind to buy me the art supplies, but I remembered how he'd behaved in the dining room and at other times before that. 'How could he be so cruel, so unfeeling?'
Once I'd painted the clouds, I moved on to the hills, mixing a sage green color for the grass and then dotting the foreground with a bit of lavender to simulate the heather. I stepped back from the canvas and frowned. It needed something else. But what? I looked out the window to the orchard.
The Middlebury Pink. 'Who took the page from Lady Anna's book? Lord Livingston?' I dabbed my brush into the brown paint and created the structure of the tree. Next I dotted the branches with its heart-shaped leaves and large, white, saucer-size blossoms with pink tips.”
― Sarah Jio, The Last Camellia

“You know, I've thought an awful lot about this, and I think that people are much like those stars up there. Some burn faintly for millions of years, barely visible to us on earth. They're there, but you'd hardly know it. They blend in, like a speck on a canvas. But others blaze with such an intensity, they light up the sky. You can't help but notice them, marvel at them. Those are the ones that never last long. They can't. They use up all their energy quickly.”
― Sarah Jio, The Last Camellia

“I had come to love the space, and I could see why Lady Anna had too. The orchids were positively glorious. She'd tagged each flower with its proper botanical name, but I favored the pet names she'd given each bloom. For instance, a stunning pink 'Cattleya' was named "Lady Catalina." And a yellow 'Oncidium,' which to me looked like a flock of ladies in fluffy party dresses, was called "Lady Aralia of the Bayou.”
― Sarah Jio, The Last Camellia

“I looked up at the moon and stars through the glass roof above and gasped at the stunning sight, like a mural painted by a great artist. No wonder Lady Anna had loved this place.
I walked to the orchids and plucked a weed from a small terra-cotta pot that held a speckled pink and white flower. "There you are, beautiful," I whispered, releasing a patch of clover roots from the bark near the orchid's stem. "Is that better?" In the quiet of the night, I could almost hear the flower sigh.
I walked to the water spigot and filled a green watering can to the brim, then sprinkled the flower and her comrades. I marveled at how the droplets sparkled in the moonlight.”
― Sarah Jio, The Last Camellia

“Past their normal blooming season, the trees had shed many of their blossoms, but the ones that remained were vibrant and showy, like the finale of a fireworks show. Up close, the trees did not disappoint. I stared up in awe at a yellow blossom, touching its petals lightly and breathing in the balmy, lemony scent.”
― Sarah Jio, The Last Camellia

“I've come to realize that you can fight a lot of things in life, but you can't help who you love. You can't change who your hear chooses. I'm afraid that very fact will be the greatest tragedy of my life.”
― Sarah Jio, The Last Camellia

“Invasive plants were like all evil things; the only way to ensure that they wouldn't return was to face them head-on, battle it out, and win. Anything else was only a temporary fix. I sighed, thinking of my own life. I was letting the weeds grow all over me. They were threatening my happiness and, in some ways, my life. So why couldn't I face them?”
― Sarah Jio, The Last Camellia