Move Over Darling Quotes

“There are no guarantees with love,’ her father said, reading her mind. ‘You can’t hold some of it back, like a deposit, so you can get your money back if something goes wrong. You have to give yourself wholeheartedly, whatever the cost.”
― Christine Stovell, Move Over Darling

“Outside, the sunlight had turned pale lemon, but the studio remained cool. The white walls and white-tiled splashback behind the sink were made more clinical by the metal tables which looked as if they’d originally been intended for use in an operating theatre. Even though they were laid out with brushes and paints rather than forceps and retractors, the effect was equally daunting; both sets of tools could open you up in strange and unexpected ways.”
― Christine Stovell, Move Over Darling

“Kitty waved her free hand to show that she was ok, although she was very tempted to stand over one of Adam’s window-washing puddles and pretend her waters had broken just to see what he would do.”
― Christine Stovell, Move Over Darling

“I believe in making my potential models comfortable,’ he explained when she shot a surprised look at him. ‘I’m considerate, unlike some artists who bend their sitters into difficult positions and expect them to stay there for hours. My demands are entirely reasonable.’
For a moment, her libido got interested in his demands. What would it be like to listen to the soft caress of his voice as he told her how he wanted her? To have those midnight-blue eyes roam over every inch of her body? To be passive, helpless, whilst he did whatever he pleased?”
― Christine Stovell, Move Over Darling

“[while dancing] The man who was supposed to be her new partner had taken the caller’s final instruction to extremes. From the way Adam’s mouth was locked against Kitty’s he seemed to be anticipating not a temporary split but a lengthy separation. More of a French Fancy than a farmer’s fancy, thought Coralie.”
― Christine Stovell, Move Over Darling

“Coralie Casey was the kind of woman calories were made for; that dewy peaches-and-cream complexion, glossy cherry lips, the succulence of her body beneath that orange, silky dress. A cornucopia of curves, you could say, except it was probably better not to think about horns of plenty.”
― Christine Stovell, Move Over Darling

“She had offered to drive, not least because it would have given her some control over the evening, but Gethin had raised an eyebrow and told her he liked a more comfortable ride. She assumed it was a reference to her van rather than some frank over-sharing.”
― Christine Stovell, Move Over Darling

“He’s been a bit grumpy since Potato Day.’
She heard Gethin choke back a laugh.
‘He set up an all-day workshop on all things potato after reading up about successful winter events at other nurseries,’ she went on, unable to hide her own amusement. ‘It was a terrible failure. Hardly anyone turned up apart from our poet, Wilfie, who wrote a Potat-Ode to celebrate the occasion.”
― Christine Stovell, Move Over Darling

“[Gethin] was used to New York and schlepping down to Buddakan or a trendy bistro in Manhattan’s meatpacking district or some other hip and happening joint, she thought, running out of ‘Sex and the City’ hotspots. Welsh cuisine probably wasn’t sexy enough for him now, but once you got over the sight of laver bread and cockles, all that iodine was supposed to do wonders for your love life. On the other hand, Gethin Lewis didn’t look like a man who needed any chemical crutch to boost his libido.”
― Christine Stovell, Move Over Darling

“By day, it was merely the Lane That Time Forgot; perfect for a bygone age when a pony and trap might have trotted merrily down to the village and back, but less suited to modern requirements and any car without a ‘thin’ button.”
― Christine Stovell, Move Over Darling